Talisman: Nexus follows a man known as the Talisman on a quest to rescue his sons as he faces the consequences of the cosmic bargain he made to bring back his wife. When you finished the first book in this series, did you know the direction you would take with Book 2?

No, because I never really do. As a pantster, I write very organically. Although I have a rough idea of where I’m going, I honestly didn’t have a clue with Talisman. I knew generally what I wanted to accomplish with Talisman: Subterfuge, but with Talisman: Nexus (and Talisman: Halcyon), they were the hardest novels I’ve ever written – I mean that – and they required a lot of extra push, imagination, stretching, and intentionality to get them done. In some ways, I feel like I had nowhere to go with the characters in Talisman: Nexus, given that they were all essentially trapped in The Refuge. The only one who could teleport out of there would be Liam. Ultimately, I did know that I wanted to have some kind of redemption, but I wasn’t sure what shape or tone that would take. I’m content and glad at how it all transpired, however.

Family is clearly the emotional core of the novel. How did Liam’s role as a father shape the way you wrote the stakes of the story?

Well, I’m a daddy of two boys, 10 and 6. If I were separated, or disconnected, or alienated from them, I would be disassembled. They are the title of one of my latest books: You are my whole Earth. They truly are. Where do you go if you don’t have an Earth? You drift. That’s what Liam’s doing…. Drifting, mindlessly and numbly fulfilling this Faustian bargain foisted upon him in the bleak hope that the Aeterium Axis will do what they said and restore his wife to him. It’s not founded on a false premise or fantastical thinking: they’ve proven that they’re mysterious and able to channel Janine’s voice to him. So he does have proof. Nonetheless, it’s pulled him away from his remaining family, his sons; it’s alienated him from his in-laws, his deceased wife’s parents, and it’s made him a vigilante on the run. All of that has taken a great toll on him, and he wants nothing more than to be connected with his boys.

When writing science fiction with dystopian elements, how do you keep the world grounded emotionally?

With humanity at its center. There have to be profound human elements at stake, and those stakes have to be great and weighty. I tried to do that with Nexus. I knew that Carson & Joseph had to be captured by The Zorander. What would happen to them after that, however, was anybody’s guess. I certainly didn’t know. Would I, as the writer of the story, allow them to be killed, plunging the already-vigilante Liam further into darkness and thirst for vendetta? I couldn’t do that because that’s what the Zorander is, and Liam is not the Zorander. He is very much human. I had to keep coming back to that loss, that dread, that pain of losing his wife eternally and now his sons temporarily. The stakes were real and profound, and, again, as a daddy, I would be disassembled if I were alienated from them or if I lost them.

Can you give us a glimpse inside the next book in the Talisman series? Where will it take readers?

​Talisman: Halcyon is the most sci-fi of ANY sci-fi books I’ve ever written. It took me to Asimovian levels of creativity. James SA Corey stuff. I have always written in this universe, but suddenly I was hopping the multiverse with sorcerers, magic, intelligent and conversant aliens, superpowers, large ships with thrusters, strange planets and star systems, teleporting across worlds, I mean, I have NEVER written stuff of this gravity before. It truly stretched me as a writer, and I’m so grateful for that. Writers SHOULD be stretched at every turn, and the Talisman series stretched me in ways I never thought possible. You’ll see some crazy stuff happening in Talisman: Halcyon that will directly unite it with my Dissonance series, as well as with my other books, The Slide, The End, and The Phoenix Experiment. It’s truly turned into an Aaronverse, and I think that’s very cool. 😊

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