The Reaper is book two in the Fallen Conviction series and opens with the revelation that the King of Akala is missing, and the new Queen, Leah, is now in power. What was the inspiration for the direction of this thrilling novel?
I had the idea of the direction of the novel when I first planned out the series. The entire story is planned out, and had been from the beginning – but the direction of the story has led up to this point because of Darius’ position: The title of the series, The Fallen Conviction, refers to the main characters. Everyone, Darius included, have fallen in some way from positions of power or comfort, and this has led to their current convictions and beliefs. Therefore, showing him as fallen and missing was essential – because this is what drives him to fight against his oppressors. While he was in power, he had very little conviction, but now things have changed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
My favorite character to write for is Zacharias: He knows everything that is really going on, but is reluctant to reveal too much to the people he is around for his own reasons. Because of his knowledge, however, he is the most fun to write for because he can say things with double meanings that don’t become clear until later, and there is more to discover about him than any other character.
How do you feel you’ve developed as a writer between book one and two in the Fallen Conviction series?
I think I’ve developed a better understanding of character dynamics, and making a character driven story. The first book was very plot driven, and although I had a clear understanding of all of the characters, it became clear that my readers did not get a great sense of all of them – and so with the second book, I focused more heavily on developing them.
The interplay between Darius’ group of refugees and the leadership of Shaweh are the primary drivers of the plot. What were the driving ideals behind the characters development throughout the story?
Each character has lost something that they want to get back, and at their core each one is selfishly trying to get back what they lost, and on top of this there is a hatred between the two nations that leads to mistrust and tension – but as the story progresses, they all learn that there is a bigger issue at stake, and they have to work together.
Will there be a third book in the Fallen Conviction series? If so, where will it take readers and when will it be available?
Yes, there will be a third and final book in the series, called The Empty Nation. This novel explores the war between the three factions: The Empty Ones that Lialthas has created, the remainder of humanity, and The Reaper. Each one represents three important pieces: Lialthas and The Empty Ones represent complete order, a totalitarian system of control without the slightest room for deviation; The Reaper is his opposite, that is to say he is complete chaos, disorder, anarchy, and is the embodiment of deviation; and caught in the middle are the remainders of humanity, who are being forced to choose a side between one of the two, because both are more powerful than could ever be overcome. Therefore, it is not just a war of weapons, but a war of ideals as each person from the group will be forced to choose one of the two sides. Right now, it should be available in mid 2018.
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Stirring is a thrilling supernatural novel that sets a towns families against nightmares and tortured souls of evil that will pull them into the depths of their darkest days. What was the inspiration for the setup to this suspenseful novel?
I grew up watching monster movies – vampire movies in particular – with my mom. We especially liked the Hammer film series, starring Christopher Lee and Peter Cushing, and The Night Stalker films and TV series, starring Darren McGavin. Also highly influential on me was the Salem’s Lot miniseries that aired in 1979, starring David Soul and James Mason. Dark Shadows and other such films and television series also played a role in developing my take on the genre.
I started writing stories in earnest when I was a young teenager, and that’s really when Descendent Darkness was born. It was one of the first ideas that I began developing, and was partially born out of a weird experience I had. I got up early one summer morning, well before sunrise, and went out for a walk near a wooded area of our neighborhood. From a distance, I saw a man walking under a street light, and not far behind him, coming up quickly, was a woman with a very creepy expression on her face. Being the imaginative sort, I thought: What if she were a vampire? What if she was stalking the guy and about to jump him and drag him off into the woods? From there, I started down the Night Stalker/Salem’s Lot path, thinking on the subject of how vampires would operate in the modern world.
As for the setting, my family is from the Shenandoah Valley. It’s such an old area, and so full of history, that it seemed a natural location for a story of this type. The mountains have a mysterious quality to them that isn’t easy to put into words.
Stirrings is a genre-crossing novel with elements of a mystery, crime, and drama as well. Did you start writing with this in mind, or did this happen organically as you were writing?
It was definitely an organic thing. I had a basic story outline formed in my mind, but it changed many times after I started writing and getting to “know” my characters. I had to figure out how to bring vampires into the real world, and that meant dealing with real world issues in an unreal situation: How would the murders be explained? How would law enforcement deal with the situation, given that outsiders would never believe the truth? How would real people react to genuinely encountering the supernatural? What effect would keeping secrets about these things have on people over time? How would relationships change? How would a real vampire seek to protect itself and take victims in the modern world?
