Odysseus: On the River of Time is an epic piece of literature that not only shows the importance of literature but also enables the reader to appreciate the art of story-telling. This book expands on Odysseus’s adventures, told in engaging poetic verse that is much like the Homeric epics this story builds from. Carl Hare’s style of narration encourages one to read more. Every line is great and the verses supremely crafted. In between the lines are rich texts and literary stylistic features that make the poem even more fascinating. Reading the book was an amazing experience. The author’s expressive nature and the excellence shown in writing are some of the things that make Carl Hare an outstanding author.
Odysseus: On the River of Time is the perfect book for you if you enjoyed Homer’s Odyssey. The author does not strain with words as everything flows naturally. In this book, Carl Hare writes about Odysseus’ last voyage to propitiate the god Poseidon. Odysseus’ journey is not to come without a challenge. It is evident that no matter what, he has to appease the god. He goes through several cities having a wooden oar with him. His journey comes with instructions. He is to travel to a land with no salt to offer the sacrifice. I enjoyed following Odysseus through his journey, going through exotic locations, meeting captivating characters, and absorbing conflicts.
One of the many great things about this book is how the author plays with his words. Reading Odysseus: On the River of Time will increase your urge to read more epic poems because of how incredible the author is. Every Canto has a unique touch. The best thing of all is the presentation of characters. I appreciate how superior characters like Apollo were presented and how Helen fit into this unique narrative. A good story has the reader pause and reflect. This is the exact feeling I had after reading every few cantos in the book.
Pages: 550 | ASIN: B0852R27DK
A Literary Smorgasbord is a collection of your literary works which reflect on many aspects of your life. What was the inspiration that made you want to publish your work?
The ‘inspiration’ for this book was merely a telephone call ‘out of the blue’ by a chap from Xlibris. He offered to publish any manuscript of mine at a relatively small cost. Although I did not have a completed MS like a novel, I knew I had enough short stories and poems, which I had entered into various competitions, but without much success, that would make up enough pages for a book. I also had autobiographical sketches which could be included as memoir.
I was pleasantly surprised when I sent these to get a very positive response. My work was very readable, and needed no editing. I then had to decide on the cover page, and my wife helped with a photograph of the front of our house. That was acceptable too.
However, the minus side of all this was the increasing cost at various stages of the publishing process. I was not consulted about the pricing of the book either. In the end, I had parted with a small fortune, but the end product was very professional. I hope now, with good reviews like the one from you, the book would become a ‘best seller’. In e-book form as well.
I enjoyed the poetry in this book. When do you write most of your poems?
I did not attempt writing poems seriously until after my move to southern Spain on retirement. Sitting on the terrace of my sun-drenched abode, I read quite a few books including poetry. If I remember right, all the poems in this book and others self-published as ‘One Year in Spain’ (2011) and ‘Solace in Verse’ (2013) were written between 2007 and 2014. Most of these poems were published in the local freebie weekly newspaper then under the title, ‘The Coast Rider’. Now ‘Costa Blanca People’.
Your short stories were entertaining and interesting. What was your favorite story from the collection?
‘The Reunion’ is my favorite story. It is based mostly on fact. The protagonist, ‘Colvin’ died of Covid – 19 in Luton last month aged just 76, eight years my junior. Couldn’t attend the funeral, but watched online.
What is the next book that you are working on and when will it be available?
I hope to write a dystopian futuristic novel on the lines of George Orwell’s 1984 and Ray Bradbury’s Fahrenheit 451.
There was no question that this author looked up to the United Kingdom as his mother country, where he emigrated to, at the age of 26. Although Ceylon, his actual birthplace gained independence from the British Empire when he was just 12 years old (1948).
At secondary school he regularly won the class prize for English and contributed stories and essays not only to the college magazine, but also to the children’s pages of local daily newspapers.
Under the title ‘Rudderless Living’ the author paints a succinct autobiographical picture of the main events of his nomadic life. ‘Overland’ describes not only a trio’s trip by car to Mumbai, India, starting from Cambridge, UK, but also refers to important background events in the author’s life. Over the years he had been writing short stories merely as a hobby, and the reader can expect a wide variety of real life events, as well as futuristic fables, in this collection. His poems were mostly written after he retired to Spain, and reflects his daily life there. A few of his poems won recognition as ‘Honorable Mentions’ at various competitions.
