The Misadventures of Ka-Ron the Knight, written by Donald Allen Kirch, tells the tale of Ka-Ron- the bravest of all knights, a strong and charming man who has adoring women wherever he travels. He is famous, feared, handsome, heroic and destined for great things within his kingdom. However, a lustful night with a childhood friend changes his life when her mother seeks revenge and justice. Destined to live out his days now as a woman, Ka-Ron will now learn about life and love as a female.
Prepare to be launched into a weird and wonderful world of knights, Wiccan power, passion and magic when you read the story of The Misadventures of Ka-Ron the Knight.
The Misadventures of Ka-Ron the Knight has a taste of all genres, from fantasy to romance and action to comedy. The various themes keep the plot line exciting and enthralling, as you delve into a world of knights and magic. The book is easy to read but once you have concluded the book you realize the actual plot line was quite complex. As each character (who range from dwarfs to dragons, to elves and Xows, covens of vampires and more) enters the story, it adds a layer and element of truth and understanding to the complexity of the situation.
I enjoyed the banter between Echoheart the horse and Ka-Ron, as they ventured together throughout the kingdom, but my favorite duo was Jatel and Ka-Ron as the explored their new found “friendship”. At times their story could be a little confronting, however, the desires and encounters the duo felt were also comedic at times. Their dysfunctional but co-operative relationship develops over the story, portraying the epitome of character progression. One line sums up the new experiences when Ka-Ron realizes that “On the battlefield of desire, women were the better warriors”. It explores some interesting ideas about gender roles and how each gender is seen in the eyes of others in society. At times you really felt for Ka-Ron as he became a puppet to witchcraft, overcome with desire and seduction- and this time as a woman.
Donald Allen Kirch was able to weave the story together in a fun and engaging way. At no point was I bored with the story line, as there was always a lingering sense of adventure and excitement on every page. As a fair warning, there are sexual scenes throughout the novel which could sometimes be a little intense (graphical and sometimes non-consensual) and felt a little unnecessary at times. However, the story line moves forward from these scenes and instills a sense of adventure as they continue their quest. What I enjoyed most about The Misadventures of Ka-Ron is that the story was unpredictable- the characters made decisions you would least expect. With magic thrown into the mix, be prepared for a thickened plot line that is precarious, to say the least.
I would would recommend this to anyone looking for an easy to read knights and magic style story with a dash of humor, romance and adventure.
Pages: 572 | ASIN: B071JQJ2LP
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Because It Was Raining, written by Skyler Worley, tells a story of a man who goes by the name of Louis. He is a complex man dealing with death, loss, and mourning whilst trying to find his place in the world. Louis joins two other lost souls, the three dysfunctional amigos, who mask their loneliness with the swirl of a pipe. Together they venture into Kansas City where they find broken homes and people, lost in the filth of their demise. Will Louis break free from the demons that haunt him and finally find himself or will he be forever lost in a world of chaos?
Because It Was Raining is a novel about grief and how we can be trapped within the constraints of our own minds. The story is simple but effective, following a friendship group who are living in a world where they attempt to solve and mask their problems with drugs and dodgy relationships.
Skyler Worley writes with a creative flair, pulling the reader in with emotive words and concepts. The language is beautiful, carefully curated together to produce a complex and vivid picture of the scenery and characters. The story seems to switch between a hazed, drug-fuelled state to a deep and contemplative mindset. Louis wants to understand the meaning of life but is tortured by the losses of his past, finding analogies in his current life situation.
Because It Was Raining deals with the complexity of death and how it can shape your life in ways you least expect. There are so many emotions and raw situations that the reader will be able to relate to, especially if they have lost a loved one.
