Dark, gritty, and altogether brutal, Steel, Blood and Fire is an archetypal dark fantasy novel. In the first chapter, one of the main character’s hands and feet are amputated, and the story continues in similar fashion from there onward. The setting is fantasy grounded in muddy reality, although there is a vein of consequential magic that adds a little sorcery to this otherwise swords-based world. If you’re familiar with Game of Thrones then you’re familiar with Allen Betchelder’s style; multiple character perspectives, inter-weaved story lines, and a healthy dose of murder. It’s a fantastic modern-style medieval fantasy, and a definite read for any fan of the genre.
When I began Steel, Blood and Fire, my first thought was, “Wow, this is a lot like Game of Thrones.” Then I began to think, “Or is it more of a Witcher book?” As I continued through the novel, I began to decide it was a blend of both. By the end, I thought that perhaps it was its own thing.
The book isn’t afraid to touch on the brutal. In fact, it seems to revel in it. Blood flows freely; rape is the buzzword of the day. It’s a mature novel for sure although it doesn’t quite cross the line, but regularly toes it. A lesser author would have toppled their novel over into prurient pulp.
The writing is well-executed, with the author’s own voice clearly shining through. There is one trap that Allen Betchelder tends to fall into, and that’s the ‘fear of said’. Every other sentence seems to find a new synonym – characters question, murmur, mutter, bellow, but words are never just ‘said’. It’s awkward to read, and tends to draw you out of conversations that should flow naturally.
In any perspective-hopping plot, characters are one of the most important factors. Fortunately, Steel, Blood and Fire features a strong and memorable, if slightly generic, cast. They come off as slightly one-dimensional, particularly towards the start of the novel, and the inclusion of a comedy group of village bumpkins – who of course meet with terrible fates – struck me as being an attempt at generating some frisson with the grim background. Other than those minor niggles, the diversity and depth of the cast begins to truly shine through around the midway point; from here onward they become much more than the sum of their parts.
Despite my above criticisms, I really did enjoy the story, and it quickly became engaging only a few pages in. If you’re a fan of the genre, particularly Game of Thrones-esque fantasy, you’ll certainly enjoy Betchelder’s offering.
Pages: 548 | ASIN: B00AW53RMQ
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In Typhoon of Fire we follow Ace Mcdagger who teams up with Captain Loxwell of November squad to rescue her teammates scattered in the forests of Malaysia. What was the inspiration for the setup to this thrilling novel?
During Call of the Conjurer, when the characters were new recruits to the hidden world of modern, magical combat; they spent a lot of time in a regulated, clean environments. The characters were usually safe. I wanted to go the opposite way in Typhoon of Fire. I wanted the situation throughout to be very rough, challenging and dangerous. My very first thought, visually, was of Vietnam era war films like “Platoon” and “Apocalypse Now”.
The jungle is wild and hostile, and Malaysia is a location brimming with different environments which greatly inspired the events throughout. The characters explore flat, arid plains and damp rainforests, a rundown laboratory overrun by plants, an abandoned mine, a floating fortress above the clouds… I had a great time using colour schemes to set the mood. The use of natural environments also helped me to emphasise major themes in the book. Subjects such as ‘corruption of life’, ‘man versus nature’ and ‘Hell on Earth’.
I felt that the novel was very well paced and kept me engaged throughout. Did you plan the novel as you wrote or did it all happen organically?
It happened organically, for the most part. From my perspective, Typhoon of Fire is a prequel to another book I have written – but I decided it would be better to publish them chronologically. Certain events had to happen in Typhoon of Fire, and with that in mind I just had fun writing what I wanted: a creepy science-gone-wrong scenario!
Developing the supporting cast and their stories happened organically as well. They were new characters, who would not necessarily be seen again; so their personalities, roles and fates were all blank slates. I enjoyed unravelling these characters, adding little twists to their personalities to surprise the reader. A lot of the characters are very different people by the end of the story, for better or for worse. I suppose in essence, the main plot of Typhoon of Fire was an after thought for me. The subplots, however; the individual character arcs which pave the way for future instalments, are the real meat and bones of the book. Away from all the magic and sci-fi, this is a book about humanity and frailty.
