Blog Archives

So You Want To Be A Roller Coaster Designer (Theme Park Engineer)

The ride lasts ninety seconds. The work behind it lasted seven years.

Before the first rider screams, before the first chain pulls the first car to the top of the first hill, someone spent years doing the mathematics of fear — calculating exactly how fast, how steep, how inverted, and how long, so the experience lands in the precise space between terrifying and safe. That calculation is not an accident. It is engineering at its most thrillingly human.

This book takes young readers ages 10-14 inside one of the most imaginative and technically demanding careers on earth — not the theme park guest version, but the real one. The years of physics, materials science, and computer modeling that happen before a single piece of track is laid. The specific discipline of designing for the human body — its limits, its thresholds, its capacity for joy and adrenaline — with the precision of a surgeon and the imagination of a storyteller.

Roller coasters don’t just appear. They are built by teams of structural engineers, ride mechanics, safety specialists, and experience designers working in careful coordination so that one ride, lasting ninety seconds, feels like nothing else on earth. Kids who are fascinated by how things work will find the real story here — the physics of g-forces and kinetic energy that make speed feel exactly right, the computer simulations run thousands of times before a single bolt is tightened, and the materials engineering behind track and structure that must perform flawlessly under millions of cycles of stress. This is STEM brought to life in the most fun, visceral way imaginable.

But this is also a book about creative vision — turning a mathematical model into an experience that makes people laugh, scream, and immediately want to ride again. It is honest about what the work costs, what it gives back, and why the people who design roller coasters say they have the best job in the world and mean it completely.

Inside, young readers will discover what a real roller coaster designer’s process looks like from concept sketch to opening day. They will explore the science of thrills — g-forces, velocity, momentum, and what they do to the human body. They will learn why safety engineering is the most creative constraint of all, dig into the history of coasters and the legendary designers who turned a wooden hill into one of humanity’s great inventions, and find out what young people can do right now to discover if this career might be their calling.

Honest, specific, and genuinely illuminating, this illustrated guide to roller coaster engineering does not talk down to young readers — it brings them all the way in. Because the kid who wants to know what this work is really like deserves a real answer, not a watered-down version.

For the reader who rides the coaster once for the thrill and once to figure out exactly how it works — and feels something shift. For the kid who builds things, takes things apart, and wonders how the wildest rides on earth actually stay on the track.

The greatest roller coaster ever built does not exist yet. Someone has to design it.

Moondust: A Collection of Poems

In Moondust, author Kahlani B. Steele gathers a wide-ranging collection of poems that move from nature’s intimate theatre to childhood memory, grief, love, mental anguish, self-reflection, and finally the strange tenderness of people and places. The book begins with trees, birds, weather, moonlight, and water, then slowly turns inward, letting the natural world become a language for loneliness, desire, inheritance, and survival. I felt the collection’s emotional center most strongly in pieces like “Photograph of Pop,” “Trigger,” “The House of Me,” and “Mabel,” where ordinary images, a fishing line, a daisy, a cracked body-as-house, a lipstick mark on a child’s cheek, carry more ache than any grand declaration could.

Steele notices the world with a patient, almost devotional eye: the old tackle box, the mud on gumboots, the willy wagtail singing before rain, the park bench left alone after the stars depart. The poems are often at their best when they trust those concrete details to do the emotional work. There’s a warmth in the childhood poems that stayed with me, especially the quiet companionship with Pop, because the restraint makes the love feel authentic. I also liked how the book keeps returning to nature without making nature merely pretty. It consoles, yes, but it also bites, drenches, burns, withholds, and witnesses.

Steele’s writing is lush, and sometimes the collection occasionally leans into ornate metaphor. Still, I found that excess part of the book’s sincerity. These poems don’t pretend to be cool or detached. They ache openly. The ideas are familiar in the deepest human sense: grief, memory, heartbreak, aging, disconnection, the need to return to something elemental, but Steele gives them a distinctly tactile shape. Pain becomes frostbite, the body becomes a damaged house, memory becomes a locked room, and loneliness sits like a bench under thinning light.

I finished Moondust feeling that I’d been walking beside someone who pays close attention because attention itself is a form of care. It’s an earnest, textured, emotionally generous collection. I’d recommend it to readers who enjoy accessible contemporary poetry with a reflective heart, especially those drawn to nature writing, family memory, grief, and poems that speak plainly but still reach for beauty.

