Slickrock weaves together the paths of a loner who discovers a body in a granary and a college student who is roped into a scheme by a crew bent on revenge. Where did the idea for this story come from?
The remote wild country in Canyonlands National Park seemed like a great place to store a kidnap victim while waiting for the ransom, and it was also perfect for the intervention by “Relic,” the moonshining hermit of Canyonlands.
How do you balance story development with shocking plot twists? Or can they be the same thing?
One builds naturally into the other, especially when a character is cornered by circumstance and their own choices.
Do you have a favorite moment in Slickrock? One that was especially fun to craft?
That’s a tough question. Maybe the scene where Relic fools the shooter into thinking the deputy is already dead.
Can we look forward to more work from you soon? What are you currently working on? Yes, I really enjoy writing about the moonshining hermit and tales of adventure and intrigue in the desert outback!
Murder at ancient ruins, desperate kidnappers, and a $5 million-dollar ransom make Slickrock Canyon a deadly place for a finance student, an intrepid deputy, and a moonshining hermit.
Malia is kidnapped and held in an old trailer in a remote canyon. When a gin-brewing recluse named Relic rescues her, an investigating deputy teams up with a hunter who is not who he claims to be… Malia and Relic must survive a deadly shoot-out, evade their pursuers, and warn the deputy before it’s too late. But someone in town is helping the bad guys. And a trip-up in their plan only makes them more determined and lethal…
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