Fire in the Heart, a novel by Lesley J. Mooney, traces the experiences of young Rianna as she copes with both unrequited love and a marriage that has swept her off her feet and into a new and sobering reality. When Lord Rowan McClaron introduces himself to Rianna and her friends, she has no way of knowing that her life in Scotland is about to change–and change for the worse. Her marriage to Rowan is plagued with secrets on both sides, and her seeming inability to produce an heir brings Rowan’s wrath upon her.
Fire in the Heart is a unique blend of romance and mystery. Mooney manages to keep the reader invested in Rianna’s plight by revisiting the strange and unsettling behavior of her husband, Rowan. Rianna, by all accounts, is an abused woman. What begins as a romance novel soon turns into a story of a woman trying to find ways to appease an increasingly abusive and disturbed husband. Mooney is more than effective at describing the heartbreak and the terror of her heroine.
Mooney paints a bleak picture of Rowan McClaron. He is as realistic an abuser as I have seen in novels of this genre. From beginning to end, he is that vile character the reader will want to see either make a turn for the better or be offed. The author is quite adept at giving readers a villain worthy of loathing.
Rianna’s desire to satisfy Rowan’s desire for a child is the primary focus of the storyline. I was, in fact, quite surprised that there was so little time spent describing Rianna’s pregnancy. Things move very quickly once Rianna finds out she is indeed carrying a child. I would have preferred the plot have been drawn out a little longer with regards to the long-awaited birth.
The dialect is absolutely delightful. Accents are thick and take a couple rereads at the outset, but I thoroughly enjoyed reading even the richest comments and slang-laden comments.
I admit I was thrown completely by the use of single quotes as a way of denoting dialogue. This took a bit of time to get used to and prompted me to do a quick bit of research. I wasn’t familiar with this particular style used by publishers in the UK. However, after a couple chapters, I found myself more concerned with the plot and less aware of the quotations themselves.
One thing I found a little difficult to look past was the changing of tenses mid-paragraph. The change from past to present and back with no obvious explanation was hard to navigate at times. Though it doesn’t permeate the book, these small lapses in consistency made for some awkward reading.
Mooney offers readers action, romance, and intrigue in one neat package. Rianna is a woman fighting battles with which many readers may identify. Her stubbornness and the fierce manner in which she protects her son make her a main character to remember.
Pages: 340 | ASIN: B01N7XHUZD
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Man with the Sand Dollar Face, by Sharon CassanoLochman, is a detective-crime thriller novel. The story is centered on Harriet Crumford, who at times also goes by Hattie or Henrietta. She is a 62-year-old woman working as a secretary for a private detective in Crescent City — New Orleans. Shortly into the book an incident takes place, and the action picks up quickly. The book seems to be a mix of feminist and hardboiled noir, and though it struggles in a few places, it reaches a sound level of quality for both.
Harriet Crumford does not seem like a heroic character, at least not in the classical sense of the hero’s story. She is 62-years-old in the story, but little is given about her other than her being a widow. In classic heroic tales, the central character often pushes away from the table — unwilling to take up the heroic cause — due to more pressing, mundane tasks. Eventually, the hero comes to his (frequently it is a ‘his’) senses and begins the hero’s journey. In some ways, this novel is a subversion of the traditional heroic arc — Harriet was the dutiful, longsuffering, strong, silent wife. This provides a strong contrast against her boss, Wallace Woodard, who is philandering to the point that Harriet cannot keep straight who the girlfriend is and who the wife is. Harriet is so given over to subservience, and to old values, that she does not even have a valid driver’s license. Up to the point of this story, she had forsaken the hero’s call for all her life, and once she takes it up, she looks back on her past with pain and sorrow. She then finds within herself, with some assistance, the necessary energy to pursue a mystery to its conclusion. In this way, the text provides those feminist elements through Harriet’s newfound internal strengths.
CassanoLochman attempts to make the novel feel like an old, hardboiled detective novel so much that it strains credulity. The writing, at expertly evokes hard rain, melancholy, brooding, existential pain and anguish typical of hardboiled noir, but then makes a sharp right turn into the “iced coffee with whipped cream and pink sprinkles.” In terms of other characteristics of hardboiled stories, this one fits many of them, but they do sometimes feel forced. In either case, fans of crime fiction will be hard pressed to put the book down.