Pages: 110 | ASIN ‏ : ‎ B0GRHSKLK3

Buy Now From Amazon

The Question That Changes Everything

JP Pulcini Author Interview

As artificial intelligence advances toward human-like thought, you explore in your book, I Am; Therefore I Think, whether true consciousness lies not in thinking, but in the fragile, emotional experience of being alive. What first pushed you to ask not “Can AI think?” but “Can AI experience?”

For most of human history, intelligence and consciousness were assumed to be the same thing. To think was to be aware, to reason was to experience, and the two were inseparable because there was only one example of intelligence we could observe: the human mind.

AI broke that assumption open.

When I watched these systems write essays, compose music, and answer complex questions—faster and more efficiently than people—something still felt fundamentally different. They generate language, but they do not experience meaning.

That’s when the real question emerged. Not “Can AI think?” — we already know the answer. But “Can AI experience?” That’s the question that changes everything.

You argue that intelligence and consciousness are not the same. Where do you think most people conflate the two?

The moment a machine gives a surprising answer.

There’s something deeply human about projecting inner life onto things that perform well — and AI performs extraordinarily well, so we assume the interior must match the output.

But for the first time in history, we can observe intelligence operating without consciousness. AI does not grow up, does not experience the world through a body, does not accumulate memory through lived time, and does not feel the consequences of its actions. It processes information— nothing more.

That contrast forces a deeper question. If intelligence can be engineered, perhaps consciousness is something else entirely. Not a product of computation, but of experience. A life lived in the world. And that difference may matter more than we currently understand.

You emphasize memory as something lived, not stored. How does emotional memory shape identity differently from factual recall?

Factual recall is retrieval. Emotional memory is formation.

You can store the date your father died— that’s data. But the way that loss reshapes how you love, how you measure time, how you understand your own mortality—that isn’t stored anywhere. It lives in you. It became you.

Human consciousness develops through experience—through memory, emotion, embodiment, and time. AI has none of that. Memory without consequence is just information.

Identity is what survives the consequence.

How should we think about AI ethically if consciousness remains uniquely human?

We need to think about AI ethically — but also honestly.

We are building systems of extraordinary capability without any interior life to anchor their judgment. No stake in outcomes, no experience of harm, and no memory of consequence. And yet we’re asking them to make decisions that affect human lives.

That’s the tension.

It’s what led me to my next book, Amoral Code. The argument is simple: we are increasingly delegating ethical judgment to systems that are, by definition, amoral — not immoral, but amoral.

There’s a difference between choosing harm and having no framework to understand harm at all.

We’ve spent years asking whether AI will become evil. We haven’t spent nearly enough time asking whether it can even understand what evil means.

That’s the conversation we need to be having.

Author Links: GoodReads | X (Twitter) | Facebook | Website | Instagram | Substack | Amazon

AI can think. But can it ever be conscious?

And what if we’ve misunderstood what it means to be human all along?
As artificial intelligence advances, this question is no longer theoretical—it’s defining our future.
This isn’t a book about artificial intelligence.
It’s about the one thing machines may never have—
experience.
We’ve spent decades measuring intelligence—processing power, learning speed, problem-solving.
But consciousness is something else entirely.
It is not just thinking.
It is experience.
In I Am; Therefore, I Think, JP Pulcini explores the line between:
Intelligence and awareness
Computation and experience
Simulation and reality
Blending philosophy, neuroscience, and modern AI, this book challenges a critical assumption:
If a machine can think… does that mean it is conscious?
The answer may redefine how we understand:
The human mind
Artificial intelligence
And the future relationship between the two
This book is for you if you’ve ever wondered:
What consciousness really is
Whether AI could ever truly be “aware”
What separates human experience from machine intelligence
This is not a technical book about AI.
It is a philosophical exploration of identity, awareness, and existence in the age of intelligent machines.
As AI becomes more powerful, the real question isn’t whether machines can think.
It’s whether thinking alone is enough.

Forgiveness is Key

Lori Keesey Author Interview

Second Chance Highway follows a young woman fleeing an abusive relationship with her infant daughter, who drives west in search of the mother who abandoned her and discovers that escape is just the beginning of healing. Why was a road trip the right structure for this kind of emotional and spiritual journey?

Ginny was stuck, but because of her supernatural encounter with TC, she realized she needed to be in another place, both physically and mentally. How better to get to your destination? You take a road—preferably one that leads you to the correct destination. I took a road trip to gather information for this novel. We planned nothing. We simply climbed into the truck and took off, much like Ginny did. Frankly, I’ve never had a more rewarding experience.

