Awareness Changes Things
Posted by Literary-Titan

Unfollow the Leader makes the case that the performance-at-all-costs model of leadership is burning people out, and that success can cost you your health, your relationships, and yourself. What did you most want readers to “unlearn” about leadership?
I think one of the biggest things I wanted people to unlearn is the idea that leadership is primarily about image, status, certainty, control, or constant performance.
So often, we are conditioned to believe leadership means pushing harder, sacrificing ourselves, always appearing strong, always knowing the answers, and tying our worth to outcomes and achievement. For a while, that behaviour is often rewarded. Until eventually the cracks begin to show in our health, our relationships, our nervous system, and our sense of self.
A lot of this happens at a subconscious level.
Intellectually, most people already understand that balance matters, that relationships matter, that health matters, that presence matters. But understanding something consciously and embodying it behaviourally are two very different things. Many of these patterns are built deeply into the psyche over decades through family systems, workplaces, society, fear, survival, conditioning, and identity.
People often do not realise how much of their leadership is being driven by unconscious fear. Fear of failure. Fear of not being enough. Fear of losing control. Fear of being judged. Fear of slowing down.
Somewhere along the way, people disconnect from themselves while trying to become who they think they need to be. They become productive, but not present. Accomplished, but exhausted. Surrounded by people, but emotionally disconnected.
I wanted readers to question the idea that success at any cost is actually success.
For me, leadership is not about becoming somebody important. It is about becoming more conscious, more honest, more grounded, and more responsible for the impact we have on other human beings.
I also wanted people to unlearn the belief that humanity weakens leadership. Some of the strongest leaders I have ever met are deeply self-aware people who can regulate themselves under pressure, hold difficult conversations with care, stay open to feedback, admit mistakes, and create environments where people feel psychologically safe enough to think, contribute, and grow.
That takes far more strength than simply dominating a room.
Health, Head, and Heart is a deceptively simple structure. What took you the longest to understand about the relationship between those three, and what do most leaders get wrong about the order?
What took me the longest to understand is that they are not separate parts of leadership. They constantly affect each other, whether we acknowledge it or not.
You cannot think clearly when your body is exhausted. You cannot lead people well when your nervous system is constantly operating in stress or survival mode. You cannot consistently make values-based decisions when your identity is tied entirely to achievement, approval, or external
validation.
For years, leadership development focused heavily on the “Head.” Strategy, intellect, execution, KPIs, performance. Those things matter. Of course they do. But without Health and Heart, eventually the entire system becomes unstable.
What many of us get wrong is the order.
We sacrifice Health first while chasing success, disconnect from Heart while trying to maintain performance, and eventually even the Head begins to suffer. Decision-making becomes reactive. Relationships deteriorate. Clarity disappears. We begin operating from pressure rather than presence.
And much of this happens unconsciously.
At an intellectual level, most people already know they should rest more, slow down sometimes, prioritise relationships, regulate stress, and take care of themselves. But behaviour is often driven by much deeper subconscious conditioning around productivity, worth, identity, survival, and fear.
A lot of us inherit patterns we never consciously chose.
Health is not just fitness or diet. It is energy, emotional regulation, capacity, sleep, wellbeing, and the overall state of your nervous system.
Heart is not weakness or sentimentality. It is values, courage, emotional intelligence, humility, empathy, connection, and the ability to remain human under pressure.
And the Head functions best when supported by both.
That understanding did not come from theory for me. It came from life. From burnout. From grief. From leadership. From watching incredibly intelligent and capable people slowly disconnect from themselves while trying to hold everything together.
The framework became less about perfect balance and more about awareness. Learning to recognise the subconscious patterns driving our behaviour before the consequences become impossible to ignore.
The S.T.O.P. tool is one of the book’s practical anchors. How did you arrive at that particular intervention, and what does it do that other pause-and-reflect tools don’t?
The S.T.O.P. framework came from years of coaching leaders, teams, and individuals who intellectually knew what to do, but struggled to access that wisdom in real moments of pressure.
That gap fascinated me for years.
I realised most people do not fail because they lack information. The struggle is often that subconscious emotional patterns and conditioned responses take over before conscious awareness has a chance to enter the room.
