Mylee in the Mirror explores young romance and school drama with an infusion of Greek Mythology. What were some themes you wanted to continue from your first book and what were some new ideas you wanted to explore?
Well, in Daisy, Bold & Beautiful I wanted to create a situation for my main character that would demonstrate the same moral of the story that I find within Persephone’s story – it is important to stand up for yourself. The story in Mylee In The Mirror is very different, but I arrived at it in the same manner – I wanted a story that would demonstrate the moral of the story I find in Aphrodite’s story – you can’t force someone to love someone else. I hope to do that with all the books in this series – decide on a moral of the story for each god/goddess featured in the book and create a story that demonstrates that moral.
I enjoyed Ty and My’s characters and interactions. What was the inspiration for their relationship?
Hmmm… well, I didn’t really have a specific relationship in mind when I was writing it. I developed each character (for instance, Ty is loose combination of my [real life] Trampoline & Tumbling teammate, Ty, my dad, and my brother, Will), then had them interact the way I imagined those characters would interact with each other. I have a friend, Peter, who I joke around with, kinda like Mylee and Ty joked around together, but My & Ty were friends longer than Pete and I have been and they’re closer than Pete and I are.
How has your writing developed and changed from book one in your Greek Mythology Fantasy Series?
I don’t know exactly how my writing developed and changed from Daisy to Mylee, but this book was really different to write because Daisy was all about 6th graders and I was a 6th grader when I was writing it, so I could really relate to what they were doing and how they were acting. Mylee is about ninth graders AND Ty was my first male main character. Obviously, I don’t know anything about being a boy, and certainly not a 9th grade boy, so I had to talk with my brother quite a bit to decide what Ty would do and how he would act. I also talked quite a bit with my mom about the two moms in the story and Grammy Jean. Grammy Jean was based on my real-life great grandmother, who passed away last winter. The character wasn’t exactly like my Grammy Jean, but pretty close. So, I guess I can say I worked more and worked harder this time trying to understand motivations to make the characters feel really real, know what I mean?
What are you currently writing and when will it be published?
I’m just starting work on book 3. This will feature my first god (instead of a goddess), and the main character will be a boy this time. I hope to be done with it sometime this spring, so hopefully it’ll be published sometime in the summer. I’ve been busy, though, because this is competition season for both my gymnastics team and my tramp & tumble team. Last weekend we traveled down to Oregon for a meet and this weekend we fly to Reno, Nevada for another one. Between all that and school there isn’t a ton of time for writing, but I’m really anxious to share this next story, so I’ll find the time! 😊
Freshman year is just starting, and already Mylee fears her family is falling apart. She’s not interested in dating or any of the high-school drama it brings, but that’s just what she gets when Sam, the most popular guy at school, invites her to the Homecoming dance. Mylee needs advice, so she summons Aphrodite, Goddess of Love and Beauty, her secret confidant.
Tyler is worried about Mylee, his best friend and teammate. Already sad about her family woes, he’s livid that Slimeball Sam is trying to ooze his way into her life. And she seems to be falling for Sam’s act! Worse, Ty is worried all this attention from such a popular guy will place Mylee officially out of his league.
What does an ancient Greek goddess know about modern teenage romance? Can My and Ty save their friendship and discover what matters most?
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Mylee is experiencing one of the most trying times in her young life. Not only is she watching solemnly as her parents’ marriage hits its rockiest stretch to date, she is unable to convince her mother that she is happier and more productive not being a cheerleader. To top it off, Mylee should be having the time of her life as she seems to have caught the eye of the school’s most desired boy–real homecoming king material. Mylee just can’t seem to catch a break. When her beloved Grammy, her confidante, moves into a new apartment farther from Mylee’s home, the struggle becomes even more real.
Ellie Collins’s second book in her Greek mythology series, Mylee in the Mirror, is a fantastic follow up to her first, Daisy Bold and Beautiful. This young adult fiction series is shaping up to be an artfully designed set of books with well-developed characters and engrossing plot lines. Collins is a master at incorporating current teen culture and dialogue. Her writing flows smoothly, and her characters seems to jump off the page–especially her main characters. Mylee and Ty are an adorable pair and their friendship leaves the reader rooting for them from their very first interaction. Collins seems to have a knack for drawing a thoroughly detestable antagonist. Sam is clearly sketched as the villain, and the dialogue she has given him keeps readers focused on exactly how wonderful Ty is for Mylee–writing perfection.