Ace, Shimon, Tiffany, and Loxwell have brilliant dialogue and they feel like living characters. What things did you focus your character development on to bring your characters to life?
I absolutely adore writing flawed characters. I like my characters fumble their dialogue, on occasion, or misunderstand information given to them. It makes them more human, to be far from perfect. I enjoy the concept of the “unreliable protagonist” and bear that in mind when I write. Sometimes the characters make mistakes, and sometimes they lie, even to themselves. They are supposed to be human, despite any super human magical powers they possess. Careful dialogue keeps them grounded and relatable.
What is the next novel that you are working on and when will it be available?
Tricky one! I actually have two books in the proof reading stage now. One is a direct follow up to Typhoon of Fire, called Bloodfest, which was the book I had written before this one but decided to release later. The other book I’ve completed is a supplementary story called The Sardonyc, which focuses on the Science Department mentioned throughout Typhoon of Fire. The Sardonyc is a very different book to what I have written before, but it is still within the same self contained universe.
Bloodfest will be a straight up action horror / macabre comedy, continuing the adventures of Ace Mcdagger. He is more grown up and world weary by now, and is deployed to a mysterious island to dispatch a rising army of the undead. Definitely one for zombie fans!
The Sardonyc is more of a psychological thriller, about a troubled new character named Sidney. He is part of a research team stuck on a ship in the middle of the ocean, and everybody is slowly going mad. Sidney must figure out why it is happening before he succumbs as well, and there are plenty of twists along the way.
I hope the Literary Titan will review my next book soon – whichever one is out first!
Three years after training; learning about magic combat and of monsters that terrorise our world, soldier Ace Mcdagger and his allies join Captain Rafaella Loxwell of November Squad for a rescue mission. Her team mates have been scattered following a disastrous attempt to seek out a rogue scientist deep in the forests of Malaysia. Their path is mired by many obstacles; treachery, psychic warnings, scientific abominations, and an overwhelming storm – the Typhoon of Fire, slowly closing in on the region without a known cause.
Worst of all, Ace has to contend with a personal challenge – keeping his mad cousin out of trouble.
Can Captain Loxwell save her team mates and complete the mysterious mission? And will Ace and his friends survive out here in the midst of true, heated battle?
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Detours in Time follows Professor Milton, who invented a time-traveling car, and his assistant turned traveling companion Tabitha on their adventures through time. What was your inspiration for the setup to this entertaining novel?
I’ve subscribed to several writing sites over the years that offer writing prompts. It simply started out as a response to a writing prompt. After a while, imagining this story became a great escape for me. The element of escape is what kept me going with this story. That, and the headlines we’ve been seeing in America during pre and post-election. They truly can get an imagination going.
Time travel is always filled with paradoxes. Are there any that you had to deal with when writing this novel?
Well, there is possibly an issue with going back in time and seeing yourself, or the possibility that you cannot physically inhabit a time in which your body is already inhabiting. I don’t think we truly know the answers to that question, so I mostly went with the “what-if” factor through a lot of my story. What if you could inhabit a time where you already exist, wouldn’t you want to avoid bumping into yourself? I would say, yes. So that factors in to one part of my novel. Then, there is the concern that you must not bring anything back from the future, which becomes an issue at another point in the story. It could mean that a different person discovers the formula for artificial sweetener, thereby ruining another person’s life, which means they may not produce the children they had, leaving a hole somewhere in the rhythm of the universe. I was a natural-born worrywart, so I’m used to thinking like this.
With these types of time travel stories most people draw a comparison to Doctor Who or Back to the Future. I suppose the dividing line being familial involvement. What of these two fictions do you enjoy better and where do you think your novel falls between these two?
I would say it falls closer to Back to the Future, except the scientist is taking a young lady, Pinky, with him. That young lady might be comparable to Marty, except her personality is much different. I was such a fan of that series, and so was my son. It’s a happy memory for us both. I also had a dear friend who shared a love of this series with me who is no longer with us. It brings back memories there as well. I suppose that is why there is so much familial involvement in the storyline. Family is such an important thing to me, so it was part of the building of my characters, despite the fact that Pinky has been without her family and forced to be self-reliant for some time. You may say there’s a resemblance to Dr. Who because of the female companion, however, I don’t think there is much more that is similar. I have enjoyed Dr. Who but never was able to watch more than one season.
