He blends in. He is successful, intelligent and methodical. There are no clues. There are no leads. The only thing the FBI and local police have to go on is the method of death: two bullets to the face- gruesome and meant to send a message. But it’s difficult to understand any message coming from a dark and damaged mind. Two adopted boys, struggling in their own world, have no idea they are the next targets. Neither does their family. And neither does local law enforcement.
Posted in book trailer
Tags: alibris, amazon, author, author life, authors, barnes and noble, book, book club, book geek, book lover, book trailer, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, detective, drama, ebook, family, fantasy, FBI, fiction, goodreads, ilovebooks, indiebooks, investigation, joseph lewis, kindle, kobo, literature, murder, mystery, nook, novel, police, publishing, read, reader, reading, shelfari, smashwords, spiral into darkness, story, suspense, thriller, trailer, write, writer, writer community, writing
The Emerald Cave by James B. McPike is a fast novel. It’s not fast in the sense that it’s a short read. Rather, The Emerald Cave works by having prose and plotting that takes readers for a whirlwind of a story that involves action, firefights, terrorists, heists, and a dozen other elements that contribute to an engaging and incredibly engrossing novel. Being the third in its series, The Emerald Cave follows the story of Vince Ramsey, an Israeli detective searching for an arms dealer whose whereabouts are murky at best. He enlists the help of April Fulton, an expert on historical artifacts, and the two set off on an epic investigative chase that brings them from one part of the world to the another, with obstacles and betrayal meeting them each step of the way. The book is fast, and it starts off with a tense standoff initiated by terrorists of the Hezbollah organization. From there, the plot takes no chances, pushing onward with a feverish speed that helps heighten the book’s sense of urgency and impact. This is juxtaposed by appropriately placed moments of quiet that allows both the characters and the readers to ponder on events as they unfurl.
Beyond these points, The Emerald Cave shines in its effective usage of characterization. The relationship between April Fulton and Vince Ramsey highlight a realistic dynamic that allows the two to play off one another. Sequences in which the two work together in solving a puzzle or identifying various clues reveal key differences in the characters’ logical approaches and methodologies that help make each character feel individual. In certain moments, I found myself working out these puzzles with April and Vince, identifying my own thought processes and “aha!” moments in conjunction with their own. At the same time, there is a clear sense of growth these two protagonists go through as the novel moves forward and while some trends are easy to note, this sense of maturity one finds is rare in many stories today. This characterization is aided by James B. McPike’s effective prose. Sentences are generally terse and filled with the details necessary for the story. Long, drawn-out sections are rare to find and each word McPike utilizes is one that is necessary for the story being conveyed. This helps create a tense atmosphere that works incredibly well with the fast plotting designed by McPike.
As a whole, The Emerald Cave by James B. McPike is an incredible story that doesn’t let up. Events fly at neck-breaking speeds while readers becoming connected with the protagonists as everyone tries to uncover the mysteries and secrets the story presents. While the story could have used some additional quiet moments in order to allow the reader to collect themselves before continuing onward, The Emerald Cove remains an engrossing piece. The stories narrative design and effective characterization makes this story an incredible journey and an enjoyable ride.
Pages: 215 | ASIN: B07DSRKWR1
Tags: action, adventure, alibris, artifacts, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, crime fantasy, crime fiction, detective, ebook, espionage, firefights, goodreads, heists, Hezbollah, historical, ilovebooks, indiebooks, james mcpike, kindle, kobo, literature, mystery, nook, novel, publishing, read, reader, reading, secret, shelfari, smashwords, story, terrorist, terrorists, the emerald cave, writer, writer community, writing
When Sam Blades starts work at Shimmering Dreams, he hopes to climb the promotional ladder and bring security for himself and his girlfriend. Hailed as the greatest invention of its age, he would be working on new technology that downloads your dreams to your phone.
But, unbeknown to him, somebody behind the scenes is pulling the strings.
What lengths will someone go to when they are forced to repay a debt? Is Sam being set up as the fall guy to take the blame for dreams being used for nefarious activities? Who ends up taking matters into their own hands with drastic consequences?
Follow Sam’s tongue-in-cheek journey through a world of industrial espionage where he blindly battles against an alcohol-fuelled boss, a corrupt copper, a revenge-seeking hitman and a tone-deaf busker.
