A Diary in the Age of Water follows the climate-induced journey of Earth through four generations of women with a unique relationship to water. What was the inspiration for the setup to this riveting novel?
It started with one of my short stories: “The Way of Water”. I’d been asked by my publisher in Rome (Mincione Edizioni) to write a speculative socio-political short story about the environment—water, particularly. I wanted something ironic, so I chose water scarcity in Canada, a nation rich in water. The story was about young Hilde—the daughter of the diarist in the novel—who was dying of thirst in Toronto. This is a Toronto under the control of the international giant water utility CanadaCorp—with powers to arrest and detain anyone. A world in which China owns America and America, in turn, owns Canada. I realized that I needed a larger story: on how Canada became this water-scarce nation as indentured state; more on Hilde’s mysterious limnologist mother, Lynna (the diarist in the novel); and more on what happens next (explored through Kyo and her strange world of the future).
Kyo is an intriguing and well developed character. What were some driving ideals behind the character’s development?
Kyo starts and ends the story in the sacred boreal forest of the far future. she’s a blue-skinned multi-armed human being—essentially a water-being—looking for answers why the world is the way it currently is due to climate change and other things humanity has caused. She frames the gritty diary part of the story. Kyo represents the future. She’s also a young girl, and in some ways, her part of the story is a coming of age, of self-discovery and growing maturity. Given her metaphoric connection to water, the planet and a new humanity of sorts, Kyo’s character serves as a metaphor for humanity and its own coming of age.
The novel expertly captures a post-climate changed world and the changes it effects on society. What were some themes that were important for you to focus on in this book?
A Diary in the Age of Water is a cautionary dystopian tale that is based on real events and precedents. This is partly why I wrote some of the book as a diary. The diarist—Lynna—is a limnologist who sees what is going on but because she is right in the middle of it, she lacks the perspective to recognize the gravity of some of the things she is witnessing and doing herself. She exercises a myopic protectionism that backfires on her time and time again. Perhaps the main theme of this book is one of perspective and how that perspective can influence actions and reactions in surprising ways. Information and knowledge isn’t enough—as Lynna demonstrates. Context and understanding, fueled by compassion and kindness must accompany it.
Ultimately, the book carries themes of hope and forgiveness—of ourselves and each other—and compassion for all things, starting with water. Each character carries an aspect of that theme, from the diarist’s activist mother, to the diarist’s own cynical protectionism, her spiritual anarchist daughter, and lastly the innocent storm of the last generation.
What is the next book that you are working on and when will it be available?
I’m currently researching and working on the sequel to “A Diary in the Age of Water”—a thriller about four lost and homeless people who find their way when a phenomenon brings them together through a common goal to free the Earth from the manacles of human greed. The story takes place throughout Canada—from Halifax to Vancouver and the Arctic. It takes place mostly during the 2050s, and features a few ghosts, the Halifax 1917 Explosion, experimentation on humans, espionage, murder, and—of course—a plague. I’m calling it my COVID19 novel…
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Epiphany’s Gift follows one young girl through her life as she struggles to cope with an extraordinary gift. What was the inspiration for her gift and the struggles she faced?
As a child, I had several powerful “visions” and/or paranormal experiences. Because the experiences were so exciting and so unusual, I was surprised to find that when I talked about these experiences, adults didn’t want to hear about it. They told me it was my imagination. Or worse. So, I stopped talking to anyone and kept my experiences to myself. Later, I began to read about other people who had unusual “visions.” I began to study the writings of religious mystics and found many similarities to my own encounters with “another level of existence.” In 1979, I met a psychic medium and we became friends. Although my “mystical” experiences were not the same as her “impressions,” we found we had a lot in common and have remained friends ever since.
I really enjoyed the well developed character in the book. Was there anything taken from your own life and put into the story?
Along with my childhood experiences, I included a number of “autobiographical” elements in the story. One is my work as an art historian and my fascination with artists such as William Blake and his visionary illustrations, especially the works he did of Dante’s Inferno. I also incorporated my interest in Asian art and culture in the character of Maro Guido, an art crimes investigator who is half Japanese. I wanted to explore his views about art from a non-Western perspective. And, I set Epiphany’s Gift in southern Ohio where I lived for four years while attending Ohio University. I was fascinated with Appalachian culture and wanted to immerse myself in the area and its special landscape.
This book blends several genres exceptionally well. Was this your intention or did this happen organically while writing?
When I first started writing Epiphany’s Gift, I intended to create a series of stories that combined paranormal events with art crimes. I wanted my readers to understand the problem of art theft and the significance of taking cultural treasures out of the public arena and into private collections where they are only seen by a few individuals. I believe that art has a lot to teach us about how our civilization developed and why we are who we are. So, I think that art belongs in a larger world that is open to the public.
But I also wanted to explore the issue of climate change and environmental degradation. I was encouraged by Dan Bloom, a climate activist and editor of the Cli-Fi Report, to explore various aspects of global warming and its consequences in my writing. In Epiphany’s Gift I take on the issue of fracking and its consequences. In subsequent books, I plan to focus on a number of climate-related issues including the spread of tropical diseases, effects on water resources, and catastrophic weather events.
So, my stories will be about paranormal events, art crimes and global climate change. Something for everyone!
When will this book be available and where can readers pick up a copy?
I’ve just sent the manuscript off to the publisher, so I expect the book will be available in May or June 2019. It will be available on Amazon, through Archway Publishing, and on my website: www.mallorymoconnor.com. Hopefully, it will later be available at libraries and bookstores. Connect with me through my website and I’d be happy to answer questions.
