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The Presence of Magic
The Heart Scarab examines the fates of warriors, mystics, and serpents who are navigating a landscape that has been altered by mining, politics, and tribal magic. What was the inspiration for the setup of your story?
THE HEART SCARAB is Book 2 of the second series, so there are many strands of plotlines. The writer assumes that a reader who made it this far into the story is invested in the characters and ready to see them triumph.
Mostly, my stories are about the women, but this setup offers two men to carry the plot. Rufus el Arrivi has been present in all the previous books. Now, as a grown man with children, he decides to run for the office of khalif in open elections in a duchy where refugees called Rundi are allowed citizenship.
Meanwhile, Stuben works with Rufus as police in Urbyd and witnesses some difficult moments for the refugees. He breaks with Rufus and goes on an adventure with Obye, who is laboring to recover some Rundi who are abused at a stone quarry.
My inspiration comes from a love of the characters and my own questions about how their lives shape – sometimes as much of a surprise to me as to you.
Were there any characters that you especially enjoyed writing for?
Kore is 14 now and has inherited the treasure of Rularim. She attends a wedding in Utica, traveling with Rufus and her half-brother Karisma. Always willful, she gets into plenty of trouble.
Bybiis, the beastmaster, has worked through some of her problems with finding a place among the tribes, following her own destiny for working with sea serpents. She has met Aresur, who has some skills with magic and takes the banner for countering Ulaya, who wants Bybiis dead. I had fun with Aresur and her sideways attitudes about how to handle a difficult boss. She manages to
undercut Ulaya at every turn.
How did you balance magic and its use throughout the story to keep it believable?
Ah, magic…Hedge magic belongs to Aresur – charms and hexes – and Bybiis has many tattooed skin wards. The serpent pouches are based on a real occurrence in our world where sharks make pouches out of seaweed fronds as an incubator for living newborns. Bybiis has harvested a clutch of serpent pouches made the same way. When a holder stares into the hole drilled through the brain of the dead serpent fetus, she may connect with the holder of a similar pouch. I like it! Mostly, though, I wanted the presence of magic in their everyday lives, and several characters don’t believe in its power over them.
Can you give us a peek into the next book in this series? Where will it take readers?
THE IRON SNAKE is about resistance to a larger country tangent to the duchies and sending assassins to take or kill the children in order to weaken leaders. We follow Rufus again and Stuben, who grows into his leadership roles. Kore becomes a young woman – vulnerable to abduction, in fact – who becomes an opponent to Ulaya (and more) and her scheming ways. I keep setting obstacles in the paths of primary characters and fashioning a plot where they must work together to get ahead.
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Meanwhile, Stuben el Cylahi has taken a position as police in the duchy capital of Urbyd where he butts heads with his boss Rufus el Arrivi. Stuben realizes that he also must strike out on his own and joins a group of Rundi who are on mission to recover some quarry slaves. His witness of coming events makes him wish that he had remained nearby Rufus. Can Stuben regain his tribal status?
The Heart Scarab: A Dystopian Science Fiction Novel
The Heart Scarab is a sprawling and layered fantasy tale set in the richly imagined world of the Duchy Wars. The story weaves together the fates of warriors, mystics, and serpents in a landscape scarred by mining, politics, and old tribal magic. Atrium introduces us to Bybiis, Raykiim, Ulaya, and a cast of many others who grapple with serpents both literal and symbolic. At the center are the mysterious serpent pouches, objects of power and danger that drive much of the conflict. The novel is both an adventure and a meditation on power, sacrifice, and what it means to serve something larger than yourself.
The prose is often strange and textured, with voices that shift from tribal chants to raw dialogue. At first, it made me stumble, but then I leaned into it and realized that Atrium wanted me to feel disoriented, just as her characters are when they confront forces beyond their control. I admired the guts it takes to write like that. Some sections flowed like a river, pulling me along without effort. Others were jagged, forcing me to slow down, reread, and sit with the unease. I liked that tension.
I kept coming back to the characters. Bybiis is wounded and stubborn, scarred inside and out, but she burns with an energy that made me root for her even when she drove me crazy. Raykiim had this mix of charm and darkness that made me wonder how much of him was his own and how much came from those serpent pouches he guarded. And Ulaya, chasing her twisted experiments, was chilling in her certainty. What hooked me most was the sense that everyone here carried scars, literal or otherwise, and the story kept asking whether scars make us stronger or just remind us of what we’ve lost. The emotional weight of that question stayed with me.
The Heart Scarab isn’t an easy read, and I don’t think it’s supposed to be. It’s for readers who enjoy being challenged, who like complex worlds with no hand-holding, and who don’t mind wandering through passages that feel more like songs or riddles than straightforward narrative. If you want to be immersed in a world that feels alive, harsh, and unpredictable, with writing that pushes you out of your comfort zone, then The Heart Scarab is worth your time.
Pages: 539 | ASIN : B0FLF6ZHN1
LITERARY TITAN 