Blog Archives
Jeanne la femme en rouge
Jeanne la femme en rouge, by Isabelle B.L., is a historical novel about Jeanne Tunica y Casas, a fierce political agitator, teacher, artist, wife, and aging woman whose life stretches across Nîmes, Paris, Nouméa, Sydney, and Santo. The novel frames Jeanne in her later years, confined to a retirement home in 1967, while memory keeps pulling her back to Paco, her beloved husband, and to the decades she spent writing, organizing, arguing, teaching, and defending exploited workers in New Caledonia. It is a story of love and ideology, but also of erasure: a woman who fought to be heard now has to fight against institutional silence, old age, and the soft violence of being managed.
What struck me first was the book’s refusal to make Jeanne easy. She is not softened into a saint of justice or tidied into a tragic widow. She is abrasive, brilliant, difficult, lonely, funny, and sometimes exhausting. I admired that. The prose keeps returning to objects, vinyl chairs, folded handkerchiefs, flowers, newspapers, Paco’s clothes, an ugly institutional room, and these details become emotional detonators. Jeanne’s mind is never still; it attacks, remembers, mourns, judges, and revises. The novel makes consciousness feel like a crowded room where history, grief, and political conviction are all speaking at once.
I also appreciated the way the book treats politics as something lived in the body, not merely debated in pamphlets. Jeanne’s communism, pacifism, and anti-colonial anger are not decorative backstory; they shape how she sees chairs, labor, flowers, language, and even the manners of nurses. The novel can be rhetorically intense, and some readers may find Jeanne’s interiority sharp-edged or relentless, but that relentlessness feels honest to the character. The book is most moving when it lets tenderness and fury occupy the same sentence: Paco’s death, Jeanne’s memories of teaching children, her refusal to be patronized, and her terror of dying alone all gather into a portrait that is both intimate and insurgent.
This book is best suited for readers of historical fiction, biographical fiction, feminist fiction, political fiction, and novels about aging, memory, and social justice. Readers who appreciate the moral seriousness of Isabel Allende or the politically charged intimacy of The Book of Night Women by Marlon James may find a similar urgency here, though this novel is quieter, more interior, and more elegiac. Jeanne la femme en rouge is a tribute to a woman history nearly misplaced, and it burns brightest when it lets her remain inconvenient. A vivid, unsentimental novel about a woman who would not become quiet simply because the world preferred her that way.
Pages: 214 | ASIN : B0GHG89KSB
Adelaide: Painter of the Revolution
Janell Strube’s Adélaïde: Painter of the Revolution follows Adélaïde Labille-Guiard from her girlhood in Paris through her ascent as an artist, her struggle to be taken seriously in institutions built to exclude women, and her entanglement in the upheaval of the French Revolution. The novel binds together artistic ambition, political violence, love, rivalry, and survival, while keeping its eye on one central question: what does it cost a gifted woman to insist on making work, and making a life, in a world determined to reduce her?
I admired how fiercely this book inhabits its subject. Strube doesn’t treat art as a decorative background; she makes it feel physical, exacting, almost perilous. Studios, pigments, patronage, gossip, and public reputation all matter, and that gives the novel a grainy authority I found deeply persuasive. What I liked most was Adélaïde’s will: not a modernized swagger, but a hard-earned, thinking persistence. She’s often cornered, sometimes thwarted, sometimes heartbreakingly visible only when she is useful to men or history, and yet she keeps returning to the easel. That repetition becomes its own kind of heroism.
What I responded to even more was the novel’s refusal to make triumph easy. This isn’t a lacquered tale of genius effortlessly recognized; it’s a story of doors opened a crack and then slammed shut again. The emotional texture comes from that bitter rhythm. Even the romance and companionship in the book carry the pressure of unequal worlds. By the end, I felt I had read not just a historical novel, but a study in erasure: who gets remembered, who gets relabeled, who gets demoted after doing the real work. The afterword sharpened that ache by showing how thoroughly women artists were pushed to the margins, even after everything they achieved.