All of these considerations caused the story to branch out in many directions and develop a number of layers.
The relationship between the siblings Holly and Mike is intricate and relateable as they battle together, sacrificing their souls to save their family. What were the driving ideals that drove the characters development throughout the story?
Their parents raised them with a strong sense of family loyalty, but the tragic loss of their mother drove them together in a particularly strong way. They share a bond, not only as siblings but also as survivors. Books two and three reveal more of their background and illustrate why they have the relationship they do. This is a key aspect of the story as it moves forward.
Stirrings is book one in the Descendent Darkness series. Where does book two, Legacy, take readers?
Legacy picks up immediately where Stirrings leaves off. The curse the men of the town hoped they had buried forever has finally been set free, and the number one item on its agenda is vengeance. A game of cat-and-mouse is set into motion, with the mice unaware of the game until they’re already caught up in it. We learn something of the true extent of a vampire’s powers and even delve into their origins.
Legacy contains more action and further develops the main characters. The reader also meets some new characters who will factor heavily into the events of the final book. It’s here that everything blows up and the secrets come out, setting up the end game.
In 1982, three men in rural Clarke’s Summit, Virginia, faced an ancient terror, a curse that reached for them from out of the distant past, threatening to destroy them and to draw everyone they loved into everlasting darkness. Together, they paid the ultimate price and drove the shadows back, burying the secret of Clarke’s Summit for what they hoped would be all time.
Now, twenty-one years later, Richard Gaston, deputy sheriff Tom Campbell, and Father Ryan Bennett fear that the power they once defeated may be growing strong once again, ready to break free of its prison. For another amongst them – a tortured soul who was once the bondservant of evil – there can be no doubt. A familiar voice is taunting him, calling him back into the service of darkness.
And for Richard’s son and daughter, Mike and Holly Gaston, the nightmares they’ve had all their lives are about to take shape in the real world.
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The Battle of Barkow tells the tale of dark vs light, good vs evil, in a world where magic is not all bad and religion is not all good. What was the inspiration for the setup to this novel and how did that develop as you wrote?
I wanted to give readers a story that not only takes them on a journey through the eyes of Bolan, Hogarth and Sterre and the choices they make but also a story that provokes thought about life, the things we believe in, don’t believe in and how we deal with those things. I think we all have conflicts within us, we do things that others have done before us simply because of that very reason. My message is that perhaps things are slightly different if we stop to think about them from a neutral position.
I of course also wanted a story that anyone can read and enjoy. You don’t have to ponder the meanings or questions hidden within the story, you can simply read it as a (hopefully) exciting and interesting journey of discovery for the main characters.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
If I had to pick a favourite character I would have to say it would be Bolan. A thoughtful and intelligent man yet one burdened with deep inner conflict. Unable to really grasp his purpose in life, he struggles with belief yet chooses a vocation that is based entirely on belief. His journey is one that answers some of his questions, brings him to a crossroads and forces him to confront those inner conflicts.
I noticed lots of subtle comparisons between good and evil in this story. What themes did you feel helped guide the stories development?
There is a theme of ‘good v evil’ running through the story. However are the good really all that good and are the bad really all that bad? Is there good and bad within us all? I will leave that up to the reader to decide.
I have a problem with a well written stories, in that I always want there to be another book to keep the story going. Is there a second book planned?
Yes, I do intend to take this story further. To explore the characters even more and to challenge their beliefs in a sequel. This is something I am working on as we speak. I also believe there is a good story to be told for a ‘prequel’ to The Battle of Barkow….the story of how it all began.
“A priest and a wannabe wizard embark on a journey to deliver books to nearby villages, meet new people and see how others live their lives. What they will discover on their journey however is far more than they could ever have anticipated. They will meet mysterious people, dangerous lurkers, battle hardened warriors and of course a beautiful woman or two!
The Battle of Barkow will take you on a breathless journey down winding roads, lush forests, across waters, through vast fields and towering mountains. All in the name of saving a city from a great evil.
Join Bolan and Hogarth as they take their horse and cart on a journey that will not only put them in harm’s way, but will challenge the very core of their existence.”