Intellectually, we often know how we want to behave. We know we should listen more, react less, communicate better, stay calm, lead with empathy, or have more patience. But in moments of stress, fear, exhaustion, ego, or threat, human beings tend to default to deeply wired survival patterns that exist beneath conscious thought.
S.T.O.P. was designed to interrupt that automatic cycle.
It was designed to be simple because in moments of pressure, people rarely access complicated frameworks effectively. There is an art to taking complexity, overwhelm, and moving parts and turning them into practical simplicity that people can actually execute consistently in real life.
What makes it different is that it is not just a mindset tool or a reflective exercise. It is a practical blueprint that helps bring strategy, behaviour, culture, communication, accountability, and execution together in a way that people can actually operationalise day to day.
It breaks things down to the lowest common denominator so people and organisations can implement change step by step rather than becoming overwhelmed by theory.
The framework brings together Health, Head, and Heart through the right operating rhythm, practical templates, behaviours, meeting structures, communication rhythms, accountability processes, and ways of working from beginning to end.
It starts with purpose, goals, values, and culture. It moves into flow, emotional regulation, engagement, clarity, accountability, and execution.
More than anything, it is designed to align the human side of leadership with the operational side of business so they are no longer working against each other.
For me, S.T.O.P. became the blueprint that underpins it all.
The intention was never to create another leadership concept that sounds good intellectually but becomes difficult to apply practically once real pressure enters the room. It was designed to help people turn awareness into behaviour, and behaviour into culture, rhythm, and execution.
Whether it is a one-person business, a family, a small team, or a large global matrix organisation, the human dynamics underneath remain remarkably similar. People still need clarity, trust, emotional awareness, consistency, communication, ownership, and alignment.
S.T.O.P. helps reconnect the body, thoughts, emotions, awareness, behaviour, and organisational rhythm together in a practical way.
It helps create enough space between stimulus and response for a conscious choice to emerge instead of an automatic reaction.
Sometimes that pause lasts five seconds. Sometimes it lasts longer. But within that space, people often reconnect to their values, their intentions, and the version of themselves they actually want to lead from.
I have seen it shift difficult conversations, workplace conflict, parenting moments, leadership decisions, and even the way people speak to themselves internally.
It is important to recognise that most damage in leadership does not happen because people are intentionally harmful. It happens because under pressure, awareness narrows and old protective patterns take over before we even realise it.
S.T.O.P. helps bring awareness back online, while also giving people a practical structure to consistently turn that awareness into behaviour, culture, and execution.
The reflective prompts invite pause and self-examination. What do you hope happens in the reader between the reading and the answering, and what would you say to a reader who skips them?
For me, the space between the reading and the answering is probably where the real work begins.
It is easy to consume ideas intellectually. It is much harder to sit honestly with ourselves.
The prompts were never designed as homework. They were designed as interruptions. Small invitations to slow down long enough to notice patterns, beliefs, fears, behaviours, contradictions, and the ways people may have drifted away from themselves without even realising it.
A lot of what drives human behaviour lives beneath conscious awareness.
We can intellectually understand ourselves far more than we emotionally, behaviourally, or subconsciously embody that understanding. Someone can explain emotional intelligence beautifully while still reacting defensively in relationships or leadership. A person can deeply value presence while living in a constant state of internal urgency.
Awareness changes things, and because there is no limit to awareness, it does not happen instantly or perfectly. But once something is seen clearly, it becomes very difficult to completely unsee it.
I hope readers become curious rather than judgmental of themselves. So many people are carrying pressure, grief, burnout, fear, responsibility, and expectations they have never fully stopped to examine. Sometimes, even one honest question can begin bringing hidden patterns into awareness.
And if someone skips the prompts, that is okay, too. Not everybody is ready to pause immediately. Sometimes people read a book intellectually first and only later realise certain parts stayed with them long after they finished reading.
I think timing matters in growth. But I would gently say this. The book is not really meant to be consumed as information alone. It is meant to be experienced, and the value is not in agreeing with the ideas. It is in noticing where those ideas meet your actual life.
