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Prince in the Wilderness: An Easter Story
Prince in the Wilderness is a work of Christian historical fiction, and it reads like an Easter story told around a fire, with Scripture, family memory, and frontier life all braided together. Set in 1846 Indiana, it follows Laurent Fontaine, a young man standing between boyhood and adulthood, as he moves through the demands of family, faith, wilderness, and first love. Around him, the novel builds a full household world: his mother and father, his younger sisters, the rhythms of trapping and homesteading, and a deep sense that the natural world is not just background but part of the book’s spiritual language.
I enjoyed the book’s warmth. It’s earnest in a way that can feel rare now. The family scenes are where it really comes alive. The joking between Laurent and his sisters, the meals, the storytelling, the small household rituals, all of that gives the novel its pulse. I also liked how much the authors trust the domestic details. Food, chores, baths, tools, prayer, reading aloud, all of it matters. That gives the story weight. The prose is very rich. Still, I never doubted the sincerity behind it. The book knows exactly the kind of world it wants to build, and it commits.
I found the authorial choices interesting too, especially the way faith is not tucked into the corners but placed right at the center. This isn’t a novel that nods vaguely toward belief. It’s openly shaped by Christian conviction, and the wilderness becomes both a physical place and a spiritual testing ground. That worked for me more often than not because the book is at its best when it lets those ideas arise through character and scene rather than explanation. Laurent’s sense of responsibility, his tenderness toward his sisters, and the family’s conversations about protection, obedience, gender, and calling give the story something to wrestle with. I didn’t agree with every idea, but I respected that the book is honest about what it believes and lets those beliefs shape the stakes.
The book reminded me a little of Janette Oke’s work, especially Love Comes Softly, because it shares that same gentle Christian historical fiction tone, where faith, family, and everyday frontier life matter as much as plot. There is also a touch of Laura Ingalls Wilder in the attention to household rhythms and the feel of the natural world, though Prince in the Wilderness is more openly devotional.
I came away feeling that this book will mean the most to readers who enjoy faith-forward historical fiction with a strong family core, a coming-of-age thread, and a frontier setting that feels lived in rather than decorative. People who like their fiction reflective, morally serious, and rooted in Christian themes will probably find a lot to appreciate here. For those who want an intimate, heartfelt Christian historical story with frontier texture and a sincere spiritual center, Prince in the Wilderness has a steady, generous pull.
Pages: 298 | ASIN : B0GNT8V9X9
Hodgepodge of an Author’s Experience
The Changed Man follows a former CEO who leaves the family business to become a thriller author, causing some strain among family and friends. What was the inspiration for the setup of your story?
In Book 1 of this series, The Silent Woodsman, fraternal twins Joe and Jake have a rivalry that dates back to high school. Joe was a musician and a babe magnet from an early age. He matured earlier than Jake and was far more confident; that gave him a distinct advantage with the girls. Two incidents in particular caused their estrangement, and that plays heavily into the plot. In this book, I wanted to redeem Jake, who never got a chance to justify his actions in Book 1.
My sister and I were close in age. She was “the athlete” and I was “the brain.” Actually, she was plenty brainy, and although I didn’t have her coordination, I was athletic, too. But for a while, we both felt trapped in our roles. So I definitely understand feeling irrationally competitive with a sibling. In Jake’s case, Joe did deserve some blame.
Inspiration… it’s all a hodgepodge of an author’s experience. I dated a track star at a Catholic high school when I was 16, so my memories of him play into it. I was a German literature major and am the daughter of a professor of Russian History, and writing romance novels is somewhat on par with writing thrillers–a profession some “serious” people look down on. Especially in academic circles. Let’s just say that I don’t rely on friends and relatives as my main fan base, although my sister and I are very close, and she is wonderfully supportive of my writing.
I dated a CEO once, who turned out to be dating someone in San Francisco at the same time.
Your characters’ energy and personality really bring this story to life. Did you incorporate anything from your own life into the characters in your novel?
Thank you! I share Jake’s appreciation for the absurd. I also know a man who hiked in the Himalayas with his best friend–the trip was a lifelong dream–only to have him drop dead in their hotel room. It made me think about how men cope with grief and how great it would be if his friend’s spirit could have comforted him somehow.
When I was 17, my family stayed in a hotel outside of Florence that was run by minor nobility. We met the son and his friend, and my sister and I had an extremely innocent “romance” with them. I put it in quotes because it involved nothing more than flirting, but it was very exciting to my innocent and naive teenage self.
I don’t write about evil characters. My antagonists are mostly immature and selfish–but charming. Before I met my husband, I had a weakness for “bad boys.” They didn’t treat me particularly well, but I don’t really blame them. They were clear about who they were; I just wasn’t listening. I have known several men like George Reed Masters. They’re a blast if you can keep from falling hard for them.
I enjoyed Jake and Chiara’s romantic relationship. How did it develop while you were writing it? Did you have an idea of where you wanted to take it, or was it organic?
I made it up as I went along, but I did have a clear idea in my head of who they are. Like Chiara, I am fascinated by how idioms reflect a country’s culture. My strongest languages are French and German, but I also studied Italian for a year in college. Chiara and Jake are both insecure, but also intelligent and intuitive. That plays into how their relationship develops. Both are powerfully attracted but neither quite believes anyone can truly love them back. Whenever I encounter a house (or castle) that’s been made into a museum, I want to tour it! Especially if it contains the original furniture. I love thinking about how people used to live in the days before technology. Chiara and Jake are also enchanted by the past, another thing they have in common.
I hope the series continues in other books. If so, where will the story take readers?
In Book 5, The Fallen Man, we learn Edward’s story. For the past ten years, Edward has been a priest in Philadelphia, but when he arrives in Port Townsend, he’s finished with the Church. When I was a kid, the big bestseller was The Thorn Birds. I wanted to write a story about a sexy priest who isn’t plagued by guilt or sexually repressed and doesn’t meet a bad end. Edward had his reasons–good ones–for becoming a priest. Read the book to find out why he becomes disenchanted. And of course, he meets a beautiful woman in Port Townsend to cushion his “fall.” I won’t give away who she is, though she’s appeared in prior books and has a brief scene in The Changed Man. Book 5 will be released June 1st. Right now, I’m giving it one final edit. I’ve been mulling over spinoff books featuring minor characters or the O’Connell children as adults since this series takes place in the ’90s.
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Now Jake is content to rattle around in a rented Victorian mansion. He appears easygoing, though distracted. His recently dead friend haunts his thoughts, making him fear for his sanity.
Jake has a new career, one frowned upon in his social circle. He writes thrillers. The muse he finds in Port Townsend is just as inappropriate: the married, beguiling Chiara.