Collins manages to tap into complex relationships quite easily whether it be the parent-child relationship or the ever-evolving relationships between teen friends. She pinpoints the drama that so easily arises between girls over potential love interests while at the same time highlighting how easily true friends are able to see the wolf in sheep’s clothing.
I am, again, intrigued by Collin’s use of Greek mythology in her plots. She pulls the story of her grandmother’s mirror and the tale of Aphrodite almost effortlessly into what, otherwise, reads as young adult fiction. The fact that Mylee is able to keep her experiences to herself and use what she learns from her encounters with the mirror is a truly unique approach in this genre.
Collins is an author to be watched in the coming years. The ease with which the words flow from her mind to the paper is to be envied indeed. Her writing is phenomenally engaging, and I look forward to seeing more from her series in the future. I highly recommend her writing to any parent of young teens looking to engage their children in well-written and timely books.
Pages: 180 | ASIN: B07JZKV317
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The sequel to the wonderful debut series The Sky Throne, we find young Zeus struggling with forces from beyond Mount Olympus in The High Court. The book picks up after there has been a lull after the tumultuous events of the previous book, with Hyperion and Kronos both being tried for crimes and will be hopefully brought to justice soon. It is when these trials grow near that the school, which is already underway with a new semester, when giants attack and force the occupants to flee. Zeus in the meantime is poisoned and will have to find a cure, before he succumbs the toxin.
Ledbetter is not letting his heroes off easy in this next book and as is tradition with second books of a series, the stakes are even higher than before. It is clear that his style and refinement in the craft is better handled than in the previous book. The characterization of Zeus also seems to be maturing somewhat, which fits because the characters are getting slightly older as time on Olympus passes.
The world building of this series continues to amaze, since not since Percy Jackson has an author created such a self-contained world of mythology and used it to such effect. It would be derivative to compare it to the likes of Harry Potter or other classic series where the majority of action and story happens at a school, but Ledbetter uses this setting to his advantage at every turn.
The only true issues that come up in this book, is the pacing. It’s hard to say if this book is the middle book of trilogy or another episode of a series, since there are places where the plot kind of peters out. This is made up for the stylized action sequences, but it is still something to be wary of when moving forward through the narrative.
All in all, Ledbetter has written another great installment in his Greek mythology series and anyone who enjoys fantastical settings and compelling, fun characters would be remiss to skip this series. Looking forward to the next entry of The Sky Throne.
Pages: 334 | ASIN: B07F453DQ3
Tags: action, adventure, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, chris ledbetter, ebook, fairy tale, fantasy, fiction, goodreads, greek, harry potter, hyperion, ilovebooks, indiebooks, kindle, kobo, kronos, literature, mount olympus, myth, mythology, nook, novel, percy jackson, publishing, read, reader, reading, roman, shelfari, smashwords, story, teen fantasy, teen fiction, The High Court, the sky throne, writer, writer community, writing, YA, young adult, zeus
She traveled to a new world to find her sister. She left her whole life behind. Now, to keep Emily safe, Alicina must pose as a wealthy aristocrat. Plunged into a royal court steeped in intrigue, she is forced to do battle with someone she once called a friend. Will her belief in herself and the magical powers she has found be enough to save them all?
Welcome to Telidore.
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For the Devil Has Come with Great Wrath provides a glimpse of the havoc the Devil can wreak when he comes for the End of Days and in search of a young Office Manager. What served as your inspiration while you were writing this novel?
The very first inspiration was a sort of vision, about 10 years ago. I saw a woman standing in a room surrounded by old wood and stones. She was close to a canopy bed and she was carrying a big, heavy, woolen blanket towards a window. I felt her sorrow, she was sad about somebody, she tremendously missed a person. Ten years after I was sitting in my beautiful sunroom in Northern BC, sipping tea and staring at the dark woods outside, the trees turning red, brown and orange, the crab apples filling the air with their sweet smell. I stared for maybe 5 minutes, after which I felt an extreme urge to write. I took my laptop and hastily started recording the events that would lead to “For the Devil Has Come with Great Wrath”. I started writing in September. I had the entire story in my head, but I was busy with my daily activities, so I decided to set up a plan: I had to write at least 3,000 words a day, making up for those days in which I did not have time to write. That year the winter was particularly harsh, I felt I was held captive, and writing was the only escape from the daily -30°C, from the roads covered in ice and snow, from the long hours of darkness. I wrote almost every day, not having to think once about how the story would evolve: the adventures just flew out of me, in a sort of “channeling”. In February my first book was finished, but 6 more were already brewing in my head, including the sequels of this first book. It was only at that point that I decided to walk the next mile, and treat it as a professional work. I contacted the BC Editors Association and was smitten by their reactions to my little story. After contacting the BC Editors Association, I decided to go on a solo trip through British Columbia, Washington, Idaho, Montana and Alberta. Every evening I would check my emails and find those of authorities in the field that loved my work and were looking forward to read the entire story. This incredible experience spurred me to publish the novel.
