Sunken Spanish Treasure Quest by Richard Joseph Johnson is an adventure story about four friends who go in search of an 18th century Spanish galleon, the San de Cristo, that sunk off the coast of Florida during a hurricane in 1733. Brad, a commodities trader, finds a journal at an estate sale in Chicago. The journal is written in Spanish, and Brad gives it to his friend, Maximo to read. Max, the owner of a men’s clothing store, has a degree in world history and discovers a reference in the journal (written in hidden code) to the location of the San de Cristo and the lost Spanish treasure–gold and silver coins and ingots–that had been aboard when it sank. Brad and Max enlist two other friends–George, an electronic engineer, and Lou, a former boiler technician on an aircraft carrier and current restaurant owner–to help in the search. Although the four men have no experience or knowledge of maritime salvage, they set off to find this sunken treasure. Will they locate the lost vessel and discover riches beyond their imagining? Will their friendship survive this quest for lost Spanish treasure?
I liked the historical aspects of the story. The history imbued in this story is something that any history buff will surely enjoy. References to the 1700’s were very intriguing and lends an air of mystery to this story that doesn’t dissipate and was one of my favorite parts of the book.
The story started out slow, with a lot of lead up and back story before Brad, Max, George, and Lou actually begin their quest. I felt that there were a lot of unnecessary details (such as what the men ate during their meals together). Eliminating some of the details describing their day to day lives would have improved the pace of the story. The first quarter of the book is filled with the planning and preparing for the trip, including almost two chapters about the drive from Chicago to Florida.
The story picks up once Brad, Max, George, and Lou arrive in Florida and begin their search, and the adventure truly begins when we are introduced to a group of pirates that the four men must battle. Their adventure continues when they return to their lives in Chicago, and trouble follows them home. I liked that although many things changed for them in their lives after their quest for treasure, some things remained the same.
This was an enjoyable read that gets better and more interesting as the story progresses. The bond between the characters is something that I enjoyed watching develop as they pieced together their trip and battled pirates.
Pages: 434 | ASIN: B079437WVB
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Michelle has known Damon for years. For years, Damon has known what Michelle could not possibly know–she belongs to him. When Damon’s stalking and pursuit of Michelle finally reaches its peak, Michelle can longer deny her attraction to Damon, and she gives in to her own curiosity. As Michelle and her best friend, Mellie’s, luck would have it, Damon is not the only one who has pursued and admired Michelle from afar for years. When what began as admiration turns to full-fledged obsession, Damon and his team are there for Michelle and Mellie when seconds count.
Addicted to You is the second book in the SAPD SWAT Series by author Nikki Mays. This second installment focuses on Michelle, co-owner of The Sweet Grind and best friend of Mellie. Mellie and her love affair with Morris were the primary focus of book one, and Mays has taken the same slant with book two shifting the perspective to Michelle. Written in first person and swapping between the two main characters, Michelle and Damon, the book hits on some particularly comedic moments as well as intensely romantic and sensual scenes.
As with book one, I enjoyed the shift in points of view between the two characters. Mays is adept at writing from each one’s perspective and helping the reader see each one’s thought processes. Damon, while intense, is a lovable character in his own right. Michelle’s reflections on his love for her further serve to build him as a favored character for readers. In turn, as Damon explains the passion with which he pursues Michelle, the reader is taken from wondering about his frame of mind to understanding his love for Michelle. Mays writes in a unique style that succeeds in quickly drawing in the readers and keeping them enthralled with the plot.
In both of the first two installments in the SAPD SWAT series, Mays steers the plot away from romance long enough to include an element of mystery. In Addicted to You, however, Mays seems to get to the point rather quickly. Even though I enjoyed and appreciated the mystery surrounding the drawings of Michelle left in the bake shop, it seemed the mystery was solved too quickly. I would have liked to have seen that aspect of the plot stretched out.
There is an undeniable quality of humor in Mays’s writing. She details a fantastic dynamic between her characters, both main and secondary. They have a rapport that is undeniable, and the entire group banters back and forth as true friends and siblings. Even their fights turn into comedic memories.
