The Death Wizard Chronicles: Volume 1 follows a warrior-king whose mystical powers strengthen each time he dies and returns to life as he stands alone against a sorcerer capable of dark magic. Where did the idea for this novel come from?

Back in high school, I was a huge fan of J.R.R. Tolkien, who inspired me to write my own epic fantasy series. I envisioned a magical world called Triken with a main character named Torg, a powerful wizard who was ruler of an army of desert warriors called Tugars. I called him a Death Wizard because of his ability to die, enrich himself with death energy, and then return to life. I ruminated over this before I fell asleep at night, while driving alone in my car, even when taking a shower. Characters developed, plot lines thickened, and settings took on new depth. I grew more and more excited about it, but I couldn’t seem to write it no matter how hard and often I tried. Life kept getting in the way. This went on for 25 years. I finally decided enough was enough and took a big risk, stepping away from the rat race for three years and living off savings. Freed from the restraints of my day job, I was able to write and revise 750,000 words in 34 months. My dream finally came true, not in high school but in middle age.

Writing about fantastical worlds isn’t easy for everyone, but for me it’s a piece of cake. My larger-than-life imagination was seared into my brain during my childhood growing up in Florida during a time when kids ran as far and wild as their imaginations would take them. All we needed was a Pop-Tart for breakfast and a peanut butter and jelly sandwich (on Wonder Bread) for lunch, and we were good to go. We’d throw on T-shirts and shorts and rush out our front doors into a world of wonders. Some of the things we did—climbing towering trees, swimming in surging seas, riding our bikes to faraway places—were downright dangerous. We didn’t care. We were the rulers of our domain.

I wouldn’t trade my childhood for anything. I wouldn’t trade my imagination, either.

In fantasy novels, it’s easy to get carried away with the magical powers characters have. How did you balance the use of supernatural powers?

This isn’t an idea unique to me, but in my series most of the magical characters derive their powers from something specific. In Torg’s case, it is death energy. In the evil sorcerer’s case, it is sunlight. Torg’s love interest, Laylah, derives her powers from moonlight. Another example is a monster called a Stone-Eater, who literally devours obsidian to obtain his powers. There are many more examples of this in the series. As for balancing the use of supernatural powers, I did this in two ways. First, I made it clear to my readers that Triken is a world ablaze with magic, so it’s not unusual to encounter a magical being. Second, my magical system has a hierarchy, as in some magical beings are far more powerful than others. This helps to create tension and unpredictability.

Do you have a favorite scene in this novel? One that was especially enjoyable to write?

My favorite scene in Volume 1 is when Torg emerges from the mouth of a cave and reaches the surface of the world after being trapped deep underground in claustrophobic conditions for more than a week. There’s a lot going on between the lines in that scene, and it is quite powerful, IMO. I cried when I wrote it, with Sade’s extraordinary song Pearls blaring in my headphones to help set the appropriate mood.

Can you give us a peek inside Volume 2 in this series? Where will it take readers?

The series is composed of three volumes, with each volume containing two books (LOTR was also set up this way). In Volume 1, Torg and Laylah are imprisoned by the evil sorcerer (in separate locations) and finally escape. Fate brings them together and they fall in love. In Volume 2, Torg and Laylah spend much of their time on the run while being hounded by the sorcerer’s monstrous minions. Meanwhile, three great wars begin to take shape that will alter the course of the world.

FYI: Volume 2 will debut in July 2025 and Volume 3 in October 2025.

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