The Moving Blade follows detective Hiroshi as he navigates street level politics to solve the murder of an American diplomat. What was the direction that you wanted to take book two in the series that was different from book one?
The direction I wanted to take it is not the direction it ended up going. So, I headed more into the characters, who became more and more interesting. I focused on the roiling tumble of conflicts inside them, and what that might reflect of social, political and historical conflicts outside. I think that’s similar to book one, but because the characters are embedded into a larger framework of political pressures and international relations, their actions resonate differently. The canvas is broader in this second book, and I go deeper into Tokyo, to see the background of the characters and their choices, good and bad.
I enjoyed the mix of interesting characters throughout the novel. Who was your favorite character to write for?
I like all of them. Well, I don’t like the bad guys, but I like hating them. My favorites were maybe the bookstore owner twins and the radical leftist. They were fun to write and to put in scenes together, the twins steady and demure and the leftist stridently angry. Sakaguchi, the ex-sumo wrestler, is always fun to write for. He has this core set of values that is rock solid Japanese. When he explodes, he really explodes. And of course, Hiroshi developed and grew as a person and as a detective, in perhaps meandering ways, but human ways. The women characters are great to write for, too, as they pull the story in their direction.
It quickly unfolds that the missing manuscript was the driving factor behind the diplomat’s death. How do you balance storytelling with mystery and action to ensure readers are engaged to the very last page?
Among all the different types of mysteries, whodunnits, whydunnits, I-dunnits, I didn’t-do-its, I tend towards the why. Maybe because I was a philosophy major? Not-knowing who creates a different kind of curiosity than not-knowing why. Withholding certain pieces of information is essential. As Alfred Hitchcock pointed out, if you know there’s a bomb under the table, but the characters don’t…well, that’s suspense. And if you don’t know why the bomb is under the table in the first place, it’s really intriguing. As jazz musicians often say, and I think Mozart said it originally, the music is not in the notes, but in the silence between. I think writing should be aware of what’s not spoken, what’s not known. The unknowns make you lean in and pay attention.
Where will book three in the Detective Hiroshi series take readers?
Book three is called Tokyo Traffic. The story revolves around a young Thai girl who gets lost in Tokyo, after running away from some horrible people. She is rescued by a young Japanese woman who lives in an internet café and plays in a rock band. Most of the story takes place in the nighttime youth hangouts in Shibuya and Shimokitazawa, another side of Tokyo. The detectives are the same, though Hiroshi has moved in with his college girlfriend and Takamatsu is off suspension. It goes deeper into the characters and deeper into Tokyo.
When the top American diplomat in Tokyo, Bernard Mattson, is killed, he leaves more than a lifetime of successful Japan-American negotiations. He leaves a missing manuscript, boxes of research, a lost keynote speech and a tangled web of relations.
When his alluring daughter, Jamie, returns from America wanting answers, finding only threats, Detective Hiroshi Shimizu is dragged from the safe confines of his office into the street-level realities of Pacific Rim politics.
With help from ex-sumo wrestler Sakaguchi, Hiroshi searches for the killer from back alley bars to government offices, through anti-nuke protests to military conspiracies. When two more bodies turn up, Hiroshi must choose between desire and duty, violence or procedure, before the killer silences his next victim.
THE MOVING BLADE is the second in the Tokyo-based Detective Hiroshi series by award-winning author Michael Pronko.
Posted in Interviews
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The Cape: Overdrive sees The Capes coming together to protect the world from a destructive asteroid. What was the inspiration for the setup to this installment in your Dark Spore series?
The Cape Overdrive was written on a whim of sorts. The Dark Spores Series is a compilation of 6 books (currently) from three different authors and is part of the Cosby Media Productions Dedicated Superhero Universe. It was envisioned to be along the same lines as as say a Marvel or DC universe in which all the superheroes have separate tales which have some overlap in story lines and then all the heroes come together for a similar cause, obstacle or enemy. I had already completed The Cape (book 1) and was looking for a new story arc that moved the overall scope of the Dark Spores forward, while providing fans and readers with a new wrinkle to keep them interested.
To that end, I was having a conversation with another author and thought, man, it would be cool to have The Capes fight encounter something other than a villain in this book. My wife had read an article about the value of a “Quintillion” which is the number one with 16 zeros after it. I thought, hmm, what if an asteroid was made up of precious stones and carried a value of a Quintillion dollars was hurtling towards Earth. What would happen if all the super power countries of the world wanted to obtain it? How would that play out in my Cape Universe? The outline began right there.
There are so many fascinating characters in this book with their own unique powers. What was your favorite character to write for?
I love The Blurr. She is actually my most powerful character and she is actually modeled after my wife. But more than that, The Cape represents superheroes that were once regular people; complete with flaws and all. They just happened to gain powers in book 1 after being caught in a storm. The city of Chicago then became an experimental pitri dish for producing special people separating Normals from Super-Normals.