What is the next story that you are writing and when will it be available?
I have so many ideas spinning around! Most likely, what I will publish next is a book of paranormal stories, since I haven’t published in that genre yet. I have the stories and just need to edit, proofread, and polish. I also have 50,000 words done for the Detours in Time sequel, but I like to get good editing and beta reading before publishing a novel, so it won’t come out until next year. I plan to flesh that sequel out during NANOWRIMO, which really drives me to produce. I have the Made for Me series which takes place in the future, and plan to work on a book 3 to uncover secrets about the main character parental lineage which has been a mystery so far. I think that one will also come out next year.
On a whim, feisty Tabitha takes a trip to the future with her trusted friend Milt, an awkward Science professor. Wonders and curiosities abound. However, their amusing journey soon becomes a challenging maze of difficult decisions. When an unplanned detour occurs, the two set events into action that may save one life and yet destroy another. Can these friends of completely different mindsets agree on a course of action?
Amid the backdrop of a future that reveals great wonders and horrors, Detours in Time starts as a fantastic escape and grows to present many moral dilemmas and surprises that can either destroy the strongest friendship or bring two people closer.
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The Secrets of all Secrets follows Zane who receives a USB from a stranger that contains a message that promises the Secret of All Secrets. What was the inspiration for the setup to this fun novel?
I wanted the premise of the story to be wacky and like a fairy tale with epistemological overtones. Many of us grew up with fairy tales of one sort or another, so the concept is recognizable. The USB is Jack’s bean stalk. Once it’s there, he has to climb it. The USB idea occurred to me because I use them in my work as a college professor. I wondered what would happen if all knowledge, the meaning of life, etc. were on one? The next question: What parties would want to pursue The Secrets and to what lengths will they go to get them?
In this story you combine irony with wry humor and manage to keep it all topical. What themes did you want to explore when you started this book?
The overarching theme is illustrated by Shakespeare’s line from The Tempest: “The stuff that dreams are made on,” which is what The Secrets represent. What would be the government’s dream for getting The Secrets? Probably something to do with gaining ultimate power. Corporate America’s dream? Wasn’t there someone who said there’s no such thing as making too much money? The two crazy extremists’ dream is to create an Anti-Amerika, “Amerika with a k.” That the representatives of these entities are comical bunglers illustrates the way in which human beings can wreck any mission. As for the two main characters, Zane and Dali—Everyman and Everywoman—the dream is more about self discovery. It’s a classic conflict: individuals versus institutions and malevolent factions. Jack versus the Giant.
Zane and Dali are both enthralling characters. How did you set about creating their dynamic relationship?
What’s kind of funny is that when I started the novel, there was no Dali. Once I got to the point in the story where Zane begins his quest, I knew he needed a partner, someone equally smart, resilient, and resourceful but with a different sensibility. Zane is an intellectual. Dali is more pragmatic. There is tension between them, but there’s also balance. “Two peas in a pod,” as is stated ironically early in the book. It doesn’t hurt that they are attracted to each from the start without admitting it to themselves.
What is the next book that you are working on and when will it be available?
I’m working on a satire of political correctness. I’m hoping to finish it and have it published in a year or two. Some of this is dictated by my teaching schedule, but if you know any publishers willing to give me a triple figure advance, I think I could work a little faster.
Zane, a seminary and grad school dropout, obtains a USB drive left by a cloaked figure on a bridge in the middle of the night. The drive’s content offers Zane “The Secrets of All Secrets”—a tantalizing proposal for someone who has nothing left to lose.
Following the drive’s directions, Zane heads to Florida where he encounters Dali, a poor waitress who received an identical USB. Initially clashing, they band together, taking a chance that The Secrets are genuine as they receive more instructions from their USBs.
