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Suzy Spitfire Kills Everybody

Suzy Spitfire Kills Everybody

Suzy Spitfire is a take-no-bull fugitive on the run. Her best friend Aiko, who was her father’s lab assistant and is also on the run, wants to see her and she’s taking a big risk by coming back to Earth. She wastes her time at the bar flirting with Ricardo until Aiko shows up. Her friend reveals the location of a top-secret Artificial Intelligence her father developed for the government, and also informs her that her dad’s death was a murder, not an accident. Almost on cue, the bar is raided by the feds. Ricardo comes to their rescue (while stealing a case of whiskey on the way out) and they are on the run again, this time with a price on their heads and Special Forces on their heels.

With the feds, a fleet of pirates, and a criminal gang all gunning for them, this crew of outlaws has nowhere to turn. Blurr, the Special Forces commander, has no qualms about using extreme methods to get what he wants. Getting to Suzy – and the secrets she knows – would be even better.

I really got into the rapid-fire action. There’s never a dull moment in this book. Suzy is a larger-than-life antihero who would rather shoot than talk, and when she does speak, it’s usually a string of smartass remarks. Surrender is for weaklings and arguments are best ended with her pistol set on “stun” so she can mock the loser later. The action escalates through the book, with the crew of the Correcaminos Rojo bouncing between criminals, pirates, and the law, trapped on posh spaceships, hell-hole prisons, and domed spaceports. Her banter with Ricardo is fun, and her inability to keep her mouth shut gets her in trouble more than once.

Along the way, Suzy begins to second-guess her impulse to fight and starts listening to Ricardo. There may be a lot more to the guy besides his stunning good looks and bad poetry. She realizes she might be falling for him, but she can’t be sure that he’s not working for one of the factions trying to chase her down. It makes for a nice romantic subplot that may or may not involve bullets before it’s all over.

I also liked getting occasional glimpses into the stories of the people on the other side of the fight. Getting insight into what was going on behind the action provided a break between fight scenes and added a lot of scheming and intrigue. I don’t want to get into spoiler territory, but getting the inside scoop on other key characters added a lot of excitement to the story.

If I had to criticize one thing, it would be that the action gets a little repetitive. Several encounters with enemies are similar, but the great thing is that none of these situations resolve in the same way. It was nice to see the characters playing to their strengths and weaknesses, and the author does a great job at blending screwball humor into the mix. There is a minor loose end concerning a secondary character, but that might be covered in a sequel.

I would absolutely recommend this for a quick, fun, summer read. It’s a great blend of over-the-top action that reads like classic pulp fiction, and characters who play their tropes for all they’re worth. Suzie Spitfire Kills Everybody will leave you smiling.

Pages: 297 | ASIN: B072PXT1P7

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A Love Letter to Alice

Pat Patterson Author Interview

Pat Patterson Author Interview

Dining and Driving with Cats – Alice Unplugged tells the story of Patterson and his wife, Alice, driving from the Mexican border to Atlanta, Georgia, with their two cats, Munchie and Tuffy. What was the inspiration that made you want to write such a heartwarming book?

This book was a love letter to Alice that wouldn’t stop flowing until it was a book – actually two books. Shortly after returning from our journey which actually was six weeks driving from Austin, Texas, to the Blue Ridge Mountains and back I took note of how much fonder I was of both our cats Tuffy and Munchie. Intrigued by this new found affection for Alice’s little prima donnas I decided to put in narrative all that I remembered about the trip. Funny thing was no sooner had I begun to write than the story took shape around Alice and how much she had meant to me for all these years. So I began to write about the very things Alice loves best after me – her cats. Only now, after our trip, I could feel they were our cats and that’s when I at last realized what Alice had been trying to help me understand all these years – that when you love another with an all-consuming passion you will love the things they love as well.

As the couple travel the country the tone is kept lite and is easy to read. What were the themes you were trying to capture as you wrote this story?