Blurr’s character arc from a call girl to the evil Super-Normal Cheetah-Girl in book 1, who lacks confidence and self esteem, and then eventually converts to The Blurr at the end, joining Paladin and his team, was both challenging and rewarding to write. I think she reflects the best attributes of the human spirit and is and can inspire all of us to fight through those low moments of our lives and ultimately walk in a bright future.
If you read closely you’ll also see a larger character arc looming in the future that will play a major part in the CMPDSU going forward when all the Phase 1 heroes get together in INFINITY 7 (the collaborative effort of all three authors: Chayil Champion, Keshawn Dodds and myself). Phase 2 has other authors and heroes coming as well that can be read about on our website.
Thief and Blurr are a dynamic duo. What were some obstacles you felt were important in developing their characters?
Their past relationship for one. Sebastian (Paladin) knew Karla (Blurr) a long time ago and always had a crush on her but was too afraid to express it; fearful that it would kill their friendship if it didn’t work out. When Paladin seeks to solve the mystery of the murder in book 1, he discovers who Cheetah-Girl really is and desires to convert her over to the good side, without letting her know his true identity.
The other obstacle is Karla’s past catching up with her. She has a dark history that has held her down for years and kept her in a place where she feels undeserving of a good man like Sebastian and now she must face and overcome those demons in order to walk in the light and receive what he has to offer – love without judgment. This allows their relationship to blossom and they become a modern day Cyclops and Jean Grey. Paladin sort of becomes her redeemer and that character trait creates this “Perfect Guy” persona for her which I think makes him very likable as a character. Amongst the triad of Paladin, Blurr and Thief, he is definitely the shining star and symbol of honestly and is the glue that keeps the squad grounded.
Lastly, the larger looming obstacles with be the baddies: Dark Phase in book 1 and the new villains, along with the entire world vying for a piece of the asteroid.
The challenge, I think, with superhero novels is making the danger feel real, which I think you accomplished. How did you balance the danger and their powers to make things feel legitimately life threatening?
The answer was simple: man versus the unknown. In that sense, I used war as the catalyst. As I said earlier, all the powerful nations of the world would be converging on the crash site to secure the asteroid and only The Capes would be able to stop them. Imagine if you gave a quintillion dollars to say Russia, Germany or North Korea. What would they do with such resources? It would definitely tip the scales of power to some degree and it’s unimaginable what the impact would be. Would we be looking at World War 3 or the end of the world itself?
Then there’s the basic theme of good versus evil. Not to give the story away any further, but I added some powerful, new Super-Normal villains in the sequel that really challenge The Capes; along with a nice twist to keep it fresh. Seat of your pants action never hurts a story and I think I have a lot of that mixed in.
Super Heroes Wage War Once Again When the world is thrown into a panic from the imminent threat of a gigantic asteroid worth a Quintilian dollars, The Capes are asked to protect the planet from certain doom. But it’s not just the destructive force of the impact that everyone fears; it’s greed. Multiple nations gather to collect on the bounty for the precious meteorite while evil Super-Normals threaten to salvage the precious stone for their own deeds. Even the position of military power hangs in the balance as the most poorest of countries will catapult to the top of the totem pole with just an ounce of the spoil. Once again Paladin, Thief and Blurr must stand together and utilize every bit of their super powers – shifting into Overdrive – as the fate of the entire galaxy will ultimately hinge on the emergence of a new enemy from deep space.
Posted in Interviews
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DR: How did you come up with Gina S. Miyoko?
MKB: I honestly don’t remember except that she arose from a dream I had, the plot of which (yes, my dreams often have plots) I don’t remember. I knew I wanted to write her as the protagonist of a mystery novel, and I knew I wanted her to be different from the female P.I.s I’d read. I love mystery and crime fiction but I noticed that all the female protagonists were alienated and broken and party to dysfunctional relationships. I wanted Gina to be flawed and have enough pain in her life to be relatable, but I also wanted her to be part of a very functional, if quirky family and support network. Among the Japanese names I was considering, Gina Suzu Miyoko meant ”Silver Bell Temple”; Tinkerbell became an inevitable nickname. And her personality just grew out of that.
DR: And Russian Orthodox witches?
MKB: Around the time I was developing Gina and the characters that would surround her, I was reading a book entitled THE BATHHOUSE AT MIDNIGHT: An Historical Survey of Magic and Divination in Russia (WF Ryan). I was reading it because the novel I was working on at the time (MAGIC TIME: ANGELFIRE, from Harper-Voyager) had a Russian ex-pat as one of the central characters. Okay, and also I’m Russian-Polish on my father’s side and have been fascinated with the folklore and history of slavic culture since I was a child. Probably more so because my grandmother was so adamant that I not be taught anything about the Old Country but be brought up thoroughly American. In any event, the book sparked the idea that I wanted Gina’s mother to be Russian and fascinated by arcana. She was originally going to be a psychologist, but by the time I started writing the book that became THE ANTIQUITIES HUNTER, she had morphed into a cultural anthropologist and folklorist.
