Take My Hand follows a guidance counselor grappling with her own identity and desires while navigating the dangers of a magical realm. Where did the idea for this novel come from? 

Initially, I wanted to write a sapphic paranormal romance involving the girl briefly introduced at the end of Take Me Now. However, as I began writing, I realized I wasn’t ready to do the character justice—I felt I needed to read more sapphic fiction to ensure the voice felt authentic and true.

So, I started from scratch and went back to my roots as a coach in my corporate career. From there, Trina took shape. As the story developed, I also felt compelled to write the novel from two points of view, which meant giving Robert a substantial and credible voice—one that could mirror and challenge Trina’s doubts, guilt, and struggles with identity and purpose.

How did you handle the magic in this story, and how did it evolve as you were writing?

For this second book, I wanted to focus on another type of magically gifted individuals I introduced, known as Cloakers. Without giving too much away, they are called this because of their ability to conceal their truest selves and adopt different personas.

Interestingly, before Trina became a guidance counselor, she was originally conceived as a female hitwoman who simply found herself in the wrong place at the wrong time. I’m glad I changed that direction. It allowed me to concentrate more deeply on expanding the world of the Dark District that I introduced in my earlier novellas, Sojourn and Take Me Now, both of which are compiled in the Silver Book Award–winning duology, Dark District Primer.

The female hitwoman may still appear in future stories. Never say never, I say.

What were some themes that were important for you to explore in this book?

The themes of self-discovery and identity became central as Trina’s backstory evolved. Initially, I was drawn to how compelling her power was, but it soon felt necessary to impose a cost for her repeated use of it. Her struggles with self-identity and self-esteem became the most logical place for that toll to manifest.

I tried to inhabit Trina’s inner world as honestly as possible, ensuring that the experiences she goes through would meaningfully change her by the end of the novel. At the same time, I wanted the story to remind readers that vulnerability—especially when we share our true selves with others—always comes with risk.

Ultimately, I hope the book encourages compassion, both toward others and ourselves. I dedicate it to those still searching for who they are, and to those brave enough to cherish the people who walk that journey with them.

Can you give readers a glimpse inside Book 3 of the Dark District series?  When can we look forward to seeing it released? 

While each book in the Dark District series stands on its own, I enjoy letting characters make brief appearances across the novels to reinforce the sense of a shared universe. These cameos are designed to enhance cohesion without requiring readers to have read the previous books, allowing the series to be enjoyed either as standalone stories or chronologically.

Book 3 will focus on Trina’s best friend, Andrew De Silva, who moonlights as a finder of magical objects while maintaining his day job as a history professor at the country’s oldest pontifical university. He has a loud, chatty personality, but like many in the Dark District, he carries secrets and unresolved issues of his own.

The story will also introduce Robert’s side of the family, expanding the world further with a new lineage and a new branch of magically gifted individuals. I’m currently working on the book and targeting a 2027 release.

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