When the Cossacks invade their village, young Avrum and his brother Hershel manage to hide and survive the attacks which kill more than 80 members of their small Polish community. Trying to gather their wits about them and come to terms with the deaths of both parents, the two boys decide to make their way to the synagogue in Lvov. The road to Lvov is paved with one horror after another, and a harrowing experience at the home of a decrepit old woman leads to the brothers’ ultimate separation. Avrum, the tragic main character in Arnold Holtzman’s To The End of Days, spends the better part of his young life making his way to America to build a life for himself and, hoping beyond hope, to reunite with Hershel.
Holtzman has the striking ability to appeal to all of the reader’s senses through his writing. The scene in which Avrum and Hershel are fighting for their lives at the cottage of the old woman is particularly gripping. I was utterly repulsed by the vivid descriptions of the vile woman and the filth in which she lived. As horrific as the circumstances were, I was unable to tear myself away from this disturbing string of events. The same can be said for each stage in Avrum’s life. As he moves across the country and eventually on to North America, each new circumstance brings rich details, vivid images of despair, and poignant scenes of his struggle as an immigrant.
The various settings described throughout Avrum’s journey are exceptionally well-written. At every turn, I felt myself immersed in the sights and sounds of early 1900’s America and the Jewish culture. Holtzman leaves nothing to the imagination which, in turn, leaves the reader more time to focus on the plot surrounding Avrum and the subplot focusing on Fanny.
Avrum captured my heart from the moment he and Hershel faced the fate of their mother. His heart-wrenching grief and his determination to find his brother dominate his life for years, and are the driving force behind everything he does from finding work and wrestling when offered the opportunity to pursuing every lead no matter how futile it may seem. Avrum’s strength is unmatched.
Bella is not a character I enjoyed–but I wasn’t supposed to feel warm toward her. Holtzman has done a phenomenal job creating a selfish, arrogant, and needy female match for unlucky Avrum. Though she doesn’t make her true intentions known until much later in her relationship with Avrum, I admit I was suspicious of her from the beginning. She is one of those characters who is far too concerned with making herself understood and appreciated. The author has succeeded phenomenally in creating a character worthy and deserving of the reader’s loathing.
Intermingled with the characteristics of historical fiction is a pleasing amount of mystery. Avrum encounters numerous clues to Hershel’s fate throughout the years, but the author skillfully weaves a web of subplots while redirecting the reader’s attention. Even to the final pages, I was yet unsure of poor Hershel’s fate. Kudos to Holtzman–this is how I prefer my fiction.
Fans of historical fiction will appreciate the insanely detailed descriptions of the havoc wreaked by the Cossacks and the accuracy regarding the Jewish culture. Avrum and Hershel represent everything that was wrong with this period in world history and everything that can go incredibly right when a man remains unfailingly loyal to his family.
Pages: 410 | ASIN: 1977981844
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Xaghra’s Revenge by Geoff Nelder begins with a family on a Maltese island circa fifteen hundreds that is torn apart by a barbaric pirate attack. The pirates take the island’s people captive, split up families and destroy lives in the process. I was pulled in by the fine historical detail and the emotional human experience. It starts as a historical fiction novel, but then you are catapulted into modern day where we follow two people; Zita and Reese. Paranormal forces bring these characters together and events they cannot control set them on a dangerous and thrilling journey that I enjoyed reading.
I enjoyed Zita and Reece’s characters. They were multifaceted and well developed. Their love story, although a bit contrived, is emotional and believable once events start to unfold. One thing that I really enjoyed about this novel, as I’m sure many historical fiction fans enjoy, is the depth of detail in the story’s setting and the experiences of those in the past. Reading about what happens to the captives is heartbreaking and really makes you feel as if they were real people, or at least these things could have happened to real people. I felt like I was reading a Dan Brown novel at times. The descriptions were exceptional and I felt like the author really did his homework and has the technical ability to transport me to exotic places without slowing the pace of the book. When I review books I try to take mental notes while reading, but I often got so caught up in this book that I forgot to, and found myself several chapters in before I remembered. The connection between the past and present is not immediately apparent, and lends to the overall mystery and enables some fascinating plot twists.
When the spirits of the past seek revenge, Zita and Reece are left with little choice, although they don’t know it. This novel was fun to read and getting swept away was easy. It’s hard to nail down this books genre; is it historical fiction, paranormal, romance, mystery? I think it does a magical job of blending all of them into one thrilling novel. I highly recommend this book as it has one of the more unique plots that I’ve read this year.
