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Eastlanders’ Fall is a tale of ancient evil rising again, powerful cults seeking domination, and unlikely heroes trying to stop the world from crumbling—literally. What was the inspiration for the setup of your story?
I drew inspiration from the real world and used my fantasy setting as a safe space for an unbiased reflection on current issues.
I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from and how did it change as you were writing?
In the 90s, I served in the Brazilian military. When cartel violence spiraled out of control, Rio’s governor requested federal troops, and my unit was one of those deployed to assist.
For several months, in between missions, to avoid dwelling in the violence and bleakness, my mind took off. Fantasy books and role-playing games came to the rescue, and the continent of Ananthia was born.
To be in a place where evil and injustice could be fought and defeated—unlike in the real world—was like a drug, so I never left. All the mind space I could spare went into world-building, and seventeen years later, with no plan or ambition, I began laying it down.
The RPG campaign setting I wrote had such an elaborate backstory that I was entreated to tell it all. Eastlanders’ Fall began taking form, and a decade—and eight countries—later, A Drying World trilogy was completed.
Ananthia was so deeply developed in my head that it needed no change to accommodate the story – it was the story.
What were some themes that were important for you to explore in this book?
Bias, hubris, and blind ambition—and how to beat them.
Where does the story go in the next book, and where do you see it going in the future?
Eastlanders’ Fall is the first book of a trilogy. In book 2 (Two Storms), the children of the protagonists, born at the end of the book, take the lead, assisting their whistleblower uncle who’s on to Darvis Talsdrums second phase plans but struggles for decades to prove it. In book 3, the heroes take the fight to the lich.
In the future trilogy, I take the reader to Central Ananthia – the region where the desertification started, now under the sand. It will be told in two parallel timelines: the present, featuring the surviving protagonists, and the past, telling the story of how it all began.
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The land of Ananthia is dying. Its once-prosperous heart has turned to sand, swallowing Empires and burying faiths. But a darker shadow looms—Darvis Talsdrum, a warlock whose cunning strengthens his demon lord’s grip on the continent.
Talented as he is reckless, veteran wizard Milendil’s mistakes could seal the fate of Ananthia, when bitterness bids him to tip the scales for tragedy.
Air ranger Solostamir never asked to be a hero. Burdened by a family rift and torn between two powerful women—Keera, the elven noblewoman who shares his past, and Lilyanna, a prodigy human archer whose fire reignites his hope—he walks a razor’s edge between love and duty.
When war drives them apart, Lilyanna’s fate becomes entwined with Soraya’s, a battle-hardened warrior whose growing bond defies expectation.
As ancient magic stirs and loyalties splinter, these fractured heroes must unite what’s left of Ananthia before darkness consumes it all. But love is as dangerous as war—and not every heart will survive the fire.
Eastlanders’ Fall is a sweeping epic of sacrifice, redemption, and love tested at the brink of ruin—perfect for fans of high fantasy with heart, grit, and consequences.
Eastlanders’ Fall
Eastlanders’ Fall, the first book in the A Drying World series, is a sprawling epic that plunges readers into the richly imagined continent of Ananthia. It’s a tale of ancient evil rising again, powerful cults seeking domination, and unlikely heroes trying to stop the world from crumbling—literally. The story kicks off with a chilling prologue featuring a cultist ceremony that goes sideways in a burst of divine justice and continues across time and space with mages, paladins, and political intrigue all grappling with the fallout. Brandon weaves together threads of high fantasy, horror, and philosophical musings about power and knowledge in a setting where the land itself is dying.
What I really loved about this epic fantasy novel was how unapologetically ambitious it is. The prologue alone is cinematic—seriously, the cult scene in “The Black Mass” is intense, grisly, and gripping. The way Brandon sets up Darvis Talsdrum as this menacing, dark priest of undeath is fantastic. I couldn’t stop thinking about that moment when the undead plunges a dagger into the elven girl’s chest just as paladins storm the room. It was horrifying and heartbreaking, but also incredibly effective storytelling. It’s rare to find a villain introduced with that much weight so early. I was hooked.
Some characters, like Milendil—the rogue wizard dabbling in necromancy—really worked for me. He’s a blend of tragic, arrogant, and brilliant, and I couldn’t help but root for him even as he spiraled. His quiet descent and eventual disgrace (and bitter sarcasm during sentencing) felt both earned and kind of sad. I genuinely felt for him, especially during his scenes with Villiena. That tension—knowing he’s doing something wrong, but for reasons that almost make sense—kept me glued. But not every character felt as rich. Maybe because there’s just so much going on that they don’t get as much time to breathe.
Brandon clearly has a massive world in his head, and while that can be a strength (the lore, the politics, the factions—it’s all super cool), it can be a lot to take in. There were chapters where I felt like I was swimming through exposition or trying to decode dwarven history. But then, just when I was about to put the book down, he’d hit me with something awesome—like the mage tower drama, or the way the desert literally eats cities. Those moments made the slower parts worth it. The writing style itself is vivid, sometimes poetic, and definitely leans dark fantasy, which I like.
Eastlanders’ Fall is a wild, sometimes brutal, always thought-provoking ride. If you like your fantasy epic, dark, and packed with morally gray characters, this is for you. Fans of Brandon Sanderson, Joe Abercrombie, or even older D&D-style storytelling will find something to love here. It’s not an easy read, but it’s a rewarding one—and I’m absolutely curious to see where the story goes next.
Pages: 413 | ASIN : B0DNG6RY4Q
LITERARY TITAN 