Four conflicted government operatives; an extremely tall corporate executive with an extremely short, scholarly hit man in tow; and two crackbrained, fringe-element, anti-government separatists are after The Secrets—and are all willing to kill to get them.
Zane, Dali, and their pursuers encounter an armadillo festival, visit a nudist resort, and hang out with a presumed dead ’60s rocker. Pandemonium occurs at each venue with Zane and Dali one step ahead of everyone… that is, until all parties convene for a climactic confrontation over The Secrets.
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Fleeing the Shadows is a satisfying follow-up in the continuing Dangerous Loyalties series as our brave heroine flees with her family into the Kentucky frontier. What direction did you want to take this novel in that was different from the first book?
After the danger caused by Papa’s covert activities in book one, I wanted readers thrust headlong into survival mode with thirteen-year-old Mary and her family.
The family is always running from something and danger seems to lurk around every bend. Did you plan the plot twists before writing or did they develop organically?
I used a rough outline to keep the story moving but allowed surprises to happen naturally.
Mary continues to carry the bulk of the family’s worries as her Papa makes increasingly difficult decisions. What were some obstacles that you felt were important for her characters development?
Mary struggles with PTSD. She must deal with each fear and keep going. Mary rises to the task of taking charge of her siblings when Papa must care for Momma. When Mary shuts down in fear, she allows her family to care for her. Her ultimate challenge leads her to face real and imagined shadows to save her family.
Where will book three in the series take readers?
Mary hopes life at Fort Boonesborough will fulfill her dreams of a peaceful life with friends and suitors. She has her heart set on a certain someone and is determined to win him for her future husband, but Papa and the American Revolution say otherwise.
She blames herself for the bounty onPapa’s head.
Book Two in the Dangerous Loyalties series–a historical novel for teens–continues the riveting story of Daughters of the American Revolution patriot Mary Shirley McGuire.
It’s late summer in the Alleghany Highlands, 1775. Colonial Virginia has resolved to support the American Revolutionary cause for liberty. The British are determined to retain control of the fur trade and keep frontiersmen fighting Indians instead of joining the Continentals.
Thirteen-year-old Mary Shirley is still recovering from emotional wounds inflicted when she risked her life delivering traitorous dispatches. She trusted the wrong men, and now the family must flee Indian Creek to stay ahead of British Loyalist who seek her papa’s life.
But they can’t risk being captured by taking the main road to Daniel Boone’s trail that leads into Kentucky territory. They must endure the more dangerous and grueling hunter’s path that leads to rough frontier forts along the Clinch River.
Passions are ignited, friendships are formed, and shocking lessons are learned.
Papa ignores the warnings to wait for other travelers, causing Mary’s anxieties to worsen. Once they cross the Cumberland Gap, they’re at the mercy of God and the Chickamauga Cherokee to make it to Fort Boonesborough alive. Frontiersmen tell them the settlement of Fort Boonesborough isn’t defendable, and Mary doesn’t want to continue. Papa is confident that the Indians are too busy preparing for winter to raid.
A few days from the fort, Mary is feeling hopeful for the future. Then disaster strikes, leaving the family devastated and heartbroken. There is no other choice. Mary must lay aside paralyzing fear and excruciating pain to save her family before time runs out.
Fleeing the Shadows (Dangerous Loyalties Book Two) invites readers to experience traveling the dangerous wilderness trails with Mary and her family through thick wild forests of Southwest Virginia and into Kentucky territory that leads straight into a Native American hornet’s nest. Mary just wants to make it Fort Boonesborough and live in peace.
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LT: The Voynich Gambit follows Special Police Officer Blalock as he is put to the test when D.C.’s most infamous artifact dealers set their sights on a mysterious treasure. What was your inspiration for this novel and how did it develop as you wrote?
Quintin Peterson: The Folger Shakespeare Library was the inspiration for The Voynich Gambit, like its prequel, Guarding Shakespeare. I worked there as a special police officer with its Department of Safety and Security following my retirement from the Metropolitan Police Department of Washington, DC on April 23, 2010. (http://tinyurl.com/jppths4)
LT: The novel is set in modern day D.C., where you describe polished skyscrapers, historic landmarks, and endless traffic. Why did you choose this as the setting for you book?