It is worth noting that there seem to be numerous punctuation and grammar errors in the reading. Only in a few places do these errors impact or interfere with the flow of the reading.
Author Nikki Mays writes an entertaining romance novel geared toward the new adult genre and succeeds in shaping lovable and memorable characters. Any fan of the romance genre will be pleased with the engaging plot and the sensuous visuals.
Pages: 150 | ASIN: B07J23W7JN
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Destiny Revisited by Eleanor Tremayne is the story of the life of Gabriella Girard. The book starts with Gabriella attending the funeral of Jake Chevalier who she had not spoken to for thirty-three years. After the memorial service, she receives a ‘death box’ from Jake’s wife. It is the same box Gabby gave to Jake on New Year’s Eve in 1967, the last time they had seen each other. Gabby’s mind goes back to the first day she met Jake, and the next section of the story takes place in Savannah, Georgia, in the 1960s, during the three years Gabby and Jake spent together as teenagers in love. They had promised to stay together forever and were planning their lives together after high school. But then Jake joins the marines and goes off to war, to fight in Vietnam. And everything changes for them, and Gabby’s life spirals off course.
I immediately became involved with the characters, which is why I didn’t like the way Jake treated Gabby after he made the decision, without even talking to her, that they could no longer be together. He claimed he still loved Gabby, but he didn’t contact her to tell her the relationship was over. Instead, he returned home engaged to another woman. Though I understood his motivations, I would have liked to see him handle the situation in another way, since his actions not only affected him, but Gabby, as well, for the rest of her life. Although Gabby had relationships with other men, she never again found the happiness and love she’d known with Jake.
I really liked the part where Gabby traveled to Europe after she finally opened the ‘death box.’ This section of the story was so sweet, but also very sad. Especially the part about the proposal. It was a very emotional remembrance of lost love and regret for all the things they had planned to do, which never happened.
The story ends abruptly, without showing what exactly happens to Gabby which left me anxious to know what happened after that point. I wanted her to have a happy ending after everything she had gone through in her life.
I enjoyed the poems and quotes that were included at the start of each chapter. But there were some grammatical issues that distracted from the flow of the story. Although it became less noticeable as I continued reading and was pulled into the story of the young love Gabby shared with Jake.
This book is a fantastic emotional roller-coaster with twists I certainly didn’t see coming. This is a character driven story that delivers intrigue by getting you invested in some dynamic and well developed characters.
Pages: 390 | ASIN: B073QFZF98
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Skeins by Richa Gupta is the story of a large group of globe-trotting Indian women who take a trip to see the sights in Spain and Portugal. The women are similar in heritage, but vary widely in age and experience. Even though they are from the same general area, they also differ in culture and socio-economic status. As the women grow closer, they let each other into their personal lives. They confide in each other and share secrets, regrets, hopes, and dreams. However, it’s not one big happy slumber party. Some of the women find some serious trouble along their journey.
Overall, Skeins was a pretty easy read. The grammar and sentence structure is impeccable. I didn’t find any errors at all. If anything, there were only a few turns of phrase that only suggested that the author’s roots were different than my own. That’s not a bad thing.
If I have any complaint, it’s that the cast of characters was very large. I found it hard, at times, to keep the names of characters and their story lines straight. There seemed to be so much going on at once between all of the background stories.
I enjoyed the diversity of the characters. I especially enjoyed the diversity paired with the camaraderie that the women enjoyed. They came from all walks of life, different social classes, and different customs to form one big, instant family. They seemed to get along very well. They will make readers hope for these kinds of quickly formed but long lasting friendships.
Readers will also identify with the problems that the women face. They discuss the not-so-perfect aspects of their lives without giving the story too heavy of a feel. The story doesn’t bog down or get lost in their troubles. They simply state what’s going on in their lives, but characters don’t seem to dwell too much for the most part. For a story that deals with adultery, a crime ring, decades old grudges, etc., it is a decidedly uplifting tale. The women tackle their problems instead of becoming victims of circumstance.
