Six months have passed since Dr. Samantha Delaney faced deadly encounters with a man who had sworn to destroy her and take the $60 million she had received as the last remaining heir to the Delaney legacy—a legacy that had been stolen many decades before. Given the demise of her enemy, Samantha thinks the danger is over.
But but she is wrong.
When a distant relative sends her a newspaper clipping reporting the 1914 murder of Samantha’s great-great-grandmother in Costa Rica, Samantha and her husband, Dr. Brett Perry, decide to do some preliminary research, never dreaming that their investigation would imperil Samantha once again.
Beginning their research in Costa Rica, Samantha and Brett hope to learn about the murder of her ancestor and the loss of the family cacao planation. What they find is a picturesque country with clear ocean water, pristine beaches—and more danger than they had ever anticipated. Their investigation quickly catapults them into the middle of a very calculated, lucrative, and illegal gold mining operation where the stakes are high enough to make murder a necessity for anyone who gets in the way. Samantha quickly learns that as a beneficiary to her great-great-grandmother’s company, she will most certainly be in the way.
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Fire in the Heart, a novel by Lesley J. Mooney, traces the experiences of young Rianna as she copes with both unrequited love and a marriage that has swept her off her feet and into a new and sobering reality. When Lord Rowan McClaron introduces himself to Rianna and her friends, she has no way of knowing that her life in Scotland is about to change–and change for the worse. Her marriage to Rowan is plagued with secrets on both sides, and her seeming inability to produce an heir brings Rowan’s wrath upon her.
Fire in the Heart is a unique blend of romance and mystery. Mooney manages to keep the reader invested in Rianna’s plight by revisiting the strange and unsettling behavior of her husband, Rowan. Rianna, by all accounts, is an abused woman. What begins as a romance novel soon turns into a story of a woman trying to find ways to appease an increasingly abusive and disturbed husband. Mooney is more than effective at describing the heartbreak and the terror of her heroine.
Mooney paints a bleak picture of Rowan McClaron. He is as realistic an abuser as I have seen in novels of this genre. From beginning to end, he is that vile character the reader will want to see either make a turn for the better or be offed. The author is quite adept at giving readers a villain worthy of loathing.
Rianna’s desire to satisfy Rowan’s desire for a child is the primary focus of the storyline. I was, in fact, quite surprised that there was so little time spent describing Rianna’s pregnancy. Things move very quickly once Rianna finds out she is indeed carrying a child. I would have preferred the plot have been drawn out a little longer with regards to the long-awaited birth.
The dialect is absolutely delightful. Accents are thick and take a couple rereads at the outset, but I thoroughly enjoyed reading even the richest comments and slang-laden comments.
I admit I was thrown completely by the use of single quotes as a way of denoting dialogue. This took a bit of time to get used to and prompted me to do a quick bit of research. I wasn’t familiar with this particular style used by publishers in the UK. However, after a couple chapters, I found myself more concerned with the plot and less aware of the quotations themselves.
One thing I found a little difficult to look past was the changing of tenses mid-paragraph. The change from past to present and back with no obvious explanation was hard to navigate at times. Though it doesn’t permeate the book, these small lapses in consistency made for some awkward reading.
Mooney offers readers action, romance, and intrigue in one neat package. Rianna is a woman fighting battles with which many readers may identify. Her stubbornness and the fierce manner in which she protects her son make her a main character to remember.
Pages: 340 | ASIN: B01N7XHUZD
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YEGman by Konn Lavery is a dark thrilling romp through the back allies and underworld of Edmonton, Canada. Michael Bradford, our hero, is a vigilante, who struggles with violence. His issues aren’t going to get better as he investigates the most notorious gang in Edmonton, the Crystal moths. His methods are caught on film and uploaded online to become viral sensations and are labeled with the hashtag, YEGman. The videos fascinate a rebellious journalist, who wishes to cover the story of this mysterious hero.
This novel is an unexpectedly gritty trip through the Canadian crime scene that I don’t find too often in literature. Most of what comes to mind may be cozy mysteries, not ultra-violent vigilantes dealing with criminals. The novel takes a fun turn with the involvement of the student, Lola and how she gives a better and deeper inside look of the gang culture. In some ways, the trope is rather familiar with an attractive journalist in training along with the brooding vigilante in Bradford. It kind of brings to mind a mix of Batman, Spiderman, and Lois Lane. It’s an affirmation of Lavery’s skill to synthesize all of this together to make a novel that engages the reader and doesn’t let up until the end.
