No Plan, No Outline

Valerie Hagenbush Author Interview

Talking White Owl follows a 15-year-old teen who wins a prestigious academic scholarship, but he has no idea this is part of a plan that has been in the works for decades. What was the inspiration for the setup of your story?

First off, I wish to thank Literary Titan for the thoughtful review of my novel. The image of the young man who was to evolve into Viktor Talking White Owl was conceived in my teen years and remained with me well into adulthood when, out of the blue, he began to relate his story to me. Viktor was greatly inspired by W.H. Hudson’s wood-nymph Rima in his book Green Mansions. The setting was the Venezuelan jungles and Rima was the lone survivor of a race that had vanished. A favorite movie at the time that surely influenced me was the 1939 version of Lost Horizon. The idea of Shangri-La, a hidden valley tucked deep within the Himalayan mountains, sparked my imagination.

When creating Viktor Talking White Owl, did you have a plan for development and character traits, or did it grow organically as you were writing the story?

No plan, no outline. Plot and characters unfold as I write, which is fun. It’s a mystery as to how things emerge from the subconscious. That Viktor should be a Lakota Indian from South Dakota surprised me, having never met any Native Americans nor been exposed to aspects of reservation life. As the storyline took shape, I did a lot of research, in order to better inform myself about events, places, and the personalities involved.

What were some themes that were important for you to explore in this book?

It is only in hindsight that I recognize some themes since I didn’t start out with an agenda. My purpose in writing the book was to entertain the reader from beginning to end. Family dynamics turned out to be far more important than was ever intended. I realized early on that Native culture would play a prominent role, and I therefore needed to make details surrounding Viktor’s background especially believable. I wanted to convey the satisfaction derived from intellectual pursuits, as well as the sheer joy that comes from playing a sport, which in Viktor’s case is football.

Where do you see your characters after the book ends?  

The end of the book alludes to a history-making event that will occur a decade into the future, one spearheaded by Viktor along with his daughter, Honor Red Hawk, who by then becomes a force in her own right. 

When fifteen-year-old Viktor Talking White Owl wins a prestigious academic scholarship from Ohio State University, it draws the attention of an alliance of multi-tribal leaders known as the Council of First Nations. The young Lakota student, born on a poor South Dakota reservation, has the potential for influencing a new generation of Native activists. Viktor’s achievements have not gone unnoticed by another group. Quietly observing the boy along with the Council’s activities from their home deep beneath the sacred Black Hills is a tribe long believed to have disbanded, the Rawakota. For decades they have been sending scouts around the globe to infiltrate top-secret boardrooms and government agencies. Their mission: to secretly help the Council of First Nations eventually achieve its overarching goal of reclaiming tribal lands lost to broken treaties, a lofty enterprise they anticipate will not go unchallenged. Rawakota scientists have subsequently built a formidable defense capable of technologically blindsiding any superpower. For now, Viktor is important to them because he is the son of one of their best operatives, U.S. Air Force pilot Constance Howling Wind. And although Viktor’s roots are Rawakota, the fact seems immaterial to him in today’s world until he receives a cryptic vision. The same Rawakota influences that have inadvertently shaped his life thus far will ultimately alter the American landscape.
Approximately 679 pages long.

Posted on June 23, 2025, in Interviews and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , . Bookmark the permalink. Leave a comment.

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