Posted by Literary Titan
Panorama: The Missing Chapter is a heartfelt memoir of your journey working and living in South Korea. What inspired you to share your experiences in a book?
In 2019, I wrote and published my first book, Views from the Cockpit: The Journey of a Son. The residual effect of publishing the book made me feel at peace with myself and the relationship I had with my father. Readers have also told me that Views from the Cockpit inspired them to take a different approach with their father or become more interested in forgiveness.
As I wrote my first book, I began to comb through my background of relationships. The story of Panorama bubbled up, and the time I spent living abroad in Seoul. I felt that if I shared it, someone could relate and benefit. Perhaps they could relate to escaping from problems, having secret relationships, or figuring out where they belong in the world. Not only was it interesting to reflect on these moments from my life, but in the real-world, a lot of stories surrounding bisexuality are not featured or appropriately categorized.
I appreciated the candid nature with which you told your story. What was the hardest thing for you to share in the book?
The hardest thing to share would be my social-political opinions about identity politics in America and how they’ve made me feel. Everyone can criticize anyone for anything, so I knew that I was opening myself up. When it comes to relationships and how people exist outside of heteronormativity – sometimes people just can’t understand anything else outside of that. Panorama not only exists outside of mainstream heteronormativity but also mainstream LGBT culture, which typically spotlights gay male voices. I was terrified to share a story from a minority group and criticize larger socio-political structures and members of those groups.
What is one thing you hope readers take away from your story?
There are a few things – Bi people are real – we exist and not only in a suggestive, explicit connotation. Bi people are a whole demographic of people, mostly invisible, in mainstream media and day-to-day social discourse.
Additionally, I hope people take away the importance of building bridges between communities. At the end of the book, I write about thought islands. We all want to feel safe and protected where we are. We all want to be seen and heard, and have our views get the most clicks and attention.
My goal is to build bridges, lift others, and make sure there are seats at the table for others who share in building. I also hope that people realize that the way people live, think, and behave does not put each of our identities and beliefs at risk. Somehow, if we can all get to a point to coexist, be slow to judge, we will have achieved something. I know that this is very optimistic, but I think bisexuality, in and of itself, focuses on people (men and women) and the things that make them unique.
You have another book, Views from the Cockpit. What can readers expect in that book?
Views from the Cockpit is a book born from pain. Father-son memories of plane watching at LAX quickly morph into familial dysfunction that ranges from divorce, resentment, to elder abuse. Views from the Cockpit uses airplane metaphors to tell a boy’s coming of age story into a man by reflecting on the living memory of my father – Claude B. Victory. Panorama is “the missing chapter” of Views from the Cockpit. However, both books can be read separately.