Lavery’s style leans on description, which helps to develop the world of this noir thriller, but I felt that the characters sometimes overly explain things. The prose is decent and kept me involved, but the pacing sometimes slows because of the over explanation which left me often wandering from the story. With an action packed story like this, putting the brakes on to go into detailed explanations lowers the tension on an otherwise exciting story.
This novel is plenty gritty, with a dark narrative and the definite feel that danger lurks within every shadow. With a consistently murky tone and treacherous atmosphere to the novel I was able to sink my teeth into the dark underworld set in an alternative Edmonton. For Canadian readers and noir thriller aficionados alike this novel would be a fun read, even people who enjoy a little bit of mystery and can tolerate the violence, this is recommended reading. Overall, an exciting addition to Lavery’s body of work.
Pages: 461 | ASIN: B07B3N5S92
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In Darkness, There is Still Light rolls in hot, picking up immediately where its predecessor Wheeler abruptly ended and engrossing readers from the very first pages. The Wheeler series centers on the life of professional cyclist Loren MacKenzie, an American living in the United Kingdom, and the physical and emotional challenges that she faces. Darkness resumes where Wheeler left off, right after Loren has won a world championship title in cycling and kissed her movie star boyfriend, Graham Atherton, farewell for three weeks apart as he flies off to film his next blockbuster. As in her first novel, Zalesky is able to squeeze an incredible amount of action into just a few short months of Loren’s life, though perhaps even more impressive is her ability to fit all the thrills in a short 250 page novel that will fly by for readers.
In Darkness should be read after completing the first Wheeler, as Zalesky does not spend much time reintroducing characters or explaining past events. Readers will recognize familiar faces in Darkness, including Loren’s sassy cycling teammates and loyal friends, but Zalesky also introduces new and exciting characters to the mix. While the first Wheeler was a fairly even mix of romance, thriller, and women’s cycling novels, Darkness focuses more on the romance and emotional challenges of Loren’s life, spending more time developing her relationship with Graham and another key character (whose identify I will not reveal!), and spending far less time on the bike. While I missed the road race episodes that Zalesky created in Wheeler, Darkness takes place during the cycling off-season when competitions are infrequent.
Though In Darkness lacks the nail-biting cycling races and triumphant finish line scenes, it is just as thrilling as Wheeler for other reasons. Zalesky further develops Loren as a complex and sympathetic character as she delves into Loren’s troubled past and fractured emotional psyche. One of Zalesky’s greatest strengths is her ability to develop Loren as such a complex but also relatable star. Though hopefully readers have not personally experienced the abuses thrown at Loren, they can relate to the conflicting emotions she feels as her relationship deepens with Graham and the rollercoaster of ups and downs she experiences after traumatic events. But far from a damsel in distress, Loren remains a strong protagonist that readers will find themselves rooting for wholeheartedly. Where Loren shines, though, her knight in shining armor, Graham Atherton, appears rather dull. Even as their relationship deepens, Graham remains a bit one-dimensional as the Shakespeare-quoting, jaw-dropping handsome actor. But, trusting our protagonist Loren’s judgment, I will give Graham the benefit of the doubt and hope that Zalesky continues to develop him in Wheeler’s third installment.
A solid four-star novel, In Darkness, There is Still Light again offers a unique delight for readers with its combination of romance, thriller, and sports. As the name suggests, Darkness tackles challenging and sensitive issues, especially physical and emotional abuse, but Zalesky successfully handles these with depth, grace, and realism. There is never a dull page with Loren, and the few months of Loren’s life covered in Darkness fly by, ending abruptly once more and leaving readers ready for the next race, which is certain to be just as exciting as those in Wheeler and In Darkness, There is Still Light.
