The Little Girl’s Mother centers around a family who becomes the target of a powerful criminal syndicate after their daughter witnesses a murder. How did you balance the action scenes with the story elements and still keep a fast pace in the story?

In my mind, it felt like these events were naturally happening at a fast pace, with the whole story taking place over only a handful of days. The pace was driven by the plot in that way and the parents’ (and Tyra’s former teammate’s) desire to “fix the problem” (so to speak) and to remove their daughter from danger as soon as possible. The very nature of the deeds that they had to undertake from the start to the end of the book meant the action and tension were not really going to let up.

Because this is the first book that I have ever written, and because it just sort of started one day, my whole approach to writing it was very inefficient and largely unstructured. I had the general plot, a few key scenes, and the rough chronology of it in my mind, but I wasn’t sure how it all joined together. I wrote an initial 10,000 to 15,000 words or so, and then I went back and read through it, making refinements and/or completely changing certain parts. Then I continued from where I left off, writing another 5,000 to 10,000 words before repeating that whole process again. I did this several times until I got to the end. Along the way, I noticed there was a drop in the action and tension around halfway through, and I immediately recognised that was the perfect point for me to add in the flashback story that Paul tells about how incredible a soldier Tyra is and why her former team mates are so indebted and in awe of her. It was like fitting that piece of a jigsaw that completes a key part of the total picture, and it felt perfect in every way to me when it was in place.
 
 
What was your favorite character to write for and why? Was there a scene you felt captured the character’s essence?

Tyra. Absolutely Tyra. She is formidable! Like her former teammates and her husband, Stephen, I am in total awe of her. If she were real, then she is the person you would want by your side in any eventuality. But my goal was to make her feel plausible and real, not some sort of bulletproof superhero who can smash through walls and defeat any foe. Metaphorically, she definitely can do those things, but I wanted her character grounded in reality. She was/is an incredibly skilled soldier and a ferocious, almost animal-like fighter, but what makes her so lethally effective is her mind and her intellect. It is like a tactical supercomputer that instantly knows what the best action is in any situation, and when that’s coupled with her other skills, she is awesome! I often find myself thinking “I wish I were like her.”

There are many moments in various scenes when I think this is clear to the reader, including in the very first chapter, when we literally see her switch from civilian mode back to Special Forces team leader mode. If there were still any doubt in the reader’s mind as to what Tyra’s essence is, I think it is absolutely clear in the finale, where we see how brutally lethal she can be. I loved discovering this about her in this story.

What was your favourite part (or parts) to write?

I genuinely enjoyed writing it all, especially the chapters for the flashback and the finale. Or perhaps it’s fairer to say that I enjoyed what I created because, to be totally honest, there were times when the writing was hard.

But without a doubt, my absolute favourite parts were the “interactions” (!) between Tyra and Shefi (the man who wants her daughter dead). I don’t want to give anything away about those moments when they come in the story, even now, after having read them countless times, I can still read them and feel the hairs on the back of my neck stand up. As I was imagining those scenes (especially the finale) and as I was writing them and even when I’ve read them back since, I found myself almost acting them out to feel the power of those moments and, really, the power of Tyra herself!
 
What is the next book that you are working on, and when can your fans expect it to be out?

Up until about a month ago, I would have said that I didn’t have one! I always have a fair few ideas kicking around, but they are often just a few bullet points or sentences and totally disparate. This is the first book I have ever written, and it just sort of happened (over a four-year period!).

However, much like what happened with The Little Girl’s Mother, a few of my recent ideas have started to join up and develop to the point where I’m now intrigued and excited to experience this new story myself, so I am 99% certain that I will start writing again in 2026. It won’t be in the same story universe as The Little Girl’s Mother and will be set around the early 1980s, but it will be another Action Thriller with formidable characters and an exciting storyline. As for how long before it’ll be finished, I’m sorry to say that I don’t honestly know (full-time job and full-time family commitments eat up so much free time), but I believe that, from what I’ve learned from writing The Little Girl’s Mother, it will not take me four years to finish!

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