I attempted to tell through story a truth that life’s greatest joys can often be discovered and experienced by tuning in to the everyday things we often overlook. Sharing a meal in a crowded room or wincing when a cats claws catch your toes can be the occasion and should be the occasion for rekindling our love and feelings for one another. Celebratory moments are awaiting in almost every moment of the day if we only stop and feel the excitement of being alive.

It seems like you had a lot of fun writing this book. What was your favorite scene to write and why?

Actually writing about the manner in which Alice and I first met and how her spy almost cost us a life together was the most intoxicating scene for me as I penned the scenes. Alice only read the book after its conclusion and this part of the story was her favorite as well.

What is the next book that you are working on and when will it be available?

The next book is a sequel – Dining and Driving with Cats – Alice Rising. It is the story of our journey on from Atlanta into the Blue Ridge Mountains. In this one the reader is afforded
an in depth view to Alice’s intensity for living on life’s edge and how.

Author Links: Website | GoodReads | Facebook

Dining and Driving With Cats – Alice Unplugged is a heartwarming and beguiling adventure of a couple who shares a love that most of us only imagine. Pat Patterson is a born storyteller and makes readers feel as if they are part of the road trip. This book is as much a story of sweet devotion as it is an exquisite example of discovering life’s hidden joys in the smallest of everyday experiences. Not since Michael Ondaatje’s hypnotic voice in The English Patient has a book spoken with such an allure for the reader. You might even spot a bit of Irish in the author and his spouse’s detailed arguments comparing a dish from one restaurant to the same of another restaurant.

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Zombie Mage

With Zombie Mage Jonathan Drake has moved beyond the tiered story lines of your basic flesh eating zombies and brings a fresh take to the zombie genre. Zombie Mage is the story of Olligh, who is known as a Walker. He is a zombie that can travel the cosmos and transcend time and space. A group of cultists, called the Dark Cloaks, have trapped the Walkers claiming to be helping them find finial death and peace. They enlist Olligh to help them bring back five Walkers that have gone missing in exchange for his and his wife Laura’s final death together and an end to this life as zombies.

I found it difficult in the beginning to understand what was going on. There was a lot of shifting from one location to another as well as change in time periods. Going from ancient times to modern and then into the future. I was thrown off a bit at first because there is not much context given. But the story really starts to pick up after we are introduced to the characters and the order of the Dark Cloaks. This brings the story into focus and kept me flipping pages. I was fully invested in the story once we discover that Olligh is a mage and the possibility of magical zombies or, zombie mages, existed. This was unique to me and is a novel approach to the zombie genre.

Olligh’s one goal is to reunite with his wife Laura who is also a zombie. She wants nothing more than to be with Olligh as well and makes life difficult for the Dark Cloaks on several occasions in her insistence to be reunited with her love. I felt that this was similar to Romeo and Juliet where they want to be together but circumstances keep them apart. It is sweet that they were so dedicated to one another even in death.

Marvin is probably my favorite of the missing Walkers, all that remains of him is a skull, one disconnected eye, and his brain in a jar. This doesn’t stop him from having a great sense of humor and a love of playing practical jokes. His sarcasm adds much needed comic relief to the novel at a time when Olligh is so serious and focused. The novel does a famtastoc job showing Olligh’s internal emotional struggle. I felt that Olligh’s struggle was an example of humanities constant struggle to find balance a balance between good and bad while fulfilling ones own selfish desires. The love story that develops throughout the book is well developed and adds a another romantic layer to what is otherwise a bleak genre.

Zombie Mage by Jonathan Drake is a fresh twist on the zombie genre. It has all the ingredients of a great story and combines them into a tale that is consistently entertaining. Don’t worry, there isn’t too much gore; Drake often uses humor and sarcasm to accent the gruesome parts of the novel. Overall a fantastic new take on the zombie genre.