Overall, the book is certainly a strong read, and contains plenty of action and is recommended. Harriet is an excellent character, not obviously heroic, but willing to take risks. Man with the Sand Dollar Face seems intended for adult audiences, but it is not beyond the reach of younger adults who have an interest in this sort of literature. The book does contain some sexual content (nothing too graphic), definite alcohol and drug use, and more than a little violence.
Pages: 212 | ASIN: B077Y4T192
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Stella Ryman and the Fairmount Manor Mysteries, by Mel Anastasiou, is a series of dramatic detective mysteries. The novel contains four different detective stories, each of which are interconnected yet independent. In addition to the stories, the opening of the book contains an interesting philosophical and logical argument. It also gives a hint to some of the content of the book. Anastasiou does an excellent job of providing depth to not only the characters and their actions and motivations, but also in the general style of her writing.
The novel practically seems to drip with British style. So much so, that without careful reading and generous knowledge of Canadian and American culture and institutions, most readers will probably assume that it is set somewhere in Britain instead of actually being set in Vancouver, British Columbia.
Having read her, Stella Ryman engenders the same feelings as most Dorothy Sayers detective stories. However, there are some subtle differences between the style of Stella Ryman and the British detective novels of the 19th and early 20th century. Those old stories tended to deal with a static, aristocratic society, police forces that were not corrupt, but were certainly not in any position to solve the case, and a lack of emotion among the affected cast of characters. Stella Ryman is similar and brings in other classic mystery themes: a senior care home provides a rather static environment (even though the residents may invariably change from time to time), the managers of the care home are bumbling but not corrupt, there are no supernatural causes in the story, there is a secret passageway, and Stella has a tendency to honestly declare her thoughts, intuitions, and deductions.
There are also significant tie-ins to American pulp detective novels as well, primarily in the commonality of the characters (there are almost no aristocrats and most people are average and middle-class) and the feeling of inevitability—that truth will out and that justice will be done. Overall, Stella Ryman seems to fit roughly a quarter of the way between British and American writing styles—perfect for Canada.
Stella Ryman, as a character, is quintessentially heroic — in the classic sense. At points throughout the book, it appears that Anastasiou is reading Campbell’s The Hero with a Thousand Faces as she is writing her own book. In the beginning, Stella refuses the call to adventure (being a detective), is completely content with her own mortality, and is merely waiting to die. Eventually, she realizes that there is a third option—something besides life and death. As a side note, herein lies a common theme within the novel, the breaking of logical fallacies—ad hominem, false dichotomies, circular arguments, causal fallacies, and hasty generalizations being the most common. Stella, after making her third choice, is confronted with supernatural assistance (Mad Cassandra, whom is herself rife with mythological allusions). Stella runs across a few other mentors along the way, makes a deep, personal transformation, and returns with a gift for her fellow residents: the ability to make life worth living again.
Overall, this book is an excellent read, full of colorful characters. Stella Ryman and the Fairmount Manor Mysteries, is appropriate for teenage and adult readers. Although younger demographics may have difficulty with some of the allusions and references that are peppered throughout the book. Younger readers may also have difficulty relating to an octogenarian, but Stella’s tenacity is something certainly worth emulating. There is no obvious sexual content (there are hints, however) or illicit drug use, there is some personal violence, and a lot of discussion of heavy, emotional and existential topics.
Pages: 151 | ASIN: B06XTG2GWJ
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LoveQuest is a dramatic retelling of an ancient Greek myth about Psyche, a mortal woman, and Eros, the god of love. Why did you want to retell this story and what were some new ideas you wanted to introduce?
I’ve always loved mythology, from the time I was first exposed to it as a child. As a student of literature, I was aware of how the ancient myths continued to influence art and culture to the present day.
There were myths in particular that caught my attention, and, in my early 30s, I was particularly drawn to that of Eros and Psyche. I never imagined a Roman setting, but the romantic, wonderful, and bucolic setting of ancient Greece.