Author Links: GoodReads | Amazon
Drawing on over 25 years across corporate, government, and grassroots sectors, Reem Borrows shows how real leaders align Health, Head, and Heart to create trust, accountability, and sustainable results. With honesty and insight, she invites you to redefine success—not by doing more, but by leading with clarity, courage, and integrity.
This book shows how to align strategy, behaviour, and culture so organisations perform and people thrive. It also includes three practical downloadable resources designed for immediate implementation.
Inside, you will discover how to:
Replace outdated leadership habits with values that inspire genuine trust
Lead with emotional intelligence and empathy, without losing authority
Align personal well-being with professional performance
Build cultures of accountability and psychological safety
Develop self-leadership as the foundation for leading others
Benefits of reading this book:
Authentic Leadership: Lead with integrity, clarity, and confidence
Sustainable Success: Balance well-being and performance for lasting impact
Cultural Transformation: Create teams grounded in trust, safety, and purpose
This is more than a leadership book. It’s a call to rethink how we lead, connect, and create change in the modern world.
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Posted in Interviews
Tags: author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, Business & Organizational Learning, Business Motivation & Self-Improvement, ebook, goodreads, indie author, kindle, kobo, literature, nonfiction, nook, novel, Organizational change, read, reader, reading, Reem Borrows, story, Unfollow the Leader, writer, writing
Comedy and Free Speech
Posted by Literary-Titan

Deadly Serious centers around an aspiring comedian who finds himself pulled into a world of Cold War secrets, murder, and romance. Where did the idea for this novel come from?
At the time, I was living in Los Angeles and attending comedy clubs during what we now think of as the Cold War era. Some well-known comedians either died under mysterious circumstances or committed suicide, and I became intrigued by the reasons why.
Did any classic spy novels, noir stories, or dark comedies influence the book?
I think the work of John le Carré and Robert Ludlum influenced many of my choices.
How were you able to strike a balance between humor, genuine danger, and emotional stakes?
The irreverent main character, Danny Goodis, believed that comedy and free speech could rise above any danger, but he was mistaken in his assessment of what he was really stumbling into. The story subtly alludes to electrogravitics, which some scientists have associated with UFO/UAP propulsion systems.
Dan spends much of the novel trying to maintain control while his world keeps shifting. Were you interested in exploring how ordinary people respond to overwhelming systems?
I think this is a situation where a character gets in over his head and doesn’t recognize the imminent danger. He acts like a whistleblower in his comedy routines, while Cubans, Russians, and others want to silence him.
Author Links: GoodReads | Amazon
When struggling stand-up comic Dan Goodis witnesses the assassination of a reclusive physicist who leaves him a mysterious code, his life spirals into paranoia and danger.
Hunted by a secret cabal and betrayed by the woman sent to protect him, Dan can’t tell what’s real—or whom to trust.
As he decodes the fragments, his once-ordinary life collapses into deception and fear.
Comedy clubs become interrogation rooms and therapy sessions, and love turns into a weapon he can’t control.
Haunted by betrayal and surrounded by enemies, Dan must finish the hermit’s work before they silence him for good.
The truth may set him free—or bring him crashing down
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Tags: A.J. Thibault, Assassination Thrillers, author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, Conspiracy Thrillers, Deadly Serious, ebook, fiction, goodreads, indie author, kindle, kobo, literature, murder, nook, novel, read, reader, reading, story, suspense, thriller, writer, writing
Knowledge is Power
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Sisters of Twelve follows a woman known as the final Custodian who must determine if the world is prepared for what the Voynich Manuscript contains. What was the inspiration for the setup of your story?
The story really began with the Voynich Manuscript itself. Like many people, I became fascinated by the fact that it has resisted explanation for centuries. But instead of focusing only on how to decode it, I found myself asking different questions: Who could have created something like this, and more importantly, what was it actually for?
I wanted to approach the manuscript not simply as a puzzle, but as part of a larger system. From there, I became interested in the kinds of people history tends to overlook, especially those who preserve knowledge quietly in the background while others receive recognition for it. I began imagining a lineage of women whose role was not just to protect information, but to determine when humanity was ready to receive it.
In many ways, the novel also became an homage to the strong women in my own life and to the countless individuals throughout history whose contributions were never fully acknowledged. Many of them were not seeking recognition at all, yet their work became part of the invisible foundation upon which later discoveries and institutions were built. That idea stayed with me throughout the writing of the book.