My upbringing also definitely influenced my story-telling. Both my parents are attached to traditions, religion, legends and magic. My mother made sure that I would not forget about my roots, the Valley, the village “on top of the lake” (Summus Lacus), our religion. My father enhanced everything with magic and mystery.
This book is a genre-crossing novel with elements of fantasy, christian, and supernatural as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The story was absolutely not planned. I just decided to start writing it without even knowing how it would evolve. I did not prepare an outline, I did not fill my walls with sticky notes, I did not have pages and pages of comments. I do have a little notebook, containing information regarding, for example, how old the characters are, if they are allergic to something, when their birthdays are, when they met each other. Nothing about the story itself. It was as if I was writing events that really happened, and the intention was just to make sure those occurrences could be remembered by future generations. My editor, Janet Southcott from Viridian Earth Contract, called my novel a “New Age fantasy”.
Your book has some fantastical creatures, but what I enjoyed was how your characters worked in harmony with one another. What were some themes you wanted to capture while creating your characters?
I didn’t necessarily plan to capture any theme related to collaboration and compassion, so it definitely happened naturally. I do like the idea of different beings cooperating and developing these strong emotions and this genuine attachment for one another. In the beginning, the characters happen to come together for a higher cause; they are sort of forced to cooperate. In fact, we sometimes read that Emma doesn’t really appreciate the sternness of Ella, but, like a daughter-mother relationship, she respects the opinions and directions of a more experienced female. If we consider the novel from this point of view, it seems that the characters always approach a new “companion” with reservation, doubts and distrust. Of course, this is also caused by the events happening in the Valley, but don’t we often all react like this during our first meeting with somebody? It’s only after a few shared experiences that we manage to open up to the person in front of us. This is exactly what happens to Emma, Ella, Abela, and all the characters in the book. It is more obvious for Emma, because she is the one recollecting the events, we don’t really know what the other characters think of her, their first impression on her, but we can figure it out by reading about their behaviours and interactions with Emma through her own words. At the same time we can see how the characters evolve within their experiences: their core is the same, but their values change. There are no emotional barriers anymore; there is no time for counterproductive drama. The transition to peasant life also intensifies these values, all of a sudden the reader realizes that without technology and commodities, the characters have to communicate more, they have to cooperate and develop skills they weren’t even aware they had. Also, it is clear that by being the fellowship so diverse, each of the characters bring a different set of assets, which is shared between the members, increasing their knowledge and understanding.
This is book one in a trilogy. Where will book three pick up and when will it be available?
Book #2 and #3 are already in the process of being created, I just need the time to sit down and write them both. Book #2 will start with the main characters leaving the witch’s house and migrating to a more secure place: the gnomes’ kingdom beyond the mountains. The rest of the novel will bring more adventures and many unexpected twists. The common threads will still be the millennial fight between good and evil, love, friendship, occult, strength and hope with the Apocalypse permeating and hanging over everything like Damocles’ sword. Book #3 will incorporate also the final countdown until the last battle between good and evil, the one that will decide on the faith of humanity and Earth.
When the Devil puts his price tag on your head, you know you have to call upon some very special friends to help you stay alive. Welcome to the world of Emma. Thrown from relative obscurity into a time of being hunted, our young protagonist must transition from modern day to peasant life with difficult choices and a need to adapt. Life on the run takes trust and belief in the power of others, on a vastly changing stage. Emma Plant’s first novel throws the reader into a place where reality is no longer three dimensional. Descriptions of fairies, witches, gnomes and demons paint a picture for anyone who may wish a glimpse beyond the veil. Her characters live in the reader’s imagination beyond the final page, with the promise of a sequel, and potential trilogy in the offing. This new-age fantasy story will appeal to young adults through to senior years and is a page-turner from start to finish.
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A world of spies, invention, battles for power, and secret societies. A brilliant scientist, Christophe Creangle, is plagued by his inner struggle to not make any inventions that can be turned into weapons, unfortunately he is one of the greatest inventors of all time. Inventors are known as Conventioneer’s in this world and they are governed closely by whatever ruling body they happen to reside in. All inventions are turned over to the ruler in order to help protect and build their power base. After escaping from the king and his men, Christophe searches for his daughter. His daughter Christina inherited his sharp mind but after years of separation their relationship is strained. A young girl named Mounira acts as the go between for them and together the three of them reside in the Moufan compound. The Moufan however, is going through a power struggle and change; what use to be a neutral community is becoming a dominate power through force.