I enjoyed watching the character progression of the character “Boobe” as she takes on a motherly role whilst still involving herself in tools to mask her depression. She has profound moments of wisdom which provokes the reader to consider life and its meaning. For example, she states that the world lacks equality and some of us are born with a silver spoon, others with a plastic fork. You can then either choose to change your fate but only within your ability to alter it. Her life is complex as well as the characters she invites into her life and home. Boobe’s story is uncovered the further you move throughout the novel, exposing explanations and reasoning to her behavior.
Each character has their own personal backstory which has led them to a place that is lonely and dark. It’s a reminder that drugs are often a coping mechanism for those who are crying out for help. Because It Was Raining triggers a sense of empathy for the characters and the tragedies that they have endured.
I would recommend this to anyone who enjoys a story about finding life after loss and all the complexities that come with grief.
Pages: 156 | ASIN: B075ZNPVDL
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The Glass Demon is a supernatural novel that dives into the world of spirits and haunting’s. Why was this an important book for you to write?
I was really into a TV documentary program called, A Haunting. It was about real life hauntings told by the people who lived through them. My goal was to make a fictional story that felt real enough that it could be believed to be based on a true story. I also had just watched The Rite with Anthony Hopkins. I knew I needed to write something that was super intense and scary.
What I liked most about this book was the depth of knowledge of demonology presented in the story. What type of research did you have to do to keep things accurate?
I have several books on true ghost stories and encyclopedias about the supernatural. One such book is: The Encyclopedia of Demons and Demonology by Rosemary Ellen Guiley. I own about 4 of her books. The encyclopedia has profiles on some infamous demons known to plague people’s sanity and also true stories about demonic occurrences. Additionally, I did a lot of internet research about demons, and books on demons, and types and names of demons. It was purely academic with a desire to entertain, but it made me feel like I was on the borderline to receive the wrath of God. Needless to say, research was extensive.
William has had a complicated life. His avoidance of childhood demons leads him to an addiction to booze and pills. What was the inspiration for his character and backstory?
Most heroes seem to be blessed with an infinite amount of strength, courage, and knowledge. My heroes tend to be flawed. William’s journey is meant to be a humbling one. He believes there is nothing he can’t handle; even though he never dealt with his own past. When he walks into this next case he is smug. He’s most likely thinking that he is going to walk around, find someone who doesn’t know he’s dead, tell him to move on, he moves on, William gets paid and then goes home. It turns out to be much more complicated than that.
William is almost foolish in the beginning and doesn’t appear to be someone who can help the Glass family, let alone himself. He is on a slippery slope to self-destruction and then takes on the hardest haunting he has ever had; one that fights back. He’s also used to being the one who is in control. The fact that the demon knows William’s past and he does not takes the ball out of his court. He goes through an intense torture before he is finally able to become a hero and that’s only with the help of the supporting characters. Without them he would have failed.
I also wanted to answer an age old question, why do bad things happen? William went through a lot of bad things, but in the end that is what he needed to become a better person. Most horror stories just want to shock and unnerve you, and the characters are all pawns who can die at any time. William brings a character-driven arc to the storyline that makes this a little more than just a horror story.
Do you have another horror story in the works? Or are you currently working in a different genre?
I did leave this story open for a sequel. I was combining ideas that will bring most of the characters back together to solve an even larger haunted case involving multiple city blocks. I remember reading about a similar event about unexplained hauntings across several small nearby towns. The sequel will share this trait. “If you think one house was bad… try 100.” It looks cool in my head with an almost Hell erupting feel to it, but I have yet to put words on paper. Hopefully one day…
William Corgel is a clairvoyant medium who is hubris, doubts his faith and a heavy drinker who finds comfort in pills. Believing there is nothing he can’t handle he soon finds himself in a home with a demonic presence and the possession of a teenage girl. The demon continually taunts and attacks him while claiming to know William’s suppressed childhood memory centered on his mother.