As tends to happen with these things, as I began to write the characters, they essentially told me who they were. I’m sure you know the feeling—as if the character is inside your head whispering sweet somethings to your Muse.
DR: Can you talk about Tinkerbell on Walkabout—the novelette that describes how Gina became a detective?
MKB: I wanted to document Gina’s genesis as a PI, but the plot actually came about as a weird synthesis of several real-life moments. I lived in Grass Valley for about 35 years and set it there in part because of an experience I had being a founding member of Nevada County Citizens for Racial Unity, a group that formed after a black man who’d just moved to the area was beaten up by a bunch of white teenagers in a local park. That caused us to consult with the California Highway Patrol about the forces of racism in the area. What our CHP liaison told us about gangs from Colusa and Yuba counties trying to gain a foothold in Nevada County gave me most of the plot elements I wanted for the story. A visit to Charlotte, North Carolina one Christmas occasioned me seeing the mostly scrupulously tidy wrecking yard I have ever laid eyes on and that gave me a key element in Gina solving the crime that lies at the heart of the story.
DR: Did you research PI procedures like the post-it notes and Who/What/When etc?
MKB: I have to laugh. The post-it note method is something I’ve used to plot novels for years. It seemed to me that my post-it process would be as ideal for working out the nuances of a real world mystery as it is for plotting a novel. My editor suggested editing the scene in which you first see Gina use the post-its so that she just wrote on the white board. I declined and explained the beauty of post-its to her by having Gina demonstrate it for the reader.
DR: How did you become interested in the problem of looting of antiquities? Why the Southwest?
MKB: I have loved archaeology for as long as I can remember. I subscribed for years to Archeology magazine, and KMT (Kemet – which is the old Egyptian name for Egypt). I happened to read an article about a female undercover agent for the National Park Service and the sort of work she and her teammates did, chiefly in the Southwest where there are a lot of vulnerable caches of artifacts, mostly on First Nations land. But I’d also been following several international cases at the time—the Elgin Marbles that the British Museum had to return to Greece and the blackmarket cases that big US auction houses and museums alike had been implicated in. I was also following the rediscovery of the Rosalila (an utterly fantastic nested temple at Copán in the Honduras) and some amazing finds at Bonampak, which is in Chiapas, Mexico.
It was that last item that gave me the location for some of the action in the book. I sort of let all of that percolate and it seemed natural to have my protagonist have the experience I’d dreamed of having—seeing those antiquities first hand. More than that, I wanted her to have a hand in saving some of them. The lack of funding for preserving these sites is a real and persistent problem in the world of archaeology.
DR: These days cultural appropriation is a sensitive topic. How did you go about portraying Hispanic, Asian, and Native characters in a respectful manner?
MKB: I suppose every writer has their own approach; mine is to love the people I write about and to recognize that they’re people first, not representatives or symbols or archetypes of a particular culture. But, in writing them, I have to recognize that their cultural framework will condition their responses to things. So, to Rose Delgado, though she’s married to a non-Hopi, living in Sausalito and working all over the country, she’s still Hopi. That means that Hopi lands are still sacred to her and that she takes the theft of native artifacts personally. Her job is more than just a job because of her cultural background and her investment in it is different than the other members of her team.
To me, Gina’s tattoo is exemplary of the cultural intersectionality I’m portraying. It’s a Russian Orthodox True Believer cross with a Buddha seated at the nexus in a lotus blossom. The cross is for her mom, the Buddha for her dad. Gina calls herself a Russian Orthodox Buddhist, which is an echo of what I told people who asked about my religion before I became a Baha’i. I’d say I was a Hindu-Buddhist-Christian. So, what I was trying to capture in Gina was a character who was an intersection of three cultures—Japanese, Russian and American.
I’ve been privileged to have been surrounded by people from diverse cultures all my life and I think that if you approach characters of any culture with curiosity, love and an attitude of learning, you’ll strive to portray them as complete, three-dimensional human beings.
DR: Is there such a thing as SASH (Society for the Appreciation of Sherlock Holmes), and would you join?
MKB: There’s a Sherlock Holmes Society of London, but as far as I know, there’s none in the Bay Area—at least not like the one Gina’s dad, Edmund, is part of. I made it up. Or maybe Edmund did. I would totally join SASH if there was one around. I love Sherlock Holmes—in fact, I have a Sherlock Holmes pastiche idea I’d love to write.
DR: What have you written recently?