I would hand this to readers of historical fiction, biographical fiction, feminist historical fiction, art historical fiction, and French Revolution novels, especially anyone who likes books where craft, intellect, and social danger share the same room. Fans of Tracy Chevalier will likely recognize the pleasure of watching an artist’s interior life rendered with tactile care, though Strube’s novel feels more combustible, more crowded by politics and public consequence. Adélaïde: Painter of the Revolution is a novel for readers who like their beauty singed at the edges.
Pages: 420 | ASIN : B0FSNZ4Y49
Rituals and Prayers
Under Two Flags follows a young Jewish woman who leaves Boston for Berlin in search of an amazing new life, but instead finds herself in the throes of World War I. Where did the idea for this novel come from?
I discovered Josephine Marzynski’s memoir, With Old Glory in Berlin, when my brother showed up on my doorstep with an original 1918 edition he’d pulled from his bookshelf, and tucked alongside copies of our grandfather’s novels. Although Josephine’s name graced the cover, the foreword was written by the book’s editor, Eliot H. Robinson, our grandfather. As I read the book, it became clear he had done far more than edit. The voice, cadence, and style mirrored his fiction so closely that I surmised he had essentially ghostwritten the memoir.
Josephine’s voice — literally her singing voice — functions as both passion and protection. What does opera represent to you in this story?
Whenever Josephine dared to use her voice, on and off the stage, she spoke and sang of her passions. The arias I chose to include in different scenes underscored the tension and emotional responses of the characters. Josephine found her solace in the beauty of those arias. I sprinkled them in to give her comfort during dark times. For example, I had Josephine sing “Habanera” from CARMEN during her first class at the conservatory in Berlin. The aria is written for a mezzo-soprano, which was within Josephine’s range as a confident and strong woman. Within the libretto, the words mirror Josephine, “Love is a rebellious bird – that none can tame.” Her rebellious nature shines through even with the choice itself. She sings Bizet’s opera in its original French, a language forbidden in Germany at that time during the war.
Were there moments in your research that surprised you or changed the direction of the novel?
After reading Josephine’s memoir, With Old Glory in Berlin, I was struck by what Josephine didn’t include, namely, any reference to her faith. In my research, I discovered she identified as a Jewish woman. Whether she felt it wasn’t relevant or chose to omit it amid the growing undercurrents of antisemitism in 1918, we can’t know. But I found that silence fascinating. In moments of fear and homesickness, people often reach for the rituals and prayers of their faith to anchor them. It felt authentic that she would have done the same, so I wove those quiet expressions of faith into the story to deepen her emotional landscape and sense of identity.
What is the next book you are working on, and when will it be available?
Although I can’t reveal too many details because I’m deep into the research phase, I can share that a hint of the historical event I’ll be writing about is alluded to in Under Two Flags. It’s also set during World War I, alternating between Boston and a foreign city. The expected release date is December 2, 2027. The date is significant in Boston.
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In October 1916, eighteen-year-old Josephine Therese Marzynski leaves Boston for Berlin to pursue her dream of studying opera at Germany’s most prestigious music conservatory. Living with family friends and immersing herself in German culture, she finds unexpected beauty and friendship in the heart of enemy territory.
But when America enters the Great War in April 1917, Josephine’s world transforms overnight-from welcomed student to enemy of the state. Trapped in Berlin as rationing tightens and suspicion mounts, Josephine must navigate daily police check-ins, bureaucratic interrogations, and the constant threat of internment. Her survival depends on German friends who risk their own safety to protect her, while she struggles with divided loyalties between her American identity and the people who have become her chosen family.
Based on the true story from Josephine’s memoir and set against the backdrop of a city slowly starving under the weight of war, Under Two Flags is a gripping tale of resilience, moral complexity, and the transformative power of music in humanity’s darkest hours. As Josephine fights to secure passage home, she confronts impossible choices that will test everything she believes about loyalty, survival, and the true meaning of patriotism.