Faith is central to the novel. What role do “unexpected helpers” play in Ginny’s transformation?

They play the role of being the hands and feet of Jesus, so to speak. They help her overcome doubts, fears, and the trauma that led her to the destructive relationship with her abusive fiancé. God put them in her path just to keep her on the path He sought for her.

The relationship between Ginny and her mother carries a lot of weight. What drew you to that dynamic?

Thankfully, my mother never abandoned me. She is an excellent mother. However, in my years as a writer, I’ve met people who struggle with past, very deep wounds caused by people who were supposed to protect them. In some cases, these traumas have led to self-destructive behaviors that have kept them, at least for a while, from pursuing the call on their lives. Forgiveness is key to wholeness and healing. It’s a message I discuss a lot—probably to remind myself of my own unforgiving heart.

I hope the series continues in other books. If so, where will the story take readers?

I’m writing another book now, but it tells the story of another fictional character, Lulu, who is grappling with the effects of a disintegrating family.

Author Links: GoodReads | X (Twitter) | Facebook | Website | Amazon

Sometimes, the second chance we truly need is the one we give ourselves.

Ginny Carmichael feels trapped in her abusive relationship until an otherworldly visit ignites her determination to break free. With her baby daughter in tow, she embarks on a courageous road trip that not only takes her away from danger but also leads her to unexpected kindness, genuine connections, and profound forgiveness.

Along the way, she meets a compassionate waitress, a spirited aunt, and ultimately her estranged mother, who may hold the key to her healing. As Ginny approaches her destination-and the truth about her worth-she discovers that escape was never the destination. Wholeness was.

Second Chance Highway is a poignant tale of faith, friendship, and the path to restoration and redemption, and is the sequel to the award-winning Always Think of Me.

Double Jeopardy

William E. Donald Author Interview

How to Organise Inclusive Conferences and Workshops is not a conventional handbook on conference planning; rather, it is a serious, humane argument about what professional gatherings reveal about power, access, and belonging. Why was it important to state upfront that no conference can ever be fully inclusive?

I open the book with a statement that I felt had to come first: no conference or workshop can ever be fully inclusive. I chose to say this immediately, before anything else, because I wanted readers to understand that what follows is not a promise of perfection but an invitation to honest, sustained effort.

The reason I state this so plainly is that human needs are varied, complex, and dynamic. Some needs align, others conflict, and many shift over time. No amount of careful planning resolves all of these tensions, and I think it would be dishonest to suggest otherwise. I draw on Silverman’s concept of access friction to name what I had observed repeatedly in practice: that decisions made to improve inclusivity for one person or group can simultaneously create new barriers for others. Placing posters close together at a poster session reduces the distance some attendees must travel, yet risks sensory overload for others. Offering a hybrid format widens participation for people who cannot attend in person. However, this approach can unintentionally make the online participants feel quietly marginalised by the people able to physically attend. These are not failures of imagination or care. They are structural realities of human diversity, and pretending otherwise would undermine the very honesty this book depends on.

I also wanted to reframe what I was asking of organisers from the outset. Inclusivity, as I understand it, is not a destination. It is a continuous practice of asking, listening, adapting, and responding. That is why I deliberately chose not to offer checklists or quick fixes. I wanted readers to sit with the discomfort that inclusive practice can never be completed, and to commit to the work anyway.

Underlying all of this is something I feel strongly: the barriers people face, whether disability, caregiving, visa restrictions, or financial hardship, are not incidental. They are rooted in systemic inequality. Naming the impossibility of full inclusion is my way of insisting on moral seriousness rather than goodwill alone.

Which “invisible” barriers do organisers most often overlook?

There is often a particular kind of exclusion that happens in events that consider themselves inclusive. It is quieter than a missing ramp or a broken lift, and it is far more common.

The first is the hidden curriculum of professional gatherings. McCalmon, Ugiagbe-Green, and Mohammed-Chapman in Chapter 7 show how conferences reflect unwritten rules about tone, language, and behaviour that quietly privilege those already at home in institutional settings. People who are unfamiliar with these norms are not excluded loudly; they simply fade into the background, their contributions going unrecognised within spaces that claim to be open. They frame their chapter around three questions that sit at the heart of inclusion: who decides, who gets to rest, and what changes as a result.