Quintin Peterson: I wanted to write a noir mystery thriller using the Folger Shakespeare Library as the backdrop. The Folger Library is located in my hometown, Washington, DC. (http://www.folger.edu/)
LT: Lieutenant Norman Blalock works at the Folger Shakespeare Library as a security guard protecting its treasures for over two decades. What themes did you want to capture as you developed Norman’s character throughout the novel?
Quintin Peterson: I just wanted to write an entertaining and enlightening good old fashioned heist story. I had the same goal for the first in the Norman Blalock Mystery Series, Guarding Shakespeare, and I have the same goal for the third installment, The Shakespeare Redemption.
LT: What is the next book that you are working on and when will it be available?
Quintin Peterson: Right now I am working on the second installment of my Private Eye Luther Kane Series, The Last Goodbye. Afterward, I will working on The Shakespeare Redemption. Like all of my books, The Last Goodbye will be available at Amazon, Barnes & Noble, Books-A-Million, Indie Bound, et al.
Special Police Officer Lt. Norman Blalock, who has been guarding the treasures of the Folger Shakespeare Library for 25 years, has been coerced into a plot to heist from the Folger Museum “the most mysterious book in the world,” the Voynich Manuscript, on loan from Yale University. Under threat of suffering the consequences of their involvement in the botched plot to heist another priceless artifact from the Folger underground bank vault several months earlier, Blalock and his partner-in-crime Kavitha Netram are once again under the thumb of nefarious businessman Rupert Whyte, and have no choice but to play along.
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Becoming Samantha Colt is book 4 in the Larkin and Colt series. What did you want to accomplish in this book that pushed the series into interesting places?
When I began this series, I developed a detailed backstory for the main characters of Larkin and Colt. It was just for myself, so I would know who these people were, where they came from, and how they got to be who they were. Over the course of the first three books, I made passing allusions to some of the things in their past, like Larkin mentioning that Colt grew up homeless, their team being wiped out on a botched mission, things like that. Larkin also occasionally mentions some of the missions they’d done, if it happened to relate to something that was happening in the present. I never intended to write a detailed account of their pasts, but eventually it became inevitable. I felt the need to tell Sam’s story from her point of view, in her own words, to more fully explore the character. It was also an opportunity to fill in some of the details of things that had been mentioned in passing.
What was the initial idea behind this story and how did that transform as you were writing the novel?
Through the process of writing the other books, the character of Colt became clearer in my mind as I found out more about her. In the end, she wanted to have her story told, and I just had to do it. Once I started, the story almost seemed to write itself, as if she was telling it to me and all I had to do was write it down. I had the starting point and I knew where she ended up, so what I had to do was fill in the details of how she got there. With this book the story comes full circle, as the final chapter is identical to an early chapter in the first book, but this time told from her perspective.
Samantha is a strong character that is meticulously developed. What were the driving ideals behind the characters development throughout the story?
Many people who have read the books have said they were intrigued by the Samantha Colt character. Some have even said she was their favorite and wanted to know more about her. I had deliberately kept her sort of in the background, to make her more mysterious, and to keep her personality somewhat ambiguous. She was the main hero’s partner and sidekick, but there was always the sense that you weren’t quite sure what she would do. I think it made her seem just a little bit dangerous.
What is the next book that you are working on and when will it be published?
I am currently working on a book entitled Intrepid. It’s a sequel to my previous book Pegasus, which is set about a hundred years in the future. In the previous book, the crew of Pegasus traveled to the moon and back. This time they’re going to Mars, and when they get there things go horribly wrong. Then they’ve got to figure out a way to get their crippled ship home before their food and air run out. It’s kind of a cross between The Martian and Apollo 13, and it should be out sometime in the Fall.
A nameless, homeless girl grows up on the streets of Baltimore. From a painfully young age she must learn to take care of herself, feed and clothe herself, and defend herself from those who would do her harm. When she’s arrested for shoplifting as a teenager she’s recruited by a mysterious organization, where she meets David Larkin and everything changes. He becomes her teacher, her mentor, her partner and eventually her best friend. This is the fourth book in the exciting Larkin and Colt adventure series, this time told from her perspective, in her own words, as she learns who she is, what she can do and who she can become.