Ida Chatfield
The book follows the life of Ida Chatfield and tells her story from childhood on the Missouri River to her disappearance in Aspen in 1886. It mixes historical records with imagined moments that fill in the spaces between the facts. It feels like a full life unfolding, even though her real life ended at only eighteen. The book also weaves in real news articles that reported her missing and later confirmed her death. The mix of truth and imagination gives the whole thing a strange and lingering weight.
While reading, I often felt pulled into Ida’s voice. The writing felt warm at times and then cold in a way that mirrors frontier life. I found myself caring for Ida as if she were someone I’d once known. Her memories of Nebraska and Colorado felt vivid and earthy. The sadness around the deaths in her family hit me harder than I expected, especially the loss of her sister Jennie. The author sits close to Ida’s emotions and lets her tell the story in a plain and honest way. That plainness worked on me. It made the mystery of her final night feel personal.
The book pushes you to think about how people in the past were misunderstood, especially women. It shows how easily a person’s life can be shaped and misshaped by the stories others tell. The newspapers tried to fit Ida into neat explanations that never felt right. Reading those old clippings frustrated me. They felt careless and quick to judge, and it hurt to see how little room she had to define herself. At the same time, the fictional pieces brought her back to life with softness and patience. I loved that contrast because it made me think about how we all want to be remembered for who we were, not for the blur of a headline.
By the end, I felt a quiet ache for Ida and for every forgotten person whose life was cut short or brushed aside. The book works for readers who enjoy historical nonfiction but want more heart in the telling. It also works for readers who crave a mystery that will never be perfectly solved yet still offers something meaningful. I would recommend it to anyone who loves frontier history, family stories, and character-driven tales filled with emotion.
Pages: 280 | ASIN : B0FHJVCV7V
Sousanna: The Lost Daughter
In the aftermath of World War II, the world was in a state of flux. Countries devastated by the war faced the daunting task of rebuilding while their citizens grappled with profound changes in their lives. Greece, in particular, was further battered by the onslaught of a Civil War, compounding the struggle for survival. Amidst this backdrop of turmoil and rebuilding, America emerged as a symbol of hope and prosperity, an idyllic destination promising a life free from hunger and deprivation.
Sousanna: The Lost Daughter delves into this historical context, narrating the poignant tale of a young girl named Sousanna, caught in the crosscurrents of hope and despair. The memoir unfolds with Sousanna’s father, driven by a blend of hope and desperation, making the heart-wrenching decision to send his youngest daughter to America. This decision, born out of a belief in temporary separation, spirals into years of longing and heartache for Sousanna and her family back in Greece. The narrative poignantly captures the family’s clinging to the hope of Sousanna’s well-being, juxtaposed with her struggle to maintain her identity in a foreign land brimming with abundance.
Set between the 1950s and 1970s, the novel offers a compelling exploration of the complexities surrounding international adoptions, particularly from economically challenged countries. It insightfully presents the perspectives of the biological family, the adoptive family, and most crucially, the child at the heart of these life-altering decisions. The book sheds light on the controversial practices that led to the adoption of thousands of Greek children by American families, often under dubious circumstances.
Sousanna: The Lost Daughter, by Sousanna Stratmann, is a thought-provoking and relevant exploration of themes that resonate as much today as they did in the mid-20th century. The narrative is a testament to the enduring human spirit and the quest for identity in the face of overwhelming odds. This book is highly recommended for its insightful portrayal of a little-known chapter of history and its moving reflection on the human experience.
Pages: 272 | ASIN : B07JKBN66Y
Jeanne The Woman In Red
Jeanne The Woman in Red is a literary historical novel that follows the life of Jeanne Tunica Y Casas, a fiery, uncompromising political activist whose story unfolds across New Caledonia, the New Hebrides, France, and beyond. The book moves between her final years in a nursing home in the late 1960s and vivid recollections of her political battles, her marriage to Paco, and the people and places she loved. It’s a portrait of a woman who refuses to soften or apologize, even as age and loss begin to close in around her.