Closely related is the invisible burden of advocacy. Clarke and Gagné in Chapter 2 show how the responsibility for arranging accommodations almost always falls on the person who needs them, consuming time, energy, and emotional resources in ways that function as a hidden form of exclusion others in the room rarely see. They argue that this begins earlier than most organisers realise, pointing to calls for papers and registration systems as gatekeeping mechanisms that routinely create accessibility barriers before a disabled scholar has even decided whether to attend.

There is also the question of time. Chapter 9, by Donald, Yarovaya, and Georgiadou, draws on research into timeism to show how rigid conference timelines marginalise people who need different rhythms of engagement, creating hidden hierarchies that go largely unacknowledged. People who need flexible arrangements often invest the most time simply to secure basic access, a form of double jeopardy that proactive design could dismantle.

Finally, there is the exclusion embedded in financial structures. Castelle and Ho in Chapter 6 are direct about this: affordability is rarely treated as an accessibility issue, yet cost is one of the most consistent barriers to participation. Tiered pricing, bursaries, and scholarship access, as modelled through the Cannexus conference, are not peripheral gestures but structural responses to a barrier most organisers leave unexamined.

What does it mean to design with disabled participants rather than for them?

For me, designing with disabled participants rather than for them is, at its heart, a question of power and not just practice.

The disability movement’s foundational principle, nothing about us, without us, runs as an ethical thread through the book. Clarke and Gagné in Chapter 2 establish this from the outset, arguing that accessibility must be built into every stage of conference planning rather than retrofitted in response to individual requests. They are clear that when diverse voices are not centred in planning and governance, professional development spaces risk reinforcing the very exclusionary norms they claim to challenge. Cook, Brown, and Beaumont-Bilsby in Chapter 3 extend this through their own lived experience as a wheelchair user, a neurodivergent pracademic, and an inclusive service design specialist. They argue that disability representation on organising committees is not a nicety but a structural necessity, and that systems which appear neutral, such as standard venue designs and funding structures, often reinforce exclusion precisely because they were not designed with diverse ways of moving, thinking, and participating in mind. Decisions made without disabled voices embedded in the planning process tend to produce accommodations that are reactive, inconsistent, and poorly communicated, turning participation into what they describe as a negotiation for survival rather than an opportunity for genuine engagement.

Paul Vincent, Soltani, and McAteer in Chapter 4 are direct about the limits of well- intentioned innovation: live captioning and hybrid formats have improved access in measurable ways, but without sustained investment and disabled input at the design stage, these solutions lack consistency. Crucially, they challenge the assumption that offering a remote option excuses an inaccessible venue. Face-to-face interaction matters, and disabled participants deserve access to it.

McCalmon, Ugiagbe-Green, and Mohammed-Chapman in Chapter 7 reframe the question entirely, asking who gets to decide what inclusion looks like in the first place. They argue that true inclusion must be grounded in justice and the redistribution of power, not merely representation or legal compliance. This means examining whose voices are prioritised in programme design, who carries the emotional and physical labour of making an event run, and who is asked to advocate for their own access while others simply participate. Designing with rather than for, in their framing, is ultimately about shifting that burden from individuals to institutions.

Lin-Stephens, Maze, Lau, and Chen, in Chapter 8, bring a different dimension through their Sustainable Professional Development model, which insists on co-creation with local partners rather than importing solutions from outside. Their experience organising the APCDA conference across Asia shows how cultural contexts shape what inclusion requires, and how assumptions embedded in Western-centric design can themselves become barriers.

Chapter 9 by Donald, Yarovaya, and Georgiadou synthesises this by framing inclusion as a shared responsibility rather than a service delivered to people who need it. The call is clear: when disabled scholars, international participants, caregivers, and others from underrepresented groups are genuinely welcomed and recognised rather than accommodated at the margins, it strengthens a shared sense of belonging for everyone in the room.

Which practical changes tend to have the most immediate impact on inclusion?

The question of which practical changes have the most immediate impact is answered most compellingly through the practitioner voices running through the middle and later sections of the book.

Foote, in Chapter 5, makes the strongest case for proactive communication as the single highest-impact step. Her accessibility package, a detailed, screen-reader-compatible document sent to attendees before the event, covers everything from parking routes and flooring types to lighting conditions and session engagement expectations. The insight behind it is simple: people cannot request accommodations they do not know are available, and they should not have to disclose a disability to access a well-designed event. Placing fidget toys on all tables rather than just in sensory kits, and reserving easy-access seating for anyone who wants it without requiring justification, are low-cost changes that normalise inclusion rather than marking it as exceptional. Foote also recommends providing later start times, earlier end times, and sufficient transition time between sessions, noting that this benefits not only attendees with mobility requirements but anyone who needs time to process information or prioritise self-care.