MKB: I’ve been doing a lot ghostwrites lately. And they have been diverse and interesting. I just finished up a YA set in Seattle, and am still working on one that also makes use of my deep love of archaeology. Beyond that, my dear agent is shopping a crazy range of novels I tossed at him, including an SF novel with a peculiar genesis that I’d love to see be the first of a trilogy, a YA paranormal/contemporary fantasy featuring a 14 year-old-protagonist who discovers she’s a witch from a long line of witches, a magical realism yarn that is my take on the old Russian fairytale, Frog Princess, and a paranormal romance that I collaborated on with a couple of show runners from LA.
DR: What lies ahead? What lies ahead for Gina Miyoko – are new novels in the works?
MKB: I’ve been working on what I hope will be the next book in the Gina Miyoko series—working title, THE FORGETFUL FOLKLORIST. I’ve got about eight or nine novels sketched out and more ideas popping into my head all the time. I’ve also been outlining a steampunk novel I’d like to write, involving yet more artifacts. (I got the idea from a book cover someone asked me to design, then didn’t want.)
DR: How does The Antiquities Hunter fit into your repertoire of published works?
MKB: It’s a real outlier among outliers. I started out writing science fiction. In fact, I’d published a bunch of stories in Analog before I shifted gears and wrote four epic fantasy novels all based on dreams. Then I discovered magical realism and fell madly in love with it. That caused my writing to take a weird turn that peaked with ”The White Dog” (Interzone). In moving over to crime fiction, I’m really pursuing something that’s fascinated me as a reader for years. I’ve been in love with mysteries and detective fiction forever. So, even though THE ANTIQUITIES HUNTER looks like a departure from the outside, from where I sit, I’m just writing what I’ve always read. I also realized, when I looked at the fiction I’ve written, that most of my stories have a mystery embedded at the core—sometimes blatantly, as in ”The Secret Life of Gods” and ”Distance” (Analog), or in a veiled way as in my novels THE SPIRIT GATE (originally from Baen, in reprint from Book View Cafe) and STAR WARS LEGENDS: SHADOW GAMES (Del Rey/Lucas Books).
DR: What authors have most influenced your writing? What about them do you find inspiring?
MKB: My greatest prose heroes are Ray Bradbury, W.P. Kinsella (whom I cast in DISTANCE with his permission), and Tim Powers. These are the writers whose use of language, storytelling chops, and sheer imagination made me hungry to write. Bradbury and Kinsella have written some of the most beautiful and evocative prose in the English language and Powers has given me epiphanies about the many ways reality can collide with the fantastic.
I admire Dean Koontz, JK Rowling and Sue Grafton as well, especially for their character development chops and the uncanny way they connect the reader to their characters from page one. I also have to credit Harry Turtledove (who’s written some of my favorite Analog stories) with making me stray into alternate history, with my novelette ”O, Pioneer” (Paradox) which takes an upside down and backwards look at Christopher Columbus’ ”discovery” of the Americas.
DR: Why do you write what you do, and how does your work differ from others in your genre?
MKB: I write what I do because either a character demands to be written about (Gina Miyoko being a case in point) or an idea demands to be explored. I thrive on exploration. It’s why I love road trips (What’s around that next curve?), research, archaeology (What is that thing I just dug up?), first contact stories, and mysteries of every kind. Writing is exploration I undertake to satisfy my insatiable curiosity about what if.
I’ve been told that I write fantasy with rivets, meaning that my fantasy work tends to take a very pragmatic approach to the fantastic. It works the other way, as well. My Gina Miyoko stories have an undercurrent of the supernatural to them if the reader chooses to read the pragmatic references to obereg (the good luck charms her mom is forever sneaking into her pockets), Holy Water, and spells as being more than just a concession to Nadia Miyoko’s avocation. This means that my fiction often falls through the cracks. When I sent ”The White Dog” to Interzone, the editor wrote back and said essentially, ”I loved it, but where’s the fantasy element?” I responded, ”In the eye of the reader.” He bought the story and it was a finalist for the British Science Fiction Award.
DR: How does your writing process work?
MKB: Mileage varies … a lot. With short fiction, I’ll sometimes scribble a handful of questions that become notes and when I see a beginning and end, I start writing. With novels, I sometimes get out the sticky notes. I had a great little flow chart app I used for a while, but they stopped making it. I use Evernote to toss bits and pieces into, as well. The sticky note brainstorming is still the best method I’ve found of plotting a novel because it allows me to visualize relationships between characters, their motivations and other plot elements.
Once I’ve charted something that way, I write a synopsis that becomes a living document that I can add to as I work. At some point the characters start yakking and doing things and I have to start writing. I used to have to write everything in #2 pencil on lined paper first, then edit as I committed it to the computer. Then I’d do that until roughly the last third of the book when the boulder started rolling downhill. But for some time now, while I still love writing notes long hand, I do all my writing at the keyboard. I’ve only ever had a laptop, because I feel the need to be portable. Sometimes a silent house is the best place to write, and sometimes a noisy coffee shop is best. I’ve also learned to give myself permission to do what I heard one writer refer to as ”moodling”. It looks (and feels) like I’m not doing anything, but my mind is hard at work looking for connections. And when enough connections are made between elements and characters, the writing happens.