Pages: 360 | ASIN: B0746PHZKR
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LoveQuest is a dramatic retelling of an ancient Greek myth about Psyche, a mortal woman, and Eros, the god of love. Why did you want to retell this story and what were some new ideas you wanted to introduce?
I’ve always loved mythology, from the time I was first exposed to it as a child. As a student of literature, I was aware of how the ancient myths continued to influence art and culture to the present day.
There were myths in particular that caught my attention, and, in my early 30s, I was particularly drawn to that of Eros and Psyche. I never imagined a Roman setting, but the romantic, wonderful, and bucolic setting of ancient Greece.
To me, the myth of Eros and Psyche comprises all that is romantic. Each of us yearns for a partner who is the ideal of everything we’ve ever dreamed of, but somehow we don’t believe we are worthy of such love.
We deceive ourselves by letting others define us. We vacillate and let fear conquer us. The world leads us astray and we fail ourselves and those who love us.
To be human is to be like Psyche. I identified with her and all her failings, as well as with her attempts to make reparations and redeem herself.
Psyche held her gifts in low esteem, and that was her first mistake. Beauty is a gift, and those who are blessed with it are meant to shine, just as a writer must write and a dancer must dance.
Being morbidly influenced by her malignant sisters was another of Psyche’s mistakes. It should be easy to tell a friend from an enemy; people should not let their enemies define them or direct their behavior.
Eros has a coming-of-age experience; he takes a path distinct from his mother’s and follows his own destiny. As for Aphrodite, she has to decide whether she should set her child free or protect him from making a grown-up’s mistake.
At one point, Psyche has an opportunity to escape her trials and slink back home. Instead of choosing the mediocrity of a safe and easy path, she decides to follow her heart and endure and suffer for a higher objective. The difficult path is the one that gives us a chance to stretch ourselves, excel ourselves, and be better than we would otherwise be.
On an elevated level, the myth is the story of the redeeming power of love, and of the soul in search of redemption and perfection.
I felt that your characters were well developed and their personalities were distinct. What are some important traits you like your characters to have?
I want people to identify with my characters, or at least see in them what they see in others. A character cannot succeed unless he or she connects with the reader. The reader doesn’t have to like the character; it’s only important that the reader perceives the character as alive and real.
I don’t want my characters to be too good or too bad. There is risk of falling into parody if they are. My villains, if they can be called villains, are not all bad; they just behave badly.
What kind of research did you undertake to ensure you got the mythology right in LoveQuest?
The main source for my story is The Age of Fable (1855) by the American writer Thomas Bulfinch (1796 – 1867). This has been a classic and standard text for the Greek myths ever since.
Bulfinch appeals because he attempts to write the myths with all “the charm of a story book,” while adhering “to the text of the ancient authorities.” He writes “for the reader of English literature” and “to popularize mythology and extend the enjoyment of elegant literature.”
I have allowed Bulfinch to provide the framework of my story, but I have attempted to expand upon it, infuse it with other elements of magic and wonder, and, I hope, provide readers with a greater depth of understanding for the lessons the story imparts.
I have taken some liberty with Bulfinch’s story of Eros and Psyche. Gaia, the Earth Mother, is an immortal apart from the gods of Olympus. The talking animals are a tribute to C. S. Lewis and Disney, and the intervention of the South and North Winds is my own device, providing a natural way to give Eros allies outside his mother’s influence.
The mysterious Dream Lover is a mystical being born of imagination.
What is the next novel that you are working on and when will it be available?
I have been spending much of my time since the publication of LoveQuest in promoting my books (my historical novel Brief Candles was published in 1983) and sharing my short stories on my website. However, I do have many projects planned and already in development.
I am building a narrative around the diary I kept when I was fourteen, filled with the anxieties, vanities, and pain of adolescence.
Another project is a dystopia of a class-based society where the tidal wave for change is already churning under the surface of a closed and exclusive world.
An overreaching work is a history of late 15th century England during the period popularly known as the Wars of the Roses. I have been studying that period on and off for over 50 years, and friends have encouraged me to collect my research in a nonfiction book.
None of these projects is close to completion, and I know by experience that a sudden inspiration could cause me to push something totally unexpected forward.
One way or another, I will never stop writing.