Castelle and Ho, in Chapter 6, demonstrate what this looks like at scale. The Cannexus conference treats financial access as an inclusion issue, not an afterthought, using tiered pricing, bursaries, and targeted scholarships to widen the pool of who can realistically attend. Their hybrid model, offering nearly full access to keynotes, workshops, and networking online, has proved especially beneficial for caregivers, people managing health conditions, and rural or international participants.

Lin-Stephens, Maze, Lau, and Chen, in Chapter 8, drawing on their experience organising the Asia Pacific Career Development Association conference, add that feedback mechanisms are themselves a practical inclusion tool and one that is frequently overlooked. Seeking input from people who did not attend, not just people who did, is how organisers begin to understand the barriers that prevented participation in the first place.

Donald, Yarovaya, and Georgiadou in Chapter 9 offer a useful frame for all of this: small, intentional actions matter. Inclusion does not require waiting for institutional policy or a new budget cycle. It begins with what an organiser chooses to do next, and those choices, made consistently and with the people most affected in mind, are how larger structural change builds momentum.

Anything else?

I’d just like to take the opportunity to thank everyone who contributed to the book. When I was first approached, the publisher asked if I would be the sole author. I am genuinely pleased and grateful that they agreed to my leading an edited collection instead, because it brought together far richer insights from a wider range of lived experience.

Finally, I’d like to thank the entire team at Literary Titan for the opportunity to share these additional reflections. I hope How to Organise Inclusive Conferences and Workshops will have a meaningful impact as we work together to build a more inclusive and sustainable ecosystem. Thank you.

Author Links: GoodReads | Website | LinkedIn | Amazon

This enlightening book provides practical guidance for academics striving to make conferences and workshops more inclusive. Leading experts from across Asia, Europe, North America, and Oceania share insights from those navigating systemic barriers to participation as well as organisers committed to change.

With strong relevance to ongoing global conversations surrounding diversity, equity and inclusion, the book encourages constructive dialogue and provides innovative advice. Situated within contemporary career discourse, it is grounded in sustainable career ecosystem theory and aligned with the UN Sustainable Development Goals. Chapters cover a diverse range of inclusion-related experiences, prioritising respectful representation of individual narratives and affirming the importance of linguistic and cultural sensitivity. By offering strategies for inclusive event planning, it underscores the importance of proactive allyship, co-creation, and advocacy in dismantling systemic barriers to promote an inclusive and sustainable ecosystem for all.

How to Organise Inclusive Conferences and Workshops is a justice-oriented guide for those committed to cultivating genuinely inclusive environments, including academics and other professionals involved in planning and delivering these events. It is also an essential resource for students and scholars in education and business and management.

The Proverbial Crock Pot

Matthew C. Lucas Author Interview

Space Station Halcyon follows a middle-aged gambler coerced into managing a derelict space station as he faces both mob pressure and a doomed government inspection. Where did the idea behind this story come from?

Hoo boy. Bits and pieces fell into the proverbial crock pot over the course of a few weeks. Daryl the manatee came from an awkward encounter I once had with a real life manatee in a beach bar (I don’t want to talk about it). Hali the AI was inspired by that time Chat GPT made me cry (for reasons I’ve now totally forgotten). Joey is basically a better version of me, but also a raging alcoholic.

All of this marinated for a few weeks in a midlife crisis, and voila! Space Station Halcyon was served!

Do you think comedy makes violence hit harder, or softens it?

Comedy is like the soothing back rub on the tense shoulders of deadly violence. It should be used lovingly, sparingly. Otherwise, it’s just a nuisance.

Do you see the station as a kind of found family, even if it’s a dysfunctional one?

The station is more like a high security cell block of felons who are so socially stunted, so painfully outcast, they need an AI to prompt them not to kill each other. So, yeah, they’re just like family.

What kind of reader do you hope finds this book?

The kind who will buy lots and lots of copies of my book and sprinkle them freely about their favorite watering holes, fitness centers, and places of worship.