The novel treats knowledge as a burden as much as power. Was that one of the central ideas you wanted to explore?
Yes, absolutely. Knowledge is power, but power without wisdom or timing can become dangerous very quickly. One of the central ideas I wanted to explore in Sisters of Twelve is that possessing knowledge is only part of the burden. The greater burden is deciding when, how, and even if it should be shared.
For generations, the Custodians of the Sisterhood preserved accumulated discoveries and systems of knowledge, but Gia is the first to fully realize that time itself is running out. Previous Custodians had the luxury of patience. Gia does not. She understands that revealing certain discoveries too early could destabilize civilizations in ways history has repeatedly shown us, while withholding them for too long could deny humanity gifts that might alleviate suffering or fundamentally improve the world.
That tension becomes deeply personal for her. At times, the responsibility of deciding what humanity is ready to receive becomes almost suffocating.
The novel argues that women have often preserved culture, memory, and knowledge without recognition. What historical examples most influenced that idea?
As a college student, I remember first hearing the idea that much of history is really “His Story,” not “Her Story.” That concept stayed with me. History is often written by the winners, and historically, those winners were usually men whose names filled textbooks, monuments, and institutions.
But the survival of knowledge has rarely depended only on the visible people history remembers.
Across centuries, there were always others working quietly in the background. Archivists preserving fragile documents, translators carrying ideas across languages, assistants organizing the work of scholars, daughters inheriting memory when no formal record remained. Many of these people, especially women, lived and died without recognition, even though the ideas they protected survived because of them.
That became one of the emotional foundations of Sisters of Twelve. The book is fiction, but the spirit behind it comes from a very real truth: if knowledge from the past has reached us at all, it is because someone chose to carry it forward, often quietly, often without credit, and sometimes without anyone ever knowing they had done so.
In many ways, the novel is dedicated to those unseen custodians of knowledge.
Did you want readers to leave the novel feeling hopeful, unsettled, or intellectually uncertain?
At times, it feels like we are constantly being conditioned to believe the world is always on the verge of collapse. Maybe it is, or maybe it only feels that way because uncertainty has become such a constant part of modern life. I didn’t want Sisters of Twelve to reinforce the idea that humanity is doomed or incapable of growth.
I wanted to tell a story that acknowledges the world will probably never be perfect, but that does not mean it cannot become better. The ending is meant to leave readers with a sense of cautious hope. Not the kind that arrives overnight or solves everything at once, but the belief that people are still capable of learning, adapting, and choosing something better for the future.
If readers walk away from the novel feeling that maybe, just maybe, humanity still has the capacity to get things right, then I think the story succeeded.
Author Links: GoodReads | Amazon
A hidden sisterhood that has safeguarded its meaning for two thousand years.
And a world rapidly approaching the moment it was never meant to reach.
Sisters of Twelve
For centuries, the Voynich Manuscript has defied every attempt at translation. Historians, cryptographers, scientists, and codebreakers have all failed to explain its meaning.
Because the manuscript was never meant to be read in the conventional sense.
In Sisters of Twelve, the Voynich Manuscript is revealed as the current vessel of a system preserved across generations by a hidden lineage of women known as the Sisterhood. Their purpose has never been to conceal knowledge forever, but to control its release, ensuring that discoveries capable of reshaping civilization enter the world only when humanity is ready to survive them.
Now that responsibility belongs to Dr. Gia Braccia, the Sisterhood’s newest Custodian.
As technological advances begin to erode centuries of secrecy, Gia realizes the system can no longer remain hidden indefinitely. The manuscript and its ancient counterpart, the Roman dodecahedron, exist in a world of artificial intelligence, distributed data, 3D imaging, and limitless replication. Time, once the Sisterhood’s greatest advantage, is running out.
What the manuscript contains could transform medicine, science, language, agriculture, and human longevity.
Or it could destabilize governments, deepen inequality, weaponize scarcity, and fracture a civilization already struggling to hold itself together.
As pressure mounts from institutions, private actors, and factions within the Sisterhood itself, Gia must confront the question her predecessors spent centuries avoiding.
Not whether the world deserves the truth.