This book feels intimate. As if Jeanne were sitting across from me, telling stories that run on nerves and conviction rather than nostalgia. The writing has a rawness I didn’t expect. Scenes of the nursing home feel almost claustrophobic with their vinyl chairs, faint smells, and the slow drip of Jeanne’s frustration. Then the narrative swings wide open into her past, where she teaches children under mango trees, writes furious letters, argues politics with anyone brave enough, and paints scenes that reveal more about her spirit than any speech could. The author’s choice to weave Jeanne’s inner voice with historical detail gives the story both grit and tenderness. It is a quiet kind of political novel, but political all the same, carried by the force of one woman who refuses to be small.
What struck me most was how unapologetically the book stays with Jeanne’s contradictions. She is compassionate one moment and sharp enough to cut the next. She is grieving but stubborn. She is certain of her beliefs, sometimes to the point of alienating those who might have helped her. And yet the book never asks me to judge her. It just lets her be. Some passages read like memories folded in warm light, while others hit like sudden blows. The sensory details work best when they’re simple: a wooden floorboard Paco never fixed, a pot of chrysanthemums at a grave, the sound of children giggling through a vocabulary lesson. The author trusts these small images to carry weight, and they do.
This isn’t a sweeping epic or a fast-moving plot. It’s more like sitting with someone who has lived too intensely to fade gently. The genre sits somewhere between literary fiction and biographical historical fiction, and it will appeal most to readers who like character-driven stories, real history woven with imagination, and portraits of complicated women who challenge the world rather than charm it.
Pages: 213 | ASIN : B08CPNPNDV
The Ordinary Adventures of Somerset Soames von Hesse
The book traces the early life of Somerset Soames von Hesse, the youngest son in a missionary family that moves across continents. It follows the family from the United States to Egypt and Lebanon, then later to Colorado and beyond. The story blends personal memory with cultural snapshots. Each chapter unfolds against real historical moments, creating a timeline of growing up inside a strict religious framework while navigating friendships, dangers, family conflicts, school life, and a constant, restless search for belonging. It reads like a memoir wrapped inside a family saga, with Somerset watching the world while trying to figure out his place in it.
I found myself pulled in by the emotional honesty. The writing sometimes feels plainspoken, almost conversational, and that worked for me. It made the moments of fear, frustration, and longing hit harder. I felt a pang when little Wilfred nearly died after drinking kerosene, and the family’s panic filled the pages in a way that made me sit up straight. The author shows these moments without dressing them up. I liked that. At times, the prose wanders, but the wandering feels true to memory. I could almost hear someone telling me the story over a kitchen table. It made the world feel lived-in and messy and real.
Other times, I found myself laughing a little under my breath. Somerset’s charm, even as a tiny kid, is delightful. He’s wide-eyed, always scheming, always trying to impress girls, and it’s just so relatable. The book captures that childlike longing to be noticed, to matter, to be special. I felt protective of him. The chaotic moves, the strict expectations, and the way the adults often seem wrapped up in their own missions, while the kids try to make sense of everything around them. It stirred something in me. I kept thinking about how heavy the world can feel when you’re small and everyone else is busy doing “important things.”
By the end, I felt warm toward the story even when I was frustrated with some of the adults. I’d recommend this book to readers who enjoy memoir-style storytelling, especially people interested in missionary life, cross-cultural childhoods, or family histories full of both tenderness and hardship. It’s also a good pick for anyone who likes a slow, reflective read and doesn’t mind scenes that unfold more like memory than plot.
Pages: 462 | ASIN : B0FMSC22T8
A Journey of Discovery
On a Sundown Sea follows a woman with the gifts of being a medium and clairvoyant who meets the leader of the American Theosophical Society, who guides her on a spiritual path that could make her mystical dreams a reality. What was the inspiration for the setup of your story?