Author Website

Welcome to Space Station Halcyon!
(Management is not responsible for anything that happens to you)


Joey Mumbai’s down on his luck and over his head. To pay off his gambling debts, he’s forced to run an old space station at the end of the galaxy as a “legitimate business” for the mob. All Joey has to do is make money—and not attract any attention. But Space Station Halcyon is like a floating death trap, with a rage-filled manatee, a psychotically cheerful computer, and a sports bar that may or may not be possessed.

When a government code inspector and her enforcerbot drop by the station, Joey must bluff, bribe, and connive his way through interstellar bureaucracy, laser gun fights, and the worst beer in the galaxy. Can Joey turn his derelict station and degenerate crew into something resembling legality? Or is the whole place going to explode in a cloud of code violations? Or maybe both?

Space Station Halcyon is a wild and raucous sci-fi comedy about bad luck, worse decisions, and the cosmic horror of being put in charge. A Hitchhiker’s Guide-esque romp that answers the eternal question: “Who’s in charge around here?”

The Children of Missing Time “It Wasn’t Random, It Was By Design”

Children Of Missing Time…………The HIdden Legacy of Abduction, Hybrid, Bloodlines, and Alterted Couciousness…….. In the shadows of forgotten hours, entire generations were marked by experiences they couldn’t fully remember.and defy conventional logic …..until now. Children of Missing Time unravels a decades…… long mystery that connects Alien Abductions, Missing Time phenomena , Experiencers, and the potential secretive hybridization of human bloodlines……. Drawing on personal experiences, encounters,spiritual awakenings, and deep research , this book exposes the unsettling truth of an experiencer and that some families carry within them the echoes of a program that began in the 1950s………one designed to potentially alter humanity’s future from within …… With each chapter Children of Missing Time reveals the patterns, Traits, and spirtual Signatures of those affected………..humans, hybrids, hybrids, the watchers, and the awakened …… For decades, stories of alien abductions, Missing Time, and unexplained pregnancies have haunted the edges of belief .Children of Missing Time reveals these events may not be isolated, random, or even accidental ..?Instead they could be fragments, part of,a potential deliberate Hybrid program, one designed to rewrite humanity…….FROM THE INSIDE…… Blending personal experiences, hidden family history,, spirtual awakenings, this book explores the unsettling possibility that some families potentially carry Hybrid, Hybrid DNA…..some without ever knowing ……Are you one of those families..??.

Mijo: We Bend, Not Break

Mijo: We Bend, Not Break opens as a multigenerational story about inherited silence, migration, and the long, uneven labor of becoming a different kind of man. Author Francisco Castillo begins in drought-stricken Michoacán with Joaquín, a boy starved for tenderness, then follows him across the border into California, through field work, fear, fatherhood, and the psychic aftershocks of survival. The book keeps widening from there, tracing how masculinity, trauma, family memory, and healing move from one generation to the next without ever feeling schematic. What stayed with me most was its belief that resilience is not hardness, but the stubborn decision to remain reachable.

What I admired first was the book’s emotional architecture. Castillo understands that generational damage rarely announces itself with grand speeches; it shows up in the hand that doesn’t quite reach back, the hug withheld, the child who learns to read distance as weather. Joaquín is drawn with real pity but not indulgence, and Antonia emerges as more than a counterweight to him: she is flint, witness, and moral pressure. I felt the novel’s strongest current in the scenes where love exists before the characters know how to perform it. That gives the book an ache that feels earned rather than manufactured.

I also liked that the prose aims higher than plain utility. At times it’s lush, but more often it lands on sharp, memorable images: labor as a language, silence as inheritance, tenderness as something nearly unbearable to touch. There are moments when the sentiment edges close to overflow, yet the book repeatedly recovers because its core insight is so recognizable: people can mistake emotional deprivation for strength, then spend a lifetime trying to unlearn the error. By the end, I felt I had read not just an immigrant family story, but a study in repair, crooked, incomplete, and therefore convincing.

I would recommend this to readers of family saga, immigrant fiction, literary fiction, historical fiction, and trauma-and-healing narratives. It will likely speak to readers who respond to the intergenerational emotional intelligence of Sandra Cisneros or the intimate family gravitas of The House on Mango Street, though Castillo is writing in a broader, more openly restorative register. This is a book for readers who can bear tenderness without mistaking it for softness. Its deepest argument is simple and durable: what we inherit may wound us, but it does not get the last word.

Pages: 216 | ASIN ‏ : ‎ B0FT6N57CG

Buy Now From Amazon