To me, the myth of Eros and Psyche comprises all that is romantic. Each of us yearns for a partner who is the ideal of everything we’ve ever dreamed of, but somehow we don’t believe we are worthy of such love.
We deceive ourselves by letting others define us. We vacillate and let fear conquer us. The world leads us astray and we fail ourselves and those who love us.
To be human is to be like Psyche. I identified with her and all her failings, as well as with her attempts to make reparations and redeem herself.
Psyche held her gifts in low esteem, and that was her first mistake. Beauty is a gift, and those who are blessed with it are meant to shine, just as a writer must write and a dancer must dance.
Being morbidly influenced by her malignant sisters was another of Psyche’s mistakes. It should be easy to tell a friend from an enemy; people should not let their enemies define them or direct their behavior.
Eros has a coming-of-age experience; he takes a path distinct from his mother’s and follows his own destiny. As for Aphrodite, she has to decide whether she should set her child free or protect him from making a grown-up’s mistake.
At one point, Psyche has an opportunity to escape her trials and slink back home. Instead of choosing the mediocrity of a safe and easy path, she decides to follow her heart and endure and suffer for a higher objective. The difficult path is the one that gives us a chance to stretch ourselves, excel ourselves, and be better than we would otherwise be.
On an elevated level, the myth is the story of the redeeming power of love, and of the soul in search of redemption and perfection.
I felt that your characters were well developed and their personalities were distinct. What are some important traits you like your characters to have?
I want people to identify with my characters, or at least see in them what they see in others. A character cannot succeed unless he or she connects with the reader. The reader doesn’t have to like the character; it’s only important that the reader perceives the character as alive and real.
I don’t want my characters to be too good or too bad. There is risk of falling into parody if they are. My villains, if they can be called villains, are not all bad; they just behave badly.
What kind of research did you undertake to ensure you got the mythology right in LoveQuest?
The main source for my story is The Age of Fable (1855) by the American writer Thomas Bulfinch (1796 – 1867). This has been a classic and standard text for the Greek myths ever since.
Bulfinch appeals because he attempts to write the myths with all “the charm of a story book,” while adhering “to the text of the ancient authorities.” He writes “for the reader of English literature” and “to popularize mythology and extend the enjoyment of elegant literature.”
I have allowed Bulfinch to provide the framework of my story, but I have attempted to expand upon it, infuse it with other elements of magic and wonder, and, I hope, provide readers with a greater depth of understanding for the lessons the story imparts.
I have taken some liberty with Bulfinch’s story of Eros and Psyche. Gaia, the Earth Mother, is an immortal apart from the gods of Olympus. The talking animals are a tribute to C. S. Lewis and Disney, and the intervention of the South and North Winds is my own device, providing a natural way to give Eros allies outside his mother’s influence.
The mysterious Dream Lover is a mystical being born of imagination.
What is the next novel that you are working on and when will it be available?
I have been spending much of my time since the publication of LoveQuest in promoting my books (my historical novel Brief Candles was published in 1983) and sharing my short stories on my website. However, I do have many projects planned and already in development.
I am building a narrative around the diary I kept when I was fourteen, filled with the anxieties, vanities, and pain of adolescence.
Another project is a dystopia of a class-based society where the tidal wave for change is already churning under the surface of a closed and exclusive world.
An overreaching work is a history of late 15th century England during the period popularly known as the Wars of the Roses. I have been studying that period on and off for over 50 years, and friends have encouraged me to collect my research in a nonfiction book.
None of these projects is close to completion, and I know by experience that a sudden inspiration could cause me to push something totally unexpected forward.
One way or another, I will never stop writing.
LoveQuest, a romantic fantasy, is a light-hearted retelling of one of the most enduring love stories from ancient Greek mythology: the forbidden passion of Eros, the god of Love, for the mortal woman Psyche.
A god’s love for a mortal woman…
It is ancient Greece, a world of gods, superstition, and magic. The villagers dwelling under the eyes of the jealous and capricious gods on Mount Olympus seek to gain their favor and to uncover the mysteries that only the immortals can know by turning to priests, soothsayers, seers, and fortune-tellers.
