For the Devil Has Come with Great Wrath provides a glimpse of the havoc the Devil can wreak when he comes for the End of Days and in search of a young Office Manager. What served as your inspiration while you were writing this novel?
The very first inspiration was a sort of vision, about 10 years ago. I saw a woman standing in a room surrounded by old wood and stones. She was close to a canopy bed and she was carrying a big, heavy, woolen blanket towards a window. I felt her sorrow, she was sad about somebody, she tremendously missed a person. Ten years after I was sitting in my beautiful sunroom in Northern BC, sipping tea and staring at the dark woods outside, the trees turning red, brown and orange, the crab apples filling the air with their sweet smell. I stared for maybe 5 minutes, after which I felt an extreme urge to write. I took my laptop and hastily started recording the events that would lead to “For the Devil Has Come with Great Wrath”. I started writing in September. I had the entire story in my head, but I was busy with my daily activities, so I decided to set up a plan: I had to write at least 3,000 words a day, making up for those days in which I did not have time to write. That year the winter was particularly harsh, I felt I was held captive, and writing was the only escape from the daily -30°C, from the roads covered in ice and snow, from the long hours of darkness. I wrote almost every day, not having to think once about how the story would evolve: the adventures just flew out of me, in a sort of “channeling”. In February my first book was finished, but 6 more were already brewing in my head, including the sequels of this first book. It was only at that point that I decided to walk the next mile, and treat it as a professional work. I contacted the BC Editors Association and was smitten by their reactions to my little story. After contacting the BC Editors Association, I decided to go on a solo trip through British Columbia, Washington, Idaho, Montana and Alberta. Every evening I would check my emails and find those of authorities in the field that loved my work and were looking forward to read the entire story. This incredible experience spurred me to publish the novel.
My upbringing also definitely influenced my story-telling. Both my parents are attached to traditions, religion, legends and magic. My mother made sure that I would not forget about my roots, the Valley, the village “on top of the lake” (Summus Lacus), our religion. My father enhanced everything with magic and mystery.
This book is a genre-crossing novel with elements of fantasy, christian, and supernatural as well. Did you start writing with this in mind, or did this happen organically as you were writing?
The story was absolutely not planned. I just decided to start writing it without even knowing how it would evolve. I did not prepare an outline, I did not fill my walls with sticky notes, I did not have pages and pages of comments. I do have a little notebook, containing information regarding, for example, how old the characters are, if they are allergic to something, when their birthdays are, when they met each other. Nothing about the story itself. It was as if I was writing events that really happened, and the intention was just to make sure those occurrences could be remembered by future generations. My editor, Janet Southcott from Viridian Earth Contract, called my novel a “New Age fantasy”.
Your book has some fantastical creatures, but what I enjoyed was how your characters worked in harmony with one another. What were some themes you wanted to capture while creating your characters?
I didn’t necessarily plan to capture any theme related to collaboration and compassion, so it definitely happened naturally. I do like the idea of different beings cooperating and developing these strong emotions and this genuine attachment for one another. In the beginning, the characters happen to come together for a higher cause; they are sort of forced to cooperate. In fact, we sometimes read that Emma doesn’t really appreciate the sternness of Ella, but, like a daughter-mother relationship, she respects the opinions and directions of a more experienced female. If we consider the novel from this point of view, it seems that the characters always approach a new “companion” with reservation, doubts and distrust. Of course, this is also caused by the events happening in the Valley, but don’t we often all react like this during our first meeting with somebody? It’s only after a few shared experiences that we manage to open up to the person in front of us. This is exactly what happens to Emma, Ella, Abela, and all the characters in the book. It is more obvious for Emma, because she is the one recollecting the events, we don’t really know what the other characters think of her, their first impression on her, but we can figure it out by reading about their behaviours and interactions with Emma through her own words. At the same time we can see how the characters evolve within their experiences: their core is the same, but their values change. There are no emotional barriers anymore; there is no time for counterproductive drama. The transition to peasant life also intensifies these values, all of a sudden the reader realizes that without technology and commodities, the characters have to communicate more, they have to cooperate and develop skills they weren’t even aware they had. Also, it is clear that by being the fellowship so diverse, each of the characters bring a different set of assets, which is shared between the members, increasing their knowledge and understanding.
This is book one in a trilogy. Where will book three pick up and when will it be available?