Pages: 220 | ASIN: B00A4HQM42

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Black Inked Pearl: A Girl’s Quest

Black Inked Pearl: A Girl's Quest

An epic tale spun from erratic thoughts placed into text and delivered to the world. That is the sense that readers will get from Black Inked Pearl A Girl’s Quest by Ruth Finnegan. Our protagonist, Kate, is searching for something. She is on a journey through years and lifetimes as she seeks out this piece that is required to complete her. We see this world through her eyes, her thoughts and her experiences. The tale is epic not only in page count, but in content as well. We know that Kate has lost something, that she is searching for this thing, but we don’t know exactly what it is. We are left with speculation and can only turn the next page to find out if she has achieved her goal. With songs, poetry and influences of dreams long past, this tale is one that is begging to be heard.

The way this book is written, with its dream-like prose and fractured sentences, allows this epic fantasy novel to be told in a stream of consciousness style of writing. The thoughts are thrown at the reader: fast and unforgiving. At first glance, the reader may think that our protagonist, Kate, has simply gone mad and the first chapters are from her point of view. However, the entire book reads that way and, if you are not paying close attention, you may get lost. Readers are quickly taken from scene to scene and thought to thought with barely a lull. Perfect for readers who like to be fully engaged in a story.

The words are very beautiful. The poetry both original and borrowed lends a mystical air to the story. If you view the entire book as a sort of waking-dream, it begins to make sense. This writing style is wonderful for conveying emotions and we can get a better sense of how Kate is feeling as she continues her search. The blending of a warped reality with a warped sense of fantasy lends well to the thought of this being a dream-like state that Kate has found herself in.

A whirlwind of a read is what you’ll find between the covers of Black Inked Pearl A Girl’s Quest by Ruth Finnegan. The mystical sense of the book is intriguing. This is a book recommended to be finished in one sitting as you may find it hard to pull away. The dream-like madness that seems to grip the pages make for an exciting read, but this can also be overwhelming. This may be a book suited to seasoned readers who are looking for a dreamlike story of epic proportions.

Pages: 286 | ASIN: B0158VRF26

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A Sinister Combination of Joy and Pain

Alex C. Vick Author Interview

Alex C. Vick Author Interview

Breaking Magic takes place in a world where people are genetically engineered for jobs and no one is able to question their function in society. What was your goal when you started and how did it change as you were writing?

This question is interesting, because I’m not really a plotter. The details of each story tend to evolve as I’m writing, and in the case of Breaking Magic, things changed a lot. What the villain did to recreate the world of Imbera according to his own evil design was more complicated than I originally expected. It allowed me to be quite creative in terms of my protagonist’s journey. My goal was to show that everyone has unlimited potential – no matter what society tells them, or the obstacles they face. That did not change, but the story behind it certainly did!

The story follows Callax, one of the workers, as he struggles to overcome his predetermined life and learns more about the world. What was your inspiration for his character?

Callax is the storyteller, and he shares what he learns and the emotions he is feeling without much of a filter! He gets scared sometimes and he says the wrong thing as often as he says the right thing, but he’s brave and determined too. I wanted Cal to be someone the reader could relate to and care about.

In Breaking Magic the Opta are the ruling class and the Exta are the workers. What themes did you use to develop these two contrasting groups?

The overriding theme is the importance of hope, even in the face of the impossible odds that the Exta are facing. The Opta needed to appear invincible, so their leader, the Breaker, is an intelligent antagonist. The Exta are not allowed to grow up, they are engineered to be only fragments of their potential selves, and his magic uses a sinister combination of joy and pain to disorient them. Yet they never quite stop hoping, and this gives them the strength to fight.

How does this book fit into your Legacy of Androva series and what is next for Callax?

Breaking Magic was a great opportunity for me to take a minor character and bring him into the limelight in a standalone book. I expect that Cal will turn up again at some point, but for the sixth book I am writing Galen’s story. Galen is a seventeen-year-old Androvan magician from Seeking Magic, the third book in the series, who abandoned his world two thousand years ago for love of a Terran girl. I plan to return to the core series in the seventh book!