Posted in book trailer
Tags: action, alibris, amazon, author, author life, authors, barnes and noble, book, book club, book geek, book lover, book trailer, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, crime fantasy, crime fiction, dreams, ebook, espionage, fantasy, fiction, goodreads, hitman, ilovebooks, indiebooks, kindle, kobo, literature, mystery, nick james, nook, novel, publishing, read, reader, reading, shelfari, smashwords, story, suspense, the misplaced man, thriller, trailer, write, writer, writer community, writing
Going Dark follows Amelia as she tries to help journalists that have been kidnapped which has sparked an international incident. What was the inspiration for the setup to this thrilling novel?
The idea of ‘Going Dark’ started to form in my mind as I spent nights working on the foreign desk at CBS. Those nights, I was alone in the entire studio, watching incoming video feed from our military forces stationed in Iraq. In 2006-07, the war was in full swing and we received daily updates on the progress and struggle people were facing during the war. The war zone wasn’t too far off from our foreign correspondent team stationed in Iraq, reporting from there. As I was sitting at my desk, I envisioned Amelia Sinclair (a foreign liaison in Going Dark) how hard and challenging must be to be separated from your family when your job takes you away from them, especially if you have young children.
Amelia and Jets are dynamic characters that are enigmatic and empathetic. What were some themes you wanted to capture in their characters?
Amelia had to sacrifice her career when she became a mother. Having children was not something she had planned on doing, but when it happened, she made the decision to stay back and take a desk job.
However, her thirst for adventure never fully went away. So, when her boss, Harold Fost, approached her with a proposition to oversee a covert assignment, she simply couldn’t resist. But Murphy’s Law tipped the scale against her and her friends and co-workers get kidnapped. I wanted ordinary people, the readers, who juggle work and family life to be able to relate to her and to the choices she makes along the way on this journey.
Jets is a complicated guy. He’d seen things most of us have not, working as a spy for the CIA. To me, he was interesting because, he believed in the cause set forth by the CIA, but he still had conscious and when he sees the wrong person is being blamed for crimes that she didn’t commit; he has to put aside his oath to the CIA and go with his guts, even if that decision could cost him his career.
This is an exciting novel on par with Robert Ludlum or Tom Clancy novels. Did you start writing with this in mind of did this happen organically?
Tom Clancy was a master at setting up an engaging plot and building action in his novels. He is certainly an influencer in my writing. Another writer whom I admire is John Le Carre, unquestionably the undisputed father of spy thrillers. Both of these writers are exceptional.
What is the next book that you are working on and when will it be available?
I recently finished writing the second book in the Gabriel Jets series, called Political Whispers. Jets is a castaway in Afghanistan, having accepted a covert position, offered to him by Robert McKaine. Jets is in charge of a secretive drone program, most on Capitol Hill don’t know it even exists. The second book has more military overture and is action packed. Political Whispers is slated for release in early 2019.
Gabriel Jets is the CIA’s top agent, a man with a reputation of getting the job done, no matter the price. On a rare visit back to the States, Jets is dispatched to collect a video depicting the kidnapping of four U.S. journalists working undercover in Damascus, Syria.
Meanwhile, the U.S. president and his chief of staff, Robert McKaine, are called to the Situation Room to receive a briefing. Damascus is rocked by a terrorist plot that killed twenty-five innocent people.
A link between the two events is quickly discovered, with evidence pointing to the involvement of another U.S. journalist, Amelia Sinclair, a prominent foreign correspondent, with direct ties to the missing.
While Jets hunts for the video, he crosses paths with Amelia. In a blink of an eye, his mission is compromised as he believes she is being set up to be the fall guy.
As the U.S. government closes in to arrest Sinclair, Jets alters his assignment to help clear her name and track down the powerful men behind the ploy to draw in the country into an international scandal.
If Jets fails, the country he swore to protect, will go dark.
Posted in Interviews
Tags: afghanistan, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, CIA, crime, ebook, espionage, fantasy, fiction, going dark, goodreads, ilovebooks, indiebooks, jolene grace, journalist, kindle, kobo, literature, military, mystery, nook, novel, politics, publishing, read, reader, reading, robert ludlum, shelfari, smashwords, spy, story, suspense, syria, thriller, tom clancy, war, writer, writer community, writing
Inevitable Dreaming follows Waldemar struggling to cope with the loss of his family as a friend suggests a new virtual reality therapy? What served as your inspiration for the setup to this riveting novel?