The oracle of the divine Apollo is one of the most famous of these seers. Although physically nothing more than a pool of water in a cavern, its wisdom is so renown across Greece that many journey far and wide to seek its counsel.
Among the pilgrims are the wealthy cloth merchant Pericles, his wife Leena, and their daughters Medea, Tanna, and Psyche. Although Psyche is blessed by Aphrodite, the goddess of Beauty, and is cherished by the people of her village for her loveliness, she cares little for their attention, seeking only the approval of her envious and malicious sisters.
Medea and Tanna ridicule the oracle’s prophecy that Psyche will make a “marvelous” marriage to someone “not human,” and use it as another means to torment their sister, driving her to tears.
Offended by Psyche’s behavior and not accustomed to being taken for granted, Aphrodite retaliates by asking her son Eros, the god of Love, to punish Psyche with a life of lovelessness.
Coming to Psyche and her sisters under a cloak of invisibility, Eros is filled with pity for Psyche but determined to carry out his mother’s wishes. Aphrodite’s plan goes amok when Eros wounds himself with his own arrow carrying out the punishment. He falls in love with the woman his mother hates.
Eros must make a decision: Will he do his mother’s bidding and resist the power of love, or will he defy her by setting his own course in pursuit of Psyche’s heart?
And, if he develops an elaborate plan to win Psyche, whose help can he enlist? Is love with Psyche possible, and how long can he keep up his deception before his mother discovers him?
Compared with Eros, Psyche is a novice at love. Eros can’t approach her as a human suitor would approach a human woman. She too has a decision to make: Should she believe the loving words of a mysterious stranger, or should she believe her sisters?
The consequences for Eros and Psyche are dear. Aphrodite’s temper is not something to toy with. She is angry enough with Psyche, but if Psyche should do wrong to her son Eros, there might be no end to the punishment Psyche faces at the hands of the jealous goddess.
Psyche must choose between betrayal and fidelity, just as Eros must connive to win her love and the approval of his mother. Both of them must be put to the test in order to find their heart’s desire.
Posted in Interviews
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LoveQuest by Pamela Jean Horter-Moore is the story of Psyche, a mortal girl blessed by the goddess Aphrodite with great beauty. She is so lovely, that she receives admirers wherever she goes. When Psyche offends Aphrodite, by seeking the approval of her envious sisters and taking her beauty for granted, Aphrodite decides to take revenge. Using her son, Eros, she attempts to punish Psyche to a loveless life. But things backfire because Eros falls in love with Psyche. Both are torn between their families and their love for one another. They must decide what is most important in life.
I am fascinated by Greek mythology with its heroes, monsters and gods, so I knew I was going to love this book before I had even started! This is an epic love story based on an original Greek myth that we know and love, but it is fleshed out with a unique narrative and a fresh take on the characters. Although it is primarily a story of romance, there are obviously fantasy aspects in there–the author excels at writing both genres and combines them expertly. Through a great feat of imagination, Horter-Moore has put a really creative and refreshing twist on what could have been a stale story.
Horter-Moore’s prose is a joy to read, it is straightforward whilst being eloquent and descriptive. It flows beautifully throughout with quite a dream-like tone which captures the milieu perfectly. The narrative is based more on internal thoughts and feelings rather than dialogue, which gives us great insight and understanding of the characters motives and desires. When there is dialogue, it is actually quite modern, for instance, “Why do we have to spend every vacation here?” whined Tanna.“That oracle never has anything interesting to say…”Although this could have felt inauthentic, I actually thought that it was a great way of making the tale more accessible and up to date. The author particularly excels at writing place, and the setting of ancient Greece is magically conjured; it is a world full of gods, superstition, soothsayers, seers and magic. The prose is extremely evocative of scenery and I felt transported to the slopes of Mount Olympus.
The characters really come alive on the page, and they are portrayed with such sensitivity- -the author isn’t afraid of illustrating their flaws and complexities. The relationship between the sisters Medea, Tanna and Psyche are particularly well portrayed, illustrating all of the complicated feelings of jealousy and yearning for approval. The love between Eros, who is the perfect mate, and Psyche, who is deeply imperfect, feels very genuine, and I felt completely invested in their relationship.