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Dead Air: A Glenn Beckert Mystery by Cliff Protzman is a thrilling mystery story. Glenn “Beck” Beckert runs the security for a radio station where his friend, Zito, from high school works. While this friend is working, he is shot in the head. Beck finds himself involved in the investigation and it turns out that the list of suspects is fairly complicated. Far more people had motive to murder his friend than he anticipated. The widow and the victim were both unfaithful, giving plenty of motive. He was also on the outs with the radio station stockholders that were looking to sell. Then Zito’s laptop uncovers a mystery all of it’s own.
Beck finds Irene, an old love, to help him unlock the mystery of Zito’s laptop. The laptop reveals even more than they both could have expected. Meanwhile, they start to realize there is still chemistry between them. Add in both mysterious and not so mysterious threats on Beck’s life, and you have the premise of this thrilling novel.
I felt like this novel did a fantastic job of utilizing a standard mystery format to deliver a thrilling and engaging story. A ‘whodunit’ novel that develops fascinating characters and puts them in some interesting situations.
I enjoyed the depth of each character, which is important in building suspense in a mystery novel. Cliff Protzman has fully realized characters with their own personal quandaries about right and wrong, which is refreshing. So many writers create characters that don’t adapt and flow through the story. It’s nice to see someone really put some thought and love into their character development.
What has really made this novel enjoyable is the way the mystery unfolds. It felt like the murder victim had many layers that Beck was slowly peeling off, one by one, only to find that the person at the core wasn’t who he appeared to be. In a way, many of the characters were that way. Each having their individual things they wanted the world to see, but as the story line and the investigation continued, we get to see the real person underneath the facade. Some of those people were nothing like what they wanted everyone else to believe they were.
Dead Air: A Glenn Beckert Mystery by Cliff Protzman is a well written dark murder mystery novel. The story was easy to follow with twists that I could follow. Get yourself ready for this novel; it was a fun read.
Pages: 321 | ASIN: B0765VNM1K
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Song follows Rayph Ivoryfist as he gathers his friends to return the prisoners that escaped from Mending Keep. What was your inspiration for the setup of the story and how did that help you create the ending?
It’s a simple idea. There’s a prison break. The worst criminals in the world are released, and one man takes it upon himself, with no funding and no support from the crown, to hunt these fugitives down and end their reign of terror. It’s an idea we’ve seen before, but I got stuck on it, and I thought, “What would make this idea different?” I realized the thing I wanted to focus on was the characters themselves, their relationships, and the relentless nature of their leader. It’s not a crime story. We’ve seen crime stories. Song is an exploration of friendship. So that’s what I focused on. I’ve always had this idea that if real trouble ever hit, I could call on a small collection of men and women who surround me to face off any horror that entered my life. And I think it’s not unique to me. I think everybody has that group of people, that if things really went bad, they could call on to help them fight their way out of it. This book is a love story to that kind of friendship. It asks the question, “If my back was against the wall, and I desperately needed help, who would I call on?”
When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
When I started writing the story, I had the prison break. I had the characters of the Manhunters themselves, and I had the villains. But when I write all my books, I do not know exactly how it will end or how the plot will progress. All of that comes to me as I write. This book just kept surprising me. I would write a scene and see that it was going in a completely different direction. I would write something and see a twist coming down the road. I let a friend read this book before it was published. His criticism of the book was that it paid off too many times. He said it reaches one climax after the next. I think Song is unique in the fact that I spend 250 pages setting up four different climaxes. But it wasn’t planned. The book is just complex.
As always, your characters are thoroughly developed. What is your writing process like for creating characters?
When I write a character, I like to do away with all archetypes. I think they get in the way. When I meet somebody in real life, I don’t think to myself, “Oh, that person is an underdog.” or “Oh, I know people like this. This guy is a survivor.” Those aren’t the kind of things that hit me when I meet someone. So why would I think that when creating a character? A lot of people talk about knowing the motivation of your characters. But motivation is pliable. I can tell you why Rayph does a thing because I want him to do it. The traits I like to concentrate on are my characters’ hang-ups, the things that bother them, the things they cannot tolerate. I think too often writers create characters in a bubble. They try to describe their character in artificial terms. They create a character outline or a character spreadsheet. They try to create their character in a sterile environment. But that’s not how we get to know people. I like to think about character creation as going to a soup kitchen and meeting people there. Real lives, real problems.