I liked that Gupta showed the women as strong, powerful, and independent. None of them were “just a wife” or “just a mother.” None of them were leaning too hard on anyone but themselves. In a country where women aren’t generally in hierarchical positions, it was refreshing to see these women being so self-sufficient. Still, they walked the line between traditional arranged marriages and living their dreams, while sometimes doing both with one foot in each world. They seek out independence, their wildest dreams, and love all at once.
The book feels light-hearted in nature. I enjoyed that combination woven with real-life issues. I enjoyed the cultural journey following the women from India touring the Iberian Peninsula. The characters felt real. I’d love to see one of the characters step forward to star in a sequel.
Pages: 312 | ASIN: B07HP6ZPYM
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I immediately liked Asuf the moment I started reading the book. On their hunting spree with Valhelm, the latter confessed how scared he was to hunt. He mentioned that he had heard stories, unpleasant of course and that something could be lurking around the part of the caverns the two were hunting. Asuf shut his partner down, Saying that whatever Valhelm was on was weakness and unacceptable. I like bold characters in books; Characters like Asuf, who are not frightened by minute issues. Though a little bit aggressive, I admired how Asuf demanded respect. He instilled a little fear in Valhelm when speaking, in that Valhelm felt inferior in his presence.
The book gets to be more interesting as one reads on. I like how the society in Igor Valec’s book held authority in high regard. A subject could not address the king in any manner. They had to use the appropriate title when speaking to those at the throne. One could also tell the mood and tone of the subjects Vis a Vis the king.
King Lortar’s reaction to discovering that there was a heathen cult in the kingdom was priceless. How and where was that? I appreciated Valhelm for informing Lortar about this cult. As they were speaking, one could feel Lortar’s concern in his words. He was worried that Valhelm had gone on his own to do the hunting. I enjoyed the conversation that followed as everyone was given a chance to air their views.
Damnation: A Grimdark Fantasy Political Drama is not your average book. Through the story, the author incorporated themes of leadership, family relations, and infighting among members of the same society, politics, and fantasy. Every chapter built on the story and tension of the last chapter, so as you read you always felt like something was about to happen.
Igor Valec’s character choice was marvelous. Looking at how the characters were distributed across the book, I have to admit that the author took his time to select which traits to give who. Hirr Valhelm remained my favorite character. Other characters I found interesting include Vost Kon Schmitt, Wiktor Kon Oydrich and Lady Eidi Kon Huss and of course King Lortar. I found the kingdom’s way of dealing with criminals and those who went against the king intriguing.
I recommend this book to everyone who enjoys a good story. The characters in the book are fascinating. The plot is superb and the writing style is amazing. I loved every page of Damnation. The book is action-packed, with suspense, adventure, drama, twists, and turns.
The book is fairly long, at 600+ pages, but this story does not feel overwhelming. I felt that opposite actually, the ending leaves you on a cliffhanger and I wanted more. This leaves the book open for a followup book to start, what could be, a fantasy series with a deep backstory and dynamic characters.
Pages: 644 | ASIN: B07HVHVDDY
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Survivors of the Sun is a thrilling post-apocalyptic adventure story following Georgia as she struggles to keep her family safe in a new dangerous world. What was the inspiration for the setup to this novel?
Inspiration for the book came while I was living in an isolated farming community sixteen miles from the township where I had my Jewelry Studio. At one point I was cut off, with one other family, for ten days by raging flood waters. We were not prepared. None of us were able to get into work or school. There was no internet, no phone, no electricity and absolutely no means of communication with the outside world. Both households pooled their food and the kids and dogs ran wild. Even so, it was a wonderful time and it led me to think of how different it would have been if something similar had occurred in a large city.
Georgia starts the story as a happy wife and mother, and manages to survive several obstacles by her will and determination. What were some themes you wanted to capture in her character?