The goal was to describe a dreamworld in the tropics and then confront the reader with the harsh reality that superstition, “magical” beliefs—a broad category that ranges from beliefs in mythical animals, to connections with animals’ fabled properties, to spiritualism and traditions—have an impact on the welfare of real-life animals and ecosystems. 3D virtual reality therapy was a means to get to this goal.
This novel does a very good job at examining the self-deprecating nature of some people. What is Waldemar character based on?
He is a criticaster of tunnel-vision in police investigations and of the argument’s judges tend to use in the name of the law. So, as a character, he is critical towards anything that leads to prepossession, prejudice or any other bias really (in my next novel, the game changer, he comes back shortly as a helper in finding this tunnel-vision in business around the harbor of Rotterdam). Then, in his own dreamworld, he might discover something about himself regarding this personality trait. I will not tell you in detail, since that would spoil the reading/plot.
I felt that this novel was about personal tragedy and grief. What were some themes you wanted to explore in this novel?
Superstition, animal welfare and most definitely also ‘’revenge’’. Revenge is one of the main underlining themes of this book. I thought it was especially interesting to see what a character like Waldemar, living for the law and ethics, becomes when feeling this urge for revenge.
What is the next book that you are writing and when will it be available?
Currently, I am working on two books, but I am not sure they will ever be finished.
At the moment forensic psychologist Waldemar van Splunteren is defending himself against an inquiry, thereby challenging his unjust suspension, something terrible happens: his wife and child are being killed in a tragic accident. He loses himself in self-pity and avoids any contact with the outside world. Only Miriam, a prosecutor and a good friend of his wife, does not budge. She advises him to try a new form of meditative, virtual reality therapy. During these sessions, Waldemar comes to know slowly what actually happened. He decides to investigate it all along with Miriam, leading them to Borneo, Indonesia.
Posted in Interviews
Tags: alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, Borneo, crime, dave droge, dreamworld, ebook, fantasy, fiction, goodreads, ilovebooks, indiebooks, Indonesia, invevitable dreaming, kindle, kobo, literature, mystery, nook, novel, publishing, read, reader, reading, shelfari, smashwords, spiritualism, story, Superstition, suspense, therapy, thriller, virtual reality therapy, writer, writer community, writing
The Hunt for the Three Roses follows Callie and Kane as they try to leave their old life behind in a world consumed by war. What were some themes you wanted to carry over from book one, and what were some new ideas you wanted to explore in this novel?
This trilogy is all about the upsides and downsides of organized religion. The first book was about how a religion can be a source of guidance and hope in the best of times and a source of uncertainty in the worst. The second book is about how wicked and/or misguided people can make things up that fit within their worldview and pass it off as official religious doctrine. The very identity of the Three Roses (at the risk of giving a spoiler!) is about how different minds and ideologies can fracture a faith for better or worse.
Kane and Callie are intriguing characters with emotional depth. Was there anything from your own life that you put into your characters?
Much of my early life I put into Kane. I tended to be a goody-two-shoes who pointed out people’s bad behavior, especially their profanity. I’ve relaxed that side of me, just as Kane eventually did. Callie is simply someone I’d like to be more, a person who has little problem in speaking her mind and being rambunctious.
This novel, and series, have a rich backstory. Did you create the backstory before writing the novel or did it develop organically while writing?
Some segments in my early books were created organically, but Hunt for the Three Roses was mostly planned ahead. I thought about the plot for months before, often making changes without needing to write anything down. When I started to write, I felt well prepared to go ahead and work without fear of writer’s block.
This is book two in the The Three Roses Trilogy. Where will book three take readers, and when will it be available?
Sean and Callie have settled down, but not for long. They’ll have to be taken well out of their comfort zones so they can discover the truth behind the Three Roses, and just as Callie’s past came to haunt her, so too will Sean’s. Despite the presence of magic, the action scenes in the second book were rather grounded, but in the next one, the action will be rather ethereal. The release date may be sometime in 2020, or possibly 2021.
Change is in the winds in this high-stakes, emotional fantasy adventure!
On the run from the army which he once proudly served, Kane Bailey changes his name to Sean, leaving nearly every shred of his old life behind. His old tutor, Master Cypher, helps guide Sean and gives him a mission that’s more important than Sean realizes: Bring an older, simple-minded man named Jonas to the Royal Palace, where he’ll be safe.