Although this is a story of Gods and mortals living in a time unlike our own, the narrative reminds us that ultimately any human heart can suffer and love in universal ways. This is a great read for any lover of myth, fantasy or romance, and I look forward to more from this author!
Pages: 186 | ASIN: B06XTX3TFH
Tags: adventure, alibris, aphrodite, author, author life, authors, beauty, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, deism, ebook, fantasy, fiction, god, godess, goodreads, greece, greek, hero, ilovebooks, indiebooks, kindle, kobo, literature, love story, lovequest, magic, monster, myth, mythology, nook, novel, olympus, Pamela Jean Horter-Moore, psyche, publishing, read, reader, reading, roman, romance, romance book, romance novel, romantic fantasy, shelfari, smashwords, story, theism, womens fiction, writer, writer community, writing
Masks is a dark fictional tale, based on true-life events. It narrates the adventures of a young Armenian girl born in Lebanon in the seventies. She dreams of fame and power in Lebanon and the Arab world and shows resilience and motivation beyond her years. The novel delves into the world of the protagonist, Anna, who is surrounded by social, religious, and sexual taboos. She fiercely breaks the chains to enter the world she has strived to reach, in a seemingly conservative society barely emerging from a civil war. She builds her success on her remaining values, challenging her fate and sparing no way means to attain her goals.
As a disappointment to her parents, she walks the challenging paths alone, making her way toward fame and fortune despite lacking the support system to do so. Doors begin to open for her, and she enters the world of Arab celebrities. She is now a public figure in the Middle East, living an immoral married life in a materialistic world surrounded by influential business people and royal family members. She tries, in vain, to fill the void in her soul with sexual adventures and controversy by taking a wide variety of lovers. Her adventures invariably end in misery, doing nothing to awaken her from her numbness. Still, her vivid, out-of-control personality helps her move forward while simultaneously getting her in trouble. In the early stages of her life, she has suffered the unthinkable, being bullied and raped, with the civil war a constant backdrop throughout most of her childhood. The novel delves deep into Anna’s mind as she has flashbacks of the trauma she has suffered, offering the reader a hint of an explanation for her behavior.
In a society in which men dominate women, she is one of the few who realize that fashion, social status, plastic surgeries, and bright smiles are not the answer to happiness. She lives in a world where a girl is only worth as much as her virginity, where women do not dare to ask for a divorce, where the fear of retribution keeps them locked in a cage that is very rarely gilded.
As fame, money, and power slowly eat at her soul, the arrogant Anna falls in love with a total stranger—a young, single bachelor from Canada—after a night of secret passion. That is where the story begins to unravel as she returns home with a scandal in her back pocket, her eyes and ears and heart tuned to this man instead of her husband. Anna realizes that neither her marriage nor her achievements have ever made her happy, so she decides to throw it all away. The lies and deceit that fill the so-called glamorous life she has been leading are floating up to the surface, including her husband’s infidelity and the critical steps she has taken to reach the top.
Marriage, family, career—all destroyed to be united with the stranger. She starts a new battle, this time struggling to change her destiny for someone she barely knows, who lives oceans apart and offers her nothing except his heart.
She risks everything, turning her whole life upside down. Anna realizes that her happiness, inner peace, and love are found worlds away from her own, with someone she would never have expected to be her soul mate. Still, Anna’s sacrifices are not behind her, and the struggle has not yet ended, although she has found what she has needed all her life: redemption and unconditional love.
The stranger enigmatically hints at emotions in Anna that have been hidden for a long time behind the masks of her dark and shallow lifestyle.
The characters in the story are the voices of so many who do not dare to speak up in a world where social and religious standards openly chastise the very actions that behind closed doors have become the ultimate paradigmatic way of life.
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The Three Lives of One follows an island girl named Patches after a tsunami sends her life spiraling into directions she never imagined. What was the inspiration for this heartfelt globe crossing story of one woman’s life?
This story was imagined completely, after seeing a scene on television about a tsunami. I put myself in a child’s place, wondering what would become of her, then I wrote the rest. This was the first story I ever wrote without doing a synopsis first. Once I began to write, ideas filled my head and I continued on to the end.