Firstly that she was not a well prepared, gun totting superhero. She was a normal woman, in an average household confronted with the unexpected and the unthinkable. I wanted her to have her failings, insecurities, and self-doubt; as well as a strong set of values, showing her inner need, despite the situation, to remain honest. I also wanted to reveal her developing relationship with the children and how her steadfast influence, determination and loyalty encouraged the positive development of those around her.
This is an entertaining post-apocalyptic story; did you start writing with this in mind or did the story develop organically as you wrote?
It was always going to be a post-apocalyptic story, but I did not have a plot. When I started writing I knew about as much as the characters did, and it seemed to me that they took over and led me on the journey down South.
What is the next novel that you are working on and when will it be available?
It is a sequel to Survivors of the Sun and I am planning to have it ready by May 2019.
Georgia was not a survivalist and she did not have a bug out plan. She was a happily married woman, at home with three children and their Boston Terriers. In an instant everything changed. The power went off, and no-one knew why. By nightfall, Nathan, her husband had still not returned. In time, the water stopped running. With only three days of food left in the house and dwindling water supplies, she has no choice but to flee Kansas City.
Their world changes dramatically, entering a post-apocalyptic age, with looting, rioting and violence becoming the norm. As they escape across country, Georgia has to overcome her fears and keep her loved ones safe. Together they face heart wrenching decisions as they encounter the inconceivable.
Their journey leads them through a harsh new reality. The struggles and hardships that they endure, threaten their very existence, testing their loyalty, fortitude and love for each other in ways they could never have imagined.
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The Tribulations of August Barton follows college freshman Augie as he navigates many precarious situations with the help of his grandmother. What was the inspiration for the setup to this entertaining novel?
I remembered how truly alone I felt when I turned eighteen and first left home. How hard it was to realize that the world was so vast and full of uncertainty, that if I let it, it could just swallow me whole. Augie is essentially a figment of the inner me and a reflection of how I felt at that time in my life. Doing things on your own without anyone’s help or guidance for the first time is scary.
The funny thing is, Augie wasn’t the first character to pop into my head for this story. It was his grandma Gertie. I was surfing on the web for writing prompts one day and came across some comical ones like, the pizza guy, a hug that goes too far, and something unexpected under the bed, or something to that effect. At some point looking through them all Gertie popped into my head. She wasn’t a character I really had to come up with, she was just already there in my head. Gertie is a combination of different people all in one person. I used to work with an older waitress named Pickles. Her personality was really flirty and fun and all the customers knew her by name. That’s where a lot of Gertie’s mannerisms came from. She is also parts of my own grandmother with some Betty White mixed in. I thought to myself “hmm I’ve never read anything like that, this could be interesting.” The story took off from there and her and Augie led the way.
There are things in life that we all have to face like this at one point or another that will test our morals or sanity, but the people who inspire me most are the ones who overcame those obstacles. Augie is a great example of how facing your fears and overcoming things that hold you back can help you grow as a person.
The world seems like it’s crashing down on Augie, but he manages to hang on with the help of his free spirited grandmother. What were some themes you wanted to capture in these characters and their relationship?
The main ones are that it’s okay to have friends that aren’t your age, that family isn’t always blood, and accepting people and loving them for who they are is the greatest gift you can give to anyone. One that’s a little more subtle throughout the story is that people can surprise you and misconceptions that are assumed about someone right away, can turn out to be completely unfounded once you get to know them.
I have always felt a special connection to my grandmother. Much like Augie does in the book with Gertie. In a lot of ways, I connected more with her than with my own mother, and despite this, I was still very close to both of them.
The relationship between Augie and Rose was heartfelt and certainly tugs at the heart strings. What did you want to do differently with their relationship than what’s portrayed in other novels?
One thing I wanted to stray from was insta-love as well as their relationship revolving solely around sex. While there are a lot of sexual themes throughout the book and some good laughs about it, I also wanted to show readers that a relationship is built on more than just physical intimacy. I wanted to create likeable, yet flawed characters that almost anyone could relate to, because in real life we all have problems and none us is perfect or really ever gets it right. We stumble through life and make mistakes that we learn from, which is what both Augie and Rose do as their relationship blooms. They make mistakes and they don’t get it right the first time.