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Adam’s Stepsons follows Dr. Heimann as he designs the perfect soldiers for the United America’s in their war against the Martian colonies. What was your inspiration for the setup to this interesting science fiction story?
At the time I wrote the kernel of the story, I was working in a used bookstore and devouring all the short stories and novels by Phillip K Dick and Robert Heinlein that I could lay hands on. I was (and still am) fascinated by questions of “what is reality?” but I was (and still am) also intrigued by the question “who am I?” not only in terms of shared realities and perceptions but also ethnicities, religions, and personal relationships within the family. The sense of self is inextricably bound with community and history; my own family history, for example, is filled with generation after generation of soldier in nearly every major conflict since the 1680s. So I knew that I wanted the story of Dr. Heimann and his clones to take place during a military conflict of some sort. The US made it to the Moon first, so I figured any Moon Base would be set up by a future version of the US. But the rising powers of India and China would necessarily lead to competition and colonial expansion elsewhere in space. So I based the UAAF on the Moon, India on the ISS, and China (basically) on Mars. But something has gone wrong, as it usually does, and that sets off the conflict.
I should point out that, when I initially plotted the story and sketched out the characters, Dolly the Sheep hadn’t been announced, Battlestar Galactica was a late ’70s TV show starring Lorne Greene, and “The Clone Wars” still consisted of a single line spoken by Obi-Wan Kenobi. So as much as I’d love to say that I got the idea for soldier clones from the current zeitgeist, the underlying premise of Adam’s Stepsons actually predates the trend. My high school library had beat-up copies of Nancy Freedman’s Joshua, Son of None, and Ben Bova’s The Multiple Man, so it’s likely I internalized elements from those stories and subconsciously reproduced them in my own story.
Dr. Heimann and one of his cloned soldiers, Seth, have an intriguing relationship that becomes very deep. What were the driving ideals that drove the characters development throughout the story?
Dr. Heimann prides himself on his scientific bent of mind, but he struggles to cope to grips with the fact that he basically has no family left, and as Seth grows and begins to develop a real emotional attachment, the doctor desperately tries to push away the feelings he had for the person Seth is clone of. Meanwhile Seth has been trained (“brainwashed,” as the doctor puts it) to be an efficient killing machine, and his need for order compels him to seek out and eliminate anything unknown or unreasonable. Yet he, himself, can’t help feeling strong conflicting emotions, first toward the doctor and then toward his fellow clones. Both characters are driven to discover, deep down, who they really are as people, outside their rigid societal roles as scientist and soldier. Dr. Heimann knows that Seth is not his real son, but can’t help treating his stepson’s clone familiarly because it reminds him of what he has lost. Seth has been “programmed” not to think of anything other than army orders, but he can’t shake the sense that there is more to who he is as a person. Finding out he is a clone, and who his “brothers” are, is the trigger for the final confrontation.
Science fiction has always asked the ‘what if’ questions, but I feel that your novel went a step further. What were some ideals you used in building your story?
My original intention was to investigate not just the “what if” of human cloning (i.e., how would this be done? how would the clones grow physically and mentally?) but also the “what is self?” to a cloned human being. The scientists argue that personality is partly inherited and partly environmental; so if you were to make several different clones of one person and then controlled the information input, they would all become the same person. But personality also consists of emotional attachments made with other human beings on a deeper social level. Human beings are social animals; we need other humans to survive and thrive, and without others we have no clear sense of who we are and what our purpose is. So in order to examine this in a futuristic setting like a clone facility on the Moon, I needed to have a reason for making clones in the first place, plus other people who would provide the clones with that social environment. Once that was established, the real question became “Is what we’re doing morally ethical?” The military paying for the clones display classic cognitive dissonance, by using people they claim are not really people but know they actually are, in order to win what they call a morally righteous war but actually is destroying their entire society. Yet the General clearly also feels a sense of internal conflict, feeling obligated to protect every member under his command, including the clones, and also knowing through his friendship with Dr. Heimann who the clone really is and how this might affect his friend. Ultimately, I was interested in making sure none of the characters were typical “scifi” stereotypes, that they had ideals but were deeply flawed people, and ultimately would find themselves trying to make the best of what basically could turn out to be a lose-lose situation in the end.
What is the next book that you’re working on and when will it be available?