Patches, I felt, was a well -developed character that continued to develop layers as the story progressed. What were some obstacles you felt were important to her characters development?
As I went through her life with its many hardships, I portrayed some of many unusual events which occurred as a child, then added the scenes I imagined might be part of the life in some loving families; and when that changed and the worst happened, I included some drama and showed the effect on the girl as she grew older. Being kidnapped into prostitution is something I’ve heard of and which happens all over the world today. That is why I included that in the story. It shocked me and is a warning to young girls to beware of this danger.
Patches is faced with many hardships in her life, but I felt the book was about hope in the face of adversity. What were some themes you wanted to capture in this story?
From when she was rescued by the Missionaries, Patches retained an inner belief in God and the church , which was eventually returned by Nickolas Morakai, the orphaned missionary she met during the war. I guess I wanted her to really hope for and find a true love to share with, sustain and comfort her, after all she had endured in her life. I might mention that in the review it said that Japan was a country in the story, and that is not true. It was only in New Guinea that the Japanese entered the story, when they invaded Singapore and the islands there. The other places I did include were some of the Islands in the Pacific Ocean, where she was born and returned to later on. I like my stories to have some twists to make them more interesting. Please note that nothing in that story pertains in any way to my own life, as I had a quiet but interesting life, first in College and then in the outback in two states, as seen in my own biography at the end of every book.
What is the next book that you are working on and when will it be available?
My next two books are completed, one published as I said, Fire in the Heart –a Scottish love drama; the other one flight from fear is not, and is a vastly different story to my other ones. My next full novel is well on the way but i have not yet found the right title for it. At the moment it is called Shades of Reality. Or can love endure reality (of life and death or whatever. Another smaller completed story is Cookin in a Teacup, a biographical true story of mine which happened in the Queensland outback. I am still checking and editing this story.
I have others to write and complete.
An epic adventure story set on the coast and inland, detailing life in Western Australia in 1948 on a sheep and cattle station. This is real outback living where dramatic events can occur and unforgotten shadows effect the everyday lives of others. When the meatworks were in Wyndham, escaped prisoners strike terror… a family and a stockman with unhappy pasts… the mailman finds a strange body on the road… an accident in windy weather… a shearer with talent… a tragic death daunts natives… a minister’s plane crashes… cattle rustlers cause a stampede… three girls lost in the mountain range discover the past… and even love alters lives…
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Set in Jamaica in the 17th century, this is the story of Arose Du Mouchelle, a young woman who is the heir to a sugar plantation. When she receives an heirloom from an old gypsy, her life suddenly changes. The Gem of the Red Spirit has powers that others wish to possess, including the Voodoo Priestess, Morel. Chased down by Morel’s henchman, Arose must now protect the world from the dark creatures that Morel is threatening to unleash from the Astral Plane. Will Arose succeed by using her wits and courage along with the help of the dashing Captain St. James?
Nights Arose by Andrea Roche is part historical romance, part fantasy, and packed to the brim with fascinating and unlikely characters and concepts. We are thrown full throttle into a world unlike our own, full of astral planes, pirates and dragons. It makes for a fast- paced, exciting read, and I loved escaping to this fantastical universe for a few hours.
Because the story moves at a quick tempo, I felt immediately drawn into the narrative. Unfortunately, this pace also caused me to get lost occasionally, and I would have preferred a slightly slower introduction to Arose’s predicament. Despite this, Roche keeps the reader constantly intrigued and melds the genres of fantasy and romance together seamlessly, keeping both threads running through the narrative.
Although the book has fantasy aspects, the dialogue is actually naturalistic and punchy. All of the characters have unique voices which add richness and emotion; the dialogue expertly moves the plot along and never feels redundant. The style of the prose is quite flowery, but I actually enjoy this style of writing and it suits the lavishness of the story. Roche writes place particularly well and the setting of the story is one of my favourite aspects of the book. Tropical Jamaica is vividly conjured. Although I have never visited, I could almost feel the warm breeze and see the sights and sounds of this exotic place with its sugar cane fields and blue water.