Augie see’s that there’s more to Rose than she’s willing to show other people. It’s rare to meet someone who sees who you really are right from the start. He’s also willing to let her go to ensure that she doesn’t spiral out of control, even though he desperately just wants to hold on to her. In turn Rose accepts Augie just the way he is, quirks and all. The more she sees who he is, the more she opens her eyes to what she really wants in life and decides to make a change.
What is the next book that you are working on and when will it be available?
Augie’s story continues in the sequel titled The Revelations of August Barton which is currently available on Kindle. The paperback will be available hopefully within the next month or two.
August Barton could never have mentally prepared himself for his freshman year of college: not only has his anxiety increased, but his parents are divorcing, his new roommate thinks Augie is the biggest nerd in existence, and his grandma, a retired prostitute named Gertie, has taken to running away from her nursing home.
Augie just wants to hole up in his dorm room with his Star Wars collectables and textbooks, but Gertie is not about to let that happen. What ensues is a crazy ride including naked trespassing, befriending a local biker gang, and maybe-just maybe-with Augie defeating his anxiety and actually getting the girl.
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Crimes of Rumba discusses and dissects the crimes behind the worst corporate malpractice in US cultural history. Why was this an important book for you to write?
From 1983 to 1995, it took us almost fifteen years of commitment, sacrifice and know-how to build up awareness about the greatness of Congo music’s modernity in American pop culture. Credits should be given to promoters such as Victor Kibunja, Verna Gillis, Paul Trautman and my company’s tour with Tabu Ley Rochereau-Alive and Well in North-America in 1992, which made Congo music a runaway hit in North America until 1995.
Unfortunately, with little to no precision, 22 years after the Congolese government and musicians’ outright rejection of Fonior’s crimes of rumba, handful writers went off the script and managed to inadvertently slip in Fonior’s fraud of Cuban music. It was disheartening to realize that even few colleagues in the media were still living in the clouds of Fonior’s crimes of rumba. As promoters, time was more of the essence to promoting tours than pressing the matter further why it was a horrific danger to associate Franco Luambo and Tabu Ley Rochereau with Fonior’s post-colonial fraud for America, in the lens of the Congo’s politics from the 1970s to 1990s.This brought up the above headliners’ urgency and request to me to educating their consumers with the absolute truth beyond the fraud of rumba.
Moreover, as journalist and promoter, this is book is mostly important because it connects the dots between King Leopold’s atrocities of red rubber to the crimes of rumba for America by his very own international conglomerate, Societe Generale. Simply put, the fraud of rumba music is the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. It’s never been about the presence of Cuban music in the midst of the state administration’s classified South American music’s mandatory production. But it is all about how, wanton malice, Fonior abused and misused Cuban music to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America.
You cover a number of topics in this book, but the one that stuck out to me was rumba music. How do you feel music affects the political landscape?
Human life is rhythm. Rhythm is music. And music also controls mankind’s political landscape from singing Nero setting Rome on fire, Herod decapitating John the Baptist in Israel to any election campaign chanting of USA, USA, USA.
In Belgian Congo, for instance, the rhythm of atrocity behind the harvest of red rubber to the germination and criminalization of the state administration’s legal diversity of South American music, in the late 1950s, was controlled by King Leopold’s politics for Societe Generale’s monopoly. The politics behind the abrogation of Copami’s mission to legalize the harvest of “music cash crops” for export created a super culture of dichotomy for the equal production of Congo music and South American music under the law. And this colonial autocracy paved the way for Congolese musicians’ resistance and sabotage, which empowered Patrice Lumumba to ascend to the highest sky of the Belgian Congo’s nascent political parties.