‘A Literary Smorgasbord’ is the product of his literary heritage exhibiting an undoubted mastery of the English language. Although he did not succeed in attending the then one and only University of Ceylon, he later gained academic qualifications from the University of London, and worked as an occupational psychologist until retirement age.
As assessed by British Mensa he has an IQ falling within the top 3% of the population. There is no question that this is reflected in the essays, stories and poems so uniquely presented in this volume, ‘A Literary Smorgasbord’. A worthy read.
The Fortieth Thief follows young Henry as he sets out to become a thief and learns a lot about life along the way. How did you uncover this fascinating story?
Well, like my other stories it just sprang up from my unconscious, or somewhere. So your ‘uncover’ is exactly right.
I now also see that, again like my other stories, it actually fits with my preconceptions and personality. I always like to think about the life of the underdogs – in a way the thieves were that, else why would they have been forced into that life? Like many people, alas, they probably had few if any choices open to them.
As an anthropologist too, I like to explore the lives of those (like taxi drivers, my next nonfiction project) that are not much noticed, possibly looked down on, and at any rate about whom we mostly know little. Since we can’t in practice do it for everyone in any particular category, we often focus down on a specific case or cases. Just like in this story.
So it happened that I started to wonder what those legendary thieves were like. We don’t know – where did they come from, what backgrounds, how recruited? were they all the same?
I went to sleep with those questions in my mind – and when I woke the story was just there. I can’t help feeling that in some other age or universe it did indeed happen just like this.
How did you set about bringing this story to life for modern readers?
I have to confess that at first I partly misremembered the story and thought that Ali Baba had been with the thieves all along. So I had to the change the start a little so as to explain that. I was happy to do so as it’s a familiar thing that power can go to your head – part of the moral (it happened to the thief leader too, can happen to us all).
All right the setting is in the long long ago – but what can be more contemporary than the bullying of powerless little Henry by the mighty gang or, all around us, the corruption of power?
I think the story was a morality tale, but also one of the natural world. What were some themes you wanted to capture in your story?
You’re quite right.
Well I suppose two, no three, main things.
First, at the start the idea that ‘power corrupts’. Yes, all around us.
Second, it takes me back to my core (not exclusive) discipline of anthropology, one that is now taking fiction seriously. Maybe it’s a case of the old saying that ‘fiction can be truer than truth’ – at least in a metaphorical or transferred kind of way.
From the story we can see, symbolically, that it is good to think with compassion and (same thing isn’t it?) understanding of those who, in a different way from ourselves seem to have gone wrong, even the biggily-yelling Thief Leader, let alone little loving Henry. And not just ‘thieves’ either.
And yes, nature. We are left with Henry’s gesture at the end of not keeping the jewels to himself or even his adored little sister but giving them (back?) to the sweetly flowing river, where (just to prove it’s true) we can see the signs of them still, glinting in the sun on the rocks. Like Henry, we need to recognise that the world’s riches are not for ourselves or for hiding uselessly away or for squandering but for returning to the earth from whence they came. Then heaven will look down, or the moon, or whatever, and keep our planet green and living and lovely. Quite a ‘green’, maybe even religious, message in fact, one with which, once a little barefoot Irish girl wandering with wonder through the trees, I wholeheartedly agree.
A Literary Smorgasbord: Memoir, Fiction, and Poetry, by Migel Jayasinghe, is a unique collection of largely autobiographical shorts juxtaposed with fictional short stories, poetry, and a drama. Jayasinghe, well-traveled and a virtual genius in his own right, provides readers with a smattering of brief excerpts from his own life while also offering a nice selection of stories of varying genres. To read Jayasinghe’s work is to take a peek inside his mind.
Jayasinghe’s autobiographical excerpts, presented throughout the book in no certain order, allow readers to venture alongside him through trips abroad, on a special visit to see one of his former teachers, to meeting and marrying his wife. We, as readers, are not often afforded the opportunity to truly get to know the author as we pore over his/her work. Jayasinghe is changing all of that for us. Interspersed throughout this short read, we get to visit with him and his family before being dropped quickly back into one of his short stories and glimpsing his imagination at work.
