Girl Bait blends historical drama with a gritty present-day thriller. It opens in 1837, Alton, Illinois, where a young boy witnesses the violent death of abolitionist Elijah Lovejoy at the hands of a mob. This harrowing prologue sets a tone of danger and moral conflict that carries into the modern timeline, where paramedics, cops, and shadowy operatives are drawn into a tangled web of crime, exploitation, and survival. The narrative alternates between past and present, linking threads of courage, corruption, and human vulnerability across centuries.

I found the writing to be sharp and visual, with scenes that sometimes feel like a camera panning over raw, unvarnished reality. The pacing swings between fast and methodical, letting you breathe just long enough before the next burst of action. The historical passages have a somber weight to them, and they stick in the mind. The modern storyline is blunt, unapologetic, and often brutal, yet it’s grounded by moments of humanity like small gestures and flashes of conscience that make the darkness hit harder.

At times, the bluntness can be jarring. The violence is graphic, the language is rough, and the moral lines are deliberately blurred. Personally, I appreciated that the book doesn’t sand down the edges. Life in this world, whether in 1837 or in the back alleys of Oakland, isn’t tidy. Still, there were moments where the intensity made me pause, not because it was bad, but because it demanded space to digest. The character work is strong, especially in how Pruitt shows both flaws and virtues without telling you what to think.

Girl Bait is an intense and layered read for those who like their thrillers gritty and their history more than just a backdrop. It will appeal to readers who can handle graphic realism and who value moral complexity over neat resolutions. If you want a book that entertains while leaving you unsettled in all the right ways, this one delivers.

Pages: 345 | ASIN : B0F8H7GGJ6