Author Links: GoodReads | Facebook | Website

Breaking Magic (The Legacy of Androva #5)

Callax is fifteen, and he already knows he won’t ever grow old. Twelve years after leaving the childstation he will be summoned to the Gathering, where life essences are taken by a deadly, irresistible spell. On his world, this is one of the many ways in which the Exta serve the Opta. His best hope is to avoid an early binding by staying out of trouble.

But in protecting his younger brother Benedar, he was noticed by the Breaker, the evil magician in charge of the Gathering. The closer Callax gets to the ruling house and the girl who lives there, the more he learns, and the greater the danger. A danger he might not understand until it is too late. Callax thinks the Breaker’s defeat will save him, but he is wrong.

Additional information: Although Breaking Magic is part of the Legacy of Androva series, it can also be read independently. If you have read Controlling Magic and want to know more about Imbera, Breaking Magic is Cal’s story. The book retells part of Controlling Magic from Cal’s point of view. Recommended for lower young adult.

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The Destiny She Cannot Escape

D. Hart St. Martin Author Interview

D. Hart St. Martin Author Interview

Protector of Thristas takes place fifteen years after the tumultuous One Day War and Lisen is faced with something far more challenging than ever before. What were some important themes for you to capture in this novel?

I’ve taken on several archetypes in these books with an eye towards shifting what originated as masculine-oriented myths into their feminine equivalent. Lisen is the hero of a story in which she must overcome many obstacles, including her own self-doubt, to rise at the end of the original trilogy to the destiny she cannot escape. I looked at heroes, such as Luke Skywalker and King Arthur, and asked myself how this would look not simply with a “girl” as the hero but with a gentler and more sympathetic way of presenting the momentous events that occur in the story. The battle at the end of Blooded is a case in point. Lisen found a way to break through the fighting and turn the combatants towards a negotiated resolution rather than one in which many people died or were left physically or emotionally injured.

So, when I decided to explore Lisen and the others as adults, to look at the relationships and their children fifteen years on, I made another decision–to raise the bar and tackle an archetype I refer to as “the king must die and live again.” This myth can be found in many nature-focused cultures. The leader of the people sacrifices his life (or acts the sacrifice out in ritual) and goes to the underworld, then rises again, all of which is symbolic of the “burying” of seeds in the fall and their rising as plants in the spring. It is a form of fertility ritual. It is also, in some ways, the Christ story, but this time it’s a young woman.

I think this book did a fantastic job displaying how emotional a mother-daughter relationship can be, and family relationships as well. How did you develop these complex relationships? Anything pulled from real life?

My mother was not the nurturing type which left my father with that role in my life. In fact, Korin’s nickname of “Fa” is the way my father, in his later years, signed birthday cards and such. But there was more to it than that. As I foraged deeper into the story and the wounded relationship between Lisen and Rinli, I realized one very important thing. I had to be very careful about how I framed the discord between the two of them. The critique group I belonged to at the time loved the portrayal of the mother-daughter conflict, but I began to recognize that I had created a very “earth-centric/potentially sexist” struggle. In my experience, women in our culture learn at a very early age that they must challenge one another over the attention of a man. Men are taught a similar lesson, but it manifests differently. Men thump their chests and growl at one another (figuratively) or go out and kick a football around, whereas women get mean. And it often begins in the relationship between a mother and daughter and their desire for the male in their lives–the husband/father. It’s fairly subtle in most cases, but it’s there, and once girls become teenagers with all those hormones raging, they may not “desire” their father, but they want what their mothers have and the fight is on.