Callie meanwhile is unsure what she wants to do in life. Leading a criminal lifestyle is all that she knows, but it would mean starting from the very bottom. But while her future is up in the air, her dark past rises to haunt her. Rainer the assassin has a score to settle, and he wants to make it as painful and heart-wrenching for Callie as possible.
In this second installment of the Three Roses Trilogy, the hunt is on … and there will be blood.
Tags: alibris, assassin, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, ebook, fantasy, fiction, goodreads, ilovebooks, indiebooks, jason hubbard, kindle, kobo, literature, medieval, nook, novel, publishing, read, reader, reading, religion, shelfari, smashwords, story, sword and sorcery, The Hunt for the Three Roses, writer, writer community, writing
Crimes of Rumba discusses and dissects the crimes behind the worst corporate malpractice in US cultural history. Why was this an important book for you to write?
From 1983 to 1995, it took us almost fifteen years of commitment, sacrifice and know-how to build up awareness about the greatness of Congo music’s modernity in American pop culture. Credits should be given to promoters such as Victor Kibunja, Verna Gillis, Paul Trautman and my company’s tour with Tabu Ley Rochereau-Alive and Well in North-America in 1992, which made Congo music a runaway hit in North America until 1995.
Unfortunately, with little to no precision, 22 years after the Congolese government and musicians’ outright rejection of Fonior’s crimes of rumba, handful writers went off the script and managed to inadvertently slip in Fonior’s fraud of Cuban music. It was disheartening to realize that even few colleagues in the media were still living in the clouds of Fonior’s crimes of rumba. As promoters, time was more of the essence to promoting tours than pressing the matter further why it was a horrific danger to associate Franco Luambo and Tabu Ley Rochereau with Fonior’s post-colonial fraud for America, in the lens of the Congo’s politics from the 1970s to 1990s.This brought up the above headliners’ urgency and request to me to educating their consumers with the absolute truth beyond the fraud of rumba.
Moreover, as journalist and promoter, this is book is mostly important because it connects the dots between King Leopold’s atrocities of red rubber to the crimes of rumba for America by his very own international conglomerate, Societe Generale. Simply put, the fraud of rumba music is the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. It’s never been about the presence of Cuban music in the midst of the state administration’s classified South American music’s mandatory production. But it is all about how, wanton malice, Fonior abused and misused Cuban music to commit fraud and defraud Congolese musicians’ copyrights and consumers’ human rights in America.
You cover a number of topics in this book, but the one that stuck out to me was rumba music. How do you feel music affects the political landscape?
Human life is rhythm. Rhythm is music. And music also controls mankind’s political landscape from singing Nero setting Rome on fire, Herod decapitating John the Baptist in Israel to any election campaign chanting of USA, USA, USA.
In Belgian Congo, for instance, the rhythm of atrocity behind the harvest of red rubber to the germination and criminalization of the state administration’s legal diversity of South American music, in the late 1950s, was controlled by King Leopold’s politics for Societe Generale’s monopoly. The politics behind the abrogation of Copami’s mission to legalize the harvest of “music cash crops” for export created a super culture of dichotomy for the equal production of Congo music and South American music under the law. And this colonial autocracy paved the way for Congolese musicians’ resistance and sabotage, which empowered Patrice Lumumba to ascend to the highest sky of the Belgian Congo’s nascent political parties.
In 1948 president Rafael Trujillo made Merengue the official music of Dominican Republic, while in 1959, Fidel Castro nationalized Rumba as the official music of Cuba for all music of African descent. In 1965, after his coup d’etat, president Mobutu rode the wave of Congo music to install his dictatorship in the Congo DRC. Francois Duvalier used Kompa music to numb the mass’s brain for his dictatorship in Haiti. Bob Marley performed his One Love Concert to defuse the brutal turf war among political nemesis in Jamaica. Bill Clinton’s campaign in the 1990s banked on the success of Macarena to promote his progressive agenda for America’s cultural diversity. And that is the same spirit of music in the politics of King Leopold’s international conglomerate that still captures rumba operatives’ politics for Fonior’s crimes of rumba that have been debunked and rebuked in the Congo DRC and exposed in this book.
What kind of research did you undertake to ensure the book was accurate and detailed?
