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A Mudslide of Daily Propaganda

Terrence W Walsh Author Interview

Prince Adam’s Quest follows an entitled prince reputed to always win, who sets out to slay a murderous dragon with an apprentice bard who values truth above all else.  What was the inspiration for the setup of your story?

    Truth matters.  Honesty matters.  Character matters.  Today we see all three buried in a mudslide of daily propaganda.  Vital social safety systems are destroyed by oligarchs who never hunger.  The smack of privilege – often unearned, or minimally earned – troubles people all over, even as they rationalize policies that are far from their own best interest.  

    Prince Adam has a near-perfect record in competition at home, while remaining clueless about the deference he has always known.  Well, we all had some growing up to do when we were twenty years old.  Hard knocks yield lasting lessons.  But does Adam learn?  Ever?

    Every time Adam mentions a dragon, he splutters.  A negative adjective accompanies every sentence with “dragon” in it: murderous, destructive, deadly – on and on, without fail.  

    As the story unfolds we learn a lot about dragons, their culture, social responsibility and hierarchy.  None of it squares with Adam’s hatred.  In fantasy, that can stand as speciesism, but as we learn how sentient dragons are, his hatred looks more like racism.  

    Adam possesses status before he earns anything, while Minnow gradually acquires status through demonstrated ability. Was that parallel deliberately built into their arcs?

    Definitely.  The contrast is purposeful.  Plus, as a young woman of twenty years, Minnow must earn her status despite social assumptions that disfavor women.  Even her name is cutesy.  And yet, she roars and is heard – by everyone but Adam.  

    The novel’s vision of heroism is established through conduct rather than title, spectacle, or repetition. What made that theme urgent enough to anchor an entire comic fantasy, and what’s the most important thing you want readers to understand about how heroism actually works?

    Many people have met real heroes.  If you’re not sure, go visit a station of your fire department.  Every firefighter does courageous things but most will never mention it unless you ask.  Even then there will be plenty of modesty.  

    As a military veteran of the U.S. Coast Guard, I have absolutely rubbed elbows with people who demonstrated heroism, and some had medals to prove it.  Many of them didn’t want any fuss made.  “Just doing my job, and what about the rest of the team?”  

    Leaders who talk a great fight are not heroes.  Deeds matter.  Sleepless nights matter.  Weeks and months of standing boring watches matter.  That’s how character is built.  Honor.  Integrity.  We do not hatch heroes from shells.  Every hero has scars – inside or outside, scars guaranteed.  Does Adam?  Well, maybe at the very end, but you must read that for yourself.  

    True heroism goes much farther.  The travails of parenthood have much in common with heroism, but quieter.  We might not see that until we have grandchildren.  Parents in general are heroes, even with all their imperfections that bedevil us as adults.  

    What is the next book that you are working on, and when will it be available?

    I am excited about a book of stories about Judge Sydyk, who is really a Phoenician god of justice who has had nothing to do for a couple thousand years and decided to show up.  The legend, the myth, the god?  People don’t need to know any of that.  All men, all women, need justice.  Judge Sydyk delivers.  

    Sydyk’s first case is literally an argument over two pennies.  His second case is massive, sorting out what justice must look like after a young woman suffers imprisonment in a military dungeon. How high does responsibility rise?   Sydyk’s third case, still in progress, deals with what justice looks like when punishment is over – a real question for Americans as we see felons return to society.  

    The first part is available as an experimental narration I tried.  Go to audio.com and search for The Bathhouse Squabble.  I’d love to hear comments.  (But please be kind about the narrator.  It is still a work in progress.)

    The Judge Sydyk book should come out in 2027.  Until then, people might enjoy my “Lessons from the Keyboard” on Substack.  Feel free to subscribe, which is 100% free.

    Author Links: GoodReads | Facebook | Website | Substack | Instagram

    One dragon. One prince. One witness. A Quest that will change them all.
    Prince Adam always wins. When destruction and a dragon are reported in the kingdom of Leftovria, Prince Adam sets forth on a Quest to slay the dragon, accompanied by the apprentice bard, Minnow. Their journey takes them over bridges managed by trolls. Trolls love tolls, which Adam struggles to pay. Minnow composes songs as they travel, charming everyone including the king of trolls.
    The Quest may have three endings: history, comedy, or tragedy. Adam, by his actions, will get to choose his fate.

    Prince Adam’s Quest

    Terrence W. Walsh’s Prince Adam’s Quest is a comic fantasy that turns the traditional dragon-slaying adventure into a sustained examination of pride, truth, power, and earned distinction. Prince Adam begins as Leftovria’s celebrated champion, a man whose identity rests on the assurance that he always wins. The opening declaration, “Prince Adam always won,” quickly becomes the premise the story will test through a series of contests, tolls, legal proceedings, and social encounters. Adam sets out to kill a supposedly murderous dragon, accompanied by Minnow, an apprentice bard charged with witnessing and documenting the quest. Their journey gradually reveals that the official account of the dragon’s crimes is unreliable and that Adam’s confidence has been protected by privilege rather than supported by judgment.

    The book’s most effective decision is to make Minnow the intellectual and moral center of the adventure. She observes closely, composes songs, negotiates with trolls, insists on professional rules, and recognizes the significance of details Adam dismisses. Her belief that “Words matter. Words have power. There is no Truth with ambiguity” defines both her vocation and the novel’s larger concern with language. Adam uses declarations to impose his version of reality, while Minnow uses questions, evidence, and art to discover what’s true. As the quest progresses, her competence earns respect across cultural boundaries, making her rise from apprentice to Bard of Distinction feel like the natural result of sustained ability.

    Walsh builds the fantasy world through playful rules, songs, word histories, guild bylaws, and comic reversals. The bridge trolls are not disposable monsters but members of a developed society with customs, families, occupations, and a strong attachment to proper procedure. King Biter’s court expands that society further, giving the story room to address labor, recognition, gender, prejudice, migration, and political misinformation without abandoning its humorous tone. The narrator frequently addresses the reader, comments on storytelling conventions, and pursues puns or linguistic digressions. This creates the atmosphere of an expansive oral tale, with comedy arising as much from the telling as from the events themselves.

    Prince Adam’s Quest is ultimately a satirical story about accountability. Each consequence Adam encounters exposes a different weakness in his self-created legend, while Minnow’s growing authority demonstrates the value of curiosity, preparation, empathy, and precise language. The episodic structure gives the book the energy of a sequence of comic trials, and its recurring rules and verbal motifs bring those episodes together. Beneath the farce, the novel offers a coherent vision of heroism as something established through conduct rather than title, spectacle, or repetition. Its lasting achievement is Minnow, whose artistic skill and commitment to truth transform a prince’s misguided quest into her own persuasive coming-of-age story.

    Pages: 168 | ASIN : B0H4MJCLFM

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