I am not an avid fan of poetry, but there is something different and captivating about Jayasinghe’s poems. Having the generally more serious tone of the fiction short stories, some of the poems included in Jayasinghe’s book do venture a bit away from the somber side. Not one to chuckle aloud when reading, I have to admit that Jayasinghe’s “Halloween Day” gave me cause to laugh out loud. Each poem brings something new to the table and shines a light on a different aspect of the author’s life in Spain.
Readers will easily relate to the play, “Market Forces: A One Act Play.” Timeshares are a thorn in the side for far too many people. Following along as the main characters are subjected to a wordy presentation while they want nothing more than to claim their promised prize, readers will shake their heads knowingly, groan along with them, and cringe at the pressure they experience. The drama is an overall fun read and different from any of the author’s other writing.
I enjoyed guessing where each of the author’s shorts would take me. Jayasinghe, without a doubt, is comfortable with all genres and hands readers a wonderful mixture of texts. Readers will appreciate the personal peek into the author’s life as they absorb the uniqueness of his writing.
Pages: 156 | ASIN: B07QY7L1TJ
Humphrey Hawksley’s journalistic career, when paired with his fiction-writing expertise, make for excellent non-fiction writing. Asian Waters is a really comprehensive and digestible read, despite its extremely weighty content. Hawksley’s tone and choice of language remains simple yet informative throughout, despite becoming increasingly complex in terms of content matter. Hawksley also manages to maintain a sense of pace and excitement with his writing, as if it were a novel rather than a non-fiction guide, especially when delving into and combing through actual history, geography and social science.
Though there is a hefty scope to cover when it comes to the Asia-Pacific conflict, the South China Sea, Chinese expansion and the territory dispute associated, Asian Waters covers everything you would want to know about the topic without it feeling as if you are being overloaded with information.
You may be tempted to read it as an almanac for the specialist topic it covers, or perhaps as an academic accompaniment, but it also doubles up as a travel book and is arguably best consumed in this way. Asian Waters was fascinating in itself, just for my own interest’s sake, so I imagine that it would be particularly enlightening to consume whilst travelling the very area it covers.
The focus on political tension between the countries of the Asia-Pacific is unpacked with great skill and tastefulness, but without wavering on the hardy facts. This is where Hawksley’s experience as a BBC foreign correspondent is most prominent – his understanding of the dynamics at play remains at the forefront of his writing.
Asian Waters is not simply a retelling of the history and politics which have been at play for years, or solely the facts and information which led to the current situation. There is also vital contextualisation that allows the reader to understand where these issues sit at the time of reading, understanding how a Trumpian government impacts the conflicts, or how the relationship between Moscow and Beijing influence the rest of the world.
Asian Waters connects all the branches of knowledge and intellect to give a clear retelling of the reality, including social influence, historical action which has taken place, and the geographical layout that facilitates as much. As well as clarifying the past and contextualising the present, it focuses on the future. The book predicts how the implications of what has happened and is happening will affect what is to come for Asia.
Pages: 304 | ASIN: B07MXDFQK1
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Gypsy NoMad Hippie Chick is an inspiring memoir following one woman’s journey through homelessness and heartbreak. Why was this an important book for you to write?
The book was written during a time that I had personally fallen on hard times, and had few people that I could turn to to share my days with. I wrote the stories to women in an online private group that were supportive of the non profit I was creating which was founded on the emotional support for women facing life challenges such as I was facing. Writing is cathartic, and sharing about ‘her’ days helped keep me going when life felt overwhelming.
I appreciated the way in which you told the story so that all women could relate. Was this a conscious decision or was it a writing style that came naturally?
As I ventured into the journey to create a place to help women who were facing challenges such as divorce, death of a loved one, homelessness, and financial devastation, I ‘met’ women from around the world that were dealing with similar situations just as I was dealing with. I wrote the stories from a sincere place, sharing as I would to a dear friend. It was a natural flow, and as I wrote I had women continually say to me they thought I somehow was writing about them. This encouraged me to keep the stories about ‘her’, so others could see they were not alone with their experiences.
