Daughter of Light and Dark follows a young woman and orphan with the rare ability to see Jinn without the aid of a ring who searches for a stolen artifact belonging to her mother. What was the inspiration for the setup of your story?

The idea for Daughter of Light and Dark first came to me while reading the true historical story of Zarqa’a Al Yamama, a woman known for her extraordinary eyesight. This inspired the character of Mina, a unique girl with the ability to see Jinn without needing any rituals.

Another source of inspiration was the Lord of Chains, modeled after a terrifying children’s tale “Abu Al Salasil / Man of Chains”, a horror folklore story from the Arabian Peninsula, particularly popular in the northern region historically known as Jilfar. While the original figure was frightening, I wanted Ashrush to be more of a guardian figure. His grumpy demeanor is one of the few remnants of the original Man of Chains.

I really wanted to write about these popular stories known here in the Arabian world, that not many know about out of this region, the Arabian peninsula folklore is rich with stories of Djinn and overpowered people like Zarqa’a, Antar Ibn Shaddad and so many more. 

In a lot of contemporary coming-of-age fiction novels, authors often add their own life experiences to the story. Are there any bits of you in this story?

This is kind of embarrassing to say, but that would probably be Mina’s attempt to subdue her emotions. Human emotions are really hard to control, especially negative ones. When you are angry, you shout, when you are sad, you cry, when you are anxious, you can’t sit down. Mina has to control her negative emotions, she has to subdue them so she won’t feed the dark thing within her. That would be the most “me” thing I would do, that’s probably true for a lot of people too. But in Daughter of Light and Dark, while Mina has to control herself, she also has to find a way to be free, to break from the chains holding her back and express her feelings like normal people.

What were some themes that were important for you to explore in this book?

My main theme was to emphasize not letting others dictate what you should do. Ashrush is a popular character among readers, but if you notice, he often holds Mina back. He represents the people you love—whether a family member, close friend, or colleague you respect and adore—who have your best interests at heart but might discourage you from pursuing what you truly want. I wanted Mina to find her own voice, to stand up against being talked down from doing what she wants to achieve, and that’s why I think she’s a character people can respect or admire. 

When will book two be available? Can you give us an idea of where that book will take readers?

I’m planning to have book two ready before May (hopefully). Book two will have Mina at her lowest, losing control and trying to find ways to gain back that control. There are new places to discover, new people to meet, and new stories to share. And for those wondering about all the unanswered questions left at the end of book one, don’t worry—you will find some of the answers in book two. I promise, just trust the process.

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An Enchanting Journey of Discovery, Belonging, and Liberation.

She wanted one thing and one thing only, to free her mother’s Jinn from his golden ring, but to free one is to free them all. Accompanied by her Jinny Companion, the Lord of chains, and a dark presence stirring to free from within her, Mina sets on a journey to find all the eleven golden rings of the Kings of Jinn, her main mission overshadowed by scheming royals, a troubled friend, and a crumbling world.