Pages: 295 | ASIN: B07BT52785
Tags: action, adventure, alibris, author, author life, authors, barnes and noble, bicycle, bike, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, champion, cyclist, ebook, goodreads, ilovebooks, in darkness there is still light, indiebooks, kindle, kobo, literature, love, mystery, new york, nook, novel, professional, publishing, race, read, reader, reading, romance, sara butler salesky, shelfari, smashwords, story, suspense, thriller, wheeler, writer, writer community, writing
Man with the Sand Dollar Face, by Sharon CassanoLochman, is a detective-crime thriller novel. The story is centered on Harriet Crumford, who at times also goes by Hattie or Henrietta. She is a 62-year-old woman working as a secretary for a private detective in Crescent City — New Orleans. Shortly into the book an incident takes place, and the action picks up quickly. The book seems to be a mix of feminist and hardboiled noir, and though it struggles in a few places, it reaches a sound level of quality for both.
Harriet Crumford does not seem like a heroic character, at least not in the classical sense of the hero’s story. She is 62-years-old in the story, but little is given about her other than her being a widow. In classic heroic tales, the central character often pushes away from the table — unwilling to take up the heroic cause — due to more pressing, mundane tasks. Eventually, the hero comes to his (frequently it is a ‘his’) senses and begins the hero’s journey. In some ways, this novel is a subversion of the traditional heroic arc — Harriet was the dutiful, longsuffering, strong, silent wife. This provides a strong contrast against her boss, Wallace Woodard, who is philandering to the point that Harriet cannot keep straight who the girlfriend is and who the wife is. Harriet is so given over to subservience, and to old values, that she does not even have a valid driver’s license. Up to the point of this story, she had forsaken the hero’s call for all her life, and once she takes it up, she looks back on her past with pain and sorrow. She then finds within herself, with some assistance, the necessary energy to pursue a mystery to its conclusion. In this way, the text provides those feminist elements through Harriet’s newfound internal strengths.
CassanoLochman attempts to make the novel feel like an old, hardboiled detective novel so much that it strains credulity. The writing, at expertly evokes hard rain, melancholy, brooding, existential pain and anguish typical of hardboiled noir, but then makes a sharp right turn into the “iced coffee with whipped cream and pink sprinkles.” In terms of other characteristics of hardboiled stories, this one fits many of them, but they do sometimes feel forced. In either case, fans of crime fiction will be hard pressed to put the book down.
Overall, the book is certainly a strong read, and contains plenty of action and is recommended. Harriet is an excellent character, not obviously heroic, but willing to take risks. Man with the Sand Dollar Face seems intended for adult audiences, but it is not beyond the reach of younger adults who have an interest in this sort of literature. The book does contain some sexual content (nothing too graphic), definite alcohol and drug use, and more than a little violence.
Pages: 212 | ASIN: B077Y4T192
Tags: action, adult fiction, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, brooding, crime, crime fiction, detective, ebook, existential, fantasy, fiction, goodreads, hard rain, ilovebooks, indiebooks, kindle, kobo, literature, man with the sand dollar face, melancholy, mystery, noir, nook, novel, publishing, read, reader, reading, sharon cassanolochman, shelfari, smashwords, story, violence, wife, womens fiction, writer, writer community, writing, YA, young adult
This is the second horror novel in the Nick Swann series. This scary story finds Nick now living in an old stone farmhouse on the lonely and mysterious shores of Llyn Isaf, in Wales. He becomes intrigued by its mist-covered lake island, Ynys Y Niwl and its dark, ancient and long deserted mansion, Wyndwrayth.
Its moldering edifice holds many secrets and treasures, some of which draw Nick and his old friend Alan, into dangerous realms. Death stalks the island and as the dangerous spectral figures of The Millar of Souls, The Paladin and Gideon reveal themselves, it becomes increasingly difficult to discern between reality and dreams.
As the death toll rises, Nick finds himself, along with his new partner, Wendy and her Wolf, Mir embroiled in a struggle not just to maintain sanity but to stay alive.
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Stella Ryman and the Fairmount Manor Mysteries, by Mel Anastasiou, is a series of dramatic detective mysteries. The novel contains four different detective stories, each of which are interconnected yet independent. In addition to the stories, the opening of the book contains an interesting philosophical and logical argument. It also gives a hint to some of the content of the book. Anastasiou does an excellent job of providing depth to not only the characters and their actions and motivations, but also in the general style of her writing.