Whenever I sit down to write, I always read back what I did previously. I tried Hemingway’s stopping in mid sentence and it only led to frustration.
DR: What advice would you give to an aspiring writer?
MKB: First, write without editing. Ray Bradbury famously said of writing, ”Don’t think.” He advised hiding your editor hat and just getting the bones of a story or a scene down without worrying about whether you found the right word. THEN, put on your editor hat and edit. This can make the difference between a story ending up attached to an email on its way to an editor’s inbox or ending up in an obscure file folder.
Second, learn your tools—words. Know what they mean, what they imply, how they taste, how they sound. Read your prose out loud before you submit it. Here, I find Mark Twain’s advice sage: ”Use the right word, not its second cousin.”
Third, be flexible. The method you used to write one story may not work for the next one. That’s okay. It doesn’t mean you’re broken or that your process is broken. It just means it’s different this time. This was a hard-learned lesson for me. It took reading Lawrence Block’s learning experience with regard to flexibility (in one of this Writer’s Digest columns), to understand that I wasn’t losing ”it”; ”it” had just morphed a bit.
I’ve learned a lot from the experiences of other writers and from their prose. One of the most valuable learning experiences for me is to read other writers’ prose with an awareness of my own responses to it and analyze why it makes me feel how I feel. Then I try to apply that in my own work.
Oh, and when you’ve written that story and read it out loud, making sure that (as Twain said) you’ve used the right word, not its second cousin, send it to the magazine or agent or publisher you really want to see it with, not something less. When I sent my first story to Stan Schmidt at Analog, the wisdom in all the writing magazines I’d read was that I should send it to a small non-pro market first and work my way up. And I should send something short that stood a better chance of being accepted. I went against that advice and sent a 19,500 word novella to my favorite magazine and got accepted.
Short form: Always shoot for the moon.
This interview was provided by PrentisLiterary.com.
Gina “Tinkerbell” Miyoko is not your typical private eye. Armed with a baby blue Magnum, a Harley blessed with Holy Water by her dramatically disposed mother, and a Japanese mingei tucked in her pocket (a good luck charm from her Sherlock Holmes-obsessed father) Tink spends her time sniffing out delinquent dads in the San Francisco Bay area and honing her detective skills.
But when her best friend Rose, an undercover agent, discovers there’s a stalker on her tail, she hires Tink as a bodyguard. Someone must be trying to intimidate Rose and scare her out of testifying in an upcoming case on looted Anasazi artifacts. But when Tink tries to flush-out the stalker, things take a far more dangerous turn.
Now, with a dead black-market dealer and an injured Rose on her hands, Tink must take her best friend’s place and follow the looters’ trail towards a powerful and lucrative antiquities collector in Cancun, Mexico. Equipped with an ingenious disguise and a teasingly coy persona to match, Tink is determined to find out who is behind the attack on Rose and the illegal trafficking of these priceless artifacts. Along the way, she will find help in the most unlikely of partners…
Deep in the jungle and far from civilization, Tink must decide who she can trust as she tries to unearth the ones responsible behind the pilfering and bloodshed―and still make it out alive.
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What is the meaning of success; titles, money, family, happiness? These are the questions Nata and Karl must face as their life makes dramatic changes from their carefully planned out future. Nata is fostered by working class parents Joe & Hetty, Karl comes from the upper-class elite. Nata’s biological father was abusive to both her and her mother, leading her to fear men, and especially any and all sexual contact. Despite her reservations Karl works his way into her heart and they marry with the intent of living full professional lives that does not include a family. Nata however finds out she is pregnant and together they must figure out how to adjust their life goals and ambitions to this new situation. While battling with his ideals about his personal life, Karl must make some choices about his professional career as a lawyer. Knowing what is right and knowing what you can make a difference with are gray areas when you’re a lawyer dealing with the upper-class elite.
On the surface this book starts off with the story of two people from different worlds coming together to make their relationship work through unplanned events, pregnancy. As the story deepens you see beyond the surface struggles or plans changing, you see the deep wounds that childhood sexual abuse brings; you see the residual effects of emotional abuse and withholding of love and support to a child. It changes the world view, it changes what is important in life. Nata and Karl could be anyone you encounter in the professional world. They are focused on their goals but when life turns things upside down, their struggles to connect and find a path forward are relatable. Unplanned pregnancy, changing life goals of prestige or happy home life, can they all be merged? Karl’s professional life is also dealt a staggering blow. He knows the difference between right and wrong but knows fighting against what is wrong in this case is career suicide. He takes the safe way out to save his career, but it nags at him. He continues to try and find balance between right and wrong.
