Blog Archives
Female Agency
Lady of Lincoln follows noblewoman Nicola de la Haye, who defies gender, betrayal, and political chaos to defend Lincoln Castle during one of England’s most violent and unstable eras. How did you balance staying true to the historical record while giving Nicola a vivid inner life?
I was first introduced to Nicola de la Haye’s story when I visited Lincoln Castle as a tourist, and they talked about their famous constable, ‘The Woman who Saved England,’ and the first ever female sheriff. I was determined to write about her, but realised fairly quickly that it would be a mammoth task.
I started by immersing myself into her story, that of England in the hundred years before her time (the Norman conquest, and ‘the Anarchy’ and her family’s involvement in both, as well as the history of England, Normandy, and the Angevin empire over the whole of her life and just after. I paid particular attention to her family, neighbours, the city of Lincoln, and the royal and church infighting at the time.
Having, after months of careful research, enough to go on, I mapped out the whole character story and arc that would fit with the known facts and that would explain her motivations for what she did.
Only then did I start to write. But with every chapter, there was the need for more research – what did the abbey it was set in look like? What was happening in the city England, or with the dispute with the church, at that exact time? How did the chroniclers describe the appearance (if at all) of the characters, and what personality traits did they assign to them?
I don’t believe I wrote anything that conflicts with the known history, and I tried to record that known history if it was relevant to the story. The art was to fill in the gaps, determine the personalities involved, and their motivations.
Nicola is both dutiful and defiant. What aspects of her personality felt most important to get right?
Nicola would be a woman who was considered exceptional by chroniclers. She defied conventions by ruling a castle, becoming the first female sheriff, holding out in important sieges, and commanding the loyalty of her vassals and her garrison. She also stayed loyal to a king who had been abandoned by most of his barons. She didn’t take the easy path, and she didn’t shirk her responsibilities. To me, that meant she needed a unique mix of loyalty, obligation to duty, and an ability to defy and stand her ground. That is the woman who Nicola became, and that is what the story in Lady of Lincoln, the first in the series about her, would help her become.
What were some themes that were important for you to explore in this book?
Female Agency in a Patriarchal World: The novel explores Nicola’s struggle to exert authority and make her own choices in a society where women are viewed as little more than property. Her journey from a girl who must be “taught her duty” to a woman who commands a castle siege exemplifies this theme.
Duty vs. Desire: Nicola is torn between her duty to her family name, her people, and the King, and her personal desires for love, freedom, and self-determination.
The Nature of Honour: The story contrasts different interpretations of honour. For Nicola’s father and Gerard de Camville, honour is tied to loyalty, duty, and justice. For characters like William FitzErneis, Ralph de la Haye, and Alured of Pointon, honour is a flexible concept, often sacrificed for personal ambition, wealth, or status. This conflict shapes Nicola’s understanding of true leadership.
How does this first book set the stage for the rest of Nicola’s journey?
In Lady of Lincoln, Nicola discovers her agency both as a baroness but also with her relationships. She is challenged by the effect of the Great Rebellion (a civil war) on her family, her people, and her inheritance. In the next two books she will be further challenged in terms of both her relationships (the middle years of a marriage, growing children, and widowhood) and the effect of significant external events (the Third Crusade, the plot by Prince John against King Richard the Lionheart, then Magna Carta, the Baron’s War, and the French invasion) that impact directly on herself and all that she holds dear. By the time she holds out against the French invasion, she has truly grown into the person who was ‘the Woman who Saved England.’
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12th-century England. Nicola de la Haye wants to do her duty. But though she’s taught a female cannot lead alone, the young noblewoman bristles at the marriage her father has arranged to secure her inheritance. And when an unexpected death leaves her unguided, the impetuous girl shuns the king’s blessing and weds a handsome-but-landless knight.
Harshly fined by Henry II for her unsanctioned union, Nicola struggles to salvage her estates while dealing with devastating betrayals from her husband… and his choice to join rebels in a brewing civil war. Yet after averting a tragedy and gaining the castle garrison’s respect, she still must face the might of powerful men determined to crush her under their will.
Can she survive love, threats, and violent ambition to prove she’s worthy of authority?
In this carefully researched and vividly human series debut, Rachel Elwiss Joyce showcases the complex themes of honour, responsibility, and freedom in the story of a remarkable heroine who men tried to erase from history. And as readers dive into a world defined by violence and turmoil, they’ll be stunned by this courageous young woman’s journey toward greatness.
Lady of Lincoln is the gritty first book in the Nicola de la Haye Series historical fiction saga. If you like richly textured female heroes, courtly drama, and fast-paced intrigue, then you’ll adore Rachel Elwiss Joyce’s gripping true-life tale.
Buy Lady of Lincoln to celebrate ‘the woman who saved England’ today!
An Inside Track
The Maker’s Name is a suspenseful saga of family betrayal and corporate intrigue that unfolds against the backdrop of Ireland’s economic boom, where two brothers clash over their inheritance. What was the inspiration for the setup of your story?
I’ve always taken a strong interest in the way businesses develop, particularly family businesses. I worked for a number of years in the Irish Industrial Development Authority (IDA) where I was able to gain good insight into many such scenarios. The IDA gave me an inside track.