Right now I have a couple of projects I’m working on in various stages, but the one most closely related to Adam’s Stepsons is a metaphysical science fiction series set mostly on Mars. The first book is called Bringer of Light; a crew of ethnically diverse and somewhat misfit asteroid hunters recovers an extra solar object from beyond the solar system, experiences physical and spiritual changes, and ultimately becomes the new leaders of the united Mars colonies as they break away from the old political chaos of Earth and form a new society. The story combines hard science with various mystical systems of belief, ethnic and religious sense of self and identity, and international/interspacial political intrigue. I’m about a third the way through the initial draft; the aim is to finish writing by the end of summer 2017, and have an edited, polished manuscript done by spring 2018. The next two books (Defenders of Aeropagus and Return to Omphales) have already been outlined and plotted.
Dr. Johann Heimann designed the perfect soldiers: superhuman in strength and intelligence, immune to sickness and disease, programmed to lead the United Americas to a quick victory in the Mars Colony War. But Heimann didn’t anticipate the military’s unrealistic demands, or his own emotional responses to his creations. And now Number Six is calling him “Father”! What exactly is going on during the clones’ personality imprinting cycle? As Heimann starts his investigation, Number Six grows in confidence and self-awareness…and both discover the project hides a secret even Heimann, himself, doesn’t suspect…
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Globes Disease by Lance Keeble is an edge of your seat thriller! We follow Jodi and several of her friends as they deal with an affliction affecting all of them. Their small town is under siege by a Vampire, who hunts those with such an affliction and government agencies promising them a cure. This strange mix of individuals must come together if they hope to survive. They will not only have to fight for each other, but fight to keep their humanity in the process.
I did not know what to expect going into this book. The cover art was interesting, as was the title, but once the story got going I was more mystified by what genre this novel fits into. It’s not quite science fiction, even with the disease device. It does not feel paranormal with the vampire and lycanthropy. Even with the suspense/thriller elements thrown in, they alongside with all the other speculative fiction elements do not define the book entirely. For the indiscriminate genre reader, this book is for sure a treat, because it plays with all the familiar conventions found in those respective genres.
From page to page, Keeble’s prose is electric. The characters jump off the page with each thought and action that they conduct. And to some degree, I felt like I knew these characters at one point in my life, because of the breath that Keeble can breathe into them. I was amazed. Some of the names had me scoff, like the characters, Quake and Ano, but as time went on the names kind of went with them and felt natural.
All in all, the pages read very easy and the reader shouldn’t be surprised when they find themselves twenty pages in after a blink. The pacing Keeble maintains is one that I admired, since it lends to the novel’s suspense and thriller architecture. And it is not only that, but the mystery that exists within the early pages of the book, because as the reader you want to know how all these various characters get swept up into this awful mess.
There were some hang ups for me as a reader, mainly along the lines of how many points of view Keeble chose to follow. It makes the chapters very short and it can ready almost choppy at times, since we are jumping from head to head. This flaw is only saved by how well written his characters are.
The final verdict is this: if you are looking for an interesting and pulse-pounding read than I would recommend this book. If you are searching for a book that defies genre convention and definition than this is the book you are looking for. If you desire a book with a fun case of characters bound in a common mission and goal, when the world is so divided, then this is the book for you. If any of those reasons apply to you then I would very much recommend this book.
Pages: 353 | ASIN: B01F0D0GVY
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Angie Brown, A Jim Crow Romance was originally written by Lillian Jones Horace 68 years ago. What inspiration did you find in this book that made you want to publish an annotated scholarly edition?
I am certain that most of my admiration stems from my appreciation for Horace, the African American southern woman writer, who remained true to her commitment to write “creatively but constructively.” Before I began conducting research on Horace and her writings, she and the archival material treating her life and works were largely overlooked by scholars.
The protagonists she created all exemplify the kind of determination that Horace herself demonstrated throughout her life.
I wanted to create an annotated scholarly edition to help Angie Brown find its way into the literary canon, where students and scholars of African American literature could weigh in on its value.
Angie Brown is a strong women that is finding her path through troubled times. What are some things you admire about her character?
I admire Angie’s determination, practicality, openness to learning, friendly nature, and commitment to progress.
What kind of research did you do for this novel and Lillian Jones Horace?
