Michael Pronko is a scholar and an on Japanese culture. He is also an excellent story teller that captivates readers and takes them on an adventure through his words. The Last Train is set in Tokyo, and even if you have never been to Tokyo, don’t worry, Pronko draws you into the life there. His attention to detail is not limited to the scenery, but the customs and mannerisms that make up the Japanese’s culture. There is extensive time devoted explaining the life and world revolving around the hostess clubs, not sex clubs, rather clubs where men go to find a woman to entertain them for a period of time, while drinking and getting their ego stroked. It is within this society of hostess clubs that murder mystery is flushed out. A killer, targeting foreign investors is using the trains as her weapon of choice.
The story revolves around Michiko Suzuki and the team of detectives that are investigating the train murders. Michiko is the daughter of a factory owner whose mother died when she was young. She was raised by her father and his workers. She learned early that business is not always neat and clean, and that sometimes getting their hands dirty and making backdoor deals is the norm there. As Pronko tells Suzuki’s story he alternates between current events and her memories of the past, telling how she got to where she is, and how she has picked her victims. The main detectives investigating are Hiroshi and Takamatsu. Hiroshi is an accountant that due to spending part of his life in America is fluent in English so he works white collar crimes for the police. Takamatsu is a homicide detective that pulls together his own dream team to work on this case. Their case takes a high profile turn and soon they’re dodging politics as well the cultural need to keep everything neat and tidy. Michiko tries to keep her activities low key but when several of her victims survive her plot, things get messy for her and the police.
One of the most fascinating things about this novel is not the mystery aspect. The murder is not a secret from the beginning. What is a mystery is why she is killing people, figuring out what drove her to this life. Hiroshi is a complex character as well, and his dynamic interactions throughout the investigations add to the plot as well as provide an unique look at the culture. Even though he is from Tokyo, spending time in America gave him a different perspective on the way things are done; whereas Takamatsu comes off as the typical Japanese man. They make an interesting and effective partnership. Having the diverse views interacting with witnesses and other characters makes for a dynamic story line, it is diverse and provides multiple views from different cultural perspectives. Much of the story takes place in Roppongi, here you see all the varieties of hostess clubs, the basic lounge style, mud wrestling, nude women, and the high-end invite only David’s Lounge. Each club gives readers a different taste of the culture.
Overall The Last Train by Michael Pronko is a well written and enticing look into the culture of Tokyo. The story behind Michiko Suzuki is compelling and engaging, you can’t help flipping the pages to see what she is going to do next and find out why her victims were chosen. Hiroshi connects well with everyone he interacts with so there is an emotional response from the reader. Pronko uses emotion, mystery and attention to detail to keep the reader engaged and wanting more. I look forward to seeing more from Pronko and hope he has more stories to tell with Hiroshi.
Pages: 348 | ASIN: B071DPXP7M
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The Reaper is book two in the Fallen Conviction series and opens with the revelation that the King of Akala is missing, and the new Queen, Leah, is now in power. What was the inspiration for the direction of this thrilling novel?
I had the idea of the direction of the novel when I first planned out the series. The entire story is planned out, and had been from the beginning – but the direction of the story has led up to this point because of Darius’ position: The title of the series, The Fallen Conviction, refers to the main characters. Everyone, Darius included, have fallen in some way from positions of power or comfort, and this has led to their current convictions and beliefs. Therefore, showing him as fallen and missing was essential – because this is what drives him to fight against his oppressors. While he was in power, he had very little conviction, but now things have changed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character to write for is Zacharias: He knows everything that is really going on, but is reluctant to reveal too much to the people he is around for his own reasons. Because of his knowledge, however, he is the most fun to write for because he can say things with double meanings that don’t become clear until later, and there is more to discover about him than any other character.
How do you feel you’ve developed as a writer between book one and two in the Fallen Conviction series?
I think I’ve developed a better understanding of character dynamics, and making a character driven story. The first book was very plot driven, and although I had a clear understanding of all of the characters, it became clear that my readers did not get a great sense of all of them – and so with the second book, I focused more heavily on developing them.
The interplay between Darius’ group of refugees and the leadership of Shaweh are the primary drivers of the plot. What were the driving ideals behind the characters development throughout the story?
Each character has lost something that they want to get back, and at their core each one is selfishly trying to get back what they lost, and on top of this there is a hatred between the two nations that leads to mistrust and tension – but as the story progresses, they all learn that there is a bigger issue at stake, and they have to work together.
Will there be a third book in the Fallen Conviction series? If so, where will it take readers and when will it be available?