Book #2 and #3 are already in the process of being created, I just need the time to sit down and write them both. Book #2 will start with the main characters leaving the witch’s house and migrating to a more secure place: the gnomes’ kingdom beyond the mountains. The rest of the novel will bring more adventures and many unexpected twists. The common threads will still be the millennial fight between good and evil, love, friendship, occult, strength and hope with the Apocalypse permeating and hanging over everything like Damocles’ sword. Book #3 will incorporate also the final countdown until the last battle between good and evil, the one that will decide on the faith of humanity and Earth.
When the Devil puts his price tag on your head, you know you have to call upon some very special friends to help you stay alive. Welcome to the world of Emma. Thrown from relative obscurity into a time of being hunted, our young protagonist must transition from modern day to peasant life with difficult choices and a need to adapt. Life on the run takes trust and belief in the power of others, on a vastly changing stage. Emma Plant’s first novel throws the reader into a place where reality is no longer three dimensional. Descriptions of fairies, witches, gnomes and demons paint a picture for anyone who may wish a glimpse beyond the veil. Her characters live in the reader’s imagination beyond the final page, with the promise of a sequel, and potential trilogy in the offing. This new-age fantasy story will appeal to young adults through to senior years and is a page-turner from start to finish.
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A world of spies, invention, battles for power, and secret societies. A brilliant scientist, Christophe Creangle, is plagued by his inner struggle to not make any inventions that can be turned into weapons, unfortunately he is one of the greatest inventors of all time. Inventors are known as Conventioneer’s in this world and they are governed closely by whatever ruling body they happen to reside in. All inventions are turned over to the ruler in order to help protect and build their power base. After escaping from the king and his men, Christophe searches for his daughter. His daughter Christina inherited his sharp mind but after years of separation their relationship is strained. A young girl named Mounira acts as the go between for them and together the three of them reside in the Moufan compound. The Moufan however, is going through a power struggle and change; what use to be a neutral community is becoming a dominate power through force.
Adam Dreece has continued his saga of his created world, the Mondus Fumus, with a new series called The King’s Horse. While there is some character and history tie back to his original series, The Yellow Hoods, this novel stands alone and is ready to introduce readers to the world he has invented. Adam Dreece describes his world as a combination of steam punk and fairy tale. This novel sets up the series providing background to how key players got to be where they are.
Through back and forth timelines we get the history of Christophe Creangle, his inventions and how they have helped shape the world he lives in. We also learn why his relationship with his daughter Christina is so challenging. This is probably the one part of the book I dislike. There are multiple time lines following several story lines that all intertwine. Given the complex character development I would have preferred it to be chronological. Aside from that distraction of having to make sure you were reorienting yourself to the right time period, the separate story lines were well connected to make sense in how they all fit together so you don’t feel like you are reading a bunch of separate novels.
I really enjoy the world that Adam Dreece has built in this series. It is like reading about the industrial revolution with a fantasy twist taking place during medieval times. It is a bizarre and enticing mix of elements that draw you in and take you out of reality. While giving the reader this mix of elements, the characters are highly complex, and you learn more and more about them with each chapter. While some of the characters like Rumpere are easy to identify as the “bad guy,” others are much more discreet, and you are left wondering where their loyalties lay. The characters of Oskar and Petra, a brother and sister duo, at times feel like filler, but as the story progresses you see their importance coming into perspective.
Overall this novel is a great set up to the series. I look forward to reading the rest of the series and seeing how all the twists and turns change and to see what the real end game is. The characters come to life and draw the reader in, you almost think you know how some will respond and when they don’t you are left turning pages to find out what happens next.
Pages: 264 | ASIN: B07BHWG5HR
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Weathering the Wicked is a genre-crossing novel with elements of a fantasy, paranormal, and science fiction as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I definitely had this in mind when writing this series. I began writing this book at the ripe age of 12, believe it or not! I revised this story and started from scratch at 25 years of age, starting with a detailed outline of everything that would happen in the book.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character to write for was June, the main character. This is because June is completely based off of my own life’s journey, experiences, and personality. That may make me sound a bit self-absorbed, but the reason writing this character was my favorite is because it was very therapeutic. As June goes through this journey, and is mentored by Jeremiah, Margaret, and Alexis, they were also mentoring me, even if unintentionally.
I learned a lot about myself while creating June.
The writing in your story is very artful and creative. Was it a conscious effort to create a story in this fashion or is this style of writing reflective of your writing style in general?