I conducted extensive archival research to better understand Horace and the characters she created. A comprehensive list of the repositories I visited appears in my first book-length publication on Horace titled, Recovering Five Generations Hence: The Life and Writing of Lillian Jones Horace (2013). I have been researching and writing about Horace since 2003. Her papers are held in the Fort Worth Public Library, Fort Worth, TX.
I understand you contacted some of the Horace family for this book. What were their reactions to you pursuing this 100 year old story?
I contacted her niece and two of her great nieces. Her great niece, who remembered her well, knew that Lillian Horace was a respected educator, but she had no idea that Horace had written two historic novels. Most of what I shared with her and other family members about Lillian Horace was new to them.
Do you have any other books in the works?
Yes. I am working on an edited version of Lillian Horace’s diary, and a book project comparing and contracting the trajectory of Horace’s life and works to those of her younger and more popular southern African American contemporary, Zora Neale Hurston.
“Angie Brown is a romance migration novel set in the Jim Crow era. Angie, the protagonist, determines to embrace all life has to offer despite the social restrictions facing young black southern women like her. Angie holds fast to her desire to find financial success, personal fulfillment, and true love, but she does not achieve her dreams alone, nor do they unfold in the same place. From Belle, her confidant; to Betty Yates, the teacher; to Chester, the pool hall owner; women and men from various social stations in life and different places share nuggets of wisdom with Angie. With their love and support, she overcomes tragedy, welcomes fresh possibilities, climbs the social ladder, and opens her heart to love. Angie’s progressive journey reflects the migratory trek of many African American Southerners of the Jim Crow era, who left the South for greater educational and economic opportunity. Her quest leads her from a small segregated community to Hot Springs, Arkansas, and eventually to the Midwest, including St. Louis, Missouri, Chicago, and Southern Illinois. As Angie travels from place to place, she gradually comes into her own and learns key life lessons. Angie learns that struggle is universal. While doing domestic work, she discovers that whites, who live on “The Other Side,” also experience pain, suffering, and grave disappointment. Love eludes white women, too, and they, too, face gender discrimination. Having overcome her fair share of personal losses, Angie reaches across racial lines to console Gloria, a member of the Parker family, for whom Angie does domestic work. Her experience with the Parker’s is juxtaposed to her dealings with the Mungers, a rich, Northern white family she meets. Although the Mungers are kind to Angie, she learns that life beyond the South is not perfect. Yes, she and other blacks face less virulent forms of racism outside the South, but economic stability and educational opportunity are not easily achieved.”
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A Small Bronze Gift Called Mirror follows Lydia who is a sixteen-year-old girl living at a boarding school when the headmaster of the school forces Lydia to compete in a mirror contest. What was the inspiration for this very imaginative story?
A quote from Plato’s Apology of Sokrates served as my inspiration for my story:
“something divine and spiritual comes to me, (…) I have had this from my childhood; it is a sort of voice that comes to me, and when it comes it always holds me back from what I am thinking of doing, but never urges me forward.” – Plato’s Apology of Sokrates- 31d. What if we could not only hear this divine and spiritual voice, but also give it a face? Would we be satisfied with the image? Would it be what we imagined it to be or would it be what others expect it to be?
Lydia is a strong-willed, independent teen who takes matters into her own hands. What were the morals you were trying to capture while creating your characters?
Like most characters of the story, Lydia has many challenges to overcome and a difficult task to carry. She faces a lot of issues that people today struggle with. That require many morals and values like self-respect, compassion, altruism and justice. Lydia is a strong-willed young girl, who changes and develops these values as she grows up.
The story has a wonderfully unique take on magic mirrors that’s different from the fairy tale version. How did this idea come to you and how did you develop it into a story?
From the beginning I wanted somebody for Lydia to talk to, because it’s not easy for a child to be left grow up alone. This resulted in the creation of Phoebus, who could prove to be a true friend or an enemy. I tried to show how difficult it is for us today to protect ourselves from bad influences. That’s why the reflections in the mirrors are often shaped by how we perceive ourselves through the manipulation of the others.
What is the next book that you are writing and when will it be available?
Currently I’m writing another mystery novel about two very different people, which have nothing in common until they bump on each other. It will be available as soon as the English translation is finished.
