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At the Foot of the Mountain
At the Foot of the Mountain is a poetry collection that moves through memory, place, and the hard work of healing. The book shifts between nature scenes, family wounds, cultural identity, and quiet moments of reflection. Every poem feels like a step on a long trail where grief rises, settles, and rises again. Some pieces glow with the warmth of sunlight after rain. Others sit heavy, shaped by loss, longing, and the effort to understand where a person truly comes from. What ties it all together is a steady pulse of hope, small but stubborn, that shows up in forests, mountains, and even the kitchen.
Reading these poems, I found myself pulled in by how raw and tender the writing is. The language is simple on the surface, yet it carries so much under it. I felt a real ache in pieces about mothers, heritage, and complicated love. Some poems made me pause just to picture the scene, like the quiet watchfulness of a deer or the weight of snow on a birch leaf. The book mixes softness with sharp edges, and I liked that contrast. The emotional rhythm jumps aroun,d and I enjoyed never knowing if the next poem would sting or soothe.
I also appreciated how the natural world is used to talk through emotional pain. It is dirt, wind, and cold water. It is trees that fall and birds that migrate, and a trail that forces you to keep walking even when you would rather curl inward. The writing is unpretentious and heartfelt and sometimes unpredictable, which makes it feel alive. Now and then, the imagery overwhelmed me a little, but even that felt like part of the experience. Healing is messy. Memory is messy. The poems let that mess show.
In the end, I walked away feeling moved. I would recommend this book to readers who enjoy intimate poetry rooted in nature and personal history. It is a good fit for anyone drawn to stories of recovery told in small, vivid fragments.
Pages: 98 | ISBN : 198911945X
At the Foot of the Mountain
At the Foot of the Mountain is a stirring collection of poems that wanders through memory, trauma, heritage, and healing. The book moves between landscapes in the natural world and landscapes within the self, tying the two together in ways that feel tender and raw. Erzinger writes about loss, cultural identity, motherhood, grief, and the slow, patient climb toward recovery. The imagery often returns to mountains, forests, animals, and weather, using the outdoors as both a mirror and a refuge.
I found myself pulled in by the writing’s honesty. The poems feel unguarded, almost conversational, yet they also hit with a kind of quiet force. I caught myself pausing after certain lines, taking a breath, thinking about how plainly the emotions sat on the page. The simplicity of the language made the feelings feel even sharper. Nothing here is dressed up. Nothing hides behind cleverness. I liked that. It made the pain feel real, and it made the small moments of hope feel like little glimmers you want to cup in your hands before they disappear. Some poems made me uneasy in that good way, the way art does when it nudges you to look straight at something you usually avoid.
I also loved the way the natural world acts almost like a character. Animals appear and vanish. Weather shifts. Mountains hold people up or swallow them whole. The poems made me think about how the outside world can reflect our insides without us even noticing. Sometimes I’d read a line and feel a jolt of recognition, like I’d stepped into one of my own memories. Other times I felt the poems drifting far from me, into experiences that aren’t mine. Instead of feeling shut out, though, I felt invited in. The mix of cultures, countries, and family histories gave the collection a restless energy, and that restlessness felt honest. The book breathes in two places at once, maybe more, and I found that tension both sad and beautiful.
I’d recommend this book to readers who enjoy poetry that feels lived in. It’s a good fit for anyone who has ever carried invisible hurts or tried to piece themselves back together after breaking apart. People who find comfort in nature writing will enjoy it too, since the landscape shows up in almost every poem. This is the kind of collection you read slowly, maybe outside, maybe with a cup of something warm, letting each poem settle before moving to the next.
Pages: 98 | ISBN: 198911945X
LITERARY TITAN 