While Karl is trying to find his way, Nata is trying to make peace with her past and the demons that follow her. It is a realistic view into how sexual abuse continues to hurt people well into adult lives and impact their life decisions. When her baby is born early due to a car accident she is thrust into even more challenging emotions, a premature birth, a child that will have lifelong medical needs, a husband that can’t come to terms with a non-perfect child. Lorraine Cobcroft’s ability to tap into those emotions and the mindset of a new mother experiencing them is profound. So often these things are glossed over for other more comfortable plot lines, however Mortgaged Goods puts these deep emotions and controversial topics right into the forefront of the novel, making them key points.
While the novel starts out looking like it will be a ‘lawyer takes on the corrupt upper tiers of society’ type novel, this book is so much more. Mortgaged Goods by Lorraine Cobcroft tackles deep emotional issues, sexual abuse, sexual exploitation, corruption of society, to include law enforcement, judges, and politicians. Through it all though, it is a novel about making a relationship work though the hard times, finding out what is truly important in life, and making the best of what life hands you, even when that is not what you have carefully laid out in your life plans.
Pages: 278 | ASIN: B018ZVWE5O
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Raven and the Panther follows ‘Raven’ as she relentlessly pursues her uncle’s killers. What served as your inspiration for this thrilling novel?
The inspiration for this book is my wife’s family. The Myth, Bill was a real person. (He’s no longer with us) Barbara Ann (AKA Raven) is actually my wife. I’ve embellished her personality, to fit the character. The inspiration for this series is only limited by my imagination. I was ten years old when I saw my first James Bond Movie, been hooked since.
Raven is an interesting character that I enjoyed watching develop throughout the novel. What were some themes you wanted to capture in her character?
I wanted the reader to know she wasn’t a bad person, she loved her uncle Bill so much, she was willing to become who she was to seek out and terminate his killer. As the story developed, I knew she would succeed, not because I’m the author, she is just as determined in real life. Both my wife Barbara Ann and I have a firm conviction if you stick to your principles, treat everyone the same, be honest in life and help those who deserve it, Karma will prevail and it has, we have lived a blessed life. I focus more on this in the books that follow Raven and the Panther.
I really enjoyed how this novel was action packed and filled with interesting characters. What was your favorite scene to write?
The last chapter, when Raven walked out on the Foundation at her cabin. She knew who ordered her uncles kill, but the Foundation wouldn’t let her terminate him, so she did what I know the REAL Raven would have done-walked. Also, it set up the next book.. Raven Gone Rogue. Barbara Ann is somewhat like the character Raven, dedicated to a cause, focused when needed, but loving, kind and generous. My wife is truly a copy of Raven, just not to the extreme as the character is portrayed.
What is the next book that you are working on and when will it be available?
The next book is Raven Gone Rogue available now.
Raven Anderson, top female agent for The Foundation, has gone rogue. Her longtime lover, Naci Vacara, a direct decedent of the Foundation’s matriarch, desperately tried to convince Raven not to leave the ranks of the agency. His loyalty to The Foundation forced him to put her in his sites. Raven, now the hunted, teamed up with Morgan, one of the most feared agents in the world. Together they developed an unusual relationship, faced one challenge after another until Raven discovered something in her past.
Raven Gone Rogue takes readers on another wild ride, filled with action, adventure, devastation, mystery, romance and wealth. Raven Anderson, a woman who gets what she wants, is on top of her game. A game, the reader secretly would like to imitate.
Raven Anderson was raised by her Grandmother and Uncle where she enjoyed the slow-paced country lifestyle until one event changed everything. Her beloved Uncle, a father figure, was unexpectedly and brutally murdered. On her journey to seek revenge, Raven discovered her uncle’s secret life, a world she didn’t even know existed.
Raven’s journey and relentless desire to hunt down her Uncle’s killer put her in the cross-hairs of an organization whose members included people she had known her whole life. Raven and the Panther takes the reader on a wild ride filled with action and adventure, erotic romance and revenge.
Posted in Interviews
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Sebastian Hemlock had once been a respected reporter. “Mister News” is what they used to call him. If there was a story to be found out, he usually was the one who uncovered it. That was until Phoenix, Arizona.
In 1991 the police were working on a series of murders. The victims were all drained of blood, the officials were not talking, and Hemlock soon discovered why. The killer was a vampire! With only his FBI friend to assist, the reporter went ahead, investigated, and tracked down the killer to destroy it.
Captain Darren Matheson, of the L.A.P.D.Homicide Division, was a pleasant enough fellow. But when the FBI uses him to track down news reporter Sebastian Hemlock as a “special investigator,” he understandably is curious. Hemlock, learning that he had failed with his first killing of an undead creature, seeks a chance to redeem his integrity as well as gaining back the woman he had once loved. Captain Matheson thought the whole case as nothing but a waste of time.He had a murderer to catch!
