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Etched Into the Magic User’s Flesh
Bathed in Ink and Blood follows two threads: the Butcher of Greenlake’s desire for revenge, and twin siblings, as they undergo the Test that reveals their signamantic abilities. What was the inspiration that drove the development of the world the characters live in?
A large inspiration for me was Brandon Sanderson’s Mistborn and its magic system. I had an idea for a hard magic system built around symbols etched into the magic user’s flesh and took that idea into Dave Wolverton’s Advanced Story Puzzle course, and Bathed in Ink and Blood was born. A caste system grew around the magic system, one that would lend itself well to the darker world I was attempting to craft. Then, I dove into how this magic system would impact the world as whole, and found myself asking a variety of questions. How could the magic users be used for benefit or detriment? How would technological advancement be different with the presence of this magic? This basically a long way of saying, Signamancy was born and the world grew around it.
I felt that your novel delivers the drama so well that it flirts with the grimdark genre. Was it your intention to give the story a darker tone?
I always planned for Bathed in Ink and Blood to be darker. I wanted to explore if a character was pushed too far, what they would do in response. You can call it a spectrum, each of the characters, Brist, Dacre, and Raya, are at different spots at the start of the novel, and move across that spectrum throughout it. For example, with Brist, easily the most morally gray character in the story, he’s on the far side of the spectrum. His objective is all that matters, no action too brutal if it takes him a step closer to his goal. Having a character like that, the darker tone seemed the only choice. Then you are provided the opportunity to push your other characters and explore questions like “What is too far?” or “What will I lose if I do this?”.
What were some themes that were important for you to explore in this book?
The main themes I explored were revenge, coming of age, found family, and belonging/acceptance. Of course, there are other themes, but there were the big four, each one mainly applied to one of the three POV characters. Brist’s main theme was revenge and that is what he becomes, it is his singular focus and he blocks everything else out. With Dacre it is coming of age and found family; we have a teenager with a new found power that destroys his family. He has to navigate a new power and finds himself with Brist and his team. What starts as a need, turns into a family. For Raya it is belonging/acceptance. She wants her father’s approval, but to him, her only use is to form a relationship with a former king through a marriage, a marriage she does not want.
What will your next novel be about, and what will the whole series encompass?
My next novel will be the sequel to Bathed in Ink and Blood and will start directly after the events of the first novel. Readers will find certain characters on a similar path they were previously on, while other characters start new ones. The main theme that will be explored in the sequel will be “war”. The series, Ink, Brand, and Knife, is a planned trilogy and will include at least two novellas, one of which I’m actively working on, before I move to the sequel.
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Signamancy opens a world of possibilities for a low-born teen. However, a power that gives can also take away. Dacre Caeinn finds himself in the company of the Butcher of Greenlake. Will the most wanted man in Camoria help Dacre save the one he loves most or will he be another victim buried in the Butcher’s trail of revenge?
The life of the standard noblewoman was one Raya Adan never wanted despite her father’s insistence. Now, she finds herself betrothed and the idea of being shipped across the sea as little more than a commodity does not sit well with her. To gain her father’s approval and show her worth as more than a bargaining chip, she dives into the investigation of recent attacks on the family’s ventures. However, not all is as it seems and Raya slowly unravels truths that will upend the world she knows.
Bathed in Ink and Blood
Bathed in Ink and Blood opens as a dark, magic-laced fantasy that follows two threads: Noddum’s brutal clash with Brist, the infamous Butcher of Greenlake, and the quieter, more intimate story of twins Dacre and Esmee as they undergo the Test that reveals their signamantic abilities. Right away, the book establishes itself as epic fantasy with grimdark edges, mixing the political tension of a kingdom cracking at the seams with the personal stakes of people trying to survive systems that see them as tools or threats.
Reading it felt like slipping into a world that’s heavy with history. The magic system built around ink, brands, and carved symbols is vivid and tactile. I found myself leaning in during sections, partly because the author writes pain and power in a way that’s blunt but also strangely tender. The early chapters around Dacre and Esmee hit me hardest. Their innocence, their hope, and then the slow realization that their mother may have just sold them made my stomach drop. Author Robert Laymon doesn’t rush those moments. He lets them sit, lets them ache. It works.
On the other side of the story, Brist’s chapters are sharp and unsettling. He’s haunted, vengeful, messy, and written in a way that made me feel both wary of him and weirdly sympathetic. His scenes drip with tension. Even when he’s still, the writing hums. I appreciated how the author doesn’t treat violence like spectacle. It’s brutal, sure, but it’s also shaped by emotion, regret, and purpose. The dynamic between Brist and the people around him feels lived-in, like a group stitched together by survival rather than trust. It adds weight to the plot and makes his arc more interesting than a simple revenge story.
Raya is an interesting character because she starts out feeling overlooked in a family obsessed with power, but she slowly shows how strong and capable she is. We see flashes of her compassion, like when she notices how her father mistreats the servants, and those moments make it clear she’s nothing like the rest of the Adans. I think Raya is a standout character whose quiet resilience, empathy, and determination make her compelling.
By the time the two storylines start bending toward each other, the world feels wide and dangerous. The writing style helps with that. It’s clear but atmospheric, not bogged down by jargon, and the pacing keeps you moving. Some chapters are quiet and reflective. Others are teeth-clenching. The mix makes the book feel grounded, even when the magic flares bright.
If you like fantasy that leans dark but stays character-driven, with a magic system that feels both fresh and gritty, this will likely hit the spot. Fans of grimdark, epic fantasy, and stories that explore power, loyalty, and the price of survival will probably enjoy Bathed in Ink and Blood the most.
Pages: 439 | ASIN : B0FLRP6TYX
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