Yes, there will be a third and final book in the series, called The Empty Nation. This novel explores the war between the three factions: The Empty Ones that Lialthas has created, the remainder of humanity, and The Reaper. Each one represents three important pieces: Lialthas and The Empty Ones represent complete order, a totalitarian system of control without the slightest room for deviation; The Reaper is his opposite, that is to say he is complete chaos, disorder, anarchy, and is the embodiment of deviation; and caught in the middle are the remainders of humanity, who are being forced to choose a side between one of the two, because both are more powerful than could ever be overcome. Therefore, it is not just a war of weapons, but a war of ideals as each person from the group will be forced to choose one of the two sides. Right now, it should be available in mid 2018.
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Stirring is a thrilling supernatural novel that sets a towns families against nightmares and tortured souls of evil that will pull them into the depths of their darkest days. What was the inspiration for the setup to this suspenseful novel?
I grew up watching monster movies – vampire movies in particular – with my mom. We especially liked the Hammer film series, starring Christopher Lee and Peter Cushing, and The Night Stalker films and TV series, starring Darren McGavin. Also highly influential on me was the Salem’s Lot miniseries that aired in 1979, starring David Soul and James Mason. Dark Shadows and other such films and television series also played a role in developing my take on the genre.
I started writing stories in earnest when I was a young teenager, and that’s really when Descendent Darkness was born. It was one of the first ideas that I began developing, and was partially born out of a weird experience I had. I got up early one summer morning, well before sunrise, and went out for a walk near a wooded area of our neighborhood. From a distance, I saw a man walking under a street light, and not far behind him, coming up quickly, was a woman with a very creepy expression on her face. Being the imaginative sort, I thought: What if she were a vampire? What if she was stalking the guy and about to jump him and drag him off into the woods? From there, I started down the Night Stalker/Salem’s Lot path, thinking on the subject of how vampires would operate in the modern world.
As for the setting, my family is from the Shenandoah Valley. It’s such an old area, and so full of history, that it seemed a natural location for a story of this type. The mountains have a mysterious quality to them that isn’t easy to put into words.
Stirrings is a genre-crossing novel with elements of a mystery, crime, and drama as well. Did you start writing with this in mind, or did this happen organically as you were writing?
It was definitely an organic thing. I had a basic story outline formed in my mind, but it changed many times after I started writing and getting to “know” my characters. I had to figure out how to bring vampires into the real world, and that meant dealing with real world issues in an unreal situation: How would the murders be explained? How would law enforcement deal with the situation, given that outsiders would never believe the truth? How would real people react to genuinely encountering the supernatural? What effect would keeping secrets about these things have on people over time? How would relationships change? How would a real vampire seek to protect itself and take victims in the modern world?
All of these considerations caused the story to branch out in many directions and develop a number of layers.
The relationship between the siblings Holly and Mike is intricate and relateable as they battle together, sacrificing their souls to save their family. What were the driving ideals that drove the characters development throughout the story?
Their parents raised them with a strong sense of family loyalty, but the tragic loss of their mother drove them together in a particularly strong way. They share a bond, not only as siblings but also as survivors. Books two and three reveal more of their background and illustrate why they have the relationship they do. This is a key aspect of the story as it moves forward.
Stirrings is book one in the Descendent Darkness series. Where does book two, Legacy, take readers?
Legacy picks up immediately where Stirrings leaves off. The curse the men of the town hoped they had buried forever has finally been set free, and the number one item on its agenda is vengeance. A game of cat-and-mouse is set into motion, with the mice unaware of the game until they’re already caught up in it. We learn something of the true extent of a vampire’s powers and even delve into their origins.
Legacy contains more action and further develops the main characters. The reader also meets some new characters who will factor heavily into the events of the final book. It’s here that everything blows up and the secrets come out, setting up the end game.
In 1982, three men in rural Clarke’s Summit, Virginia, faced an ancient terror, a curse that reached for them from out of the distant past, threatening to destroy them and to draw everyone they loved into everlasting darkness. Together, they paid the ultimate price and drove the shadows back, burying the secret of Clarke’s Summit for what they hoped would be all time.
Now, twenty-one years later, Richard Gaston, deputy sheriff Tom Campbell, and Father Ryan Bennett fear that the power they once defeated may be growing strong once again, ready to break free of its prison. For another amongst them – a tortured soul who was once the bondservant of evil – there can be no doubt. A familiar voice is taunting him, calling him back into the service of darkness.
And for Richard’s son and daughter, Mike and Holly Gaston, the nightmares they’ve had all their lives are about to take shape in the real world.