Honestly, a little bit of both. It is true that my writing style is more artistic and (almost) poetic by nature. However, I made it a point to really let my artistic writing strength shine in this series; I did this because I knew that the spiritual and fantastical theme in this book would appeal to artistic and creative minds.
What is the next book that you are working on and when will it be published?
The next book that will be released will be book 2 of this series, The Chronicles of Folklaria. This will be released in December, but I don’t have a specific date yet. Of course, people can always sign up for my mailing list to be alerted with this information.
In book 2, Enduring the Energy, we will get to watch June grow into a true warrior.
I am also working on a book for a 2019 release that will be a new series for young adults called “Corrupted Enchantment Saga”. It will feature familiar fairy tale lands and characters who are fighting a corrupt government system.
How far would you go to rescue someone you love? Would you travel to a magic and spiritually enlightening land that would instantly change the course of your life?
If traveling to another realm wasn’t troublesome enough, befriending a fairy, developing feelings for Ryder, and facing off with a wicked sorcerer was enough to send June’s reality into a hazy mess.
From the ashes of mortal humanity rises a young female savior to take on the wicked forces of Folklaria. With the odds stacked against her, can June conquer her fears and uncertainties to rescue, not only her sister, but an entire land riddled with wicked magic?
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Red and Blue is a fascinating story that combines classic fairy tales and nursery rhymes and adds many new twists. What was the inspiration that made you want to write this story?
I’m a huge Broadway play so the big inspiration was Into the Woods. I watch the original Broadway play and the Disney movie. In college in my theater class, we had to do a project on a play. I chose Into the Woods by doing an original monologue. “Red & Blue” was born from that monologue of what happened after the total disaster of the story.
There were so many interesting characters, some pulled straight from fairy tales. What was your favorite character to write for?
Humpty Dumpty was one of my favorite characters to write. He’s such a nervous character. I pictured him full of cracks and could completely fix him from being pushed off that wall. While I was writing him, I was laughing cause it was so much fun. I tried to have him as the comic relief in some ways until you meet Mother Goose. She’s a character herself in the story.
Red and Blue have an intriguing relationship. What were the driving ideals behind the characters development throughout the story?
The character development kind of just flowed from the little girl we all know from the storying Little Red Riding Hood to the character that is in the story. I wanted her to be different from the character that has been written for the character. She is either changing into a werewolf or an assassin with everything in between, I didn’t want to go in that direction. I wanted to keep the spirit of the original story intact but she still has to work through her childhood mistakes. Boy Blue, on the other hand, is completely different from Red Riding Hood. I was inspired by boy bands for his character. The total “freedom” of being a guy without any strings attached to no one until this girl with a story catches his eye without even seeing her face. His own character development goes from being a boy to man within a matter of days with choices that help him along the way.
What is the next story that you are working on and when will it be available?
I’m working on a sequel to Red and Blue. I want to explore the next stage of their relationship which is marriage. It’s not going to be easy but I’m willing to try. I hope and pray that it’ll complete by next year or at least 2020.
Once upon a time, there was a young woman who wore a red cape. She kept her face hidden from the world around her. Her was Rosaline, but the villagers have forgotten her name. She is Little Red Riding Hood. Thirteen years have years have passed since Red Riding Hood was cut from the Big Bad Wolf’s belly. She is quiet and distant. The villagers believe that Red Riding Hood is marked by the wolf who swallowed her. Until a strange young man with a golden horn tied to his back finds her intriguing. The young man set off on a personal mission to see if the rumors are true.
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Jolie Dubriel’s Red and Blue is a fascinating, re-imagined tale that combines both classic fairy tales and nursery rhymes with many twists and turns. Dubriel takes old favorite characters and story lines you knew, loved, and memorized during your childhood story times and weaves them together as one beautiful story of secrecy, heartbreak, and the power of love. Obstacles and setbacks are sprinkled in along the way on the journey from once upon a time to happily ever after. Nostalgic characters Little Red Riding Hood and Little Boy Blue are now grown-up characters who play the lead parts. Humpty Dumpty, Old King Cole, and other classic figures also pepper this amazingly creative compilation.
Like any classic fairy tale, this book is not without tragedy. As is par for the course, there are separations of young children from parents and premature deaths of parental figures. There are hearts broken and healed. Red and Blue are coming of age characters who are growing up, discovering who they are, who they want to be, and who they begin to have feelings for. Stories from the past surface that throw wrenches in plans and change life trajectories. The story is full of conflicts and characters trying to solve them. The dynamic as old as time, good vs. evil, is also prevalent in parts of the story.