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The Dead Don’t Always Rest in Peace
Jason Crandall, recently widowed, is left to raise his young daughter and rebellious teenage son on his own – and the old Victorian in Shadow Springs seems like the perfect place for them to start over. But the cracks in Jason’s new world begin to show when he meets Savannah Sturgess, a beautiful socialite who has half the men in town dancing on tangled strings.
When she goes missing, secrets begin to surface, and Jason becomes ensnared in a dangerous web that leads to murder. But who has the answers that will prove his innocence? The jealous husband who’s hell-bent on destroying him? The local sheriff with an incriminating secret? The blind old woman in the house next door who seems to watch him from the windows? Or perhaps the answers lie in the haunting visions and dreams that have recently begun to consume him.
Or maybe, Savannah herself is trying to tell him that things aren’t always as they seem – and that sometimes, the dead don’t rest in peace.
Alistair’s debut novel, The Crimson Corset, was an immediate bestseller, earning praise from such authors as Jay Bonansinga, author of The Walking Dead series, and vampire-lit veteran, Chelsea Quinn Yarbro. Alistair also writes with international bestseller, Tamara Thorne, and together they have released several bestsellers, including Mother, The Cliffhouse Haunting, and The Ghosts of Ravencrest.
Together, Thorne & Cross also host the popular radio show, Thorne & Cross: Haunted Nights LIVE!, which has included such guests as Laurell K. Hamilton of the Anita Blake Vampire Hunter novels; world-wide bestseller, V.C. Andrews (Andrew Neiderman); Charlaine Harris of the Southern Vampire Mysteries and basis of the HBO series, True Blood; Jeff Lindsay, author of the Dexter novels that inspired the hit television series; #1 New York Times bestseller, Kim Harrison; Peter Atkins, screenwriter of Hellraiser: 2, 3, and 4; Mick Garris, film director of Hocus Pocus, Psycho IV: The Beginning, and Stephen King’s The Stand; and New York Times bestsellers Preston & Child, Christopher Rice, Jonathan Maberry, and Christopher Moore.
You can visit Alistair Cross’ website at www.alistaircross.com
About the Author
Alistair Cross’ debut novel, The Crimson Corset, a vampiric tale of terror and seduction, was an immediate bestseller earning praise from veteran vampire-lit author, Chelsea Quinn Yarbro, and New York Times bestseller, Jay Bonansinga, author of The Walking Dead series. In 2012, Alistair joined forces with international bestseller, Tamara Thorne, and as Thorne & Cross, they write – among other things – the successful Gothic series, The Ravencrest Saga. Their debut collaboration, The Cliffhouse Haunting, reached the bestseller’s list in its first week of release. They are currently at work on their next solo novels and a new collaborative project.
In 2014, Alistair and Tamara began the radio show, Thorne & Cross: Haunted Nights LIVE!, which has featured such guests as Charlaine Harris of the Southern Vampire Mysteries and basis of the HBO series True Blood, Jeff Lindsay, author of the Dexter novels, Jay Bonansinga of The Walking Dead series, Laurell K. Hamilton of the Anita Blake novels, Peter Atkins, screenwriter of HELLRAISER 2, 3, and 4, worldwide bestseller V.C. Andrews, and New York Times best sellers Preston & Child, Christopher Rice, and Christopher Moore.
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You know a story is good when it makes it to the fifth installment. A story needs to be captivating, with intriguing characters and compelling action. Readers will find all of that and more in Joseph D’Antoni’s Captive Threat. This book is an addition to his ever-popular Wade Hanna series. It’s easy to see why these books have been able to sustain themselves for so long. The life that Wade leads is not typical at all. This includes his romances. Here we find a story steeped in action with heart-pounding risks and careful planning. Those who enjoy a great action-packed crime/military intelligence novel will definitely be entertained by what occurs within these pages. Where will Wade end up this time? Will he finally get to move forward in his relationship with Megan? Or will this task finally end up being too much for him?
