In Valtoha, you ask readers to join you on a journey from Singapore to Valtoha as you examine your family’s history beginning with your late grandfather. What inspired you to share your family history with readers?

When I went in search of my grandfather’s village, I did not intend to turn the adventure into an actual book. However, after the experience, I felt it was an amazing story in itself and that people would want to hear about it. I shared the experience with some close friends and they championed the idea of turning it into a book. Then the next questions were: how I was going to stylise the entire account and what parallels did my grandfather share with me? With these starting points, I began to craft the text that is now VALTOHA. On some levels, this may have been a personal project and on other levels, it was meant to give a voice to a seemingly insignificant person who actually is something of an important figure of subaltern history.

How long did it take you to research and put together your family’s history and write Valtoha?

I began writing the bulk of it while I was still travelling around India, so over the course of a month or so. That was just the first draft of the text we have now. Over the next three months, I began asking for information from the various sources and speaking to Dr. Kirpal Singh about the foreword of the text. Unearthing some information was easier than others but I think good fortune did play a huge part in the way some of the information fell into my lap.

What is one thing you hope readers take away from your story?

An enjoyable tale and nothing more because that is all it really is, I think? I know questions will inevitably be raised about identity, belonging and assimilation, as always with stories of transmigration. However, the truth is that these things really don’t matter. Most of us tend to spend a large portion of our lives trying to define identity for ourselves. The truth is that once we have a sense of the answer, we don’t really know what to do with it. Yes, I’m a third-generation Indian immigrant to Singapore but so what? My wife is Mexican, and I can’t relate to most things Indian or Singaporean. So what? The identity that I’ve constructed for myself doesn’t matter at all as much as the experiences that I have been through. Therefore, the search for identity is an absolute utter waste of time. I am a storyteller, and all this text is bringing to readers is just a story.

What is the next book you are working on, and when will it be available?

I am currently working on a speculative poetry collection about music and sound with American poet, Garrett Carroll that should be out sometime in 2025. Ikhṓr, my art/poetry collaboration with Irish artist Shane Reilly, will be released at the end of October this year. Also, at some point in 2025, I will be releasing Shadows with Sauroctonos Publishing. This is a grimoire about Southeast Asian supernatural entities and the dark magic used to invoke, banish and protect against them.

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