I grew up in Point Loma, near Madame Katherine Tingley’s Lomaland. Though she’s been gone nearly a century, stories of her remarkable life—and the extraordinary happenings on that hilltop—still echo throughout the region. I’ve long been fascinated by the mysteries surrounding her. Was she truly a medium and clairvoyant? How did she transform barren land into a flourishing Theosophical community with gardens, a school, and an arts colony? And did she really believe her husband had been reincarnated as a turtle?
Determined to uncover the truth, I spent five years researching and writing this biographical historical novel. While no full biography of Tingley exists, I immersed myself in her speeches, personal writings, and countless archival materials—newspaper articles, letters, photographs, court testimonies, ship logs, and passports. The Theosophists were prolific writers and publishers; Lomaland even had its own press that produced pamphlets and magazines. My greatest challenge was reconciling the many conflicting dates and facts I encountered.
To follow her journey, I traveled to her birthplace in Newburyport, Massachusetts, and to New York City, where her story first unfolds. And to better understand her esoteric world, I attended mediumship readings and worked with a shaman.
What are some things that you find interesting about the human condition that you think make for great fiction?
A novelist’s job is to place obstacles between the protagonist and their deepest desire—and Katherine’s childhood vision of building a white city had no shortage of them. Every compelling story thrives on conflict, and characters become truly memorable when they reveal their touchstones, quirks, humor, and emotions. I also believe love, in one form or another, should always be present—it adds depth, humanity, and hope to even the most challenging journeys.
What experience in your life has had the biggest impact on your writing?
After a twenty-year career as a public-school educator, I found myself drawn to writing. I began attending a weekly drop-in group, where the facilitator gave prompts and set a timer to get us started. Writing in community helped me keep my pen moving, even on days when I wanted to stop. Initially, I thought I’d write children’s books or a memoir about my time in the classroom—but that wasn’t what unfolded at all.
Instead, characters began appearing on the page seemingly out of nowhere, and I just kept following them. I’m an intuitive writer, composing all my first drafts by hand in a journal. When I started, I never imagined I would create the Anne McFarland Series, let alone On a Sundown Sea: A Novel of Madame Tingley and the Origins of Lomaland. It’s been a journey of discovery, both of the stories themselves and of who I am as a writer.
What is the next book that you are working on, and when can your fans expect it to be out?
I’d love to publish a collection of my nature poetry, as well as a personal development book inspired by my philosophy and blog, Crealivity. At the same time, I’m resisting the pull of a first chapter that has jumped onto the page for a fourth novel in the Anne McFarland Series. Over the past ten years, I’ve sent four novels and hundreds of poems out into the world, but right now my focus is on promoting On a Sundown Sea. I’ve many local events planned here in San Diego first, and then I’m taking the book on tour to other parts of the country.
Author Links: GoodReads | Instagram | Facebook | Website
In 1888, Katherine Tingley, a medium and clairvoyant, continues to have a childhood vision of a white city on a sundown sea. While serving the poor at her Do-Good Mission on Manhattan’s East Side, she encounters William Q. Judge, a mesmerist and leader of the American Theosophical Society. He recognizes her potential, convinces her to become his student, and guides her on a spiritual path that could make her mystical dream become a reality.
After Judge’s passing, Katherine assumes leadership of the Society and embarks on a world crusade to spread brotherhood, learn from ancient cultures, and search for a Himalayan Mahatma. In 1900, she moves the Theosophical headquarters to San Diego. Here, she sets out to establish Lomaland—a sacred space of learning, artistry, and divine harmony, built on a barren peninsula yet brimming with hidden potential. As people from around the world converge to share in her vision, they form a community united in purpose to spread enlightenment. However, betrayals, lies, and libels accumulate until a monumental court case ultimately decides her future and the fate of the white city on a sundown sea.