While this is an installment in a series, it is not wholly necessary to read the previous four books. Yes, they will provide important backstory, but D’Antoni writes in such a way that a reader will not be lost. Even the complicated aspects of Wade and Megan’s relationship is not lost in this book. It is difficult to write in such a way that you can captivate newcomers without leaving them confused. A master of his craft, it is clear that D’Antoni knows what he’s doing. At first, the book doesn’t even feel like it’s about Wade at all, but about Megan. About what she is going through after her return to American soil. She has suffered an ordeal and D’Antoni takes the required time to have her move through these complicated feelings and post-traumatic experiences. This is how you capture readers.
The character development is very well planned and carefully laid out. When you have existing characters that have been carrying on for books upon books it’s easy to swap out romantic partners or close friends in favour of an exciting new character. It is clear that our author has spent the time energy required to foster and develop the relationships from existing installments. This is something not many serial authors can accomplish. Coupled with character development are the action scenes as Wade and company foray into their battlefields. Nothing feels out of place or too over the top. There is a pleasant balance between story development and a good old-fashioned fight.
If you are looking for a book that is exciting to read while giving you those complicated portrayals of human emotion then you have found what you are looking for in Captive Threat. It’s an excellent example of a crime/military novel married to dramatic elements done right. For the series to have gone on for as many installments as it has, it is clear that something is being done right here. There is even the potential for another installment into the Wade Hanna series based solely off how our adventure ends. Your heart will race for more than one reason as you devour the words in this tale. But still we are left wondering, where will Wade end up now?
Pages: 389 | ASIN: B01M3OAV36
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As the first book in the Tomorrow’s Edge trilogy, Day Moon is an outstanding contribution to the world of futuristic creation. The author, Brett Armstrong, provides a novel which allows any reader to question the “what ifs” of the world.
The story is set in 2039, where a seventeen-year-old boy, Elliott, is assigned to work on a project instigated by his deceased grandfather. After all forms of print are destroyed, Elliott must let go of his beloved book of the complete works of Shakespeare.
Elliott soon realises that in the complete works of Shakespeare, something unusual occurs. For some reason, an extra sonnet “Day Moon” had been inserted. This unusual event is the start of the unravelling journey of Project Alexandria; a journey which has no intentions of using the project for its original purpose. Can Elliott unravel the mystery and prevent Project Alexandria being launched?
A fantastic attempt to draw upon the unknown possibilities of the world. Armstrong creates a strong, imaginative plot line, with relatable characters and emotions; this is a remarkable read which creates a vibrant and thought-provoking storyline.
Based on the originality of his ideas, and Brett’s noble attempt to write in a world of pure creation, I could look beyond our everyday lives, and recognise a possibility of how the world could look in years to come.
What I thoroughly enjoyed about Day Moon was a mixture of themes including passion, distrust, uncertainty and suspense. What also sets this book apart from others in this genre, is the small quotes inserted at the beginning of each chapter. Each quote has been taken from a work of Shakespeare; which ties in beautifully with the underlying concept of the narrative. In that respect, I think Brett Armstrong demonstrates a huge amount of commitment and passion in regards to his ideas for his trilogy in Tomorrow’s Edge.
Whilst reading through this book, I recognised that the author had put a tremendous amount of attention to detail in regards to his layout, consistency, flow in writing and grammar, which all adds to the book’s qualities. Not only does the book contain a strong narrative full of suspense, drive, and futurist qualities, but it also blends our world of reality with a world that could be.
A fast-paced, diverse, intense piece of writing that falls under categories of Historical Fiction, Science Fiction and Futuristic genres. I highly recommend this book for anyone who shows an interest in the genres as mentioned. Although the narrative lagged at times, this does not detract from the quality of Brett Armstrong’s creative writing.
Packed full of inspiration, creation and innovation, this novel provides a great insight in to a world that is not real, but not impossible either. A fantastic read, and a great beginning to the Tomorrow’s Edge series.
Pages: 389 | ASIN: B06XWDM49Z
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