LoveQuest, a romantic fantasy, is a light-hearted retelling of one of the most enduring love stories from ancient Greek mythology: the forbidden passion of Eros, the god of Love, for the mortal woman Psyche.
A god’s love for a mortal woman…
It is ancient Greece, a world of gods, superstition, and magic. The villagers dwelling under the eyes of the jealous and capricious gods on Mount Olympus seek to gain their favor and to uncover the mysteries that only the immortals can know by turning to priests, soothsayers, seers, and fortune-tellers.
The oracle of the divine Apollo is one of the most famous of these seers. Although physically nothing more than a pool of water in a cavern, its wisdom is so renown across Greece that many journey far and wide to seek its counsel.
Among the pilgrims are the wealthy cloth merchant Pericles, his wife Leena, and their daughters Medea, Tanna, and Psyche. Although Psyche is blessed by Aphrodite, the goddess of Beauty, and is cherished by the people of her village for her loveliness, she cares little for their attention, seeking only the approval of her envious and malicious sisters.
Medea and Tanna ridicule the oracle’s prophecy that Psyche will make a “marvelous” marriage to someone “not human,” and use it as another means to torment their sister, driving her to tears.
Offended by Psyche’s behavior and not accustomed to being taken for granted, Aphrodite retaliates by asking her son Eros, the god of Love, to punish Psyche with a life of lovelessness.
Coming to Psyche and her sisters under a cloak of invisibility, Eros is filled with pity for Psyche but determined to carry out his mother’s wishes. Aphrodite’s plan goes amok when Eros wounds himself with his own arrow carrying out the punishment. He falls in love with the woman his mother hates.
Eros must make a decision: Will he do his mother’s bidding and resist the power of love, or will he defy her by setting his own course in pursuit of Psyche’s heart?
And, if he develops an elaborate plan to win Psyche, whose help can he enlist? Is love with Psyche possible, and how long can he keep up his deception before his mother discovers him?
Compared with Eros, Psyche is a novice at love. Eros can’t approach her as a human suitor would approach a human woman. She too has a decision to make: Should she believe the loving words of a mysterious stranger, or should she believe her sisters?
The consequences for Eros and Psyche are dear. Aphrodite’s temper is not something to toy with. She is angry enough with Psyche, but if Psyche should do wrong to her son Eros, there might be no end to the punishment Psyche faces at the hands of the jealous goddess.
Psyche must choose between betrayal and fidelity, just as Eros must connive to win her love and the approval of his mother. Both of them must be put to the test in order to find their heart’s desire.
Posted in Interviews
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A.J. Macready’s Redemption, book three in the Descendant Darkness series, details both the rise and fall of a line of vampires dominating the mountains of Virginia. Deemed “America’s Transylvania,” Clarke’s Summit is home to a plague of sorts dating back to the 1700’s and a rash of murders in 1982. Sheriff Stan Pryor finds himself facing a terrifying night of death and retribution in Clarke’s Summit in 2003 when the town is again host to the vile and nefarious acts of Lydia, a vampire of old seeking vengeance on the three remaining members of the town’s founders. Richard Gaston, Tom Campbell, and Father Ryan Bennett are left to face Lydia’s wrath.
Macready’s Redemption is as filled with action as it is brimming with rich characters. From beginning to end, readers are left breathless with the anticipation of Lydia’s next move. There are few, if any, breaks between chaotic and harrowing scenes. The energy is high throughout the book, and the meetings between the citizens of the cursed Clarke’s Summit township build to an almost exhausting level.
As a first-time reader of Macready’s Descendant Darkness, I wasn’t sure who to peg as the main character right out of the gate. The longer I read, the more I realized that Macready’s main character is the vampire storyline in and of itself. Though each of the characters is memorable and comes with a strong backstory, no one character stands out as the focus of the storyline. Sheriff Pryor helps to set up the premise of book three while Richard Gaston, his son Mike, and Tom Campbell (the vampire hunters, as it were) work as a cohesive unit to battle Lydia, her heinous attacks, and life-altering mind games. Even Lydia, a vivid protagonist, can’t be pointed out as the book’s sole focus. I found this particular choice in the writing to be quite appealing.
I have always been intrigued by the notion that some aspects of truth are embedded in folklore. That being said, one of my favorite elements in Macready’s writing was the inclusion of excerpts from local newspapers describing historic events and the details surrounding what the town deems the “Clarke’s Summit Blood Cult.” The lengths to which Macready has gone to give his vampire tale credibility are impressive. I found myself as absorbed in the passages from the Shenandoah Observer as I was in the lengthy and involved action sequences.
