The Unassuming Vector follows a gifted ten-year-old child who, after the death of his parents, is taken in by a mysterious organization that fosters exceptional children to further their clandestine agenda. What was the inspiration for the setup of your story?

The inspiration for The Unassuming Vector really came from my frustration with how many stories feel too linear and predictable. Life isn’t neat or perfectly structured—it’s messy, chaotic, and often full of contradictions. I wanted to write something that reflected that truth. For me, the story is less about extraordinary events and more about the human experience within them. I wanted my characters to feel real—to be humans first, defined by their vulnerabilities and emotions before anything else. Through this lens, The Unassuming Vector became a way to explore how people, especially a child with exceptional gifts, navigate a world that tries to shape them in ways that don’t always align with who they truly are.

Gaston and Alex are at opposite ends of the spectrum in terms of their moral compass. What were some of the emotional and moral guidelines you followed when developing your characters?

I wouldn’t necessarily say Gaston and Alex are opposites in terms of their moral compass. To me, Alex is more of a victim of unchecked ambition—a reflection of what can happen when drive and potential aren’t grounded by self-awareness or compassion. Her choices took a drastic turn, but they stem from very human desires: to be seen, to achieve, and to matter. It’s also important to remember that The Unassuming Vector is part of a six-part franchise. What readers see now is only a moment in a much larger journey. While Alex’s path might seem to be at a low point, things may evolve for her later, just as Gaston’s story might take an unexpected detour. My goal was to show that morality isn’t static—it’s fluid, shaped by circumstance, emotion, and perspective.

What were some themes that were important for you to explore in this book?

One of the most important things for me in writing The Unassuming Vector was to create an evolving story—one that takes readers on a genuine emotional journey. I wanted them to experience a full spectrum of feelings as they turn the pages: compassion, pity, anger, love, and even indignation. Life isn’t static, and neither are our emotions, so I wanted the story to reflect that natural ebb and flow. Another key theme was exploring the vicissitudes of life—its constant changes and unpredictability—through the lens of a child growing into adulthood. Seeing the world evolve alongside the character allowed me to examine how experiences shape identity, morality, and resilience over time. Ultimately, I wanted readers to not just follow a story, but to feel it deeply, as though they were living it themselves.

What is the next book that you’re working on, and when can your fans expect it out?

I’m currently taking a short pause from the Vector series to work on a sports thriller that’s packed with twists and unexpected turns. Beyond the thrill and tension of the story itself, it also takes a satirical look at some of the societal issues we often overlook in competitive environments. It’s been exciting to explore a different kind of narrative energy while still staying true to my love for complex, emotionally charged storytelling. Fans of the Vector series won’t have to wait too long, though—Gaston’s story is set to make a comeback in Mid 2027. In the meantime, the sports thriller is scheduled to debut in mid-2026.