We all know there aren’t enough strong female characters in fiction, so I fell head over heels for Arose! She is rebellious and brave and pushes boundaries, which makes her seem like a thoroughly modern woman. I loved the fact that she didn’t need a man to be a fully formed character and that the romance fell second to the action. The other characters in the book, such as the evil voodoo priestess, are really imaginative creations and the rest of the motley crew are excellently drawn. The relationships between the characters, especially Arose’s interactions with Captain St. James, feel truthful and authentic.
If you are a fan of fantasy then you will certainly enjoy this book. It is an epic tale that transports you to a magical world and enables you to suspend your disbelief. It left me breathless for the next installment in Arose’s adventures.
Pages: 220 | ASIN: B01N1G9MPC
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The Literary Titan Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and we are proud to acknowledge the hard work, dedication, and imagination of these talented authors.
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Tags: action, adventure, alibris, angel, author, author award, author life, authors, award, biography, book, book award, book club, book geek, book lover, book review, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, cop, ebook, faith, fantasy, fiction, gay, god, goodreads, ilovebooks, imagination, indiebooks, kindle, kobo, lesbian, literar, literary award, Literary Titan Book Award, literature, memoir, military, mystery, nook, novel, nypd, police, publishing, read, reader, reading, religion, romance, science fiction, scifi, shelfari, smashwords, story, suspense, thriller, travel, war, winner, womens fantasy, womens fiction, writer, writer community, writing
A massive tsunami destroys the island home of a little girl. Left without a family, she is rescued by missionaries who name her ‘Patchula’ or ‘Patches’ and take her to Darwin, Australia. What follows is a story of misfortune and tragedy; adoption, death, abuse, forced prostitution, but also of hope as Patches finds joy and meaning, especially in her talent for photography and singing, in spite of the pain. Spanning Australia, America and Japan The Three Lives of One by Lesley J. Mooney is a sweeping tale which carries us across time and continents in search of love and fulfillment.
The book is written in beautiful yet un-flowery prose which is at times poetic. Mooney conjures up place incredibly well, and I found the movement between different continents particularly fascinating –the depiction of the sights, sounds and geography of these places gave me total wanderlust! The description of the tsunami and the wreckage and devastation that follows is extremely affecting and pulled me into the narrative immediately. Mooney is also skilled at portraying her time periods, which begin in the 1920s and move to the 1980s, and the changing biases and turbulent politics of the times.
There are many themes running through the narrative including womanhood, nature and environment, religion, the importance of family, and the value of keeping faith and resilience in times when despair seems never-ending. Although many terrible events occur in Patchula’s life, the book is ultimately about hope in the face of the unknown and what we can achieve if we have the strength to carry on.
Mooney has written a large and diverse cast of characters, and the world she has developed seems utterly real. Patches in particular leaps off the page as a fully-formed individual. Some of the mistreatment she endures is quite harrowing and difficult to read, but it feels very honest. Her hardships elicit great empathy in the reader; I was constantly rooting for her to overcome all of the tragedy in her life and felt completely invested in her development. The more peripheral characters are also well-drawn and prove to be quite emotive, some invoking feelings of intense anger!
One aspect of the book that bothered me slightly was the pacing. We are introduced to Patchula’s predicament, and the narrative subsequently moves very swiftly through the first part of her life and I would have liked this introduction to the story to be slightly more drawn out. Despite this, the rest of the book has a really good tempo, and because there are so many unexpected twists and turns I was always eager to find out what would happen next in Patches’ story.
This book moved me to tears, but it also gave me a great sense of hope. I finished it feeling as though I had been on a long journey–and an extremely rewarding one at that.
Pages: 361 | ASIN: B074M3LW12
Tags: abuse, adoption, alibris, australia, author, author life, authors, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, darwin, death, ebook, environment, faith, family, fantasy, fiction, goodreads, hope, ilovebooks, indiebooks, kindle, kobo, lesley mooney, literature, love, missionary, natural disaster, nature, nook, novel, photography, prostitution, publishing, read, reader, reading, religion, romance, shelfari, singing, smashwords, story, the three lives of one, tragedy, travel, tsunami, woman, womanhood, womens fiction, writer, writer community, writing