First, as American of Congolese origin, I have lived Congo music my entire life. As a professional journalist, I covered the Congo DRC’s national rebuke of Fonior’s crimes of rumba for the national radio and television until I migrated to the USA. As co-host of the most famous Congo music radio and television shows, I humbly confessed that my expertise in Congo music is second to none because of my personal and business ties with Congolese musicians. As a young record producer, I have also rubbed elbows with all the who’s who in the music industry. My coverage of Samuco and Umuza, Congolese musicians’ union, are the most inside information that the average journalist has never searched before. From 1983 to 2000, as a promoter and consultant, I have closely worked with all Congolese musicians who have come on tour in North America for others as well as for my own company.
Second, to ensure that the book was accurate and detailed, my documented evidence are based on Belgian Congo’s laws, policies, institutions and corroborated by Congolese musicians’ personal testimonies throughout colonialism and their outright rejection and class action lawsuit against Fonior. The restrictive provision and scope of laws and policies from Belgian Congo to the Congo DRC’s national rebuke of Fonior’s crimes of rumba certify the accuracy of the Royal Decree of 1925 behind the Copami’s mission and its related institutions, coupled with the Royal Decree of 1952 aborting the old mission and its institutions under Societe Generale’s mission. These irrefutable evidence within La Territoriale provide all material facts and detailed events. And this exclusivity makes Crimes of Rumba the best encyclopedia of Congo music ever in terms of chronology of specifics in laws, policies, institutions and events from 1925 to September 1960.
I thought this book was informative and engaging. What do you hope readers take away from this book?
Readers’ takeaway is to know that Fonior’s crimes of rumba are real. Consumers have the right to know that they have been defrauded for decades. Even though, this crime spree was launched from America, in September 1960, its universality has outreached the world. It is based on Fonior’s violation of Congolese musicians’ copyrights. That’s why, as early as 1970s, president Mobutu stood up shoulder to shoulder with them to nationally reject, debunk and rebuke Fonior’s fraud. Unfortunately, after 47 years, the coverage of the Congo DRC’s rebuke has been blocked by King Leopold’s rumba operatives through fake movies, books and theories, who have turned a blind eye to telling the truth for the sole purpose to monetize on it. Not only consumers have the right to be set free from the bondage of Fonior’s crimes of rumba, they have the right to know that rumba operatives still provide a fraudulent, safe home for re-litigation and revisionism of Belgian Congo’s laws, policies, institutions, and against the Congo DRC’s national rebuke of Fonior’s fraud.
This book simply certifies that one can’t explain the complexity of the state administration’s legal diversity and production of South American music under the law, in the Belgian Congo, in complicity with Fonior’s fraud and based on the simplicity of its crime of opportunity on Cuban music for America, first. The engraved musical evidence of South American music’s legal diversity in Fonior’s Congolese re-editions represent self-incriminating evidence, among many others, against its crimes of rumba. One can’t celebrate Congo Rumba’s illegality by hiding Congo Latino from the same Fonior’s fake-outs spree. This case is all about King Leopold’s international monopoly misused Cuban music to commit fraud. Simply put, the fraud of rumba music has been the universal and everlasting legacy from King Leopold’s politics and economics in music for America, first, and the world later. Thanks to Crimes of Rumba the era of defrauding musicians and consumers’ human rights is over now.
Crimes of Rumba is the hottest, epic combination of business, politics, music, and of course, crimes behind the predatory conduct culture that has glamorized the worst corporate malpractice in US cultural history. As a matter of law, order, and economy, the state administrations intolerance and crackdown on musicians dissent and opposition to the colonial music cash crops production is authoritarianism at best and without precedent in the worlds history of colonization and music. This legal truth and material facts-checkings operation is the blunt, exclusive disclosure of the sources and methods used for the cultivation and autocratic harvest of music cash crops in the Belgian Congo, which were economically engineered from and back to America for its consumption through misinformation, disinformation, deceit, and fraud. Not only is this the tale of the utmost scam that has been very fully funded to defraud the worlds collective memory of rumba, it is the hefty price that our humanity has dearly paid for without consent for Foniors crimes of rumba for decades. Silence has been complicity at worst from the people with knowledge of the case against rumba. Not only are the material facts and consumers rights violated and suppressed, along with musicians copyrights for decades, the morally repulsive glamorization of the fraud has brought creative freedom in the worlds music into disrepute. A lot of readers will discover Thierry Antha with the publication of Crimes of Rumba, Volume I of Congo Music. But this international journalist carried decades of excellence in covering the Congo and Haitis politics, business, and entertainment. His professional and personal ties with all the most famous Congolese musicians in advocacy, promotion, and production of their musical works have crowned him the best authority with respect to the Congo musics history. Contrary to all the spinning, posturing, and work of fiction for rumba, Thierry Anthas expertise and dedication to exposing the truth behind material facts and laws related to Congo music from the Belgian Congo to the Congo is second to none. Embark in this riveting literary journey to discover how Socit Gnrales authoritarian harvest of music cash crops has shattered and destroyed lives and careers for its economic gain in the Americas. Without censorship, Crimes of Rumba, Volume I of Congo Music exposes Foniors victims long overdue rebuttal, which is long way apart from the reality of its predatory conduct culture and its propaganda of rumbas fake-outs.
