Blog Archives
Creative Non-Fiction
Leftwich Blues/Elfwitch Rules follows twin twelve-year-olds from a broken home who are abducted by the Elfwitch and taken to another world, where they must now find a way to get back home and heal their broken home. What was the inspiration for the setup of your story?
The idea started with the title. I like to make lists of titles from time to time. The title made me think who is Leftwich? Why does he have the blues? Who is the Elfwitch and why is she trying to rule? This image came to mind: a witch travelling through the air with twins she had kidnapped. One twin gets away, but the Elfwitch tricks the other twin into serving her. The escaped twin finds an oppressed people who need encouragement in fighting against the Elfwitch. So, the twin has to lead an uprising against the Elfwitch and try to free the other twin who turned against their original selves.
The idea reminds me of the many Saturday morning TV shows by Sid and Marty Krofft: H.R. PufnStuff or Lidsville plus other portal fantasies or science fiction movies like Alice in Wonderland or Planet of the Apes (the original from 1968, not the watered down remakes/reboots) where a stranger ends up in a strange land and has to keep their identity intact while turning from fugitive to hero/heroine to survive in a harsh new reality.
Your characters are wonderfully emotive and relatable. Were you able to use anything from your own life to inform their character development?
The twins’ first names I borrowed from my cousins. Their last name also belongs to distant cousins. I find that the more real or personal I can make the character or backstory, the more I can dig into it to adapt and change it according to how the story dictates. I was a mental health paraprofessional for a few years (so I have been to family court a few times) and worked at a charitable thrift store as well as conducting a twelve-step program and now I am a public educator. I have had ex-clients as my students and have come to know the families. I understand better the dynamic in households and the problems children bring to the classroom.
My writing has been called “creative non-fiction.” I never thought of it like that, but it’s true as I need a heavy dose of realism in my fiction before I introduce the weird and fantastical.
What themes were particularly important for you to explore in this book?
The idea of twins separated and working against each other and having to reconcile was the starting point. Then it became a study of duality: two sides or polar opposites that feed or synergize entities or issues: tyranny and freedom, good and evil, lies and truth, night and day, family/friends and foes, forgiveness and unforgiving.
Is this the first book in the series? If so, when is the next book coming out, and what can your fans expect in the next story?
This was written as a stand-alone. However, I am brewing ideas for a sequel (which I would make into a cliffhanger for a duology). That project will have to wait as I have two other current projects I am working on plus I am currently promoting my first collection of short stories: ghostly shudder tales.
Author Links: GoodReads | Website | Substack
Leftwich Blues/Elfwitch Rules
Leftwich Blues/Elfwitch Rules is a sweeping fantasy tale woven into the struggles of a fractured family. It starts in myth, with vows made under the moon and curses that shake kingdoms. Then it jolts into the present, landing in the Ozarks with two twins caught in the fallout of their parents’ broken marriage. From there, the story keeps folding back and forth between a mystical Realm of hunters, owls, and ancient metals, and the harsher modern reality of courtrooms, social workers, and family strife. The twin narratives eventually bleed together, blurring what is real, what is allegory, and what is memory.
The writing bounces between old-world fantasy language and down-to-earth small-town chatter. That clash can be jarring, but it also gives the book a unique energy. One minute I was caught up in quicksilver necklaces glowing under a full moon, the next I was listening to kids argue about video games and crackheads. Sometimes I found myself laughing at the dialogue, other times I felt weighed down by how bleak it could get. The swings were sharp, but they kept me reading.
What hit me hardest wasn’t the magic or the battles. It was the raw mess of family life. The fights between Mom and Dad felt too familiar, too close to real arguments I’ve overheard in my own life. The kids’ tug-of-war over which parent to trust felt honest, painful, and sad. The fantasy parts worked like a mirror, twisting those personal struggles into epic stakes. When the twins lost their footing in the “real” world, it was like the Realm itself was cracking apart. That connection between worlds gave the story its punch.
The sudden shifts might throw some readers. But for people who like fantasy mixed with real grit, who don’t mind faith and scripture tucked into the corners, and who can handle a story that cuts close to the bone about family, it’s worth the ride. I’d recommend it to readers who like their myths messy, their heroes flawed, and their stories willing to sit in both wonder and heartbreak.
Pages: 435 | ASIN : B09CD1D958
LITERARY TITAN 