Now…the vampire has returned!
We tell our children that there are no such things as monsters. We comfort them with the knowledge that we will always be there to protect them. What happens when we are proven wrong?
Posted in book trailer
Tags: a stake in murder, alibris, amazon, author, author life, authors, barnes and noble, book, book club, book geek, book lover, book trailer, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, detective, donald allen kirch, ebook, fantasy, FBI, fiction, goodreads, homicide, horror, ilovebooks, indiebooks, killer, kindle, kobo, LAPD, literature, monster, murder, mystery, nook, novel, paranormal, publishing, read, reader, reading, shelfari, smashwords, story, supernatural, trailer, vampire, write, writer, writer community, writing
The Pennywells had sold their Alabama plantation and decided to move to Texas, bringing with them Pad Pennywell and his family. However, on the way to Texas, the group are confronted by bandits and Pad is recruited to their ‘clan’. Many years later, a young journalism graduate by the name of Louis Bankston, visits Pad Pennywell and inquires after these bandits. Thus, the story is relayed as a retelling of Pad’s life before and after the run in with bandits. Pad Pennywell is a story of the conflicting morals and struggles of working as a ‘clean-up’ man for bandits to keep oneself and one’s family alive.
As an elderly Pad Pennywell recounts his story to Louis Bankston; it immerses the reader in a similar way as if it were a relative talking about their past. As such the story has all of the natural tangents that someone telling a story face to face would take. Such as when Pad talks about falling in love with his wife, Ruby, or talking with the townspeople, or saying a prayer for the people he ‘cleans up’ after working with the bandits. The narrative course Patrick Horn, the author, has chosen gives the story a sincere quality as if it were being told to them on Pad’s quiet porch in Alabama, in person.
Using this technique of having the main character relay their story, means that all the details are incredibly graphic in their descriptions, especially when Pad talks about death or bodies. As the ‘clean up’ man, Pad has clearly suffered trauma, and this is illustrated in how he speaks of bodies and death. He describes the sound of the air escaping a lung after a bullet to the chest, and the stench of putrid, bloating bodies at the bottom of a well. This gives so much depth to Pad as a character as it is easy to see the stain that these events have left on his mind through how vividly he describes every aspect.
Unlike many novels, there is no omnipotent narrator. We only know what the protagonist knows at that time. However, as it is a retelling, the protagonist sometimes chooses to reflect more on certain aspects of the past or give the reader a snippet of what is to come, for instance describing John West, a bandit leader, as someone he would come to know very well. This leaves the reader wanting to know what happens next and how the protagonist came to know what he knows in the present. Simultaneously, this leaves the reader with as little knowledge of the events as he the protagonist himself had as the events themselves were unfolding. Consequently, this achieves a great level of empathy from the reader for the protagonist.
This book gives an intense representation of a character and their experience with conflicting morals. The author, Patrick Horn, gives a great amount of depth to the character of Pad Pennywell as we follow the story he tells us of his struggles from Alabama to Texas.
Pages: 226 | ASIN: B07G5JRDB7
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This book made it to my favorites list before I even finished reading it. I am a sucker for a good mystery and The Moving Blade provides suspense and intrigue from the very first chapter. In fact, the first chapter is what kept me going through the next several chapters which do get a bit dry as far as action goes. However, I love the authors style of writing which is very descriptive without being overly wordy and this keeps the reader interested even when nothing spectacularly interesting is happening.
The characters are effortlessly interesting which I think is pretty hard to accomplish, so kudos to the author there as well. I particularly enjoyed the scenes with Shibata, who was an old friend of Jamie’s recently deceased father. Shibata is eager to meet with Jamie after her father’s (Bernard Mattson) funeral and while his demeanor is calm and kind and heartwarming you can tell there is something more to him than he lets on to. It’s also clear early on that Jamie is in for more than she bargained for and that staying in Tokyo to settle her father’s affairs will not be as simple as expected.
The main intrigue of the story surrounds Bernard Mattson’s writings, which are unpublished but well sought after at the time of his death. In fact, Jamie immediately finds herself bombarded by those who wish to obtain them. The detectives on the case of Mattson’s murder are unsure that his death was politically motivated, but it quickly unfolds that the missing manuscript was probably the driving factor behind his death.
The book is a good mix of drama between its many likeable characters and the action that can be expected from a murder mystery. I love the imagery that the author invokes with his good use of descriptions. For instance, reading about the book shop owned by the Endo brothers (maybe because I love books!) gave me such a great image of the shop. I find that in a lot of newer books that I pick up these types of small details are left out and they really make or break a book in my opinion. I also loved the description of Shibata’s home. When Jamie mentioned that she somewhat remembered his house, he told her that it was actually a completely different house and only looked the same on the inside. These little details are a great addition to the literary quality of the book and I found them throughout the story.