In 1948 president Rafael Trujillo made Merengue the official music of Dominican Republic, while in 1959, Fidel Castro nationalized Rumba as the official music of Cuba for all music of African descent. In 1965, after his coup d’etat, president Mobutu rode the wave of Congo music to install his dictatorship in the Congo DRC. Francois Duvalier used Kompa music to numb the mass’s brain for his dictatorship in Haiti. Bob Marley performed his One Love Concert to defuse the brutal turf war among political nemesis in Jamaica. Bill Clinton’s campaign in the 1990s banked on the success of Macarena to promote his progressive agenda for America’s cultural diversity. And that is the same spirit of music in the politics of King Leopold’s international conglomerate that still captures rumba operatives’ politics for Fonior’s crimes of rumba that have been debunked and rebuked in the Congo DRC and exposed in this book.
What kind of research did you undertake to ensure the book was accurate and detailed?
First, as American of Congolese origin, I have lived Congo music my entire life. As a professional journalist, I covered the Congo DRC’s national rebuke of Fonior’s crimes of rumba for the national radio and television until I migrated to the USA. As co-host of the most famous Congo music radio and television shows, I humbly confessed that my expertise in Congo music is second to none because of my personal and business ties with Congolese musicians. As a young record producer, I have also rubbed elbows with all the who’s who in the music industry. My coverage of Samuco and Umuza, Congolese musicians’ union, are the most inside information that the average journalist has never searched before. From 1983 to 2000, as a promoter and consultant, I have closely worked with all Congolese musicians who have come on tour in North America for others as well as for my own company.
Second, to ensure that the book was accurate and detailed, my documented evidence are based on Belgian Congo’s laws, policies, institutions and corroborated by Congolese musicians’ personal testimonies throughout colonialism and their outright rejection and class action lawsuit against Fonior. The restrictive provision and scope of laws and policies from Belgian Congo to the Congo DRC’s national rebuke of Fonior’s crimes of rumba certify the accuracy of the Royal Decree of 1925 behind the Copami’s mission and its related institutions, coupled with the Royal Decree of 1952 aborting the old mission and its institutions under Societe Generale’s mission. These irrefutable evidence within La Territoriale provide all material facts and detailed events. And this exclusivity makes Crimes of Rumba the best encyclopedia of Congo music ever in terms of chronology of specifics in laws, policies, institutions and events from 1925 to September 1960.
I thought this book was informative and engaging. What do you hope readers take away from this book?
Readers’ takeaway is to know that Fonior’s crimes of rumba are real. Consumers have the right to know that they have been defrauded for decades. Even though, this crime spree was launched from America, in September 1960, its universality has outreached the world. It is based on Fonior’s violation of Congolese musicians’ copyrights. That’s why, as early as 1970s, president Mobutu stood up shoulder to shoulder with them to nationally reject, debunk and rebuke Fonior’s fraud. Unfortunately, after 47 years, the coverage of the Congo DRC’s rebuke has been blocked by King Leopold’s rumba operatives through fake movies, books and theories, who have turned a blind eye to telling the truth for the sole purpose to monetize on it. Not only consumers have the right to be set free from the bondage of Fonior’s crimes of rumba, they have the right to know that rumba operatives still provide a fraudulent, safe home for re-litigation and revisionism of Belgian Congo’s laws, policies, institutions, and against the Congo DRC’s national rebuke of Fonior’s fraud.
This book simply certifies that one can’t explain the complexity of the state administration’s legal diversity and production of South American music under the law, in the Belgian Congo, in complicity with Fonior’s fraud and based on the simplicity of its crime of opportunity on Cuban music for America, first. The engraved musical evidence of South American music’s legal diversity in Fonior’s Congolese re-editions represent self-incriminating evidence, among many others, against its crimes of rumba. One can’t celebrate Congo Rumba’s illegality by hiding Congo Latino from the same Fonior’s fake-outs spree. This case is all about King Leopold’s international monopoly misused Cuban music to commit fraud. Simply put, the fraud of rumba music has been the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. Thanks to Crimes of Rumba the era of defrauding musicians and consumers’ human rights is over now.
