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The Absurdity of All Kinds

Author Interview
Addam Ledamyen Author Interview

The Legend of Leanna Page follows a servant’s daughter with dream-born powers as she challenges kings, kingdoms, and ancient hatred in a fairy-touched world where magic, grief, and prejudice threaten peace. What was the inspiration for the setup of your story?

This one kind of hit me out of nowhere. I was reading this 19th century novel, and in it the author briefly alludes to this even older story, and I didn’t know what he was referring to. I tried to just context-clue it to keep reading, and in a matter of milliseconds I had this whole legend in my head, and I wasn’t sure whether I remembered it or made it up. When I realized it was mine to write if I pleased, I started thinking about the metaphors within the environment of the legend, and I decided it was particularly important in these times to write something that highlighted the absurdity of all kinds of borders and the power people can have to cross them.

Leanna’s bravery is rooted in tenderness as much as defiance. How did you develop her moral center?

I read a lot of philosophy books! I do a lot of work personally on being the morally strongest person I can be, and a lot of that work has been through a study – both academic and independent – of philosophy, psychology, and spirituality. All those studies very directly influence my characters’ behaviors. That balance of tenderness and defiance you mention is particularly missing in the world right now. People tend to lean too far toward one or the other, both to their own detriment and to that of those around them. I know that living up to our own moral codes can be hard work, and I wanted Leanna to embody that constant effort to do the right thing, even in the most difficult of circumstances.

What were some themes that were important for you to explore in this book?

I wanted to explore the question of whether something with a wicked history can one day bring larger goodness. Humanity has done plenty to earn the name wicked. After billions of years of natural harmony, we come along and literally start destroying the earth, not to mention the atrocities we’ve done and continue to inflict on each other. But, through her story, Leanna learns that for something (or someone) to be good, someone else first has to believe they can be so. Can we do that for each other? Can we believe in humanity’s ability to bring about large-scale long-term goodness? If we can start with believing that, then I think we’d really have a chance at proving ourselves right.

How did you approach writing the bond between Leanna and Kennedy, especially within the larger political conflict?

It was vital to me that they brought each other joy. Because they grow up together, there’s a childlike playfulness they share that sustains them even when things get complicated. The very things we’re taught to fret over as adults can look very simple to children, and most often that simplicity is more truthful than any fretted over conclusion. When they’re older, both Leanna and Kennedy become an anchor for the other, and when one starts to fret, losing faith in her own goodness, the other believes in that goodness twice as hard. This relationship more than any other is what teaches Leanna the power of believing in someone. If Kennedy hadn’t done that for her, she might have had a very different path.

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A fast-paced character-driven literary fantasy adventure following a serving girl, Leanna Page, who has mystical powers that make her a threat to the royals she serves and to the status quo of their entire world. With elegant prose, tight storytelling, and humor craftily woven into the drama, this novel grips its readers with power, passion, and purpose. Immerse yourself in this loving cast of characters as they grapple with division, powerlessness, and prejudice, and eventually find their way to a complicated sense of optimism, action, and hope.

In this long lost legend from the ancient World Within The Woods, a found family unites across impossible borders. Two servants from warring nations and a pair of fairy warriors from the Infinite Wood come together in a hidden cave to raise two little girls, Leanna and Kennedy, whose very existence poses a threat to the structures of their societies.

Discovery and danger go hand in hand, but the children can’t stay in the cave forever. When they emerge, they find themselves in a world riddled with myth, prejudice, and dangerous power. More, they discover it’s up to them to try and put the world right – even if it means losing everything.

The debut of emerging non-profit publisher For Elenvia Publications.

For Elenvia: Publications and Productions is an interdisciplinary arts organization focused on using theatre and literature to collectively imagine a better world and consider how we might make it real. It’s mission: “With a focus on theatre and literature, we use the arts to unite people under a common philosophy of limitless respect, empathy, and curiosity. We believe in the possibility of a better world and work towards its creation through artistic education and active community organizing.”

The Legend of Leanna Page

In The Legend of Leanna Page, Volume One, author Cedar Flyte opens a deliberately old-fashioned fantasy saga in the World Within the Woods, where Masor, Pavoline, and the fairy nation of Alquoria are knotted together by grief, political suspicion, inherited hatred, and dangerous magic. At the center is Leanna Page, a servant’s daughter with dream-born powers and a fierce bond with the fairy Kennedy; as rulers scheme, a drought spreads, and the Jewel of Nebulous becomes a weapon of power, Leanna moves from hidden child to moral force, challenging kings and kingdoms that have mistaken prejudice for wisdom.

I was taken by the book’s insistence that wonder should carry ethical weight. The fairies aren’t merely decorative wings in the trees, and the kingdoms are not simple chessboards of good and evil. Flyte gives the world a parchment-and-ivy texture: songs, epistles, maps, courtly titles, family grudges, and little ceremonial gestures accumulate until the setting feels less invented than unearthed. The prose asks the reader to slow down. Its archaic turns will not suit every taste, but I found that, once my ear adjusted, the language gave the story a pleasingly lantern-lit cadence.

What stayed with me more than the spectacle was Leanna’s particular kind of bravery. She isn’t brave because she is untouched by fear; she is brave because fear keeps arriving and she keeps answering it with tenderness, wit, or defiance. Her relationship with Kennedy gives the book its warmest pulse, and the political plot gains bite because the personal stakes are so intimate: fathers, mothers, servants, monarchs, and children all pay for the stories their societies choose to believe. The pacing can feel slow, but that slowness also lets the emotional and philosophical consequences settle instead of simply rushing toward the next marvel.

I would recommend this to readers of epic fantasy, YA fantasy, fairy lore, queer romantic fantasy, and coming-of-age adventure, especially those who enjoy immersive worldbuilding and prose with an antique shimmer. It may appeal to fans of Tamora Pierce’s moral clarity and courtly adventure, though its diction and legendary framing also bring to mind older Arthurian retellings. The Legend of Leanna Page is a lush, earnest, many-chambered beginning: a fantasy that believes peace is not naïve, but arduous, luminous work.

Pages: 342 | ASIN: B0G26ZL86L

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