The Reluctant Womb is an emotional novel about three women whose lives are shaped by love, loss, and the brutal lack of reproductive freedom in the decades before Roe v. Wade. This seems like a very personal story for you. How hard was it to put this story out in the world for people to read?

It wasn’t hard at all. It just seemed the right story to tell. Roe v. Wade had just been overturned, and women were facing the same problem today that women faced when the events in this story took place. One of the women, on whom the character of Thea is based, had recently sent me copies of the letters she’d received from Chris in 1963, and I felt compelled to include some of them in the story, so Chris’s actual voice could be heard. I began to see parallels—how the three women’s (“girls” in those days) own birth stories influenced who they became as young women, and the choices they made. The actual stimulus for writing it came from someone in a movie group I belong to. We’d just watched a film about a 17-year-old girl who seeks an abortion. One woman thought it was unoriginal. I began telling her the story of my two friends who got pregnant in 1963, and by the time I’d told her a few facts about their situation, the woman broke in saying, “Now that’s a movie I’d love to see!” I couldn’t write a script, but I could tell the story, fictionalized. That’s actually what pushed me to begin writing. Most of the story is fiction, built around facts and educated guesses.

There was a lot of time spent crafting the character traits in this novel. What was the most important factor for you to get right in your characters?

The most important thing for me was to get right was how much these three women cared about each other. After that, I wanted to distinguish them by other characteristics—the type of family they grew up in, what they looked like, their values, their various strengths, their interior demons. Having known them both, this wasn’t difficult.

What were some themes that were important for you to explore in this book?

Obviously, the main theme is the difficulty of unwanted pregnancy presented for women pre-Roe v. Wade. But also the central themes facing young adults in the 1960s: the Bomb, Civil Rights and interracial relationships, the Vietnam War, and the widespread appearance of drugs. Also, the Pill, which presented a struggle for many young women who’d been taught to remain a virgin until their wedding night.

What is one thing that you hope readers take away from The Reluctant Womb?

I think the one thing I want readers to take away is that, although abortion should be legal, it is not a simple solution. And neither is adoption. I tried to show this in the character of Chris, who was tormented by not knowing who her birth parents were and choosing abortion to end her pregnancy rather than having her child adopted. With Thea, I tried to show it with the daughter she reunites with nearly fifty years later, when she hears her daughter’s story. But primarily, I tried to show it when Cilla learns she was nearly aborted (which is my own story), and has to struggle with her pro-choice stance and the fact that she helped Chris through her abortion. It brings home to Cilla that her life would have been destroyed if her mother had succeeded. This is, in my opinion, the moral core of the story. Her resolution, that, because it’s impossible to choose between the rights of the mother and those of the fetus, that neither has more “rights”—means that the government has no business making a law making abortion illegal. But this also means that, if fully realized, it’s the most painful decision a pregnant woman will ever make. My more grandiose hope, I suppose, is that this book will help to narrow the chasm between those rigidly opposed to abortion and those who feel it is a woman’s right to choose.

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