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The Battle of Barkow tells the tale of dark vs light, good vs evil, in a world where magic is not all bad and religion is not all good. What was the inspiration for the setup to this novel and how did that develop as you wrote?
I wanted to give readers a story that not only takes them on a journey through the eyes of Bolan, Hogarth and Sterre and the choices they make but also a story that provokes thought about life, the things we believe in, don’t believe in and how we deal with those things. I think we all have conflicts within us, we do things that others have done before us simply because of that very reason. My message is that perhaps things are slightly different if we stop to think about them from a neutral position.
I of course also wanted a story that anyone can read and enjoy. You don’t have to ponder the meanings or questions hidden within the story, you can simply read it as a (hopefully) exciting and interesting journey of discovery for the main characters.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
If I had to pick a favourite character I would have to say it would be Bolan. A thoughtful and intelligent man yet one burdened with deep inner conflict. Unable to really grasp his purpose in life, he struggles with belief yet chooses a vocation that is based entirely on belief. His journey is one that answers some of his questions, brings him to a crossroads and forces him to confront those inner conflicts.
I noticed lots of subtle comparisons between good and evil in this story. What themes did you feel helped guide the stories development?
There is a theme of ‘good v evil’ running through the story. However are the good really all that good and are the bad really all that bad? Is there good and bad within us all? I will leave that up to the reader to decide.
I have a problem with a well written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
Yes, I do intend to take this story further. To explore the characters even more and to challenge their beliefs in a sequel. This is something I am working on as we speak. I also believe there is a good story to be told for a ‘prequel’ to The Battle of Barkow….the story of how it all began.
“A priest and a wannabe wizard embark on a journey to deliver books to nearby villages, meet new people and see how others live their lives. What they will discover on their journey however is far more than they could ever have anticipated. They will meet mysterious people, dangerous lurkers, battle hardened warriors and of course a beautiful woman or two!
The Battle of Barkow will take you on a breathless journey down winding roads, lush forests, across waters, through vast fields and towering mountains. All in the name of saving a city from a great evil.
Join Bolan and Hogarth as they take their horse and cart on a journey that will not only put them in harm’s way, but will challenge the very core of their existence.”
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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Globes Disease by Lance Keeble is an edge of your seat thriller! We follow Jodi and several of her friends as they deal with an affliction affecting all of them. Their small town is under siege by a Vampire, who hunts those with such an affliction and government agencies promising them a cure. This strange mix of individuals must come together if they hope to survive. They will not only have to fight for each other, but fight to keep their humanity in the process.
I did not know what to expect going into this book. The cover art was interesting, as was the title, but once the story got going I was more mystified by what genre this novel fits into. It’s not quite science fiction, even with the disease device. It does not feel paranormal with the vampire and lycanthropy. Even with the suspense/thriller elements thrown in, they alongside with all the other speculative fiction elements do not define the book entirely. For the indiscriminate genre reader, this book is for sure a treat, because it plays with all the familiar conventions found in those respective genres.
From page to page, Keeble’s prose is electric. The characters jump off the page with each thought and action that they conduct. And to some degree, I felt like I knew these characters at one point in my life, because of the breath that Keeble can breathe into them. I was amazed. Some of the names had me scoff, like the characters, Quake and Ano, but as time went on the names kind of went with them and felt natural.
All in all, the pages read very easy and the reader shouldn’t be surprised when they find themselves twenty pages in after a blink. The pacing Keeble maintains is one that I admired, since it lends to the novel’s suspense and thriller architecture. And it is not only that, but the mystery that exists within the early pages of the book, because as the reader you want to know how all these various characters get swept up into this awful mess.
There were some hang ups for me as a reader, mainly along the lines of how many points of view Keeble chose to follow. It makes the chapters very short and it can ready almost choppy at times, since we are jumping from head to head. This flaw is only saved by how well written his characters are.
The final verdict is this: if you are looking for an interesting and pulse-pounding read than I would recommend this book. If you are searching for a book that defies genre convention and definition than this is the book you are looking for. If you desire a book with a fun case of characters bound in a common mission and goal, when the world is so divided, then this is the book for you. If any of those reasons apply to you then I would very much recommend this book.
Pages: 353 | ASIN: B01F0D0GVY
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False Gods is a classic tale of angels and demons with a modern twist. Following his adoptive father’s untimely death, young Cormac is inducted as the Seventh Sentinel. Under archangel Michael’s celestial watch, Cormac acquires a team of quick witted, and often-times humorous, powerful beings. Sworn to protect mankind and his loyal sentinels from the ever-impending threat of demons and evil forces, he is thrust into the steep learning curve of what it means to serve his Lord. Cormac must now confront not only his worst nightmares, but the missing pieces of his past as well.