Adam Dreece has continued his saga of his created world, the Mondus Fumus, with a new series called The King’s Horse. While there is some character and history tie back to his original series, The Yellow Hoods, this novel stands alone and is ready to introduce readers to the world he has invented. Adam Dreece describes his world as a combination of steam punk and fairy tale. This novel sets up the series providing background to how key players got to be where they are.
Through back and forth timelines we get the history of Christophe Creangle, his inventions and how they have helped shape the world he lives in. We also learn why his relationship with his daughter Christina is so challenging. This is probably the one part of the book I dislike. There are multiple time lines following several story lines that all intertwine. Given the complex character development I would have preferred it to be chronological. Aside from that distraction of having to make sure you were reorienting yourself to the right time period, the separate story lines were well connected to make sense in how they all fit together so you don’t feel like you are reading a bunch of separate novels.
I really enjoy the world that Adam Dreece has built in this series. It is like reading about the industrial revolution with a fantasy twist taking place during medieval times. It is a bizarre and enticing mix of elements that draw you in and take you out of reality. While giving the reader this mix of elements, the characters are highly complex, and you learn more and more about them with each chapter. While some of the characters like Rumpere are easy to identify as the “bad guy,” others are much more discreet, and you are left wondering where their loyalties lay. The characters of Oskar and Petra, a brother and sister duo, at times feel like filler, but as the story progresses you see their importance coming into perspective.
Overall this novel is a great set up to the series. I look forward to reading the rest of the series and seeing how all the twists and turns change and to see what the real end game is. The characters come to life and draw the reader in, you almost think you know how some will respond and when they don’t you are left turning pages to find out what happens next.
Pages: 264 | ASIN: B07BHWG5HR
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Weathering the Wicked is a genre-crossing novel with elements of a fantasy, paranormal, and science fiction as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I definitely had this in mind when writing this series. I began writing this book at the ripe age of 12, believe it or not! I revised this story and started from scratch at 25 years of age, starting with a detailed outline of everything that would happen in the book.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character to write for was June, the main character. This is because June is completely based off of my own life’s journey, experiences, and personality. That may make me sound a bit self-absorbed, but the reason writing this character was my favorite is because it was very therapeutic. As June goes through this journey, and is mentored by Jeremiah, Margaret, and Alexis, they were also mentoring me, even if unintentionally.
I learned a lot about myself while creating June.
The writing in your story is very artful and creative. Was it a conscious effort to create a story in this fashion or is this style of writing reflective of your writing style in general?
Honestly, a little bit of both. It is true that my writing style is more artistic and (almost) poetic by nature. However, I made it a point to really let my artistic writing strength shine in this series; I did this because I knew that the spiritual and fantastical theme in this book would appeal to artistic and creative minds.
What is the next book that you are working on and when will it be published?
The next book that will be released will be book 2 of this series, The Chronicles of Folklaria. This will be released in December, but I don’t have a specific date yet. Of course, people can always sign up for my mailing list to be alerted with this information.
In book 2, Enduring the Energy, we will get to watch June grow into a true warrior.
I am also working on a book for a 2019 release that will be a new series for young adults called “Corrupted Enchantment Saga”. It will feature familiar fairy tale lands and characters who are fighting a corrupt government system.
How far would you go to rescue someone you love? Would you travel to a magic and spiritually enlightening land that would instantly change the course of your life?
If traveling to another realm wasn’t troublesome enough, befriending a fairy, developing feelings for Ryder, and facing off with a wicked sorcerer was enough to send June’s reality into a hazy mess.
From the ashes of mortal humanity rises a young female savior to take on the wicked forces of Folklaria. With the odds stacked against her, can June conquer her fears and uncertainties to rescue, not only her sister, but an entire land riddled with wicked magic?
The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
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Red and Blue is a fascinating story that combines classic fairy tales and nursery rhymes and adds many new twists. What was the inspiration that made you want to write this story?
I’m a huge Broadway play so the big inspiration was Into the Woods. I watch the original Broadway play and the Disney movie. In college in my theater class, we had to do a project on a play. I chose Into the Woods by doing an original monologue. “Red & Blue” was born from that monologue of what happened after the total disaster of the story.