But whether it can survive it.
Blending historical intrigue with speculative science and philosophical suspense, Sisters of Twelve explores the hidden systems that preserve knowledge across generations and the unseen people history rarely remembers.
From the author of Time Lines comes a story about memory, stewardship, and the dangerous moment when the future arrives before humanity is prepared for it.
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Posted in Interviews
Tags: Ancient Historical Fiction, Ancient History Fiction, author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, ebook, fiction, Giulio A. Savo, goodreads, historical mysteries, indie author, kindle, kobo, literature, mystery, nook, novel, read, reader, reading, Sisters of Twelve, story, writer, writing
The Perspective of the Marginalised
Posted by Literary-Titan

False Bay moves through the lives and deaths of a wide cast of characters whose stories overlap through love, trauma, faith, race, sexuality, apartheid, memory, and the sea. I find the novel’s setup entertaining. How did this idea start and develop as you wrote?
I wrote a screenplay 25 years ago and while the industry loved it, no film was made of it. So, I eventually converted it into a novel, updating it and fleshing out the many characters. I used my own life experience for parts of it and invented the rest. It is not auto fiction though. My life has not been that interesting!
The supernatural elements never feel separate from ordinary life. Ghosts, visions, and saints exist alongside braais, gossip, and family fights. Why was it important for the magical and the mundane to coexist so naturally?
Cape Town is a magical place. The story extends beyond reality to the mystical and I wanted to cover these elements in a way which seemed routed in reality but also encompassed the supernatural. By being very specific about the locations, this reinforces the reality element so I could get away with the magical and still tell a “believable” story.
So many characters carry only fragments of the truth. Were you interested in the idea that no single person can fully narrate collective trauma?
Absolutely. As one of the characters says, “what is truth?” So, I wanted to look at the many sides to a narrative and a variety of worldviews. I also wanted to look at the world from the perspective of the marginalised.
What do you want a reader who has never been to South Africa to take from this book — and what do you hope a South African reader finds that they didn’t expect?
Readers who have never been to South Africa will hopefully get a better perspective of the history of colonialism and apartheid and its effects on South Africa today. Also, the themes are universal regardless of where you live. The LGBTQ element speaks to a community often marginalised as well. Sexism and racism are also huge issues internationally. Locally I hope South Africans recognise the legacy of the past injustices and the marginalisation due to race, sex, sexual orientation, economic status, class and diversity in general. Also, I hope they recognise Cape Town and its magical elements.
Author Links: GoodReads | Website | William Dunn | Amazon
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Tags: author, book, book recommendations, book review, book reviews, book shelf, book trailer, bookblogger, books, books to read, booktube, booktuber, Contemporary Literary Fiction, ebook, False Bay, fiction, goodreads, indie author, kindle, kobo, literary fiction, literature, nook, novel, psychological fiction, Psychological Literary Fiction, read, reader, reading, story, trailer, William Dunn, writer, writing
So You Want To Be A Vaccine Developer (Immunologist)
Posted by Literary Titan

As a parent, I’m always looking for books that can take a big, complicated topic and make it feel exciting instead of overwhelming. So You Want To Be A Vaccine Developer does exactly that. This children’s book introduces readers to immunology, vaccine science, and medical research in a way that feels smart, honest, and accessible. It explains how vaccines help the immune system learn to recognize dangerous germs before they cause illness, using clear examples of memory cells, antibodies, and the body’s natural defenses. The book trusts young readers to handle real science and gives them the tools to understand it.
So You Want To Be A Vaccine Developer shows the actual work behind vaccine development. Young readers learn that vaccines don’t simply appear overnight. They come from years of careful research, antigen design, lab testing, clinical trials, data analysis, manufacturing, regulatory review, and global distribution. The book also introduces the many people involved in this process, including immunologists, virologists, statisticians, structural biologists, manufacturing scientists, and public health experts. I loved how this broadens a child’s view of science careers because not everyone thinks of this specific career path. And after COVID, I think it should be at the top of career lists.