In the first few pages of False Gods, I felt much like what I imagine Cormac did in his first few days as the Seventh Sentinel; confused and unprepared. It felt as if I had been dropped into the halfway point of a dense novel. At first, it drove me crazy. I couldn’t keep characters straight, and between the jumble of formal language and modern day jargon it took me a while to surmise this was taking place in present day. Not to mention Cormac and his team are traipsing all over the globe to the point where I had to drag out a map. Albeit, I started to enjoy the confusion. As small pieces came into focus I quickly became fully invested in Cormac’s journey.
Cormac, young and freshly out of being sworn in as the Seventh Sentinel, quickly realizes that his life is now filled with danger at every turn. He acquires a team of powerful individuals, each with their own strengths. The reader watches as Cormac stumbles through his first few weeks of this new position under the watch of mighty angels. Like any hero’s journey, he is given a quest, one that will lead Cormac and his team all over the world in search of artifacts. That is, unless demons get to them first.
This book was so poignant and filled with emotion that it left me wanting a bit more at times. False Gods is on the razor’s of emotional drama and a non-stop celestial action with faint notes of romance and intimacy.
The writing is skillfully crafted around Cormac and he comes to life right in front of you, his disposition immediately so infectious in a way that makes you wish you could be one of his paladins. The loyalty of his team and his emotional confrontation with his past grips you harder with each page. The quiet and intimate moments between characters, such as Noelle and Connor, or Cormac and Rachel, are visceral and evocative. Cormac’s team of gifted paladins are a bit hard to keep straight, the descriptions come to light very quickly in the beginning and are easily lost as the story becomes more involved. However, their personalities start to differ, and by the time the book comes to a close I found myself touched by each individual’s support for their Seventh Sentinel and clinging to Cormac’s unwavering determination.
Pages: 312 | ASIN: B01B7FMFDG
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Upon entering the book, The University of Corporeal and Ethereal Studies, the reader is immediately greeted with an acceptance letter. Wolfgang Edwards uses this as a sort of introductory to foreshadow what is to come: you are literally stepping out of our own reality and into this new one and this letter serves to summarize that. What follows is the collections and stories of various students and characters who attend this university. Set in a fictional, sometimes bizarre, universe, Edwards explores various facets of the supernatural, blending fantasy with characters who have very human traits.
I think an interesting way to categorize this book is like taking Harry Potter to the next level. You sort of get that feel because of the setting that it’s in. It’s not magic per say, but exploring otherworldly things, some of which I was unfamiliar with before learning about it. So that’s really the closest way to describe it, although it goes far beyond that. I learned a lot because certain things piqued my interest which I honestly have never heard about before. The book is intriguing and I became more interested the more I read. One such example was a chapter titled ‘The Oneironaut’ which is based off a concept called oneironautics. I learned that this is the concept of lucid dreaming, or being able to control your dream, whether it is trying to wake up from a dream or make something happen within the dream.
The actual story is divided up into a number of different perspectives from each character. Some had more relatable stories and more developed characters than others; some were truly fantastic. It reads like a dark adventure of disconnected people that the author is able to draw together for a bigger purpose – much bigger, and much more dangerous. Throughout the various chapters, we learn of different schools within the University, from which the different characters attend. There’s the School of Coin, School of Metallurgy, School of Engineering, etc. Each school is headed by a dean; and one sticks out in particular. Dean Merkea – an unpleasant man with an ugly, tattered demon dog who even urinates on a character’s shoe at one point. My favorite chapter, Prisoner from Beyond, ties together Dean Merkea, a curator, and unravels the launch of a very unique exhibit at a museum.
Despite its setting, the author manages to piece together a few solid pieces of insight every so often that can be just as intriguing as the story. One such example was of Arakatzeko, a character who can be related to someone like Socrates today: deceased, but full of wisdom. As Araktzeko is studied, we learn alongside the characters: “the true rulers of the royal palace were the cats, who were said to live through every change in royal families without incident”. Such tangible reliefs are welcome and help humanize an otherwise crazy setting.
As the book progresses, you get a feeling it’s heading towards something – just not sure what. The unique stories of each of the characters has surely got something for everybody, admittedly some more than others. It is guaranteed to stay fresh and new until the very end, which may leave you wishing that the author could’ve just kept going.