I couldn’t let this be the basis for Lisen and Rinli’s conflict, so I struck out on my own to find something that didn’t smack of the sexism in the “typical” tension that can tear a mother and daughter apart. And although I may have no control over the enculturated eyes the reader brings to the story and her interpretation of what she sees in that relationship, I had to be true to my commitment to present Lisen and Rinli sparring not over the mean-girl stuff that can mess with a mother and a daughter but over the betrayal Rinli feels at her mother’s use of her as a bargaining tool to bring a war to an end. Add to that the fact that Lisen is not the nurturing parent in the family, and it becomes clear, in my eyes, at least, that their relationship was likely doomed no matter what Lisen did.

Rinli is resistant to the idea that she has her mother’s magic abilities. How did you handle magic in this novel that was similar and/or different from the previous novels?

In some way, I think the magic became more central to the story than it had been previously. I have always played the push as something unacceptable but sometimes necessary, even to Garlans who are pretty accepting of most hermit magic. As a Thristan, Korin distrusts hermits and what they can do, and Lisen has a powerful gift. This presented its own set of problems in the first trilogy and ultimately tore them apart. Now, with Rinli growing up and it becoming obvious to both of her parents that she has inherited her mother’s gift, Lisen and Korin have to make their peace over the magic thing and then band together to convince Rinli that the only way to stay safe amongst magic-fearing Thristans is to master her gift in order to control it. This is where that conflict I mentioned above manifests with Lisen trying her damnedest to reach out to Rinli and Rinli turning away. (I had one reviewer say, “So many times I just wanted to scream ‘Say I LOVE YOU!'” which would, of course, have simplified things a great deal. But it was about the magic in Lisen’s mind, and “I love you” wasn’t in her lexicon.)

What is the next book that you are working on and when will it be available?

I began a followup to Protector of Thristas with the idea that it would be the final book in the series. I had to find a way to put down the characters and the world I’d created in order to move on to something new. Five books. The series would be five books. I was adamant with myself. Then as I wrote and wrote and wrote, I began to realize that this was going to be one hell of a long book. I set a word limit at which point I would break it up into two books. I’m still on first draft, and I am within 2500 words of that limit I set. It’s definitely going to be 2 books. Because I’ve been making changes that affect earlier scenes as I go along, I must finish the entire tome before officially splitting them up. (And even then, I’m probably going to produce draft 2 of both books together, incorporating all the necessary tweaking at one time, before I turn to book 5 of the series and complete it.) All of this is to say, that this has taken far longer than I wanted it to take, but I continue to move forward.

As regards where we go from here, having sent a young person as flawed as Rinli through the experience of dying and rising from the dead, I discovered (upon working on the final two books) a character who is not doing well emotionally at all. It’s been an interesting trip. Rinli was originally intended to be the character to whom Lisen would pass the baton, but she turned out to be a character very different from what I had expected when I began. Her last words at the end of the book blew me away, coming as they did as I was writing that last scene, and they set the tone for the remaining story. I had to ask myself “what does a world broken by Mantar’s Child look like?” It took a while to answer that question. Now first draft is finally winding down for books 5 and 6, and all I can say is “whew, what a ride!” “When will it be available?” I’m hoping for some time early in the new year for book 5 and spring for book 6.

Author Links: Website | Facebook | Blog

Protector of Thristas: A Lisen of Solsta NovelFifteen years after the One-Day War, Lisen, now Empir Ariannas, has developed into a just and capable leader. Together she and Korin have created a union of two souls based on respect, commitment and love, and their family has grown. In addition to Rinli, their daughter who made her first appearance in Blooded, two more children have joined the family, completing their complement of three complicated adolescents.

Now the sixteen-year-out Rinli prepares to take on the mantle of Protector of Thristas, a title destined for her in the treaty that ended the war. The Empirs of Garla have carried this title for hundreds of years, and Lisen anticipates changes once she hands this single title on to Rinli at the girl’s investiture. But the prophesy of Mantar’s Child, upon which Lisen and Korin depended in the treaty negotiations fifteen years earlier, refuses to remain but a convenient myth, and with the advent of the fulfillment of the prophecy, an epic begins.