One of the most striking facets of Macready’s vampires is their ability to manipulate the minds of their victims. Throughout the book, Lydia is able to inject her own words into their thoughts and, essentially, control their actions. These episodes are peppered throughout the plot, and each one brings a chill.
Any fan of vampire stories will find this book appealing and engaging. The author expertly incorporates the backstories of Lydia and the vampire-hunting descendants into this third installment. With side stories paralleling those of the book’s main cast of characters, Macready provides mystery, suspense, and action in one neat package.
Pages: 290 | ASIN: B06XPHDPB6
Tags: action, aj macready, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, dark fantasy, descendent darkness, ebook, fantasy, fiction, folklore, goodreads, historical fiction, horror, ilovebooks, indiebooks, kindle, kobo, literature, murder, mystery, nook, novel, occult, paranormal, publishing, read, reader, reading, redemption, shelfari, smashwords, story, supernatural, suspense, vampire, writer, writer community, writing
The Three Lives of One follows an island girl named Patches after a tsunami sends her life spiraling into directions she never imagined. What was the inspiration for this heartfelt globe crossing story of one woman’s life?
This story was imagined completely, after seeing a scene on television about a tsunami. I put myself in a child’s place, wondering what would become of her, then I wrote the rest. This was the first story I ever wrote without doing a synopsis first. Once I began to write, ideas filled my head and I continued on to the end.
Patches, I felt, was a well -developed character that continued to develop layers as the story progressed. What were some obstacles you felt were important to her characters development?
As I went through her life with its many hardships, I portrayed some of many unusual events which occurred as a child, then added the scenes I imagined might be part of the life in some loving families; and when that changed and the worst happened, I included some drama and showed the effect on the girl as she grew older. Being kidnapped into prostitution is something I’ve heard of and which happens all over the world today. That is why I included that in the story. It shocked me and is a warning to young girls to beware of this danger.
Patches is faced with many hardships in her life, but I felt the book was about hope in the face of adversity. What were some themes you wanted to capture in this story?
From when she was rescued by the Missionaries, Patches retained an inner belief in God and the church , which was eventually returned by Nickolas Morakai, the orphaned missionary she met during the war. I guess I wanted her to really hope for and find a true love to share with, sustain and comfort her, after all she had endured in her life. I might mention that in the review it said that Japan was a country in the story, and that is not true. It was only in New Guinea that the Japanese entered the story, when they invaded Singapore and the islands there. The other places I did include were some of the Islands in the Pacific Ocean, where she was born and returned to later on. I like my stories to have some twists to make them more interesting. Please note that nothing in that story pertains in any way to my own life, as I had a quiet but interesting life, first in College and then in the outback in two states, as seen in my own biography at the end of every book.
What is the next book that you are working on and when will it be available?
My next two books are completed, one published as I said, Fire in the Heart –a Scottish love drama; the other one flight from fear is not, and is a vastly different story to my other ones. My next full novel is well on the way but i have not yet found the right title for it. At the moment it is called Shades of Reality. Or can love endure reality (of life and death or whatever. Another smaller completed story is Cookin in a Teacup, a biographical true story of mine which happened in the Queensland outback. I am still checking and editing this story.
I have others to write and complete.
An epic adventure story set on the coast and inland, detailing life in Western Australia in 1948 on a sheep and cattle station. This is real outback living where dramatic events can occur and unforgotten shadows effect the everyday lives of others. When the meatworks were in Wyndham, escaped prisoners strike terror… a family and a stockman with unhappy pasts… the mailman finds a strange body on the road… an accident in windy weather… a shearer with talent… a tragic death daunts natives… a minister’s plane crashes… cattle rustlers cause a stampede… three girls lost in the mountain range discover the past… and even love alters lives…
Posted in Interviews
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In the Shadow of the Hanging Tree takes place in the 1860s and follows the lives of three people trying to find their way in post-Civil War America. What was the inspiration for your characters; the Henry the ex-slave, Clara and lieutenant Elliot?