Posted in Interviews
Tags: africa, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, business, congo, crime, Crimes of Rumba, ebook, goodreads, history, ilovebooks, indiebooks, kindle, kobo, literature, music, nonfiction, nook, novel, politics, publishing, read, reader, reading, shelfari, smashwords, story, Thierry Antha, writer, writer community, writing
Malachi, finds true love in Ava — a psychology student. But what happens when Ava comes to an untimely demise? Will Malachi fall for her cunning twin sister? And what does Ava mean by her words “Paint my love”? It is an intricate well-woven and dark existential crisis that looks at the burning questions all humans ask with dumbfounding answers.
Posted in book trailer
Tags: alibris, amazon, an ethereal dilemma, author, author life, authors, barnes and noble, book, book club, book geek, book lover, book trailer, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, ebook, goodreads, ilovebooks, indiebooks, kindle, kobo, literature, love, love story, murder, mystery, nook, novel, paranormal, psychology, publishing, read, reader, reading, romance, shelfari, smashwords, story, supernatural, trailer, write, writer, writer community, writing
Callie and Kane have escaped from the King Hugo’s realm but have been conscripted into the army. Here they hide, Kane posing as a common mage and Callie is put to work in the maid’s camps. With them is Jonas, one of the three roses that Master Cypher was searching for. While the war effort is continuing Jonas reveals to Callie he can see visions of the future, he tells her he must go save Kane or he will die. She rushes out to find Kane and they escape what turns out to be a massacre of all the mages in the camp. After this they find Master Cypher escaping the area with Jonas and he offers to let Kane and Callie join him on his journey to Lonsaran, the neighboring kingdom. Entering the new land, Kane changes his name to Sean McAlister and presents himself as a commoner / mage. Now Sean and Callie must look to make new lives in this land while keeping an eye on Jonas till he can be safely delivered to the king in Asturia. Along the way Callie’s past comes back to haunt her and they must figure out how to survive.
Jason Hubbard’s The Hunt for the Three Roses while a continuation of the previous novel is still able to stand alone and not confuse a new reader too much. It is a long book and some sections drag out and feel like page filler rather than moving the plot along. Aside from that, the actual story line is engaging and the character development, I feel, is enhanced from previous works by Hubbard. I enjoy the relationship dynamic between the characters. Sean’s caring nature is apparent, and you see him grow from a spoiled, selfish nineteen-year-old, into a mature father figure with Jonas. His relationship with Callie is back and forth as both can’t seem to figure out what they really want in life and what direction they want to go in. Both end up in the service of Count Guyver; and seem to fit well into their new rolls. But Rainer, an assassin from the prior novel, is still alive and determined to torment Callie. Even Rainer’s character development is well done, he is dark and calculating. His personality plays well against Sean’s more innocent and desire to be good personality. Callie falls in the middle always conflicted about if she wants to lead a life of good or descend into the underworld of crime again. This conflict makes her character so interesting and makes you want to keep reading to see how things will develop.
The world in which all this takes place is similar to Medieval times Europe. They have a strong religious belief in the life of Micah and the book of Micah. The principals are not all the different from our Bible and Jesus teachings. The difference is their religion includes magic and mages as part of the world of good. A lot of effort went into building the world Hubbard created and it shows in the details of the manor, the ways of the country men, and the secretes that the characters hold. This novel sets up things well for the next installment of the Three Roses and I look forward to seeing how this story line concludes.