Although Protector of Thristas includes the familiar faces and settings of the young adult Lisen of Solsta trilogy, it begins a new adventure for an older and often wiser Lisen and her allies. Looking at their world through their matured eyes, the book takes on the heroic tragedy that the trilogy could only hint at. Return to Garla. Enter its mystical environs for a new encounter with Lisen and her world’s gender-free culture. The adventure awaits.

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A Simple Disturbing Question

W. A. Smith Author Interview

W. A. Smith Author Interview

Einstein’s Fiddle begins with a man abandoning his child on a doorstep of a stranger’s home; the rest of the novel seeks to reveal and understand this man. What was the inspiration for the setup to this emotional novel?

Like my first novel (A History of the World), Einstein’s Fiddle began as a short story. The story form was abandoned quickly – perforce, as soon as Davy abandoned Mitchell. The inspiration for the setup was a simple disturbing question that presented itself: What if someone – no, not just someone – a dad – left his baby boy on a doorstep? The image that first came to mind was of the proverbial unwed mother from earlier decades in this country – desperate, ashamed, alone, afraid, and apparently out of options. The obvious second question followed hard upon the first: why would any person – at least any loving father – do such a thing? And these were questions that led quickly to others – questions of personality, motivation and experience – and my poor powers certainly could not answer them, or sufficiently illuminate the depths of such a father (Davy Calhoun), in a short story.

Davy Calhoun is a multilayered character that is deftly developed. What were the driving ideals behind the characters development throughout the story?

The relationship between fathers and sons has been at the heart of my writing from the beginning. It was there in my early stories and my first novel, and it is at the center of Einstein’s Fiddle. The desire for his (or her) father’s love, approval, guidance and acceptance is deep in every child’s heart from the first breath. It is a ‘natural’ yearning and part of each one of us because God put it there. I wanted Davy Calhoun to be a character with whom we all (if we are honest about it) share common ground; and of course – like each of us – he has his own story, his own unique experience and narrative, which I hope makes the book singular and engaging. There are a number of fathers in the novel, all of them flawed and fallen in his own ways – and one particularly outstanding in his degree of fallenness; but my ‘ideal’ father in Davy’s story is the dad in Jesus’ story about The Prodigal Son, a parable which one of the characters in the book’s third section relates to Davy. Perhaps the one ‘driving ideal’ behind Davy’s development is best summed up by something a friend of mine has said more than once: “Love is the most powerful force in the universe – just largely untried.”

It’s hard to not get emotional when reading Einstein’s Fiddle. Did you pull anything from real life or personal experience to use in this novel?

I spent time in all the places where the narrative unfolds – Charlottesville, Washington, D.C., Chicago and San Francisco – and I used a lot of my experiences of those places (and the places within those places) in the book. As I imagine any author does, I created whole characters with pieces of people I know or have known. Whenever it worked well in the narrative, I used – call it stole, if you like – real-life stories that friends have shared with me over the years. In the last section, when Davy is in San Francisco, there is a scene near Pier 39, which completely replicates something that happened to a good friend of mine in New Jersey. It was a wonderful gift to me, and I gave it joyfully to everyone who reads Einstein’s Fiddle.

What is the next book that you are working on and when will it be available?

The working title is Thomas, but that could change in an instant. I expect it to be much shorter than Fiddle…but that could change too. I don’t want to say much about it right now, except that it is about a life-changing relationship between a white doctor in Charleston, South Carolina, and the black man he hires to build a stable for his horses. You can safely bet that there will be fathers and sons in this book too…. I hope it will be available in a year or so. I’ve begun to work on it in my head, but I have yet to write the first word.

Author Links: GoodReads | Amazon

Einstein's Fiddle by [Smith, W.A.]What kind of man leaves the infant son he loves on a doorstep in a strange town and drives away? With its present set in the summer of 1985 and its past reaching from 1950 to 1974, Einstein’s Fiddle is a dramatic examination of Davy Calhoun’s journey from home to the far country and back. The language and landscape of the novel vary between the existential and familial, tragic and comic, as the non-linear narrative – by turns realistic, lyrical, magical – focuses fearlessly on Davy’s fall, dishonor and redemption.

