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Beyond Spoken Words

Sarah E. Pearsall Author Interview

The Summer Knows is an emotionally layered novel about a single mother who returns to her hometown one sweltering summer to confront buried family trauma, a long-lost love, and the shadows of her past. What was the inspiration for the setup of your story?

I weaved my childhood experiences, growing up on the Southeast shore of Florida, into The Summer Knows. My eccentric and undiagnosed bipolar grandmother co-raised me alongside my mom and grandfather. I also had two best friends who were brothers, and they came to visit their grandparents, who lived down the street from me, every summer from age six until we all went to college. The Atlantic coast was always a backdrop for my childhood memories. It was fun taking elements from my growing up and creating a new fiction story.

Adrienne is an intriguing character. What were some driving ideals behind her character’s development?

I am always fascinated by coming-of-age stories, and so I wanted Adrienne to have that coming-of-age tale, and then we also get to see her return and face the aftermath of her coming-of-age summers. By running away so young, she never gets to resolve and heal until she is an adult. I wanted to capture that feeling of unfinished business that many of us experience as we transition into adulthood. I also wanted her to come to find some understanding as to why her grandmother was such a bitter and controlling person. This understanding allows Adrienne to free herself from the idea that she caused her grandmother’s misery. So many of us go around thinking we are the cause of other people’s problems, and that is a heavy weight to carry, when most of the time this idea is self-imposed. We see this ideal recur with her relationship with Quinn and Lucas, and her struggle to see herself as a chef.

What were some themes that were important for you to explore in this book?

Communication was a big theme I wanted to explore. None of the characters are very good at it, which is the cause of all the trouble in the novel. I wanted to examine different ways of communicating beyond spoken words, such as cooking meals and feeding each other, as a form of communication. Food becomes a mode for coaxing characters to communicate, to share things they have kept hidden, and ultimately a source of healing.

Place was also a theme I wanted to work with. I feel that the town and the natural world surrounding the story are almost characters. Harbor Point, South Road, the Atlantic Ocean, and the Back Bay are all deeply connected to each moment of the story, shaping how we perceive and understand the actions of the plot.

What do you hope readers carry with them after finishing The Summer Knows?

Not everyone is redeemed, and the girl sometimes does not end up with the guy, but we can get what we need when we realize the guilt and shame we have held onto is nothing but our own invention. That food and feeding people is an ancient form of communication with powerful healing properties.

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Slinging fried clams at a dumpy tourist trap in Florida’s panhandle at thirty-one and being a single mom was not the future Adrienne Harris envisioned. As a girl in Harbor Point, she dreamed of becoming a chef and spending her life with Quinn Merrit, the rich and handsome boy next door. But her dreams crumbled the summer she turned seventeen, ending with her running away pregnant, heartbroken, and notorious.

Adrienne’s world is upended again when she gets the call that her eccentric grandmother has nearly burned down the family cottage. Adrienne has no choice but to return, and the town wastes no time in thrusting her back into the harsh limelight. When local fishmonger Christopher Crane offers Adrienne a chance to be the chef at the fish market her grandfather once owned, Adrienne might just figure out how to face the past and forge a new future.

The Summer Knows

The Summer Knows follows Adrienne Harris, a single mother and weary chef, as she’s pulled back to her Florida hometown after a kitchen fire forces her estranged grandmother, Elizabeth, into vulnerability. With her teenage daughter Kali in tow, Adrienne is forced to reckon with the past she left behind. The ghosts of trauma, a long-lost love, the mystery of her daughter’s paternity, and a town that remembers everything. Across one summer, memories rise like heat off the pavement as Adrienne navigates decaying family ties, grief, and the haunting call of the Merritt house next door, once home to the boy she loved and the brother she lost.

What gripped me most about this book was the prose. It’s rich and lush in all the right places, but never heavy-handed. Pearsall doesn’t just write scenes, she pulls you into them. The dialogue is sharp and honest, and the characters, especially Adrienne, feel heartbreakingly real. She’s tired, brittle, often angry, but there’s a flicker of hope always buried deep, refusing to die out. Watching her wrestle with her own shortcomings as a mother, while trying to care for the woman who never quite knew how to care for her, was gutting in the best way. And then there’s Christopher, the quiet backbone of the town, and her past. He’s a steadying presence in the storm, and I found myself rooting for their complicated connection.

The story hits heavy emotional beats that don’t always resolve cleanly. It’s not a light read. There’s trauma here like death, poverty, abandonment, and Pearsall doesn’t soften those edges. At times, I found the generational conflict between Adrienne and Elizabeth exhausting, but maybe that’s the point. It’s not supposed to be easy. Some scars don’t fade, and some relationships don’t get fixed. I appreciated that honesty. Also, the mystery surrounding the Merritt boys unfolds slowly and subtly, but for me, the tension and slow burn only added to the beauty of the thing.

The Summer Knows is a story about coming home, not to reclaim the past, but to finally face it. It’s raw, evocative, and filled with aching truths about family, memory, and the kind of love that leaves a mark even when everything else fades. I’d recommend it to anyone who’s a fan of emotionally layered fiction, especially readers who loved Kristin Hannah’s The Great Alone or Ann Patchett’s Commonwealth. This book is for those of us who’ve ever been haunted by where we came from, and wondered if we could ever really leave it behind.

Pages: 339 | ASIN: B0F96DCBX1

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