What is the next story that you’re writing and when will it be published?
Well it’s already written. The entire Manhunters series is completed. I will be doing some rewrites and final touch-ups of course, but the story’s already been told. The second book in the series comes out April 15th. It’s called Hemlock, named after the city that is the poison capital of my world. In this story, the main villains the Manhunters find themselves up against are vampires. These are not vampires as we know them in the modern world. I took inspiration for my vampires from the original legends. This is before Anne Rice, stories centuries older than Bram Stoker. In the original vampire legends, they were all monsters. No good, no mystery, no romance, just vicious monsters. When they were hungry, they were pale. After they fed, they took on a ruddy complexion. And when they were full, they were a close shade of purple, because their bodies were suffused with blood. My vampires are old and powerful, nearly immortal, and diabolical. Vampirism spreads like a poison, like a plaque, and the Manhunters fight to stem the tide. So look for it April 15, 2018.
Some of the darkest minds in Perilisc attacked Mending Keep, releasing all its prisoners. Despite his strained relationship with the crown, Rayph Ivoryfist calls old friends to his aid in a subversive attempt to protect King Nardoc and thwart terrorist plots to ruin the Festival of Blossoms. But someone else is targeting Rayph, and even his fellow Manhunters might not be enough to save him.
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Spinner is a genre-crossing novel with elements of a horror, supernatural, and urban fantasy as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I never plan to genre-cross when I write, but it happens organically. My mind doesn’t see niches or genres because I don’t like labels (which publishers do like because they feel niches are easier to market to.) I usually start with an idea or a character and build from there. For Spinner, the idea was a boy in a wheelchair who could heal everyone but himself. From there I populated the story with characters I hope readers will care about, and considered the possible threats to such a uniquely gifted boy from those seeking to exploit him. I love horror stories, so adding in an element of the supernatural came easily. I tried to send my characters on a journey that crosses genres and can be enjoyed even by those who don’t like horror. The disabilities of the characters are based on real kids I taught as a special educator, and I wanted to celebrate the reality that for all of us, our abilities outweigh our disabilities.
Alex is a spinner, capable of taking on others emotions, physical ailments, and pains. What was the inspiration for Alex’s abilities?
I have always been very emphatic, and knew early on I could never be a doctor or someone who deals with suffering on a daily basis because I’d feel the pain of the other person way too much. However, all walks of life have suffering, and I’ve experienced it in many people, especially kids I’ve taught or worked with as a juvenile hall volunteer. I so badly wanted to take their pain away that the character of Alex was born in my mind – someone who could not just listen empathetically, but actually remove the pain from the other person and then expel it from himself. It took many years to bring the character, and his story, to fruition, and the result is Spinner.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I think Roy was my favorite because he has other struggles besides his learning disability, and because of his intense loyalty to Alex. Friendship is a major theme in all of my books because I believe it is the purest form of love, and the friendship Roy, Alex, and the other characters have for each other is more powerful than all the forces pitted against them. I’ve known far too many kids like Roy who think they’re losers because society says they have little or no worth, and I wanted to bring that kind of character to life so readers can see, with clarity, that society is wrong.
What is the next book that you are working on and when will it be published?
I have written three novels aimed at the teen+ market and one for middle grade, all different in plot, genre, tone, and even narrative point of view, but thus far none of them have generated interest from publishers or agents. In my mind, I have outlined the two sequels to Spinner that will tie up all the plot threads, but I’ll see how Spinner sells first. If there is enough interest, I’ll write them. At this point, I can’t say when I will have a new book out, but I keep working hard to make that happen.