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People-Watching

Michael Pronko Author Interview

Michael Pronko Author Interview

The Last Train revolves around Michiko Suzuki and the team of detectives that are investigating the train murders. What was the inspiration to the setup to this thrilling novel?

For quite a few years I was writing about jazz every week, so I was always going to Roppongi and Shinjuku and Shibuya, nightlife parts of the city. I’d see the hostesses who work in all the clubs there, and they would often be in the jazz clubs. They were almost always strikingly attractive, but underneath that seemed some sadness. Whatever one thinks of their work, the women seemed smart. What impressed me most, though, was the great personal dignity with which they carried themselves. So, I started wondering what kind of life those women lived, and what if they turned the tables. What if one of those people-savvy women took things into her own hands to do things men usually do? And what was this odd dynamic between men and women that seemed so unfair to women, but then again, was something else, too. Many Japanese women might not even say Japanese society is unfair exactly, perhaps because Tokyo is home to a vibrant urban culture where women are incredibly free to do what they want and live how they like. But, what would that freedom turn into if taken to an extreme? Michiko is that extreme. The men struggle to catch up.

Michiko is the daughter of a factory owner whose mother died when she was young. Her character continues to get deeper as the story progresses. What did you use as a starting point for the character and what was your guidance as you built the character?

I think the way Michiko grew as a character was based on my observation of women, and men, in Tokyo, but all kinds of women, not just hostesses. There’s a lot of people TO observe in Tokyo, for one thing, but I like to talk and interact with people as much as I can. Michiko is a “typical” character in that her experience parallels the shift in Japan from a manufacturing society, which is where Michiko grew up, to an information and service society, which is how she makes money. I wondered how that shift affected women? Is it easier for women to adapt to economic changes than men, or harder? Michiko is working class in origin, growing up above a factory, but she turns herself into something else altogether through her own efforts. She’s tough and resilient, which is how I see most Japanese women, and yet still very feminine in traditional ways. She has no hesitation to compete in a man’s world, and to do it on her own terms. Like many characters, once she was created, everything followed from that.

The novel takes place in Tokyo. Why did you choose a train station in Japan as the setting to your novel?

Trains are one of the things I love most about Tokyo, but they are also these huge masses of steel shooting through a very densely populated city. Just as America is built around the car, Tokyo is built around trains. Suicides on the train lines, sadly, happen all too often.

I came upon the clean-up after a suicide one time years ago, and the image stayed with me.

Like every other commuter, I have been stuck waiting on a train or a platform when a suicide shuts down the entire train system. It’s so shocking because usually everything runs on time. So, I guess, if you transplant the American car chase to Tokyo, it becomes a train chase, or a chase on a train. I also like that as a setting because trains and train stations are great levelers. Everyone takes the train, together, equally. I also love trains and train stations because I can completely indulge in people-watching. It’s startling how many people you see in a day. Still, it’s never so lonely as in a crowd, and there’s always a crowd in Tokyo.

What is the next story that you are working on and when will it be available?

The next novel is called Japan Hand and Detective Hiroshi is again in the lead, together with Sakaguchi. They investigate the death of a long-time Japan specialist who helped negotiate the complicated relations between Japan and America, including the US military bases in Japan. That novel should be out by December of this year or early 2018. The next one after that is called Thai Girl in Tokyo and will be out in spring of 2018. I’ve finished writing those both, so they’re now being edited and polished.

Pages: 348 | ASIN: B071DPXP7M

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Do A Day

Do a Day: How to Live a Better Life Every Day

Do a Day by Bryan Falchuk is written from the author’s own experience of turning his life around – losing weight and eating healthier. He has turned his method into a general philosophy, which he wants to use to help others with achieving their goals and improving their lives. The book is organized into relatively short chapters, so that it can be read a little each day. In order to help readers who want to leave the book and come back to it, each chapter has a helpful summary at the end.