The novel practically seems to drip with British style. So much so, that without careful reading and generous knowledge of Canadian and American culture and institutions, most readers will probably assume that it is set somewhere in Britain instead of actually being set in Vancouver, British Columbia.
Having read her, Stella Ryman engenders the same feelings as most Dorothy Sayers detective stories. However, there are some subtle differences between the style of Stella Ryman and the British detective novels of the 19th and early 20th century. Those old stories tended to deal with a static, aristocratic society, police forces that were not corrupt, but were certainly not in any position to solve the case, and a lack of emotion among the affected cast of characters. Stella Ryman is similar and brings in other classic mystery themes: a senior care home provides a rather static environment (even though the residents may invariably change from time to time), the managers of the care home are bumbling but not corrupt, there are no supernatural causes in the story, there is a secret passageway, and Stella has a tendency to honestly declare her thoughts, intuitions, and deductions.
There are also significant tie-ins to American pulp detective novels as well, primarily in the commonality of the characters (there are almost no aristocrats and most people are average and middle-class) and the feeling of inevitability—that truth will out and that justice will be done. Overall, Stella Ryman seems to fit roughly a quarter of the way between British and American writing styles—perfect for Canada.
Stella Ryman, as a character, is quintessentially heroic — in the classic sense. At points throughout the book, it appears that Anastasiou is reading Campbell’s The Hero with a Thousand Faces as she is writing her own book. In the beginning, Stella refuses the call to adventure (being a detective), is completely content with her own mortality, and is merely waiting to die. Eventually, she realizes that there is a third option—something besides life and death. As a side note, herein lies a common theme within the novel, the breaking of logical fallacies—ad hominem, false dichotomies, circular arguments, causal fallacies, and hasty generalizations being the most common. Stella, after making her third choice, is confronted with supernatural assistance (Mad Cassandra, whom is herself rife with mythological allusions). Stella runs across a few other mentors along the way, makes a deep, personal transformation, and returns with a gift for her fellow residents: the ability to make life worth living again.
Overall, this book is an excellent read, full of colorful characters. Stella Ryman and the Fairmount Manor Mysteries, is appropriate for teenage and adult readers. Although younger demographics may have difficulty with some of the allusions and references that are peppered throughout the book. Younger readers may also have difficulty relating to an octogenarian, but Stella’s tenacity is something certainly worth emulating. There is no obvious sexual content (there are hints, however) or illicit drug use, there is some personal violence, and a lot of discussion of heavy, emotional and existential topics.
Pages: 151 | ASIN: B06XTG2GWJ
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Nathan Andrews was a good man. It came as quite a surprise to him that he wanted to die.
After a “botched” attempt to commit suicide, Nathan is haunted by the mysterious image of a woman, during a Near Death Experience. She was “perfect” and everything a man would seek within a life partner. With the simple utterance “Go back!” she forever conquered his heart.
Leaving a mental hospital after that, Nathan runs into an odd woman named Amanda. She barely knows English, doesn’t recognize the simple things, and finally confesses an all-important truth to him: She…is GOD!
After some subtle convincing of the claim, and confronted by a winged man named “Gabriel,” Nathan accepts this fantastic reality. A reality that will change his world, and the world of Mankind…FOREVER!
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A.J. Macready’s Redemption, book three in the Descendant Darkness series, details both the rise and fall of a line of vampires dominating the mountains of Virginia. Deemed “America’s Transylvania,” Clarke’s Summit is home to a plague of sorts dating back to the 1700’s and a rash of murders in 1982. Sheriff Stan Pryor finds himself facing a terrifying night of death and retribution in Clarke’s Summit in 2003 when the town is again host to the vile and nefarious acts of Lydia, a vampire of old seeking vengeance on the three remaining members of the town’s founders. Richard Gaston, Tom Campbell, and Father Ryan Bennett are left to face Lydia’s wrath.
Macready’s Redemption is as filled with action as it is brimming with rich characters. From beginning to end, readers are left breathless with the anticipation of Lydia’s next move. There are few, if any, breaks between chaotic and harrowing scenes. The energy is high throughout the book, and the meetings between the citizens of the cursed Clarke’s Summit township build to an almost exhausting level.