I love a good anthropomorphic animal or inanimate object, and those characters seen in the Kingdom of Rhyme do not disappoint in this area. Animals and objects are personified throughout the story. Fish, salamanders, cats, and dogs walk around in suits as servants and guards in King Cole’s castle. A dish runs and talks with a spoon through the forest. A cow jumps over the moon. These are the kinds of things that a nostalgic childhood reader will love. The half human/half animal or object cast of characters are reminiscent of those kinds of splits found in The Wizard of Oz, Beauty and the Beast, The Sword in the Stone, and Bedknobs and Broomsticks.
I like the twist that Red’s story takes regarding her relationship with wolves. Red and her grandmother have their classic encounter with the Big Bad Wolf, and miraculously survive. Later, her loving stepfather gifts her with a little wolf pup that grows to be her best friend and companion. It’s refreshing to see the girl have the upper hand over a wolf in one of these tales.
What classic tale would be complete without magic? The ultimate symbol of magic in this story is Little Boy Blue’s golden horn. He is unaware of its power, but has been cautioned to keep it with him always. Blue has grown up with the horn strapped to his back while working on a farm. It is only later that Blue will discover his true identity and the power that the horn truly holds.
I really enjoyed how Dubriel took so many classic and loved stories and characters and wove them together into one cohesive story. It is truly a feel-good kind of read. It is a love story that keeps its innocence. There is some tragedy and conflict, but I think it’s appropriate for pretty much anyone. Middle schoolers through adults will enjoy this book. Jolie Dubriel may have written a “new classic” with this book.
Pages: 192 | ASIN: B079WCF5ZF
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For the Devil Has Come with Great Wrath by Emma Plant provides a glimpse of what havoc the Devil and his disciples wreak when they come to earth for the End of Days and in search of Emma Plant. Emma, a young Office Manager, notices that things aren’t quite normal in the valley where she lives. Accidents and fatalities are on the rise, and Emma herself is even visited by strange people and creatures that seek to do her harm. She is visited one night by two gnomes who explain the devastation that is taking place and seek to whisk Emma away into the mountains that overlook the valley. Their goal is to hide and protect Emma from the Devil while he wages war against civilization. It is in the mountains that Emma is introduced to more fantastical creatures, such as witches and fairies, and it is also where she begins to make a new life for herself – a life that is a far cry from the one she once knew.
Author Emma Plant adds interesting fantasy elements to her novel by the inclusion of a variety of mythical creatures, such as gnomes, fairies, witches, demons, and other creatures. The novel is entertaining in that each type of fantasy creature has its own magical powers that are displayed throughout the novel. For example, Ben and Ella, the gnomes that help protect Emma have the ability to shrink larger items in order to be able to carry them easily. Another interesting element of the novel is that, apart from the demons, these characters work harmoniously together. Abela, the witch, provides guidance and protection to Emma, the fairies provide powers and protection to the gnomes, and so on and so forth. These magical characters add a creative depth to the novel.
However, I felt that there was a lack of detail and explanation in the novel. I did not understand why demons are inhabiting earth and wreaking havoc. More importantly, I did not understand what the Devil wanted with Emma. What exactly makes her the center of his attention? I think that there wasn’t enough explanation given to fully develop the events. I felt like there was an overabundance of ‘telling’ rather than ‘showing’. So, I felt I was reading long sections of text rather than an organic delivery of information while the story is unfolding. But with this story being part of a trilogy, I feel much more comfortable knowing that there is two more books on the horizon that will dig deeper into this world and it’s characters.
I felt like the climax was not as climactic as it could have been. Emma spends nearly two years hiding in the mountains. During that time, she reunites with a former flame and they have a family together. Much has happened to her as a person, but it’s a small detail in what, I felt, was the overall point of the novel. Towards the end of the story, Emma is hiding out in Abela’s house when the Devil decides to unleash his wrath on the valley that was her previous home. I expected that the Devil would eventually make his way up to Abela’s home and try to take Emma away. But I expected a battle between the Devil, Emma, and her protectors up in the mountains; however, the devastation doesn’t make its way to the mountains and stays contained within the valley. I felt that there was no real climax or resolution that is reached by the end of the novel. Ultimately, I felt like this novel lacked character development that makes me invest in the characters. For the Devil Has Come with Great Wrath by Emma Plant is a fascinating fantasy story with many opportunities for a surreal story that plays off of biblical legend.
