Cristina Matta’s Tremor in the Hills is a gripping young adult mystery set in post-earthquake Peru. The story follows Tamara, a teenage girl struggling with trauma after surviving a devastating quake. When she returns to Manchay to visit her family, her best friend K’antu’s husband is found murdered, and K’antu vanishes. Torn between fear and guilt, Tamara sets out to find her friend and uncover the truth. What unfolds is part mystery, part emotional reckoning, and part cultural portrait, full of vivid landscapes, buried secrets, and human fragility.
The writing is intimate and immediate. I could feel the grit of the Peruvian desert, the tremor beneath the earth, and the weight of Tamara’s panic as if it were my own. Matta writes trauma the way it exists — not in neat scenes, but in waves, sudden and unstoppable. Her sentences don’t just tell a story; they echo the disjointed rhythm of someone haunted. I loved how she wove the cultural and historical context naturally into the dialogue and environment. It didn’t feel like a history lesson. It felt lived-in. Real. Still, sometimes the prose tripped over itself, moving too quickly when I wanted it to breathe. I found myself rereading passages not because I didn’t understand them, but because I didn’t want to miss a single heartbeat of emotion.
The characters felt raw, even when they frustrated me. Tamara’s self-absorption made sense, and K’antu’s silence spoke louder than most people’s screams. What stayed with me most, though, wasn’t the murder mystery. It was the quiet undercurrent of guilt, survivor’s guilt, social guilt, the guilt of privilege. Matta doesn’t lecture; she just shows what happens when the world falls apart unevenly and who gets to rebuild. The dialogue felt real and unpolished in the best way, and the tension between classes and families simmered beneath every conversation. There were moments where the pacing slowed or where I wished a secondary character had been fleshed out more, but those dips didn’t shake my connection to the story.
This isn’t just a story about murder or earthquakes. It’s about what happens afterward, when you’re left standing on uneven ground. Tremor in the Hills will stay with readers who crave emotion more than perfection. It’s ideal for anyone who loves coming-of-age stories with a dark edge, mystery readers who like their puzzles tangled with human pain, or anyone who’s ever tried to rebuild themselves after everything cracked open.
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