This book shows that discovery is not just one person in a lab coat having a sudden idea, It’s teamwork, patience, problem-solving, and responsibility. The layout is student-friendly as well and reminds me of the “Who Is” style books that many kids already enjoy. Sections like “A Day in the Life,” the best and hardest parts of the job, surprising facts, career paths, and the glossary make the information easy to revisit and discuss. The bold scientific terms are helpful for building vocabulary, and the many illustrations add color and clarity to complex ideas like immune responses, ELISA testing, clinical trials, and lab work. I can see this book being especially useful for upper elementary and middle-grade readers who are curious about biology, medicine, or how scientists help protect communities.
What I liked most is the encouraging tone. The book connects science to real life by showing that the greatest reward of vaccine work is often invisible: the sickness that never happens, the outbreak that never spreads, and the child who stays healthy. It also handles vaccine development with a thoughtful and balanced approach. So You Want To Be A Vaccine Developer is informative, inspiring, and full of respect for young readers. I would gladly recommend it to curious students ages 10 to 14, and even younger children could enjoy it as a read-aloud introduction to scientific thinking.
Pages: 38 | ISBN : 978-1972766415
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A Jewel of a Crime: A Venus Bixby Mystery
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A Jewel of a Crime by Valerie Taylor drops readers back into Chatham Crossing with Venus Bixby, a bookseller, cat lover, former dance-studio owner, and aspiring lost-art detective whose life is already in a state of personal renovation when a celebratory visit to SAM’s Studio turns grim. The death of Margo Abbott pulls Venus into a case tangled with stolen jewelry, old loyalties, witchy shopkeeper rituals, marital secrets, and a local business community that can turn gossip into weather. What begins with green nail polish, a grand opening, and a Peace Lily becomes a nimble mystery about ownership, grief, reinvention, and the dangerous things people hide in plain sight.
I enjoyed the way Taylor lets the mystery bloom out of ordinary errands. Venus does not stumble into danger because the plot needs her to; she arrives through hair appointments, lunch plans, flowers, book club obligations, and the stubborn civic pulse of Chatham Crossing. That gives the story a lived-in texture. The town is not merely a backdrop with a cute sign out front. It has rival shopping districts, business alliances, old grudges, new storefronts, and enough social static to make every conversation feel like it might be evidence.
What I liked most was Venus herself. She is funny without being lacquered in quips, sentimental without turning syrupy, and nosy in a way that feels earned rather than performative. Her grief over Paul, her wary affection for Budd, her sisterly back-and-forth with Sherrie, and her fascination with art and memory give the book more ballast than the usual cozy puzzle. The Moonstone Guild adds a pleasingly peculiar shimmer, and the jewelry thread gives the mystery its best glint: pretty objects, ugly motives.
This book is for readers who like cozy mysteries, amateur sleuth fiction, light paranormal fiction, and crime fiction stories with humor, community, and a heroine who notices everything from a missing purse to a badly timed social media post. Fans of Joanne Fluke’s village-scale mysteries or Richard Osman’s warm ensemble sleuthing will feel at home here, though Taylor’s Venus Bixby brings her own briny New England snap. A Jewel of a Crime sparkles because its brightest gem is not the stolen emerald, it’s Venus Bixby’s sharp, bruised, and irrepressible heart.
Pages: 284 | ASIN : B0GRCG64BR
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Tags: A Jewel of a Crime: A Venus Bixby Mystery, A Venus Bixby Mystery, amateur sleuths, author, book, book recommendations, book review, book reviews, book shelf, book trailer, bookblogger, books, books to read, booktube, booktuber, Cozy animal mysteries, ebook, fiction, goodreads, indie author, kindle, kobo, literature, mystery, nook, novel, read, reader, reading, series, story, suspense, trailer, Valerie Taylor, writer, writing
Careless Whispers
Posted by Literary Titan

Careless Whispers by Oquirrh Keyes is a raw and confessional poetry collection about desire, secrecy, power, betrayal, and the slow, brutal process of reclaiming the self after an affair built on half-truths and emotional control. The book moves from the first spark of a D/s relationship, through rituals like shared songs, cuffs, coffee, hidden online personas, and charged meetings, into the painful unraveling of lies: the wife, the matching details, the dating apps, the parking lot goodbye. It reads less like a neat narrative and more like memory sorting itself after impact.