I have always been an omnivorous reader. From horror to historical and most genres in-between. The American western is genre that seems to have sort of faded into obscurity over the last thirty years or so. I suppose I can understand why. A lot (not all) of it had become dusty, formulaic, trope-worn, overly-romanticized, and historically inaccurate. I set out to write a story set somewhere between the gold rush and the turn-of-the-century. Something with a different kind of hero from the gunfighter or bank robber. Something that would dust off the genre, add some real humanity, and hopefully spark some renewed interest in this fascinating and sometimes troubling time period.
Henry as the main protagonist was an easy choice. I read a short once, about a man who was freed after the civil war and went on to become a well-known cowboy in Texas. The man had a remarkable way with horses. He was the inspiration for Henry. The challenges African Americans faced even after they were freed from slavery were monumental, and so many extraordinary men and women overcame this adversity and went on to live noteworthy lives.
With Clara I wanted to highlight challenges that women of the period faced. Their oppression can’t be compared equally to African American’s enslavement, but neither can it be marginalized. I also used her character to showcase the disconnect between wealthy easterners and the reality of what was going on in the rest of the country.
John Elliot’s inner conflict wasn’t that uncommon for soldiers both during the civil war and the years following. I have read truly heartbreaking letters sent home disillusioned soldiers from the period, particularly ones from soldier’s involved in what could arguably be called the Native American genocide.
This novel gave a good view of life in 1860s America for slaves and Native Americans. What were some themes you tried to highlight throughout this novel?
Henry and Clara’s relationship is touching but anchored with fear and a desire to find their way to the right side of things. What served as the basis for their relationship while you were writing?
Henry and Clara’s relationship is one of self-discovery for both of them. Henry begins to forgive himself, and finds that he is still capable of love. Clara discovers that her prejudices were misinformed. Her interactions with Henry, and his honesty, later affects how she later handles John’s disturbing revelations.
What is the next book that you are writing and when will it be available?
I have two novels in the works. One is a contemporary drama about a twelve-year-old whose parents both die tragically less than two years apart. He’s subsequently injected into the foster care system and eventually runs away hoping to find an estranged grandparent who lives off-the-grid in Montana. The second is about a man searching for his daughter years after a global catastrophe. Both novels should be released in 2019.
In 1865 a shadow hovers over the nation: the shadow lingers still…
Born into slavery, Henry’s young life is spent working in tobacco drying sheds on Missouri plantations. Freed at the onset of the Civil War, he’s alone, starving, and on the run from Confederate militiamen.
Five years later, Clara Hanfield, the daughter of a powerful New York shipping magnate, escapes her tyrannical father and travels west in pursuit of John Elliot, the man she loves. John, a U.S. Army lieutenant, was sent to the Dakota Territory where he discovers a government conspiracy to incite an all-out war with the Indians; a war meant to finally eliminate them as an obstacle to the westward expansion.
Henry finds himself caught in the middle.
Aided by Clara, John, and his native ally, Standing Elk, Henry must battle hatred, greed, and the ghosts of his past during this turbulent and troubling time in American history.
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In the Shadow of the Hanging Tree, by Michael A. McLellan, takes place in the 1860s and revolves around the lives of three people trying desperately to find their way in post-Civil War America. Henry, a man freed from slavery but never free from the horrors he endured, finds himself assisting Clara Hanfield in her quest to reunite with Lieutenant John Elliott, the man she loves and her father loathes. All three are caught up in the government’s plot to push the Native Americans from their land once and for all. Fate has dealt quite the hand to Henry, and his introduction to Clara and her mission to find John poses yet another obstacle to Henry’s quest to find the freedom and peace he deserves.
McLellan’s writing is simply breathtaking. The richness of the language he gives his characters immediately reels in the reader. The exchanges between Henry and Eliza are tender, and her early attempts to refine his speaking habits are affectionate and determined. The trials the two endure to survive as slaves in the South and their attempt to escape the lynch mobs running rampant tore at my heart. McLellan’s words ring all too true. Henry and Eliza’s story is painful, tragic, and well-crafted to convey the horrific circumstances of the era.
Clara’s rescue by Henry is one of those moments in the book worth rereading. Henry, for all intents and purposes, is making amends in any way he can for the loss he has suffered and the guilt he feels for that loss. Sweeping in and pulling Clara from the hands of the enemy, Henry begins a friendship he never could have seen coming. Theirs is a touching relationship punctuated with fleeting moments of light-hearted banter and anchored with fear and a fierce desire on both their parts to find their way to the right side of things. Clara, described as being much like her father, uses it to her advantage as she faces insurmountable challenges on her journey with Henry. Hers is a character refreshingly unlike any other I have read in the genre of historical fiction.