Fifteen-year-old Alex is a “spinner.” His friends are “dummies.” Two clandestine groups of humans want his power. And an ancient evil is stalking him. If people weren’t being murdered, Alex might laugh at how his life turned into a horror movie overnight.
In a wheelchair since birth, his freakish ability has gotten him kicked out of ten foster homes since the age of four. Now saddled with a sadistic housemother who uses his spinning to “fix” the kids she injures, Alex and his misfit group of learning disabled classmates are the only ones who can solve the mystery of his birth before more people meet a gruesome end.
They want to know who murdered their beloved teacher, and why the hot young substitute acts like she’s flirting with them. Then there’s the mysterious medallion that seems to have unleashed something evil, and an ancient prophecy suggesting Alex has the power to destroy the world.
The boys break into homes, dig up graves, fight for their lives against feral cats, and ultimately confront a malevolence as old as humanity. Friendships are tested, secrets uncovered, love spoken, and destiny revealed. The kid who’s always been a loner will finally learn the value of friends, family, and loyalty.
If he survives…
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Set in the world of Perilisc, Jesse Teller returns to this world with another series sure to captivate readers. The Manhunters series starts off with Song, and tells two story lines that intertwine. Rayph Ivoryfist is an immortal magician that has his own personal demons to fight, but is bound by honor to protect the land and the boy he believes to be the next great ruler. When the prison he built is destroyed and all the evil had brought to justice is released he knew he needed help. Rayph than builds his own army of powerful beings, with his old friend Smear at his side. Parallel to the story of Ivoryfist preparing for battle is the story of Konnon, the father that wants a cure for his daughter’s paralysis. To help his daughter Bree, Konnon must work with his partner Glyss. Together the two of them have a reputation for being unstoppable and deadly. They live up to this reputation, knowing each other inside and out. The two pair’s separate missions will unavoidably end them up together in the town of Song, the question is, who is alive in the end?
Jesse Teller has a way with describing the setting that really makes you feel like you are there. The swamps that Rayph visits, you can almost feel the mud clinging to you, smell the decaying woods and animals used for sacrifices, and feel the tension that the people around the main characters create. The level of detail that goes into settings, also goes into the action. While this is great for really getting into things, those with a weak stomach for gore might not be pleased. Teller describes in detail the torture of some characters, and details the death of many. This level of detail may not appeal to all, but Teller can also detail the compassion and love between two characters just as well. The example of Konnon and his daughter Bree. There is no question about the devotion and love he feels for his daughter, it is relatable and pulls at the heart strings. A father’s undying love and willingness to do whatever he must to save her, no matter what the cost is to himself.
One of Teller’s greatest skills is relationships. Not romantic quest love relationships, but bonds between people and spirits. These bonds draw the readers in sometimes more than the story lines do because they are so powerful and relatable. As I read Song, I felt the bonds that form between Rayph and his army. The magic that makes it so they can all be connected is just a piece of the puzzle, they genuinely build a brotherhood and work as one. Konnon and Glyss while not blood brothers move as one unit together, they are bound and know each other so well there is no need for words. It is a great read for the relationship factor alone. If you enjoy studying and reading about human (or in this case non human) relationship Teller will not disappoint. Through his use of many magical creatures from humans, to fairies, to demons, all working together for a common goal the passion for survival and willingness to put all differences aside for is apparent. Perhaps it is a good lesson for modern society, put our differences aside and work together to defeat the evil looking to rip our world apart.
Pages: 319 | ASIN: B074GP13JC
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Karen Glista sets the book The Taking of Peggy Martin in the deep south of Texas. The book details the tribulations of a once God-fearing widowed nurse known as Peggy. She suffers from sleeplessness, which she takes advantage of to regale tales of her childhood and traumatizing loss of her husband. We see her struggle in a mental asylum and her contact with a wild young man by the name of Morgan in Piney wood thicket. The author mingles horror with science fiction to illuminate the mystery in the book. The author uses lots of colorful language to conceal the horror of murder, rape, and macabre details witnessed by Peggy.
