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A Personal Challenge

Jacob Emrey Author Interview

The Manglers of Carraig centers around a boy fighting to protect his mother and sister and a jeweler known for her grim designs, both living in a world split by wealth and riddled with monsters. Where did the idea for this novel come from?

Believe it or not, the idea came from Brandon Sanderson’s writing course. I was in a bit of a literary slump, so I decided to check out the free creative writing course Brandon Sanderson posted on YouTube. In one of the classes, he asks students to come up with a setting or plot for a horror story. One of the students suggested “economic,” which stumped Sanderson. However, as an economics teacher, I took it as a personal challenge. Not long after, the idea hit me: what if a nation’s currency was not only a medium of exchange but also something people needed to keep the monsters away at night? I immediately took that concept and layered it over Hemingway’s To Have and Have Not—and voilà, my masterpiece was born.

What intrigues you most about the horror genre?

Definitely the characters. All genres need compelling characters, of course, but there is something about horror that requires very human and flawed people. I think this is why Stephen King is so successful. His plots are powerful, but it’s his characters that keep people invested for hundreds and hundreds of pages. To be honest, I would consider The Manglers of Carraig more dark fantasy than horror, but I knew I needed compelling characters if I was going to get readers invested in the setting.

What was your favorite scene in this story?

The scene with the Finger Baron. The chapters set in the Hen House, in general, are some of my best writing. I remember when I finished those chapters, I felt tremendous pride in how they turned out. Normally, I’m nervous after finishing a chapter because I worry the writing wasn’t as clear as it felt while it poured from my fingertips. But I had so much fun writing those chapters that they required almost no revisions in later drafts. The interaction with the Finger Baron was especially fun, and I actually laughed out loud at the madness I had created—or, more accurately, the madness the characters created for themselves, as sometimes happens when they take over the narrative. Hopefully, readers will find the same horror, humor, and suspense that I felt while writing the scene.

Can we look forward to more work from you soon? What are you currently working on?

I have quite a few books waiting to be discovered on Amazon, but for now, I’m working on a seafaring fantasy with pirate orcs and sea monsters. It’s in the early stages, but I’m happy with where it’s headed and hope to be finished by the end of 2026.

Author Links: GoodReads | Website | Amazon

The monsters don’t hunt North Hill. Not where the lights never go out. Not where the streets glitter with emerald warding gems. But in the alleys of the lower city, children vanish, screams echo, and blood slicks the cobblestones. Conell knows—he’s seen the price of darkness firsthand as a child of the slums. Riona, meanwhile, safe behind a wealth of green gems, turns mangler fangs into ornaments for the wealthy, an openly detestable enterprise but secretly the talk of the town. Unfortunately, her supplies are running low, if only she could find some poor soul to risk life and limb to stock her lucrative endeavor.


The Manglers of Carraig

The Manglers of Carraig drops readers straight into a city split by wealth, fear, and the eerie green glow of warding gems. It follows Conell Byrne, a boy fighting to keep his family alive in a world where monsters stalk the night and the rich hoard their safety behind iron fences. His desperate attempts to protect his sister and his mother collide with the power games of men like Garban the loan shark, and the story pulls that thread tighter as the dangers grow. Alongside this grim struggle is Riona, a jeweler whose bold designs using mangler claws spark outrage among the elite. Their stories move on separate tracks at first, one soaked in survival and the other in ambition, yet both expose the city’s deep fractures and the unseen costs of living in Carraig.

I found the writing fast and punchy. Scenes land quickly and hard. I especially liked how the book lets moments breathe right before everything goes sideways. Conell racing through dark streets with only gemlight to save him had me clenching my jaw. The author leans into sensory details that linger and refuses to clean things up for comfort. I felt the grit of the lower districts and the cold shine of North Hill. I felt Conell’s panic when he returned home and found the door broken open and the ominous quiet inside. The emotional hits come simply and directly, which makes them incredibly impactful.

The worldbuilding grabbed me, too. I appreciated how the author mixes small human choices with the big looming terror of the manglers. It all feels grounded even when the story dips into the grotesque. Riona’s chapters were a surprise. They twist into subtle power struggles and hidden desire. Her jewelry made of claws could have been a cheap gimmick, but it ends up saying something about the people of Carraig and what they choose to look away from. I enjoyed how these two storylines sit far apart but rhyme in the way everyone is just trying to survive something, even if the monsters look different.

By the end, I felt a strange mix of sadness and curiosity about where the story might go next. I would recommend The Manglers of Carraig to readers who enjoy dark fantasy with heart, quick pacing, and a world that feels alive even in its ugliness. If you like stories about people pushed to the edge and forced to make impossible choices, this one will stick with you.

Pages: 188 | ASIN ‏ : ‎ B0FX3WVJ1C

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