Randall breaks my heart. He is one of those characters the reader will root for from his first appearance. Without giving away too much of Randall’s subplot, I will say that from those first moments of indecision with Clara at West Point. I wanted to see Randall come out on top. The backstory involving his own child and his love for Clara makes for a unique connection and offers the reader all the more reason to admire Randall.
I am giving In the Shadow of the Hanging Tree an enthusiastic 5 out of 5 stars. McLellan has written a piece of historical fiction incorporating elements for every reader. His plotlines involving a family divided and the tragedy surrounding Henry’s life as a slave intertwine to create a beautiful story of friendship, trust, and stand as a testament to the strength of the human spirit. I highly recommend this book to any fan of novels from the Civil War era. McLellan’s characters are truly unforgettable.
Pages: 268 | ASIN: B071YMXDQL
Posted in Five Stars
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Lon Brett Coon’s Panther across the Stars is a stirring historical novel depicting the detailed life of a Shawnee Indian warrior called Tecumseh otherwise known as panther across the stars that was a brave and intelligent warrior who is able to inspire loyalty, devotion and admiration from all that knew him. He battles the palefaces who are his sworn enemies even though he is curious about their strange way, and even befriends the few he could respect. This is a visceral tale of power, passion and one man’s destiny to unite his people in the struggles to save their land and way of life from the white settlers.
Tecumseh, being a proud man, is relentless in his efforts and travels for many months trying to gather support and warriors from other chiefs. Unfortunately the other chiefs do not join the alliance because many of them end up being short sighted. Tecumseh is driven by myth and hope as he battles again and again even though he is not sure whether peace is possible.
This book is a fantastic read. Lon Brett Coon writes in a way that puts the reader in the scene. I felt like I was walking alongside the triumphs and trials of the members. The attention given to the customs of the Shawnee and other tribal nations was enjoyable and detailed. The writing style was both engaging and entertaining. The author excellently paints a portrait of these people’s lives. It is interesting to read about the Shawnee and how they coped with the intrusion of white settlers. Their bravery and courage was outstanding though it leaves one wishing they had had been treated better.
It was heartbreaking to learn about the lies and deceit from the Americans and seeing the Shawnee native land disappearing slowly. We get to watch as they are constantly being moved west as treaties are broken constantly by the white people who are driven by their hunger for more land and ownership of it. This is a novel that deftly portrays the injustices brought upon Native Americans.
I would definitely recommend it for anyone who wants to know more about the history, culture, and battles of American Indians. The author has clearly done his research and kept it as accurate as possible. Tecumseh’s passion for his people is clear and earns him extraordinary friends. Although this novel sheds light on some dark historical times, there’s an undercurrent of optimism that inspires hope in the reader that maybe the Native Americans will win, and save their land.
Pages: 315 | ASIN: B076Y8BTF2
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Alice Guy Blaché was a pioneer of her trade with so many accomplishments, feats you could look up and applaud through history. Written fictitiously from the point of view of Alice herself, Mademoiselle Alice tells an intimate and redolent tale, painting Alice in the most relatable way. The reader has a chance to experience through Alice the era she lived in beautiful detail, alongside the relationships that added such color to her life. One, the romance between herself and the renowned Gustave Eiffel himself. Eiffel has no interest in love and yet develops a strong romantic tie with Alice. Their relationship is a cornerstone of Alice’s life and even as she moves on, it reflects throughout her work and pursuits to follow.
Mademoiselle Alice was a powerful and moving story. I applaud Janelle Dietrick and her dedication to bringing Alice Guy Blaché off the dusty pages of history and into present mind. The amount of research alone is worth its own accolade, and Dietrick chose to deliver beyond just that, combining the scholar and the storyteller to create a wonderful recollection of the life of Alice.
One factor that truly stood out to me as a reader, was Dietrick’s innate skill of drawing one in to the many emotions of Alice’s tale. From the budding and fleshed out romance between Eiffel and Alice, her apprehension and excitement when building her own studio, to her joys throughout her journey of motherhood. I found myself feeling the same as Alice and I continued further through her recollection and telling of her own life. Dietrick used the first-person narrative in a masterful and gripping manner, allowing readers to fully immerse themselves in the personality of Alice and her intriguing mind.