“A small bronze gift called “Mirror” follows the story of Lydia, who is forced to go on the run at the age of 6 when her mother is murdered. Protected by her grandmother, Lydia’s life is shrouded in mystery, compounded by the small bronze gift she was given and which she calls ‘mirror’.
At the age of 12, Lydia is left in the care of Mrs. M, and is given a place at a school filled with unusual characters. When she arrives there Lydia discovers that all the children have the same ‘mirror’ as she does. But it’s when she starts to learn how to use it that the real story unfolds and she must undertake a remarkable journey.”
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Fathering the Fatherless is a short, non-fiction story detailing the struggles a man has in terms of understanding and becoming a father. Why was this an important book for you to write?
I wrote the book because my Pastor struck a cord inside of me when he asked me to pray for fatherless spirit. I was like wait, there are hardly any books on this as far as I know. And then within 5 months I wrote most of what is in Fathering the Fatherless. From that I noticed I fell under this pattern of statistics and I needed to change so my children would live a healthier and better life and that I would become the father God called and made me to be. If you look at the first chapter, Statistics of a Fatherless Home, and look at whats going on in this world you can see what I mean.
What is one misconception that you think people have about fatherless families?
Well, writing this book was from the heart as a man growing up without a father I feel I missed out in so much as a child and as a father I lost out on how a father really should be and how to father.
You speak from your own personal point of view in this story. Was there anything difficult for you to write about?
It was hard to talk about me as a father and not having a father as I was growing up.
What is one thing you hope readers take away from your book?
I hope everyone will grow and learn from the book and strive to do a better job and teach others how to be a better father.
“Fathering the Fatherless deals with Fatherlessness and what it does to children and The choices we make in there life. What we can do as a dad to fix it.And do better for our Children to come to know they have a father that loves them and wont leave them, You & God.”
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Return to Babylon begins with Orfeo and Clarice returning from the New World and their battle with the Spartans to settle into a somewhat peaceful life. How did you decide where to start the fifth book in the Orfeo saga?
I think it is a central theme of my books that you never know who emerges as an enemy, and you cannot pick a good time to confront a problem. Book 5 starts out by Cyrus being bored, and he assumes he will make a business trip to Babylon and see old friends. The trip does not go as planned, and he ends up being held as a slave and carted off.
I realized that I had taken the series to the New World but I had not been further east. When I was a rug dealer I remember my time in Afghanistan, before the revolution. I really enjoyed every trip to Afghanistan I took. The people were friendly, the food was great, there were all kinds of wonderful cultural things there. When writing I did my best to forget what was going on in that country now, and tried to capture what it must have been like in the Bronze Age.
My favorite character was Cyrus, a young and eager apprentice who begins to learn the ins and outs of spy craft. Did you have a favorite character you liked to write for?
For book 5 Cyrus emerged as the main character. The name gives it away. I modeled him after Cyrus the Great (600-530 BC). Of course Cyrus was a character from a later age, but I know that history regards him as a pragmatic ruler and a peacemaker. That is just the kind of ruler the region needs today. My character, being younger, is not so constrained as Orfeo and Clarice. Cyrus is not a Wanderer, and he leaves less of a footprint than the other characters (after all he is a good spy). I liked this about Cyrus, in a way he is something like Zurga would have been as a young man. In another way Cyrus would find his place at the end of the book, and he would have no need to wander even if he wanted to.
Return to Babylon is an action-packed story that explores the dynamics between different kingdoms. How did you set out creating the dynamic between the kingdoms? Did you outline it or was it organic?
I had to outline book 5 more than the other books. The difference is that for ancient Greece and Mesopotamia relatively more is known about their history. The area of Afghanistan is less known, and in a way this made the plot more difficult. I did not have names dates and events to hang my story on. I had to rely on the histories of the later empires that existed in Afghanistan. The rugged country made it hard to control. There were many petty kings, and bandits could be a problem.
Where does book six in the series, The Slave Boy, take readers?
I have a story arc planned around Orfeo and Clarice. I will use Cyrus in later books, but in some ways this book was a one off. I am really interested in the transfer of power. It is not so much that the older generation trains the next generation. It is more that the older generation is there after the adventure is over to help point out what lessons were learned.