The characters are complex and often morally ambiguous. Can you talk about your process for developing such compelling characters?
I have often clashed with strong personalities in my career, which also took in multinationals like Colgate-Palmolive Company and Shell Oil. There one would come face to face with individuals whose ambition knew no bounds, and against whom one would need strong defences; rising through the ranks in big business is often a zero-sum game. The process of developing such characters for the novel consisted of little more than remembering back to the details of the personalities and behaviour of the people concerned.
The novel features a mix of dark humor and bursts of violence. How did you balance these elements to maintain tension without overshadowing the story’s deeper themes?
I have always been an avid reader. This, I believe, has encouraged me to a deep study of human nature whenever I have found it. I have also taken inspiration from the very best: Ernest Hemingway, Ian McEwan, Graham Greene, Robert Louis Stevenson, Auberon Waugh, Saul Bellow, Philip Roth, Claire Keegan, Anthony Trollope, Tom Wolfe, William Makepeace Thackery, Vladimir Nabokov, and many, many more of history’s superlative novelists. Not forgetting, of course, James Augustine Aloysius Joyce, for the style.
What is the next book that you are working on and when will it be available?
I am working on an outline, and have written about 30,000 words, of a novel that’s inspired by the kind of things that happened in Ireland in the 1980s, the period in which Claire Keegan’s novella, Small Things Like These, is set. According to one commentator, this book sells a thousand books a week, every week. The film version, starring Cillian Murphy, has just been released, to critical acclaim. My book will be ready in the first quarter of 2025.
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Literary, historical, Irish family saga fiction, for grownups
Lucid, engaging prose covering half a century of a provincial Irish business family, which could be microcosmic of the nation, from a first-time author.
The Considine brothers, Rudi and Gus, are at war.
Their father, Malachi, has died in a ‘freak accident’. But is there such a thing as a freak accident? When Rudi attempts to grab Gus’s inheritance there’s a real prospect of human blood appearing on the Hawthorne Meats slaughterhouse floor. Enter Cosgrave, a solicitor with expensive tastes, and Toomarood, the banker with an eye to making money outside of his day job. Mix in the ‘free’ energy device, after experts have stated that the promoters are suffering from long-term, severe self-delusion. Does this all make up a catastrophe waiting to happen?
How will Gus’s childhood friend, Raymond Quinn, his partner, Kaarina, and their children, be able to deal with him being placed under an exit ban in China because of his part in a pyramid scheme that has defrauded Chinese small investors? Is Gus really the nice guy everyone thinks he is? His activities as a ‘celebrity butcher’ might suggest otherwise. Does Rudi go too far by defrauding Quinn senior and his business partner through the use of a shadow company?
Is Rudi capable of murder?
And Rudi’s wife, Penny – whose side is she on?
Treachery hangs over this story of the pressures and tensions, both personal and commercial, of Celtic-Tiger era Ireland, especially when that edifice is destroyed in the Global Financial Crisis of 2008.
For Rudi, the payback from Gus and Raymond is severe indeed.
Loss and Change
Shanghaied follows a printer from New England in the 1800s who wakes up in a ship’s hold after being drugged and kidnapped, now forced to work aboard the Atalanta. What was the inspiration for the setup of your story?
I wrote the first chapter of Shanghaied as an exercise for a writing class in 2004. That chapter sat in a drawer for a long time. I picked it up again after my wife died; after I sold my home and bought my boat and literally sailed away. It became important to me when I realized I was writing about a man stolen from his life when my life felt stolen from me. I didn’t know how either of us was going to make it back from “out there,” from horizons of grief.
Eamon’s story starts out with a terrifying abduction and turns into a journey of acceptance and self-discovery while holding on to his determination to return home. What were some driving ideals behind your character’s development?
We all face loss and change. And finding your way “back” can be a hero or heroine’s journey for anyone. If we are to live our journey, if we are to not-die, it is incumbent upon us to pay attention. And even if we do return, we and the place we have returned to will have (and should have) changed. Time and life go on. And we must learn to be okay with that, with change.
What were some themes that were important for you to explore in this book?
That the perspective the sea teaches is humility. That we are part of something much larger than ourselves. That beauty is essential. That we can persevere. That love is a quality, not a quantity. That to be anything, living must include everything.
What is the next book you are working on, and when will it be available?
Shanghaied is my first book. While it is a fiction, many of its scenes come from my actual lived experiences. Hopefully, by spinning those experiences into this tale and these characters, the story is about all of us more than about me. If a reader feels “lost at sea,” I hope Eamon’s story will help him/her/them. There are a few characters who have sailed over the horizon beyond Eamon’s story, and I could explore their adventures. Or maybe my experiences could come back to my memoir. But before any of those possibilities, I need to see if I can launch Shanghaied into some success and a future of its own.
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Eamon’s bitterness nearly consumes him, until he finds the beauty of this planet undeniable and essential and joins the brotherhood of the sea. Profoundly changed by a journey filled with perseverance, discovery, and love, what will he find if he makes it home again?
