The Pebble in the Pond follows a woman in personal and financial collapse who seeks a fresh start in a tight-knit Virginia town where she uncovers buried family secrets and entrenched social hierarchies. What was the inspiration for the setup of your story?

The novel began as a short story for a flash-fiction challenge, and only featured Miriam and Louise. After sharing the story with an author friend, she suggested it could be a full-length novel, so I was off to the proverbial races. Like Miriam, many of us believe relocating to a new community will enable us to leave the past behind. But what if unknown elements of our past are meant to be discovered, despite the pain they may cause?

My master’s degree is in (American) History, and my focus was race, class, and gender in the 19th and early 20th centuries. Rather unwittingly, these themes found their way into my novel, which begins in 1978 – a time when the “norms” related to race, class, and gender were being challenged and re-imagined (but not without struggle). Then, as now, the tension between “tradition” and “progress” can be polarizing – that’s the backbone of this story.

The title suggests that small actions can have far-reaching consequences. When did that metaphor become central to the story?

My main character, Miriam Llewelyn, and her husband relocate to Stuarts Landing, Virginia, after sustaining financial ruin and personal loss. The move – her grandfather’s deathbed wish – was designed to represent a fresh start, yet Miriam was ill-prepared for the catty and, at times, vicious behavior she encountered from the town’s queen bee, Louise Winston Caldwell. Despite Louise’s repeated efforts to undermine Miriam, who took a job as a grocery store cashier while having the audacity to become a member of the Women’s Auxiliary, Miriam remained true to her core beliefs and character. Her integrity, authenticity, and kindness served as a mirror of sorts for the women in her orbit. Ultimately, she changes the town for the better…just by being herself.

The novel gives women space to be contradictory—generous, petty, controlling, vulnerable. Why was that complexity important to you?

Thank you for that! I’ve read far too many books in which women were treated as stereotypes – caricatures, even. Yet women are complex; what we reveal to the world is often a carefully designed mask hiding deep, painful truths that, if acknowledged and processed, can help us become better versions of ourselves. I’ve taken that journey myself and believe in the power of standing in our full authenticity, flaws and all.

Will this novel be the start of a series, or are you working on a different story?

I am currently working on the prequel, tentatively called Playing With Fire, that begins in 1927. I expect to publish it next year.

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