Yankeeland follows a young woman from a stifling Irish village who escapes to the New World with her husband, seeking a life where they can realize their dreams. What was the inspiration for the setup of your story?

I have always been a champion of strong, powerful women and knew that this story needed to be told. Reading Brigid’s letters forever changed my thinking on secrets. The heartache from the secrets which society forced upon the female protagonists in Yankeeland haunted me deeply. Discovering and unraveling how their lives played out filled me with a profound sense of sadness, which stayed with me. The what-ifs and the desperate attempts at explaining away the various actions and outcomes all came back to the trauma caused by secrets. The basic human experience of compassion was lost to Brigid and Kate.

It seemed like you took your time in building the characters and the story to great emotional effect. How did you manage the pacing of the story while keeping readers engaged?

It was important for me to understand the challenges that were faced in Yankeeland, and my writing comes from a place of lived experience. I connected at a deep level with each character and their journey. I am a storyteller at heart and a lot of storytellers carry pain in their words, my objective is to turn suffering into something that we can learn from. The greatest compliment I received was that Yankeeland was not a ‘breezy’ read—I have tried not to detract from the reality of these experiences. In recreating Brigid’s story, I was able to recreate their path as emigrants understanding the society of the various locations. I was also able to reach into stories I had heard in my own childhood, particularly of Well’s House and the Doyne family that had lived there.

What were some themes that were important for you to explore in this book?

In a piece I wrote for my website ‘Secrets’ I looked at how lives that are lived in pain do not allow for awareness. Existing—the sole occupation of the sufferer. These pieces explore some of the themes in Yankeeland and my greatest wish is for the reader to reflect and give consideration from their own viewpoint and experienes. ‘Tis only and aul wink’ was written following a funeral I had attended in the West of Ireland. As I sat and listened to the priest give his sermon on how life passes so quickly, ‘aul wink of the eye,’ I felt a deep sense of emotion. I was frustrated thinking how Brigid and Kate had not been afforded this luxury. I also wanted to show how historically Women were often betrayed by society at the behest of a powerful patriarchal system. This did not bode well for any woman, never mind one who was strong and powerful such as Brigid was.

What is the next book that you’re working on and when can your fans expect it out?

I am working on a story about navigating modern day ‘Humbugs’. A girl’s journey through vulnerability, navigating the various modalities that are competing in today’s world, where spirituality meets commercialisation. It will follow a similar theme, looking at moral dilemmas. I would love for this to be with readers in 2026. The publishing journey requires adequate time to ensure quality of the output.

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