Pages: 404 | ASIN: B07HHX5ZLP
Tags: adventure, alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, ebook, fantasy, fiction, goodreads, haunt, haunted, ilovebooks, indiebooks, jason hubbard, journey, kindle, kobo, literature, mage, magic, nook, novel, publishing, quest, read, reader, reading, shelfari, smashwords, story, sword and sorcery, The Hunt for the Three Roses, underworld, writer, writer community, writing
The Moving Blade follows detective Hiroshi as he navigates street level politics to solve the murder of an American diplomat. What was the direction that you wanted to take book two in the series that was different from book one?
The direction I wanted to take it is not the direction it ended up going. So, I headed more into the characters, who became more and more interesting. I focused on the roiling tumble of conflicts inside them, and what that might reflect of social, political and historical conflicts outside. I think that’s similar to book one, but because the characters are embedded into a larger framework of political pressures and international relations, their actions resonate differently. The canvas is broader in this second book, and I go deeper into Tokyo, to see the background of the characters and their choices, good and bad.
I enjoyed the mix of interesting characters throughout the novel. Who was your favorite character to write for?
I like all of them. Well, I don’t like the bad guys, but I like hating them. My favorites were maybe the bookstore owner twins and the radical leftist. They were fun to write and to put in scenes together, the twins steady and demure and the leftist stridently angry. Sakaguchi, the ex-sumo wrestler, is always fun to write for. He has this core set of values that is rock solid Japanese. When he explodes, he really explodes. And of course, Hiroshi developed and grew as a person and as a detective, in perhaps meandering ways, but human ways. The women characters are great to write for, too, as they pull the story in their direction.
It quickly unfolds that the missing manuscript was the driving factor behind the diplomat’s death. How do you balance storytelling with mystery and action to ensure readers are engaged to the very last page?
Among all the different types of mysteries, whodunnits, whydunnits, I-dunnits, I didn’t-do-its, I tend towards the why. Maybe because I was a philosophy major? Not-knowing who creates a different kind of curiosity than not-knowing why. Withholding certain pieces of information is essential. As Alfred Hitchcock pointed out, if you know there’s a bomb under the table, but the characters don’t…well, that’s suspense. And if you don’t know why the bomb is under the table in the first place, it’s really intriguing. As jazz musicians often say, and I think Mozart said it originally, the music is not in the notes, but in the silence between. I think writing should be aware of what’s not spoken, what’s not known. The unknowns make you lean in and pay attention.
Where will book three in the Detective Hiroshi series take readers?
Book three is called Tokyo Traffic. The story revolves around a young Thai girl who gets lost in Tokyo, after running away from some horrible people. She is rescued by a young Japanese woman who lives in an internet café and plays in a rock band. Most of the story takes place in the nighttime youth hangouts in Shibuya and Shimokitazawa, another side of Tokyo. The detectives are the same, though Hiroshi has moved in with his college girlfriend and Takamatsu is off suspension. It goes deeper into the characters and deeper into Tokyo.
When the top American diplomat in Tokyo, Bernard Mattson, is killed, he leaves more than a lifetime of successful Japan-American negotiations. He leaves a missing manuscript, boxes of research, a lost keynote speech and a tangled web of relations.
When his alluring daughter, Jamie, returns from America wanting answers, finding only threats, Detective Hiroshi Shimizu is dragged from the safe confines of his office into the street-level realities of Pacific Rim politics.
With help from ex-sumo wrestler Sakaguchi, Hiroshi searches for the killer from back alley bars to government offices, through anti-nuke protests to military conspiracies. When two more bodies turn up, Hiroshi must choose between desire and duty, violence or procedure, before the killer silences his next victim.
THE MOVING BLADE is the second in the Tokyo-based Detective Hiroshi series by award-winning author Michael Pronko.
Posted in Interviews
Tags: alibris, author, author life, authors, barnes and noble, book, book club, book geek, book lover, bookaholic, bookbaby, bookblogger, bookbub, bookhaul, bookhub, bookish, bookreads, books of instagram, booksbooksbooks, bookshelf, bookstagram, bookstagramer, bookwitty, bookworks, bookworm, crime, crime fantasy, crime fiction, detective, ebook, fantasy, fiction, goodreads, ilovebooks, indiebooks, japan, japanese, kindle, kobo, literature, michael pronko, mystery, nook, novel, publishing, read, reader, reading, shelfari, smashwords, story, sumo, suspense, the moving blade, thriller, tokyo, writer, writer community, writing