In Nic Ularu’s Hieronymus, we are gracefully led into the world of Jeroen, a painter of unusual flair. Facing estrangement from his family, Jeroen’s art becomes his refuge. Yet, it’s his tumultuous bond with his brother Goossen that adds depth and tension to his narrative. Simultaneously, we encounter the affluent widower Goyarts, whose aspirations for his daughter Aleid’s marriage set the stage for unexpected twists. The surprising union of Jeroen and Aleid enriches the tale, as Jeroen’s newfound resources permit an exploration of avant-garde, albeit scandalous, artistry. While his provocative work stirs societal discontent, the shield of his influential kin spares him from backlash.

Can Jeroen salvage his relationships? And will Goyarts discern the follies of his wealth-centric perspective?

Ularu’s novel transports us to a period where patriarchy was dominant and the church’s influence was palpable. We see Jeroen, ambitious and imperfect, navigate this world. His fervor for art and inherent defiance make him a compelling figure to accompany. The narrative seamlessly touches on grave societal issues of the time, like the ominous witch-hunt trials with their dire consequences.

Ularu crafts a luminous portrayal of 15th-century life. The narrative weaves themes of perseverance, sexuality, faith, love, and kinship with finesse.

The novel offers a detailed historical exposition. Its erotic content, which is part of the storyline, is prominent in certain sections. The complex plot features numerous simultaneous events, necessitating careful reading, and the abundance of characters can be a lot to keep track of.

Yet, for aficionados of historical fiction — especially those fascinated by the dance of romance, art, and theology — Hieronymus stands as a commendable pick. It’s a tapestry of past epochs, passion, and human nuances waiting to be unraveled by the discerning reader.

Pages: 300| ASIN : B0C6R4XPNH