There were so many interesting characters, some pulled straight from fairy tales. What was your favorite character to write for?
Humpty Dumpty was one of my favorite characters to write. He’s such a nervous character. I pictured him full of cracks and could completely fix him from being pushed off that wall. While I was writing him, I was laughing cause it was so much fun. I tried to have him as the comic relief in some ways until you meet Mother Goose. She’s a character herself in the story.
Red and Blue have an intriguing relationship. What were the driving ideals behind the characters development throughout the story?
The character development kind of just flowed from the little girl we all know from the storying Little Red Riding Hood to the character that is in the story. I wanted her to be different from the character that has been written for the character. She is either changing into a werewolf or an assassin with everything in between, I didn’t want to go in that direction. I wanted to keep the spirit of the original story intact but she still has to work through her childhood mistakes. Boy Blue, on the other hand, is completely different from Red Riding Hood. I was inspired by boy bands for his character. The total “freedom” of being a guy without any strings attached to no one until this girl with a story catches his eye without even seeing her face. His own character development goes from being a boy to man within a matter of days with choices that help him along the way.
What is the next story that you are working on and when will it be available?
I’m working on a sequel to Red and Blue. I want to explore the next stage of their relationship which is marriage. It’s not going to be easy but I’m willing to try. I hope and pray that it’ll complete by next year or at least 2020.
Once upon a time, there was a young woman who wore a red cape. She kept her face hidden from the world around her. Her was Rosaline, but the villagers have forgotten her name. She is Little Red Riding Hood. Thirteen years have years have passed since Red Riding Hood was cut from the Big Bad Wolf’s belly. She is quiet and distant. The villagers believe that Red Riding Hood is marked by the wolf who swallowed her. Until a strange young man with a golden horn tied to his back finds her intriguing. The young man set off on a personal mission to see if the rumors are true.
Posted in Interviews
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Jolie Dubriel’s Red and Blue is a fascinating, re-imagined tale that combines both classic fairy tales and nursery rhymes with many twists and turns. Dubriel takes old favorite characters and story lines you knew, loved, and memorized during your childhood story times and weaves them together as one beautiful story of secrecy, heartbreak, and the power of love. Obstacles and setbacks are sprinkled in along the way on the journey from once upon a time to happily ever after. Nostalgic characters Little Red Riding Hood and Little Boy Blue are now grown-up characters who play the lead parts. Humpty Dumpty, Old King Cole, and other classic figures also pepper this amazingly creative compilation.
Like any classic fairy tale, this book is not without tragedy. As is par for the course, there are separations of young children from parents and premature deaths of parental figures. There are hearts broken and healed. Red and Blue are coming of age characters who are growing up, discovering who they are, who they want to be, and who they begin to have feelings for. Stories from the past surface that throw wrenches in plans and change life trajectories. The story is full of conflicts and characters trying to solve them. The dynamic as old as time, good vs. evil, is also prevalent in parts of the story.
I love a good anthropomorphic animal or inanimate object, and those characters seen in the Kingdom of Rhyme do not disappoint in this area. Animals and objects are personified throughout the story. Fish, salamanders, cats, and dogs walk around in suits as servants and guards in King Cole’s castle. A dish runs and talks with a spoon through the forest. A cow jumps over the moon. These are the kinds of things that a nostalgic childhood reader will love. The half human/half animal or object cast of characters are reminiscent of those kinds of splits found in The Wizard of Oz, Beauty and the Beast, The Sword in the Stone, and Bedknobs and Broomsticks.
I like the twist that Red’s story takes regarding her relationship with wolves. Red and her grandmother have their classic encounter with the Big Bad Wolf, and miraculously survive. Later, her loving stepfather gifts her with a little wolf pup that grows to be her best friend and companion. It’s refreshing to see the girl have the upper hand over a wolf in one of these tales.
What classic tale would be complete without magic? The ultimate symbol of magic in this story is Little Boy Blue’s golden horn. He is unaware of its power, but has been cautioned to keep it with him always. Blue has grown up with the horn strapped to his back while working on a farm. It is only later that Blue will discover his true identity and the power that the horn truly holds.
I really enjoyed how Dubriel took so many classic and loved stories and characters and wove them together into one cohesive story. It is truly a feel-good kind of read. It is a love story that keeps its innocence. There is some tragedy and conflict, but I think it’s appropriate for pretty much anyone. Middle schoolers through adults will enjoy this book. Jolie Dubriel may have written a “new classic” with this book.
Pages: 192 | ASIN: B079WCF5ZF
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