Pages: 720 | ASIN: B01MUAKPM3
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A Small Bronze Gift Called Mirror follows Lydia who is a sixteen-year-old girl living at a boarding school when the headmaster of the school forces Lydia to compete in a mirror contest. What was the inspiration for this very imaginative story?
A quote from Plato’s Apology of Sokrates served as my inspiration for my story:
“something divine and spiritual comes to me, (…) I have had this from my childhood; it is a sort of voice that comes to me, and when it comes it always holds me back from what I am thinking of doing, but never urges me forward.” – Plato’s Apology of Sokrates- 31d. What if we could not only hear this divine and spiritual voice, but also give it a face? Would we be satisfied with the image? Would it be what we imagined it to be or would it be what others expect it to be?
Lydia is a strong-willed, independent teen who takes matters into her own hands. What were the morals you were trying to capture while creating your characters?
Like most characters of the story, Lydia has many challenges to overcome and a difficult task to carry. She faces a lot of issues that people today struggle with. That require many morals and values like self-respect, compassion, altruism and justice. Lydia is a strong-willed young girl, who changes and develops these values as she grows up.
The story has a wonderfully unique take on magic mirrors that’s different from the fairy tale version. How did this idea come to you and how did you develop it into a story?
From the beginning I wanted somebody for Lydia to talk to, because it’s not easy for a child to be left grow up alone. This resulted in the creation of Phoebus, who could prove to be a true friend or an enemy. I tried to show how difficult it is for us today to protect ourselves from bad influences. That’s why the reflections in the mirrors are often shaped by how we perceive ourselves through the manipulation of the others.
What is the next book that you are writing and when will it be available?
Currently I’m writing another mystery novel about two very different people, which have nothing in common until they bump on each other. It will be available as soon as the English translation is finished.
“A small bronze gift called “Mirror” follows the story of Lydia, who is forced to go on the run at the age of 6 when her mother is murdered. Protected by her grandmother, Lydia’s life is shrouded in mystery, compounded by the small bronze gift she was given and which she calls ‘mirror’.
At the age of 12, Lydia is left in the care of Mrs. M, and is given a place at a school filled with unusual characters. When she arrives there Lydia discovers that all the children have the same ‘mirror’ as she does. But it’s when she starts to learn how to use it that the real story unfolds and she must undertake a remarkable journey.”
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End of Knighthood Part I: The Chess Pieces by Joshua Landeros is a ripping tale of military science fiction. The novel follows the continued struggle of William Marconi a cyborg super soldier as he continues to figure out his place and duty as a soldier and knight in this futuristic warzone. Will ends up joining the resistance movement. Fighting the UNR, the new world government superstructure, or curbing its growth becomes the center of conflict. Chancellor Venloran is the locus of these plans and wishes to destroy his enemies completely. Can non-UNR countries survive the rising tide and hardened troops? The principal question is, what will Will do to make up for his past transgressions on behalf of his former role?
Landeros paints a picture worthy of the classic military science fiction writers in their hay day. Robert Heinlein’s Starship Troopers can be felt in every leap of Will from rooftop to rooftop. He masterfully borrows what made these novels great by their action and dialogue. One of the strong parts of the End of Knighthood is not just the fantastic action, but the dialogue between the soldiers is some of the best I have ever read. This is what keeps these soldiers human and what makes them instantly relatable to the reader. Sure, it is cool to read the amazing action scenes that Landeros crafts, but in the quiter moments we get to see how these individuals struggle with their in between status and their struggle in the midst of war.
As far as action goes, you can’t get too much wrong when you have cyborg on cyborg action, but Landeros takes painstakingly careful steps so that the reader does not become lost in the rain of bullets and blows. We are able see every body fall, but we are also able to see the glimpses of humanity from these soldiers as they reflect later their deeds. Will, the main protagonist, and one of the few carry overs from the previous book, is one such character that we get to see who continues to develop.
In our current times of political upheavals and nation states, one would think a book such as End of Knighthood would be hard to swallow. The UNR seems to be something that could occur in the not so distant future, but with the addition of these tech enhanced soldiers, Landeros has given the reader enough of an escape to enjoy oneself rather than wallow in more reality. Despite having a military science fiction bend, the novel could appeal to anyone looking for an action centered yarn along with some political thriller overtones. The genre blending on Landeros’ part is spot on and should please a wide variety of readers.
All in all, the reader may lose some sleep going through one battle scene and turning the page for another, but it is sleep happily given up. I look forward to the next installment of the Reverence series.
Pages: 233 | ASIN: B06ZZCDJ44
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