For thirty years, Epiphany Mayall has worked as a psychic medium in the small Spiritualist community of Cassadaga, Florida. But when she returns to her childhood home in Mt. Eden, Ohio, to visit her aging mother, she finds that the rural community is reeling from a series of alarming events. The pristine world of her childhood is being destroyed. Wells and creeks are polluted, and earthquakes have become a frequent danger.
Epiphany’s former professor and mentor, art historian Dr. John Bernhardt, believes that the problems are the result of fracking operations that are being carried out by an energy corporation in the region, and that someone from the company is also connected with the disappearance of an illustration of Dante’s Inferno from the university museum. Bernhardt writes an article for the local newspaper about his theory, but the next day he is found dead. When John’s ghost appears to Epiphany and tells her that he was poisoned, she becomes determined to find the answers to several questions: who is responsible for the environmental disaster, who stole the illustration of Dante’s Inferno from the university museum, and who murdered Professor Bernhardt?
Aided by art crimes investigator, Maro Gaido, and by Blake King, an eccentric local artist, Epiphany tries to put together the pieces of a disturbing puzzle, but finds her efforts thwarted at every turn. Even a State Senator cannot help. As the earthquakes escalate, Epiphany begins to wonder if even her psychic gifts are enough to find the answers before it’s too late to save her loved ones from disaster.
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Extinction 6 is a vivid and detailed story about Earth’s 6th extinction event and the effort to try and stop it. What was your inspiration for the idea behind this novel?
Based on recent papers in Nature and Science, it looks like global warming is accelerating. We have until 2030 to make significant chances to our greenhouse gas emissions or we face irreversible changes to the climate. I wanted to bring awareness to this issue by painting a picture of a world devastated by global warming
There are many interesting characters throughout the novel. Who was your favorite character to write for?
Manos Kharon, the billionaire who would rather destroy the Earth than see his profits fall.
This novel touches heavily on climate change and global warming. Is this something that you think is only science fiction, or is it a serious concern?
You can read this article for yourself – https://www.cnn.com/2018/10/07/world/climate-change-new-ipcc-report-wxc/index.html
What is the next book that you are writing and when will it be available?
I will hold off writing any more novel until I retire. It will be far more fun to write when I don’t have a day job 🙂
By mid century, Arctic oil drilling accelerates global warming and triggers famine and world war. A team at Google launches Project Titan to reverse climate change and end fossil fuel addiction. Without a radical solution, humanity faces catastrophe.
Earth’s sixth mass extinction is underway. One hope remains.
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Extinction 6 by Hosein Kouros-Mehr is a fascinating novel that finds itself straddling a variety of themes, writing styles, and motifs. In this novel, one can witness the conjunction of several major literary genres. From bleak dystopian imagery and post-apocalyptic ruin to deeply intense mystery and intrigue, Extinction 6 provides enough twists and turns to keep any reader engaged. Taking place in the year 2066, the reader is introduced to a world mostly underwater. Following a sharp rise in global temperatures by an average of 8 degrees Celsius, sea levels drastically increased and major settlements like San Francisco were submerged. In conjunction, animals and plants have completely vanished. Beyond this, the world appears to be plagued by war and corporate espionage. Battles for oil fields and small scraps of territory appear to occur daily, while depressing news bulletins ring out, highlighting decreases in rations or celebrating the smallest of military victories. In this dystopian future, greenhouse gases continue to be pumped at alarming rates, and it becomes clear to some that the world is facing its sixth, and potentially last, extinction crises.
Hosein Kouros-Mehr expertly uses this setting to deliver a story that is captivating and vividly written. There is a profound amount of world building conducted in this novel and the story’s framing gives readers a holistic experience at what life in this dreary world would look like. Through the use of multiple perspectives and point of views, Hosein Kouros-Mehr provides readers with an inside and personal look at the various dimensions that take place in this world. In some chapters, readers will become intimate with a forlorn lover embroiled in major geopolitical developments. Other sections masterfully showcase the experiences of an aggressive and cunning CEO. These different perspectives are woven in a way that provides keen connections and startling insights.
The writing itself is suspenseful and tense. The diction wastes no time in putting the reader through long segments of empty description and word padding. Every sentence is deliberate and has a definite sense of immediacy. Every word counts in a world that is slowly ticking towards oblivion. This is aided by Hosein Kouros-Mehr’s wonderful sense of pacing. While the writing is forward facing, it still gives readers the time to engross themselves in the world. Details about the major corporations and the nations that inhabit this world are peppered in where needed and helps to provide depth to the world. Many of these elements come into play throughout the course of the novel, and the pace in which these details become relevant greatly benefits Kouros-Mehr’s deliberate writing style. If there is any issue in the way in which Hosein Kouros-Mehr presents his work, it is the fact that the large cast of characters can lead to some confusion. This is somewhat alleviated by the clear characterization and literary role each character plays, and as a whole, this critique does not detract from the novel.
Extinction 6 by Hosein Kouros-Mehr is an incredibly tense story about what our future could easily look like.
Pages: 248 | ASIN: B07HB5Q24P
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In the year 2086, Earth is exhausted. The seas have been emptied, the bedrock and soil stripped of their resources, and the superheated atmosphere churns with terrible storms. Those who can afford to do so live in the limbo of virtual reality, and the billions who suffer in poverty have no work, no clean water, and no security from the chaos.
The only hope for those trapped on a dying Earth are the Changed—the seven bioengineered post-humans who work in their separate manufacturing facilities orbiting high above the planet. Raised from birth for their work and fully matured at ten years old, their genius provides the nanomaterials that have begun to cleanse Earth of the pollutants that have wiped out almost the entire ecosphere.
But for Olga Voronov, youngest of the Changed, the isolation and endless toil are not the greatest of her challenges. Down on Earth there are those who resent and fear her talents—and would prefer that humanity not be given the second chance that only she could make possible…
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