Usually, I find myself caught up in some novelists writing style; their sentence structure and syntax. I can honestly say that Dietrick writes such an enriching and powerful story. The writing style flows well. I can’t recall any particular moment while reading where I found myself jarred out of the story as I often have with other writers. There was a well weighted balance of descriptive setting, dialogue, interaction, and historical detail that kept me immersed and entertained.
I have a strong affinity for historical fiction but such does not negate that Mademoiselle Alice: A Novel stands up for itself as a wonderfully well written and fun review of the life of Alice Guy Blaché. You can tell that Janelle Dietrick takes pride in not only her work, but in the dedication to presenting the important role Alice has played in history. Her writing compels the reader to appreciate such without the dryness or brevity of a history book. She breathes life in to Alice, allowing the reader to really appreciate her as a relatable person.
Pages: 369 | ASIN: B074MB6QTH
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The Prophet and The Witch continues the story of Israel Brewster who is now a disgraced outcast when King Philip’s War begins. This is an intriguing setup to a novel that is high in social commentary. What was your goal when writing this novel and do you feel you’ve achieved it?
Regarding my goal, I initially wanted to write an engaging, historically accurate novel that would highlight a fascinating era that the casual reader was not familiar with. I don’t think this era gets nearly the attention it deserves, and I hope that changes in the near future. Hopefully, the book educates its readers as well as entertains them. So, yes, I think I’ve achieved my goal.
Regarding the social commentary, I think different readers will derive different messages from the book, and that’s terrific. Ultimately, I hope the novel stands as a tale of courage, love, and friendship in the face of evil and violence.
Israel Brewster continues to be an exceptionally developed character. What was your inspiration for his emotional turmoil through the story?
Thank you for the compliment. I’m not sure there was any particular inspiration; I think there’s a little Israel Brewster in all of us. Whether it’s a question of religion, war, or alienation, I think everyone feels deeply conflicted at some point in their lives. What are the things, and who are the people that genuinely deserve our loyalty? More importantly, what makes us persevere in the face of unbearable pain, and what compels us to do the right thing? I guess, to paraphrase Faulkner, writers like to portray the human heart in conflict with itself.
As a reader, it is difficult to pick a side in this battle. How did you balance the story to offer a contrasting yet similar worldview for the characters?
It’s certainly not my intent that anyone pick sides in the conflict. I think the story is balanced by presenting the common elements inherent among both the English and the Wampanoag. There are virtues among both sides like faith, love, loyalty, courage, and family. Conversely, some characters on each side are prone to violence, hatred, and ignorance. So, I hope it is really a tale of love and brotherhood versus evil and wickedness.
Ultimately, I can only hope to present a factual novel and let the reader draw their own conclusions. King Philip’s War was one of the most astounding and tragic chapters in American history, and it doesn’t deserve to be ignored and forgotten.
I understand this is the second book in a possible trilogy. Where do you see the story going in book three?
I can see us moving about fifteen years into the future. There was yet another fascinating war in New England during that time, and the remarkable Benjamin Church played a major role in that conflict as well. And evidently, in 1692, there was some kind of kerfuffle in Salem that got everyone all excited.
If you thought New England was dull in the 1670s, get ready for a history lesson.
In the critically acclaimed “My Father’s Kingdom,” debut author James W. George transported his readers to 1671 New England, and the world of Reverend Israel Brewster. It was a world of faith, virtue, and love, but it was also a world of treachery, hatred, and murder.
Four years later, Brewster is a disgraced outcast, residing in Providence and working as a humble cooper. Despite his best efforts, war could not be averted, and now, “King Philip’s War” has begun.
The rebellion is led by Metacomet, known as “King Philip” to the English colonists. He is the tormented son of the great Massasoit, and leader of the Wampanoag nation. Once the most reliable of Plymouth Colony’s allies, they are now the bitterest of enemies. Meanwhile, Metacomet’s mysterious counselor, Linto, despises this war and will do anything to end the bloodshed.
Meticulously researched, “The Prophet and the Witch” is a tale of hope and brotherhood in the face of evil and violence. It features the remarkable cast of fictional and historical characters from book one, including Josiah Winslow, Linto, Increase Mather, Constance Wilder, and Jeremiah Barron. Additionally, new characters such as America’s first ranger, Captain Benjamin Church, bring this chapter of history to life like never before.
Posted in Interviews
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