Blog Archives
Rituals and Prayers
Under Two Flags follows a young Jewish woman who leaves Boston for Berlin in search of an amazing new life, but instead finds herself in the throes of World War I. Where did the idea for this novel come from?
I discovered Josephine Marzynski’s memoir, With Old Glory in Berlin, when my brother showed up on my doorstep with an original 1918 edition he’d pulled from his bookshelf, and tucked alongside copies of our grandfather’s novels. Although Josephine’s name graced the cover, the foreword was written by the book’s editor, Eliot H. Robinson, our grandfather. As I read the book, it became clear he had done far more than edit. The voice, cadence, and style mirrored his fiction so closely that I surmised he had essentially ghostwritten the memoir.
Josephine’s voice — literally her singing voice — functions as both passion and protection. What does opera represent to you in this story?
Whenever Josephine dared to use her voice, on and off the stage, she spoke and sang of her passions. The arias I chose to include in different scenes underscored the tension and emotional responses of the characters. Josephine found her solace in the beauty of those arias. I sprinkled them in to give her comfort during dark times. For example, I had Josephine sing “Habanera” from CARMEN during her first class at the conservatory in Berlin. The aria is written for a mezzo-soprano, which was within Josephine’s range as a confident and strong woman. Within the libretto, the words mirror Josephine, “Love is a rebellious bird – that none can tame.” Her rebellious nature shines through even with the choice itself. She sings Bizet’s opera in its original French, a language forbidden in Germany at that time during the war.
Were there moments in your research that surprised you or changed the direction of the novel?
After reading Josephine’s memoir, With Old Glory in Berlin, I was struck by what Josephine didn’t include, namely, any reference to her faith. In my research, I discovered she identified as a Jewish woman. Whether she felt it wasn’t relevant or chose to omit it amid the growing undercurrents of antisemitism in 1918, we can’t know. But I found that silence fascinating. In moments of fear and homesickness, people often reach for the rituals and prayers of their faith to anchor them. It felt authentic that she would have done the same, so I wove those quiet expressions of faith into the story to deepen her emotional landscape and sense of identity.
What is the next book you are working on, and when will it be available?
Although I can’t reveal too many details because I’m deep into the research phase, I can share that a hint of the historical event I’ll be writing about is alluded to in Under Two Flags. It’s also set during World War I, alternating between Boston and a foreign city. The expected release date is December 2, 2027. The date is significant in Boston.
Author Links: GoodReads | Facebook | Website | Amazon
In October 1916, eighteen-year-old Josephine Therese Marzynski leaves Boston for Berlin to pursue her dream of studying opera at Germany’s most prestigious music conservatory. Living with family friends and immersing herself in German culture, she finds unexpected beauty and friendship in the heart of enemy territory.
But when America enters the Great War in April 1917, Josephine’s world transforms overnight-from welcomed student to enemy of the state. Trapped in Berlin as rationing tightens and suspicion mounts, Josephine must navigate daily police check-ins, bureaucratic interrogations, and the constant threat of internment. Her survival depends on German friends who risk their own safety to protect her, while she struggles with divided loyalties between her American identity and the people who have become her chosen family.
Based on the true story from Josephine’s memoir and set against the backdrop of a city slowly starving under the weight of war, Under Two Flags is a gripping tale of resilience, moral complexity, and the transformative power of music in humanity’s darkest hours. As Josephine fights to secure passage home, she confronts impossible choices that will test everything she believes about loyalty, survival, and the true meaning of patriotism.
Under Two Flags: A Novel of World War I
Under Two Flags by Janis Robinson Daly is historical fiction that reads like a staged memoir: Josephine Therese Marzynski, a young Jewish woman from Boston, goes to Berlin in late 1916 to study opera, only to find herself living inside the tightening grip of World War I, where suspicion, rationing, propaganda, and fear seep into everyday life. The book opens in 1918 with Josephine back in Boston, preparing to tell her story with the help of a publisher, framing everything that follows as a deliberate act of witness and persuasion.
What grabbed me first was how Daly builds Josephine’s inner life through concrete moments instead of speeches. The arrival sequence is a gut check. We watch Josephine get inspected like a threat, even while she’s carrying “harmless sheet music,” and we feel the private defiance of her sewing an American flag into her skirt and later hiding it in her pillowcase. The writing leans into bodily details, the hot embarrassment, the cold air, the nervous calculation of what to say and what to swallow. It makes the big theme of “patriotism” feel small and personal, like something you tuck into a hem and hope no one notices.
I also liked the author’s structural choice to treat the novel like an opera in itself, with an Overture, Acts, Scenes, and even musical notations sprinkled in. It could have felt gimmicky, but for me it mostly works because it matches Josephine’s mind. She hears life in cues and crescendos, and she uses performance as survival. There’s even room for humor when it fits, like the bitter, half-laughing talk among women who are stuck eating carrots over and over, trying to make scarcity feel normal for one more day. Those lighter beats do not erase the dread. They just make the dread more believable, because that’s how people cope.
What stayed with me after I closed it was the tension baked into the title. Josephine is always balancing, not just between nations, but between versions of herself: dutiful daughter, ambitious musician, “good girl” who knows when to wink and when to keep quiet. The book is also honest about how identity can be both shelter and target. She’s American, she’s Jewish, she has German roots, and none of those labels stay simple once the war machine starts deciding who gets to be “safe.” I appreciated the grounding too: Daly is upfront that this is fiction inspired by real events and tied to a memoir (With Old Glory in Berlin) connected to her own family, which adds a quiet sense of responsibility to the storytelling.
If you enjoy historical fiction, especially stories that zoom in on one woman’s day-to-day choices inside a huge world event, this one is worth your time. I’d recommend it most to readers who like war-era settings without wanting only battlefield scenes, and to anyone curious about the intersection of art and survival, like how a voice trained for opera can double as armor. If you want an immersive, human-scale WWI novel with music in its bones, you’ll heartily enjoy Under Two Flags.
Pages: 290 | ISBN : 978-1685137328