The author does a great job of keeping the readers interest in the book despite the vile and gory details. Peggy witnesses what we would call horrendous encounters of eviscerations, decapitations, and murder. To those who are not fans of horror, the flowery language of the author encourages one to read on. However, the author uses colloquial expression and slang which would keep the reader unfamiliar with Texan dialect researching on what some of the words mean.
I tried to pin down what genre this book would be in, but then gave up and just enjoyed the blend of mystery, horror and macabre recounts in the Texan thicket.
Within just the first quarter of the book the author has packed so much information character building that sets the rest of the book up nicely to proceed with vigor punctuated by horribly enthralling events. For those who love the quick speeds at which the story unfolds, you would thoroughly enjoy this edge-of-seat thriller.
Peggy comes across as a pious lady who is unfortunately haunted by her past. She is enigmatic and one cannot tell what caused her husband’s death or if she had anything to do with her dark past… “The more we learn about her, the darker she gets”. Peggy is a strong, resilient lady, given her struggle at the mental asylum. We do not have much information about Morgan except that he is mute and wild, having grown into a feral man. The author has employed various styles in the book such as contrast, colloquialism, vivid description, and slang. The main ideas in the story revolve around rape, murder, and mental instability.
The Taking of Peggy Martin has excellent narration and is an engaging and mysterious thriller that touches even the deepest of our emotions. The plot has a nice flow that takes you through Peggy’s emotional roller coaster, and as things unfold, we can unravel some of the issues in the book.
Pages: 382 | ASIN: B07466DS5H
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Gold Award Winners
Silver Book Award
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Stygian, by Sean Michael, is a thematic arrangement of 52 poems based on the author’s life, interspersed with occasional quotes. The anthology is completed by an additional three poems in memory of three late friends. Stygian is organised in chronological order, from the author’s tragic childhood to the events that likely contributed to his incarceration, as mentioned in the author’s biography; in this way, the collection presents itself as a poetic autobiography. It’s a frank and dark work, which doesn’t hold back from the usage of swear words or in the stark descriptions of abuse, neglect and self-harm, so readers should use their discretion.
There’s a lot that could be said about this author, but after a read through, what stood out the most was the wide variety of poetic styles he used. The contents range from poems that read almost like a rap, written with short staccato lines and a regular rhyme scheme, to others that feel classical, with long and flowing verses. Partly, this seems to be a stylistic choice, and a clever one, too. Poems from his youth embody the language of a child, such as the word “doggie”, while the adult mind raids the full English lexicon to produce descriptions containing such gems as “empyrean” and “tenebrous”. It’ll give your linguistic knowledge a workout, that’s for sure. Other poems have a more contemporary feel; one appears to be a piece of prose, while The Monster is written entirely in capital letters.
However, there is much to recommend; poems like Sleeping with my Shoes On, which throws away a rhyme scheme to convey a sense of childish excitement, at odds with the glimpses of a deprived childhood. My personal favourites are The Man in the Box and the subsequent Endless Tunnels of Darkness which are beautifully descriptive and flowing summaries of the author’s life (and therefore Stygian) and his emotions about his current situation.
The order of other poems feels like an emotional jump as a reader, yet this is easily explained by the author’s unsettled life – art reflecting life in every way. It is uncomfortable to read the memories described in Away From the Disarray or Something to Cry About, but this is beside the point, which is to honestly portray everything the author has been through.
With this in mind, it can only be said that this is an effective piece of work. Just as no human can be fully understood by another. The content cannot be dismissed, because it is true, although it could be argued that it was still a little raw in places – like the emotions it conveys. The author does show great competency with a range of styles, though, and I would personally love to read more from him on other topics after he has developed some of his ideas further.
Pages: 97 | ASIN: B01G5WFHUE
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