Do a Day is appreciative of people’s differences and faults – the author doesn’t write as if he expects everyone to live exactly as he does now. He even shares where he went wrong on his journey so the reader can learn from it. These semi-autobiographical sections are one of the strengths of this book, for me.  It added interest and a more human element than lists of instructions.

I felt as if some parts were over-explained, such as the metaphor of the chapter entitled “Before My Dawn”. I enjoyed the humor that I read, but there was too little of it, making the book a little more serious than it otherwise could have been.

The chapter order was well-chosen to guide the reader through the author’s philosophy, and I appreciated the references to scientific studies and other data that lent some credibility to the method, which was otherwise based on anecdotal evidence.

The content of the method itself was not revolutionary, but I felt that in this form it might be more accessible and inspirational to some people who might otherwise not care or not have the opportunity to learn about it. Do a Day felt like an honest account that didn’t promise any quick, or low-effort fixes.

Mainly, the book gives sensible advice. It covers how to apply the described way of thinking to every aspect of daily life – exercise, eating, parenting, work, and getting through a bad day. It’s very thorough, and feels like a natural fit for each.

Overall, it contains useful advice with interesting sections of autobiography and is well-explained and is accessible and inspirational.

Pages: 137 | ASIN: B06W9L9NDT

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The Tenth Nail

Nate knelt beside the dead girl. This wasn’t his first homicide, it wasn’t even the first dead prostitute he’d investigated. It wasn’t the first strangling death he’d been assigned to. But, this one bothered him.

Maybe it was her youth, she appeared to be in her early twenties. Maybe it was her looks, as death had yet to rob her of her beauty. Maybe she reminded him of his own daughter, Lizzie, who was only a few years younger. Maybe it was something else entirely.

The big detective looked over the body, careful not to touch or disturb her. He had one of the best crime scene technicians, Winston Rawls, and he did not want to make his job harder.

“Look at her fingernails,” Rawls observed from the other side of the body.
“What about them?”
“Most of them are broken and some are torn free of the quick. Some are missing.”
Nate slowed his visual scanning of the girl and focused on her hands. Rawls was right, the nails were ragged, broken, and torn. Some of her fingers ended with just the bloody fingertips.
It made his injured finger hurt. Maybe this was why this murder haunted him from the start.

The girl’s hands were bagged in plastic to preserve evidence that hopefully was there. Gently, Nate lifted a hand, holding it on his open palm. He looked at the girls eyes, that looked down and away from him.
“I don’t know what happened that led you to this place. I don’t know why you chose to live the life you did. But you deserved better than this.”
Rawls looked at Nate with an expression that asked, “What are you doing?”
Nate glanced at the technician and then focused again on the girl’s hand.
“I promise you, I give you my word, I will find who ever did this to you and I will bring him to justice. I will hold him accountable for this. Rest assured.”
Gently, as if he didn’t want to wake her, Nate lowered the girl’s hand to the pavement. He stood and Rawls stood with him.
“Do you want to tell me what that was all about?”
Nate studied the bearded tech, “I made her a promise.”
“Nate, you and I both know solving the death of a streetwalker is one of the hardest crimes to solve. Unless she was killed by her pimp, or another girl jealous of her, the doer is a complete stranger. There’s just not enough to tie the two people together.”
Rawls shook his head, “You’ve worked more of these than I have. You know how difficult this is going to be.”
Nate looked at Rawls, placed a hand on the technician’s shoulder, “I made her a promise.”
He turned and walked from the alley, giving the technician a controlled wave, “See you at the morgue.”

The Tenth Nail is the story of a homicide detective obsessed in finding the killer of a streetwalker. It is fast paced, with well developed characters and a twist at the end most will not see coming.

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