Crimes of Rumba is the hottest, epic combination of business, politics, music, and of course, crimes behind the predatory conduct culture that has glamorized the worst corporate malpractice in US cultural history. As a matter of law, order, and economy, the state administrations intolerance and crackdown on musicians dissent and opposition to the colonial music cash crops production is authoritarianism at best and without precedent in the worlds history of colonization and music. This legal truth and material facts-checkings operation is the blunt, exclusive disclosure of the sources and methods used for the cultivation and autocratic harvest of music cash crops in the Belgian Congo, which were economically engineered from and back to America for its consumption through misinformation, disinformation, deceit, and fraud. Not only is this the tale of the utmost scam that has been very fully funded to defraud the worlds collective memory of rumba, it is the hefty price that our humanity has dearly paid for without consent for Foniors crimes of rumba for decades. Silence has been complicity at worst from the people with knowledge of the case against rumba. Not only are the material facts and consumers rights violated and suppressed, along with musicians copyrights for decades, the morally repulsive glamorization of the fraud has brought creative freedom in the worlds music into disrepute. A lot of readers will discover Thierry Antha with the publication of Crimes of Rumba, Volume I of Congo Music. But this international journalist carried decades of excellence in covering the Congo and Haitis politics, business, and entertainment. His professional and personal ties with all the most famous Congolese musicians in advocacy, promotion, and production of their musical works have crowned him the best authority with respect to the Congo musics history. Contrary to all the spinning, posturing, and work of fiction for rumba, Thierry Anthas expertise and dedication to exposing the truth behind material facts and laws related to Congo music from the Belgian Congo to the Congo is second to none. Embark in this riveting literary journey to discover how Socit Gnrales authoritarian harvest of music cash crops has shattered and destroyed lives and careers for its economic gain in the Americas. Without censorship, Crimes of Rumba, Volume I of Congo Music exposes Foniors victims long overdue rebuttal, which is long way apart from the reality of its predatory conduct culture and its propaganda of rumbas fake-outs.
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A Monk’s Tail follows a monster hunting fox that must protect his friend from a fiendish warlord. What was your inspiration for the setup to this thrilling novel?
There really was no ‘inspiration’, per se. Writing for me started out (and still is) something I do to center myself after a long or stressful day. I would have a bunch of what-if situations and flesh them out a bit. The characters in the what-if that eventually became A Monk’s Tail really stuck with me, so I rolled with it.
The characters are all anthropomorphic animals that are multilayered characters. What choices went into what character would be which animal?
Basically the decision-making process was, “What animals do I like?” Red Pandas are my favorite so I just went with them for the main character. Although I did want Susi to be more diminutive to showcase her spunky, firecracker personality, so having her be a mouse was a more intentional decision.
I loved the dialogue throughout the story. What were some themes you wanted to capture in their conversations and relationships?
The main theme for my book is “fun”; if you’re entertained, I did my job. So the dialogue is injected with lots of humor that gives each character their own quirks. I also love languages (although I’m not the best at learning them), so I wanted to incorporate different languages and accents to give my world more depth.
What is the next book that you are working on and when will it be available?
I’ve got a few irons in the fire, but the most immediate work is a direct sequel to A Monk’s Tail. It’s a love letter to Japan that introduces a lot of folklore, monsters, and historical figures. Anyone who’s interested in the Sengoku period of Japan, yokai, or the culture in general will enjoy this book, which will be available during the second quarter of 2019.
For Bow, a gun-toting, hard-drinking, foul-mouthed firefox monk, life as a monster-hunter is pretty straightforward. Until, that is, he runs afoul of a power-hungry warlord and gets himself imprisoned. There he helps a young maus named Susi escape, but in doing so unleashed nightmarish forces hellbent on capturing his new ward. Now, with the help of a giant bear alchemist and a violent nun, Bow must stay one step ahead of his perusers and certain death. But Susi is harboring a dark secret, one that could spell doom for them all.
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Dagger’s Destiny follows princess Catrin who is torn between duty to her kingdom and her forbidden love. What were some things you felt you had to bring over from Apollo’s Raven and what were some new themes you wanted to explore?