Pages: 251 | ASIN: B01L0FLHY6
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The Fall of Lilith is a dark fantasy novel centered around the anti-heroine, Lilith, and the creation and fall of the angels. What was your inspiration for this imaginative novel?
The Fall of Lilith is a High Fantasy with dark elements. I grew up in a religious home and went to religious private school. Angels always fascinated me, but there isn’t much information in the bible about them, so I always imagined what they were like, both the holy angels and the fallen ones. I also read a great deal of religious books (fiction and Non-fiction), mythology and fairytales growing up. I basically combined all three to create this book. I did a lot of research and used facts from the Bible, Hebrew Bible, and Quran to ground it in reality.
I liked that we got to see Lilith change from good to bad throughout the novel, and how that was portrayed was entertaining. Did her character develop organically as you were writing or was it planned?
I always knew she would be an evil character at some point. That being said, she took it from there and developed organically.
There is heavy use of religion and myth in this book. What kind of research did you undertake for this novel to keep things accurate?
An enormous amount of research went into this novel. I researched animals, natural disasters, food, geography, names, and religious text among other things. Like Tom Clancy said, “The difference between fiction and reality? Fiction has to make sense.”
What is the next book that you are working on and when will it be available?
In The Fall of Lilith, Vashti Quiroz-Vega crafts an irresistible new take on heaven and hell that boldly lays bare the passionate, conflicted natures of God’s first creations: the resplendent celestial beings known as angels.
If you think you know their story, think again.
Endowed with every gift of mind, body, and spirit, the angels reside in a paradise bounded by divine laws, chief of which are obedience to God, and celibacy. In all other things, the angels possess free will, that they may add in their own unique ways to God’s unfolding plan.
Lilith, most exquisite of angels, finds the rules arbitrary and stifling. She yearns to follow no plan but her own: a plan that leads to the throne now occupied by God himself. With clever words and forbidden caresses, Lilith sows discontent among the angels. Soon the virus of rebellion has spread to the greatest of them all: Lucifer.
Now, as angel is pitted against angel, old loyalties are betrayed and friendships broken. Lust, envy, pride, and ambition arise to shake the foundations of heaven . . . and beyond. For what begins as a war in paradise invades God’s newest creation, a planet known as Earth. It is there, in the garden called Eden, that Lilith, Lucifer, and the other rebel angels will seek a final desperate victory—or a venomous revenge.
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Underlord of the Netherworld once again brilliantly melds age old wisdom and youthful spirit into a daring tale of life after Peter Pan. What was the initial idea behind this story and how did that transform as you were writing the novel?
In Legends of the Pan 1 (Essence of Neverland):
I wanted to create something multicultural that would help empower children and young adults around the world. This evolved into explaining life balance and human nature; how forgiveness allows personal growth; and how each one of us has the power to create an immense and lasting change in the lives of others.
In Legends of the Pan 2 (Underlord of the Netherworld):
Tolerance of others different from oneself permits the exploration of different points of view within the fascinating scope of human experience. Appearances can be deceiving, and people can change. Friends can become enemies, and enemies can become friends. Most people have the need to improve themselves and their environment, but it depends on one’s values as to what the outcome will be. Impermanence can be our greatest ally if we focus on the goodness within.
The invasion of Malomen, a swarthy society of bloodlusting sea creatures, has brought with it the tides of war. What was your inspiration for these creatures?
I love the sea, aquariums, and scuba diving. I spend hours next to a large aquarium while I write. Many times I stop and marvel at the marine life. While writing this book, I paused to observe the beautiful designs on the skin of a large plecostomus. It made me think about mudskippers that have adapted to land and sea, and then a race of Malomen was born in my mind.
Underlord of the Netherworld earnestly explores the powers of communication, compassion, and community. What morals did you try to capture while developing your characters?
In Legends of the Pan 1 (Essence of Neverland):
I chose four children to be gifted the power of the Pan. The fairies selected them because they each had a special inherent nature. Kuthanda is endowed with love, Dobráta with compassion, Khwam Glaohán with courage, and Rakaná with creativity, which is the literal meaning of each child’s name in their native tongue. Each child was from a different country, raised in a different belief system, and suffered the loss of loved ones due to a different tragedy. These children found happiness because they chose to move on with their lives, keep an open mind, and lose themselves in the service of others instead of wallowing in self-pity.