After the conquest of Babylon the victors installed the daughter of the former king as ruler of that city state. Zinaida is now beginning to feel stirrings of divinity, and seeks vengeance upon the coalition who put her on the throne. One by one surrounding kings are removed. This time there will be no grand coalition to challenge the might of Babylon. The battle will be in the shadows. Zinaida has sent spies to locate Zurga, and she is greatly concerned that he cannot be found. After an attempt on his life, Orfeo and Clarice decide to go directly to Mesopotamia in an attempt to prevent harm coming to their adopted city of Pylos.
The wild card in the equation is a small city not one hundredth the size of Babylon which is located in the lower Tigris. Can the ruler of Araka be persuaded to take on the might of Babylon? Daryush, now ruler of a small kingdom, also decides to meet the threat in an unconventional way. He trains a young apprentice named Cyrus in spycraft. Can smoke and mirrors overcome raw power?”
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Physical follows two women, Fatima who has given birth to twins in London and Kiki who finds herself stuck and alone in Northern Italy after her boyfriend leaves her for an ‘upgrade’. What was the inspiration for the setup to this engaging novel?
This novel was inspired by a wine-fueled conversation between two close female friends discussing the past five years of their lives. Like in the book, one had given birth not too long ago, and the other one had recently been ditched by a long-term boyfriend. Both were distraught at the sharp decline of their self-esteem and loss of their identity in a matter of months. They exchanged passionate words of rage and desperation which grew more caustic the more they drunk. Just before collapsing from alcohol intoxication, they homed on actionable lessons from their almost opposite yet very similar experiences: desire was still ablaze inside them; sex continued to matter; and whatever else slightly alien seemed to be hijacking their lives, they deserved to seek physical fulfillment. The rest, is fiction.
Emotions run high in this book and you can truly feel where these women are coming from in their midlife crises. What were some themes you used when developing your characters?
On the side of Kiki, I was eager to explore ways in which a middle-aged female could cope with rejection including the weight of factors such as aging, the yearn for children, and the clash with societal pressures and surrounding family and friends. Of course, I also wanted to look at the role of sexuality and how it changes with age, and whether physical desire can remain determining even as mature life becomes more complicated.
On the side of Fatima, I focused on the potential result of taking away freedom and independence from a successful middle-aged woman, trapping her in a new ‘silent’ world. I wanted to push Fatima to the edge and see where she would run to re-find herself, and how much she would risk to regain happiness. I toyed with betrayal and whether it could be therapeutic and serve a purpose, as well as with a mother’s/wife’s guilt for her own selfishness versus her right to want fulfilment of all kinds including physical. I wanted Fatima to consider whether love means total trust and what trust actually means.
I felt that Kiki was sabotaging herself a lot through the story. Do you think this is reflective of her character as a whole or is this just a phase she’s going through?
Kiki is a woman of a different time. Full of ideas and ideals. Passionate and righteous but who has never been allowed to believe in herself too much. She would like to leave Italy but doesn’t find the courage. She would like to step out of her parents’ influence but loves them too much. She knows she’s very different from her friends but not sure she could do without them. She’s deep down uncertain of what she wants from men, but at times feels pressured she should follow every female’s ideal of marriage. She’s a strong doubter with a good heart for whom things finally work out. We need more Kikis in the world, for sure.
What is the next book that you are working on and when will it be available?
Morte a Pisa: LIPS, LIGHT & LYRE will be out in June. It is a thin book with a trio of reflective short-stories around female death following a weekend in Pisa. The next full-length novel will be Caro M, where a lover misses her beloved Caro M after being abandoned; a wife is steered through her divorce from husband Caro M by her sweetheart psychiatrist; and a young girl has landed a fairy tale wedding to groom Caro M that soon becomes a nightmare her cousin wants to help fix. Naturally, someone somewhere will be the end of Caro M…
In a small town in northern Italy, Kiki feels worthless and angry when her longtime partner finds a new cool girl to ride on another decade of easy existence. Meanwhile in trendy London, Fátima, the wife of Kiki’s best friend, is losing her selfhood after giving birth to twins and being made redundant. Both heroines are determined to rebuild the passion and impunity of their youth, vitalising desires that will bring them to risk everything…
Themes covered in the novel include rejection, identity, betrayal, freedom and the right to happiness. The tone is humorous on the face of distress, often rejoicing in the terror of lives out of control.”
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