One of the themes I carry over from Apollo’s Raven is Catrin is torn between her duty to her kingdom and her forbidden love for the Roman enemy, Marcellus. However, in Dagger’s Destiny, Catrin must face the consequences of her forbidden love when her father, King Amren, accuses her of treason due to her liaison with Marcellus. Duty is of greatest importance to the characters because it exemplifies the honor central to being in a position of power. Duty to the state and the family’s legacy is explored as well as duty to loved ones and to one’s self. The characterizations of Catrin, Marcellus, and their fathers are more fully explored as each person must grapple with balancing their duty to the state vs. their love to those they cherish. There are no easy resolutions as the fathers have resorted to brutality and corruption to maintain their powers.
Another theme that is explored in Dagger’s Destiny is fate vs. free will. Catrin must dive into the Depth of Possibilities of what choices she can make to stop the curse that foretells her half-brother will kill their father. However, whenever Catrin changes the future, the curse an alter in unexpected ways.
Dagger’s Destiny is a genre-crossing novel with elements of a romance, fantasy and history as well. Did you start writing with this in mind, or did this happen organically as you were writing?
When I first start writing the series, the story was intended to be a historical fiction based on the legacy of Mark Antony and Cleopatra, but with a Celtic twist. However, as I explored Celtic and Roman mythology, I began weaving in some of the fantastical elements to help explain what the Celts believed. I was particularly fascinated to learn that the Celts has a similar belief in the immortality of the soul as the Greek philosopher, Pythagoras. They believed the soul could transmigrate between different animal species and could occupy another body after death. As a result, the series evolved into a more mythical tale as I weaved in other fantastical worlds and druidic powers into the historical backdrop.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
A secondary character that I enjoyed developing was Ferrex—a loyal, duty-bound Celtic warrior who deeply loves Catrin and risks his reputation to support her. Down-to-earth and blunt, Ferrex is a sharp contrast to Marcellus, a suave and impetuous Roman nobleman who has had a reckless affair with an older married woman. Ferrex will continue to play an important role in the series.
This is book 2 in your Curse of Clansmen and Kings series. Where will book 3 take readers and when will it be available?
Book 3: Amulet’s Rapture will take the star-crossed lovers, Catrin and Marcellus, to Gaul (modern-day France) and Rome. Even thought they believe they are destined to be with each other, they encounter resistance to their love at every turn. They will sacrifice almost everything to be together, but can Catrin must balance her fate to retake her kingdom as a warrior queen with her role as the lover of a man who considers her subservient?
Amulet’s Rapture is drafted and undergoing revisions based on feedback from critique partners and an editor. It is my goal that it will be published in approximately one year.
A Celtic warrior princess accused of treason for aiding her enemy lover must win back her father’s love and trust
In the rich and vibrant tale, Author Linnea Tanner continues the story of Catrin and Marcellus that began with the awarding-winning novel APOLLO’S RAVEN in the Curse of Clansmen and Kings Series. Book 2: DAGGER’S DESTINY sweeps you into an epic tale of forbidden love, mythological adventure, and political intrigue in Ancient Rome and Britannia.
War looms over 24 AD Britannia where rival tribal rulers fight each other for power and the Romans threaten to invade to settle their political differences. King Amren accuses his daughter, Catrin, of treason for aiding the Roman enemy and her lover, Marcellus. The ultimate punishment is death unless she can redeem herself. She must prove loyalty to her father by forsaking Marcellus and defending their kingdom—even to the death. Forged into a warrior, she must overcome tribulations and make the right decisions on her quest to break the curse that foretells her banished half-brother and the Roman Empire will destroy their kingdom.
Yet, when Catrin again reunites with Marcellus, she is torn between her love for him and duty to King Amren. She must ultimately face her greatest challenger who could destroy her life, freedom, and humanity.
Will Catrin finally break the ancient prophecy that looms over her kingdom? Will she abandon her forbidden love for Marcellus to win back her father’s trust and love? Can King Amren balance his brutality to maintain power with the love he feels for Catrin?
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