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Eleven Arrows (Guardians of the East, Book1)

In J.P. Manning’s novel Eleven Arrows, we journey between two distinct yet intricately intertwined epochs: the flourishing Akkadian empire of 2300 BC and the adventures of English archaeologist Fred Baker in 1850 AD. Manning crafts a multi-layered narrative rich in detail, plunging readers into a meticulously rendered universe.

While the initial chapters set in 1850 AD may seem somewhat extended, they deftly lay the groundwork for an enthralling dive into history. Through the eyes of young Kar, we become intimate spectators to the saga’s unfolding events.

Eleven Arrows truly excels in its vivid portrayal of characters, settings, and emotions, forging a deep bond between the reader and the narrative. Manning’s storytelling seamlessly marries simplicity with depth, a testament to his prowess with prose. Central to the tale are themes of kinship, camaraderie, and the embrace of transformation, elements that deeply resonate on a human scale. As the story ends, we are left poised on the precipice of what promises to be a riveting series, hungering for the next book to come.

While Eleven Arrows is very entertaining, with its robust storyline, evocative characters, and gripping themes, I think the pacing of the early Victorian era chapters are absorbing but could benefit from more conciseness.

Eleven Arrows is a remarkable introduction from J.P. Manning, and an absolute must-read for fans of historical fiction. Its universal themes centered on familial bonds and the essence of embracing evolution make it an unputdownable literary treat.

Pages: 252 | ASIN : B09K4SJ7V6

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Connecting the Ancient and Modern Worlds

Sharon E. Cathcart Author Interview

Pompeii Fire features two enthralling romances, one set in ancient Pompeii and the other set in modern times. What was the inspiration that created the fantastic journey your characters go on?

Right before the pandemic, in January 2020, I took advantage of an opportunity to visit Pompeii, Herculaneum, and Naples. I realized that there were stories to be told; every character in the ancient part of the book is based on either a documented person (like Stephanus, the fuller) or a set of remains. I wanted to give voices to them. I also wanted to connect the ancient world to the modern one, to show that people are not so very different, no matter what era we’re in. We all want to live safely, have enough food and water, good shelter, and loving relationships. Making Damiano and Stephanus analogous to Drusilla and Suetonius allowed me to make that tie.

What character did you enjoy writing for? Was there one that was more challenging to write for?

Suetonius was difficult; I had to really delve into the world of gladiatorial sport, and it definitely wasn’t a pretty picture. I had to deal with enslavement, violence, and the social mores of Ancient Rome, which are far different than those of the present day. By the same token, I loved writing Drusilla; she lives within the strictures of her time but knows there is more out there. She dares to dream of something more than marrying her father’s friend (most marriages during this time period were arranged, with the bride being as young as 12 or 13 years old and the groom usually much older).

What were some of the emotional and moral guidelines you followed when developing your characters?

I believe that every character is the hero in his or her own story. No one does things without a reason. So, even when they’re not a good person, such as how I portrayed Stephanus, they aren’t behaving from a place of evil. Now, for all I know, Stephanus could have been the nicest guy in Pompeii; he was a freedman who owned the fullonica, which is where clothes were cleaned, and he had a great deal of money. His motivation is that he doesn’t want to be told “no” ever again. So, he behaves accordingly. The main guideline I followed was “How would an ordinary person have behaved in this circumstance?” After all, these characters are not nobles at court, or senators; they’re merchants and slaves, for the most part. However, I also wanted them to experience a full range of emotions.

What is the next book you are working on, and when will it be available?

I’m working on two projects right now. “Second Chance in Shalbourne” is the follow-on to my award-winning contemporary romance, “Rose in Bloom.” “Highland Fire,” which will take place in both modern-day and 1690s Scotland, is in the research phase right now. Look for both of them in 2024.

Author Links: GoodReads | Facebook | Website

AD 79

Drusilla was the woman of his dreams. Suetonius swore his eternal devotion to the merchant’s daughter.

A gladiator’s word is his bond.

Present Day

Classics professor Damiano De Luca feels ridiculous in the gladiator costume he wears after losing a bet, and seeing Stephanie Marlowe waiting in line outside the Pompeii Archaeological Park makes him feel even worse. She’s gorgeous … and looks so familiar. Without thinking, the handsome Italian addresses Stephanie in the old tongue: “Salve, Drusilla.”

Her reply? “Salve, Thraex.”

Through untold disaster in the recesses of time and up to the present day, Dom and Stephanie must discover the truth about Pompeii Fire.

Pompeii Fire

Pompeii, a remarkable time capsule, has long captivated historians, archaeologists, and the everyday explorer alike. The city’s haunting remnants, depicting residents frozen in their final moments by a devastating volcanic eruption, have been the muse for numerous tales. Among the throngs of visitors drawn to this poignant destination is Stephanie, a travel journalist, whose adventure in Pompeii leads her to an incredible discovery.

Pompeii Fire, by Sharon E. Cathcart, seamlessly intertwines two enthralling love stories – one set in the modern era, and the other in ancient Pompeii. As Stephanie delves into Italy’s post-pandemic landscape, she finds herself entranced by a charismatic historian. Simultaneously, readers are transported to ancient Pompeii, where a young maiden’s heart is stolen by a dashing gladiator. Is there a mystical thread binding these two romances? Can both couples secure their fairy-tale endings, or will unforeseen circumstances thwart their aspirations?

Cathcart’s evocative language and vivid settings conjure images of a sun-soaked holiday romance. Targeted at young adults, this book can best be likened to the warm embrace of a Hallmark film. While the narrative may tread familiar romantic pathways, it doesn’t detract from its charm, making it an idyllic escapist read. With its emphasis on the nuances of affection over explicit intimacy, it’s a refreshingly chaste romantic tale, perfect for those seeking a gentle, heartwarming journey.

Pompeii Fire is a delightful respite from the everyday hustle, immersing readers in a world of timeless love and enchantment. Highly recommended for those desiring a light, enchanting escape.

Pages: 159 | ASIN ‏ : ‎ B0CGHPTNCD

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