Shanghaied follows a printer from New England in the 1800s who wakes up in a ship’s hold after being drugged and kidnapped, now forced to work aboard the Atalanta. What was the inspiration for the setup of your story?

I wrote the first chapter of Shanghaied as an exercise for a writing class in 2004. That chapter sat in a drawer for a long time. I picked it up again after my wife died; after I sold my home and bought my boat and literally sailed away. It became important to me when I realized I was writing about a man stolen from his life when my life felt stolen from me. I didn’t know how either of us was going to make it back from “out there,” from horizons of grief.

Eamon’s story starts out with a terrifying abduction and turns into a journey of acceptance and self-discovery while holding on to his determination to return home. What were some driving ideals behind your character’s development?

We all face loss and change. And finding your way “back” can be a hero or heroine’s journey for anyone. If we are to live our journey, if we are to not-die, it is incumbent upon us to pay attention. And even if we do return, we and the place we have returned to will have (and should have) changed. Time and life go on. And we must learn to be okay with that, with change.

What were some themes that were important for you to explore in this book?

That the perspective the sea teaches is humility. That we are part of something much larger than ourselves. That beauty is essential. That we can persevere. That love is a quality, not a quantity. That to be anything, living must include everything.

What is the next book you are working on, and when will it be available?

Shanghaied is my first book. While it is a fiction, many of its scenes come from my actual lived experiences. Hopefully, by spinning those experiences into this tale and these characters, the story is about all of us more than about me. If a reader feels “lost at sea,” I hope Eamon’s story will help him/her/them. There are a few characters who have sailed over the horizon beyond Eamon’s story, and I could explore their adventures. Or maybe my experiences could come back to my memoir. But before any of those possibilities, I need to see if I can launch Shanghaied into some success and a future of its own.

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