These are the types of things that really stand out to me and give the author distinction as a great writer. Some books you read because they’re quick and fun, but like I said, this one ended up on my favorite’s list because of the great writing.
Pages: 339 | ASIN: B07GCYRY61
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Surrender to You follows the passionate relationship of Mellie and Morris as someone goes to dangerous ends to keep them apart. What was the inspiration for the setup to this thrilling novel?
I think that my inspiration came from watching too much Criminal Minds. Everytime I watch that show it gives me some many ideas. I feel like it is something that could actually happen since there are so many people with mental illnesses that go untreated.
Mellie and Morris have a fiery relationship and a deep bond. How did you develop their relationship, did any of it happen organically while writing?
I think that a lot of their relationship came organically while I was writing it. I knew that I wanted them to awkward in the beginning but after awhile they took on a life of their own. I don’t like to plan it out in took much detail. I kind of like to let the chips fall where they may.
There is a fantastic mystery at the heart of this romance book. What were some themes you wanted to capture around the stalkers motivations?
I wanted people to realize that this is something that could happen to anyone. Someone can fixate on you for the strangest reason. Half the time it could be a simple look. Mental illness has so many variations and left untreated can be dangerous to the person themselves, as well as those around them. Unfortunately, so many people go undiagnosed for years. I feel like more help should be available and that isn’t always the case.
What is the next book that you are working on and when will it be available?
The next book that I’m working on will be centralized around Michelle and Damon, titled Addicted to You. I’m hoping to have it out by the end of October.
Mellie: Mellie has been hypnotized by a pair of gorgeous green eyes, attached to a very yummy package for months now. Unfortunately for her, her brain goes on hiatus anytime Morris Jackson is around. Looking like a bobble head whenever he asks her anything isn’t the best way to go about getting a man like him interested. Not like ruggedly handsome men go for quirky, accident prone introverts like her. Plus, even if she did have a snowballs chance in hell with him, him being her brothers SWAT teammate doesn’t bode well for her. A girl can dream though!
Morris: Those blue eyes sucker punched him the minute he looked into them. It felt like the ground had literally gone out from under him. Mellie is everything that he could ever want and everything that he shouldn’t have. Even if he didn’t know that she’s too good for a guy like him, her brother would never be okay with it. He is over protective and proud of it. But at some point you have to say screw the consequences and go after what you know is meant to be yours.
Too bad someone wasn’t happy for them when the found their way to one another. Someone will make sure they don’t stay together by any means necessary. They’ll even kill to get what they want.
Posted in Interviews
Tags: alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, comedy, crime, Criminal Minds, ebook, facebook, fantasy, fiction, goodreads, ilovebooks, indiebooks, kindle, kobo, literature, mental illness, nikki mays, nook, novel, publishing, read, reader, reading, romance, satire, shelfari, smashwords, story, Surrender to You, suspense, thriller, twitter, womans fiction, womens fantasy, womens fiction, writer, writer community, writing
End it by the Gun follows charismatic and determined Beck who’s eagerness to get a top book deal and screen play ruins his life. What was the inspiration that helped you write the setup to this thrilling novel?
It’s simple! Sometimes the very things we go for end up being our source of worries, misery and destruction.
The first half of the book is characterized by Beck’s tumultuous relationships. What were some obstacles that you felt were important to developing his character?
The major obstacle is the very nature of being an aspiring writer in a creative industry that has been designed to constantly crush the hopes and aspirations of even very talented writers with no name yet. Lots of gate-keepers available to remind you how you don’t have ‘what the market wants right now’. You put in all the hard work and sacrifice into your craft, on and on, without a slight guarantee that you will ever become successful.
Beck ultimately finds success with one of his books that has a science versus nature theme which turns political. Being a writer writing about a writer, did put anything from your own life into this book?
Some of Beck’s struggles and experiences were informed to some extent by my own personal experiences as a writer.
What is the next novel that you are writing and when will it be available?
I currently have two manuscripts that I have finished working on. The first one is TASTE FOR CHANGE and the second one I just renamed and its new title is WHERE IS CASSANDRA?
I am looking to have at least one of these novels published in 2019.
Strong ambition drives Beck Blades, an aspiring writer from rural Nebraska, to become obsessed with having big Hollywood studios make movies based on his fiction stories. Taking a heavy toll on his marriage, Beck’s writing ambition soon proves hard to achieve. However, he is not a man to give up, even as rejections trail his efforts. He continues to write one fiction story after another with no breakthrough, until he writes his eleventh one, the unusual one, which grabs headlines through an unexpected route. Success begins for Beck, but little does he know his female literary agent has an extra plan way beyond representation.
Posted in Interviews
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