As a first-time reader of Macready’s Descendant Darkness, I wasn’t sure who to peg as the main character right out of the gate. The longer I read, the more I realized that Macready’s main character is the vampire storyline in and of itself. Though each of the characters is memorable and comes with a strong backstory, no one character stands out as the focus of the storyline. Sheriff Pryor helps to set up the premise of book three while Richard Gaston, his son Mike, and Tom Campbell (the vampire hunters, as it were) work as a cohesive unit to battle Lydia, her heinous attacks, and life-altering mind games. Even Lydia, a vivid protagonist, can’t be pointed out as the book’s sole focus. I found this particular choice in the writing to be quite appealing.
I have always been intrigued by the notion that some aspects of truth are embedded in folklore. That being said, one of my favorite elements in Macready’s writing was the inclusion of excerpts from local newspapers describing historic events and the details surrounding what the town deems the “Clarke’s Summit Blood Cult.” The lengths to which Macready has gone to give his vampire tale credibility are impressive. I found myself as absorbed in the passages from the Shenandoah Observer as I was in the lengthy and involved action sequences.
One of the most striking facets of Macready’s vampires is their ability to manipulate the minds of their victims. Throughout the book, Lydia is able to inject her own words into their thoughts and, essentially, control their actions. These episodes are peppered throughout the plot, and each one brings a chill.
Any fan of vampire stories will find this book appealing and engaging. Not having read the first two books in the series, I don’t feel that I missed vital information. The author expertly incorporates the backstories of Lydia and the vampire-hunting descendants into this third installment. With side stories paralleling those of the book’s main cast of characters, Macready provides mystery, suspense, and action in one neat package.
Pages: 290 | ASIN: B06XPHDPB6
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After a serious car crash, Stefan comes round from a coma with a case of amnesia. Eva, his younger sister, is the only one who can see that Stefan is not really Stefan at all…When a strange letter arrives, written in gothic handwriting and addressed to Stefan, saying there has been a terrible mistake and signed by a mysterious ‘Hyacinthe’, the puzzle starts to unravel. Along with Eva, Stefan’s friends, Kim, Thomas, Harry, and Andrew must try to solve the mystery but to do that they will have to take part in a dangerous race, called The Game of Life.
Anna Musewald’s A Game of Life is a YA fantasy and mystery novel which draws you in from the first page. The prose is so easy to read; it is witty and enchanting and feels perfect for a YA audience. In spite of the simplicity of the language, it doesn’t feel at all patronising or one-dimensional. The ‘game’ from the title is quite complex, with lots of imaginative systems and challenging tasks set for the players which really immerses the reader in the experience. I loved the inclusion of Greek myth, such as Apollo and the Sirens, woven through the narrative. The plot is in the vein of The Hunger Games and Harry Potter and the Goblet of Fire which could make it seem derivative, but with an original and inventive spin, it manages to feel fresh and exciting. Meaningful themes of friendship, loyalty and bravery flesh out the fun storyline.
The pacing is excellent; I was instantly engrossed by the opening chapter and the book never let me go! We are drawn in by the question of what has happened to Stefan and led through a number of rabbit holes and strange happenings. The revelation isn’t made until the end which kept me greedily turning the pages, and there are also plenty of action scenes to keep the reader hooked until the final page.
I had total belief in the characters, who all have distinctive personalities, and I loved the way that the friendships and rivalries are portrayed, showing the tangled and complex nature of relationships. The relationship between Stefan and Eva is particularly poignant and depicts the protective and intuitive nature of sibling relationships. The dialogue is funny and clever, and the conversation seems very authentic for a group of young people.
One of the aspects that I enjoyed the most was the setting of Parsi and the fully formed ‘underground’ city created by the author which is full of fantastical and magical detail. Musewald excels at writing surroundings and conjures up place in a beguiling and descriptive way so that the reader feels as though they are on the journey with the characters.
This is a great addition to the young fiction genre, full of twists and turns, mystery and suspense; I enjoyed the journey immensely. I gobbled it up in one go, and I can’t wait for another riveting story from Anna Musewald.
Pages: 202 | ASIN: B01M0ZBKXP
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