It is with our thoughts and volition that we create our personal worlds. It is up to each individual to decide which path will be taken. Even if one discovers the chosen path was a mistake, he or she can change direction at any moment, learn from the mistake, and continue to grow, which is what Captain Hook, Chief Najoshi, and Chief Adagash managed to do.
In Legends of the Pan 2 (Underlord of the Netherworld):
Tolerance of others different from oneself permits the exploration of different points of views within the fascinating scope of human experiences. Appearances can be deceiving, and people can change. Friends can become enemies, and enemies can become friends.
Reichi’s innocence gave him the compassion required to save all of the islanders above and below the sea. He could not be swayed to commit an evil act or cause harm since he had never been tainted by the negative affairs of men.
After many years Najoshi had learned to forgive past trespasses, and have compassion for all living beings, tempered with wisdom. He had decided to remain steadfast in his beliefs, even in the most dire circumstances. The chief, his queen, and their children understand the connectivity of all things, the great power found in unity, and that education is the path, which leads away from ignorance and primal instincts.
Will there be a book three in your Peter Pan series? If so, where will it take readers?
Yes, I’ve started writing Legends of the Pan 3. It begins ten years after where we left off in book two. The Merpeople, Malomen, and humans have thrived through cooperation and education. However, several things from their past, which originated in book one and two, are about to come to light to haunt them.
Peter is gone, causing the decline of Neverland and a struggle for power. This once abundant world of dreams come true, soon converts into a place of violence and evil without the positive influence of the Pan. Many have gone missing and none can escape its shores. Neither pirates, nor Indians, or Merpeople and fairies have the magic it takes to defeat the demonic darkness that threatens the very existence of every man, woman, and child living on the island. Can anything save them from this pending doom before it is too late? What can prevent Neverland from becoming void of any hope as it turns into a barren wasteland eventually consumed by the sands of time? Perhaps the answer lies within the essence of this mystical isle, inspiring the hope and motivating the action needed to save them all.
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Dark, gritty, and altogether brutal, Steel, Blood and Fire is an archetypal dark fantasy novel. In the first chapter, one of the main character’s hands and feet are amputated, and the story continues in similar fashion from there onward. The setting is fantasy grounded in muddy reality, although there is a vein of consequential magic that adds a little sorcery to this otherwise swords-based world. If you’re familiar with Game of Thrones then you’re familiar with Allen Betchelder’s style; multiple character perspectives, inter-weaved story lines, and a healthy dose of murder. It’s a fantastic modern-style medieval fantasy, and a definite read for any fan of the genre.
When I began Steel, Blood and Fire, my first thought was, “Wow, this is a lot like Game of Thrones.” Then I began to think, “Or is it more of a Witcher book?” As I continued through the novel, I began to decide it was a blend of both. By the end, I thought that perhaps it was its own thing.
The book isn’t afraid to touch on the brutal. In fact, it seems to revel in it. Blood flows freely; rape is the buzzword of the day. It’s a mature novel for sure although it doesn’t quite cross the line, but regularly toes it. A lesser author would have toppled their novel over into prurient pulp.
The writing is well-executed, with the author’s own voice clearly shining through. There is one trap that Allen Betchelder tends to fall into, and that’s the ‘fear of said’. Every other sentence seems to find a new synonym – characters question, murmur, mutter, bellow, but words are never just ‘said’. It’s awkward to read, and tends to draw you out of conversations that should flow naturally.
In any perspective-hopping plot, characters are one of the most important factors. Fortunately, Steel, Blood and Fire features a strong and memorable, if slightly generic, cast. They come off as slightly one-dimensional, particularly towards the start of the novel, and the inclusion of a comedy group of village bumpkins – who of course meet with terrible fates – struck me as being an attempt at generating some frisson with the grim background. Other than those minor niggles, the diversity and depth of the cast begins to truly shine through around the midway point; from here onward they become much more than the sum of their parts.
Despite my above criticisms, I really did enjoy the story, and it quickly became engaging only a few pages in. If you’re a fan of the genre, particularly Game of Thrones-esque fantasy, you’ll certainly enjoy Betchelder’s offering.
Pages: 548 | ASIN: B00AW53RMQ
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