You share both good and bad experiences from your life in a way that is easy to relate to. What is something you see differently now that you look back at that time?
As hard as things were during that time, there isn’t a lot I would change. I accomplished a lot despite the odds I faced. I had a lot of panic attacks and fear, and I also had a lot of growth and healing from things that I had gone through throughout my life. There isn’t a lot I see different looking back to what I was experiencing at the time, and the book reaffirms to me that it is ok to take the time to heal and figure things out without being dictated by what everyone else thinks one should do differently.
I found your book to be ultimately inspiring. What do you hope readers take away from your story?
I think that there are times that people go through things that others cannot relate to, simply because they have have never had to. The book reflects that no matter what happens, we can get through it. There is no set time for a person to heal, and there is no set road a person should walk. Gypsy NoMad Hippie Chick brings her through a time of feeling alone, and devastated by the loss of friendships and support, finding strength and persevering with conviction and faith that she was doing what she needed to do. She was able to be emotionally there for her children, and keep her outward self brave and, most of all, kind, when she didn’t feel a lot of kindness around her. Maybe through the stories told others will relate and find their own ‘place’ like ‘she’ found in the creation of Her Place.
Gypsy NoMad Hippie Chick’ is a woman’s journey through homelessness and heartbreak, with comical moments, crazy adventures and a search for self. Read about ‘her’- a woman who could be any woman, and the depth of her heart and she ‘rewrites’ her life.
Immersed in West Africa follows one man’s journey across many roads less traveled, giving a glimpse into a part of the world that is unfamiliar to most. Terry Lister begins his 2-month journey in Senegal, where he loops the region, exploring Gambia, Guineas Bissau and Conakry, amongst others, before ending his journey back where he began.
The beauty of Lister’s journey is that he writes in a way that made me feel like I was right there with him. Every page in this book was as if I were reading a postcard from a friend, accompanied by photos of Lister’s journey. It made for a quick read that I finished in one sitting, and his very casual style of writing meant it was easy to consume.
Before coming across this book, I was entirely unfamiliar with Lister. However, he addresses the reader as if you have a long history. Often, he reminds us of things that you ‘know’ about him, such as that he has a “thing for volcanoes… and a thing for waterfalls” and his passion for “renewable energy sources”. I am still not clear how we would already be aware of that information, but I found it charming, nonetheless.
Personal highlights include the tale of the time-consuming tea-making ceremony in Mauritania. Once again, Lister’s casual way of accounting the story made it feel like he was recounting the memory over a beer or coffee.
With that being said, I am unsure if this is intended to be read by anyone. The title mentions immersion, and while I have no doubt that Lister achieved that on his travels, the brisk explanations made it hard for me as a reader to feel the same way. More a memoir than a guidebook, I can picture future generations of Lister’s family sitting around and reading this compelling story.
Lister’s unwavering positive attitude throughout was undeniably charming. Given the endless amount of challenges Lister faced, from customs inspectors to taxi drivers, it was hugely admirable. It’s quite hard not to imagine Lister’s smiling face as I read the words on the page.
Pages: 156 | ASIN: B07WH7JH6G
Alexis is smart and sexy – but, like most people, she’s got a few things holding her back in life. And if she’s to ever move forward, she’s got to confront them–head on.
From failing her school exams and dealing with her father’s illness to being mistaken for a celebrity and avoiding serious relationships at any cost, Alexis’s life is riddled with complications and concerns, some harrowing and others absolutely hilarious. When she meets a svelte Swede named Sven, Alexis’s life becomes even more complicated, and her fear of commitment becomes more pronounced, placing her at a pivotal point: Can she overcome her fears and get married? Or will she search for any excuse to keep from walking down the aisle?
The Green Line Divide: Romance, Travel, and Turmoils follows Alexis’s trials and tribulations in life, love, and relationships, set against a Mediterranean backdrop rich with travel, musicals and culture. A truly informative, laugh-out-loud novel, it is sure to appeal to readers with a wide variety of interests, including tourism, hitchhiking, international history, personal growth, and stories of relationship drama.