I was struck by how bodily this book feels. Keyes writes in fragments, but the fragments have heat in them. A mud-soaked day at Bonneville becomes both romance and omen. A cuff becomes proof, then a noose, then something quietly pried loose with pliers. A pot of chili, a family Christmas photo, a shared location bubble, even a nickname given to a child, all become evidence of how intimacy can invade ordinary life until nothing feels untouched. I liked that the poems don’t pretend the speaker was only a victim or only a strategist. She wants, she plays, she notices, she returns, she leaves, and then she returns again. That honesty gave the collection its ache.
The writing is best when it trusts a small image to carry the damage. The dandelions and clouds poem, for instance, has a lovely quietness after so much fire, and the Oquirrhs section gives the speaker a landscape large enough to heal inside. I also appreciated the recurring visual language of keys, cuffs, screens, watches, cars, and mirrors. It gives the book the feeling of a private exhibit, each object labeled by pain. The repetition of accusation and revelation can feel blunt, but I think that bluntness is part of the book’s temperament. It isn’t trying to be coy. It’s trying to name the thing that nearly erased her.
Careless Whispers is intimate and steady. It has a pulse that feels earned, especially as the speaker moves from obsession toward self-possession. I’d recommend it to readers who like emotionally candid poetry about toxic love, erotic power, betrayal, and recovery, especially those who appreciate confessional writing that’s messy, sensual, wounded, and unwilling to lie about what longing can cost.
Pages: 152 | ASIN: B0GWB24MN6
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Posted in Book Reviews, Five Stars
Tags: author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, Careless Whispers, ebook, goodreads, indie author, kindle, kobo, literature, nook, novel, Oquirrh Keyes, poem, poet, poetry, read, reader, reading, story, writer, writing
Atlas Falls to Earth
Posted by Literary Titan

Atlas Falls to Earth, by Ashley Christopher Leach, is a literary coming-of-age novel with strong Southern Gothic and magical realist elements. It follows Atlas, a sensitive thirteen-year-old boy in rural North Carolina, as he struggles under the weight of his father Jason’s expectations, finds comfort in Alex’s quiet care, and escapes into a strange book-within-the-book called Misadventures in Being: The Strange Tale of Bunny and Munk. The novel moves between Atlas’s painful real world and the eerie, fable-like world of Bunny and Munk, using both stories to explore loneliness, identity, imagination, violence, and the aching need to be understood.
I liked how intensely Leach writes atmosphere. The book is full of damp fields, old wood, cold rooms, wounded birds, smoke, and silence. You can feel the farmhouse pressing in on Atlas. The prose often lingers, sometimes beautifully, sometimes heavily, and I found myself admiring its ambition. This isn’t a spare novel. It wants to be lush, strange, sad, and philosophical all at once. That choice gives the story a haunted quality, especially in the scenes where Atlas’s gentleness clashes with Jason’s rough idea of masculinity. Those moments hurt. As they should.
I was also fascinated by the author’s decision to fold Bunny and Munk’s fantasy tale into Atlas’s story so deeply. At first, it feels whimsical and odd, almost like a dark children’s book hidden inside adult literary fiction. But the longer I sat with it, the more it felt like a mirror Atlas uses to understand himself. Munk’s longing to be human and Bunny’s simple, instinctive joy play against Atlas’s own fear of being wrong in the body, family, and world he has been given. The inner story is dense, and the dialect is heavy. Still, there is real vision here.
I would recommend Atlas Falls to Earth to readers who like literary fiction that is dark, symbolic, and emotionally raw. It will especially appeal to people drawn to Southern Gothic family stories, magical realism, and novels about fragile young outsiders trying to survive a world that keeps asking them to become harder than they are. It has a strange tenderness that stayed with me after I finished the book.
Pages: 159 | ASIN : B0F2GSBN2V
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Posted in Book Reviews, Four Stars
Tags: Ashley Christopher Leach, Atlas Falls to Earth, author, book, book recommendations, book review, book reviews, book shelf, bookblogger, books, books to read, coming of age, ebook, fiction, goodreads, indie author, kindle, kobo, literature, magical realism, nook, novel, read, reader, reading, small town, Small Town & Rural Fiction, Southern Gothic, story, writer, writing







