STAINER follows Ben Steiner, a Jewish Columbia undergrad who is a decent person but wishes to be “in” with the “in crowd.” What was the initial idea behind this story and how did that transform as you were writing the novel?
Since I wrote the book forty years ago, I must confess that I cannot precisely recollect what the initial idea was. I just sat down and started scribbling (longhand, on legal yellow sheets) and eventually the novel emerged. However, as I explain in my Author’s Preface, the manuscript was an overwritten mess. I was a complete amateur, and made every mistake in the book… (okay, that was a truly cringe-worthy pun.) But now that I think of it, I did have a vague notion that I wanted to somehow skewer an acquaintance of mine, and decided that the cleverest way to accomplish that would be to turn them into a rotten character in a book. Which I did… and no, I won’t tell you which character, but suffice it to say that nowadays my intended skeweree is rich, fulfilled, aging much better than I am, and utterly unaware of my –or my novel’s– existence. Which, all things considered, is exactly as it should be.
Of course, at a distance of four decades, I am now able to perceive things in the novel that weren’t apparent to me at the time I wrote it; by which I mean that there’s more than a trace of autobiographical heartbreak in the story. And I think we’ll leave it at that.
Ben goes through some strikingly personal conflicts throughout the book and his character is meticulously developed. How did you capture the thoughts and emotions of a 70’s Jewish teen?
Easy… I was a 70’s Jewish teen. Well, not technically… even though I was already in my mid-twenties when I wrote STAINER, my mindset remained that of an irresponsible teenage scamp, and I simply wrote prose in the same the way I spoke/ thought/lived; in other words, from the viewpoint of extremely arrested adolescence (ahem.) Luckily for me, it turned out that I had a knack for accurately capturing the mood and lingo of the times in my writing… who knew?
Ben meets P.T. Deighland, a wiseass from Princeton, who is clearly up to no good. What were the driving ideals behind the characters relationship throughout the story?
“Driving ideals”? Hmm… I have no clue, other than to suspect that the relationship between ‘bad-boy’ P.T. and ‘good-boy’ Ben somewhat reflected the two sides of my own slightly schizophrenic persona; which, in those days, remained more-or-less in a constant state of conflict. To all outward appearances I was definitely a good boy, but like many such young fellows, secretly wished that I had the nerve and coolness to behave like one of the bad boys. Because, after all, the bad boys always got the girls… didn’t they? But, like Ben, my efforts to attain bad-boy status were ultimately doomed to failure, and came at a heavy cost.
What is the next book that you are working on and when will it be available?
I have a new novel under way, and it’s as different from STAINER as STAINER is from SHE’S MY DAD. I can only write stand-alone novels; the mere thought of doing sequels or a series is a stupefying bore. For me, once a story is wrapped up, that’s the end of it, and then I’m off to build a new world, with new characters, new problems, new everything. It’s the only way I can stay interested enough to keep going.
As to when the new book will be available, who knows? All I can say is, stay tuned… I do believe it’s a pretty good yarn.
New York City, 1975: Decent-hearted but spoiled Jewish college kid Ben Steiner is naively possessed by an overwhelming desire to be cool. At a springtime party on the night of his twenty-first birthday, he meets two people: Rebecca Glaser, the longed-for sweet girl of his dreams, and P.T. Deighland, a beguilingly knavish wiseacre from Princeton. Seduced by Deighland’s bold irreverence while simultaneously succumbing to his own temptations, Ben makes a cascading series of unfortunate choices which not only threaten his budding relationship with Rebecca, but expose him to ruin at the hands of a ravishing but ruthless fashion model named Anthea Montague.
Against the background of a vanished period in American history, STAINER offers a bittersweet nostalgic trip back to a less complex world, during a time of incautious excesses that, while deceptively fun and carefree, in due course forced many unwary youngsters like Benjamin Steiner to learn some necessary –albeit painful– lessons about growing up.
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Amaris Jensen is a regular 17 year old college girl when she gets the earth-shattering news of her father’s tragic death. Ever since the mysterious disappearance of her mother, Amaris’s father was all she had. Now she’s sent to live her life with her cousin Sandon, who is a lab scientist and a self-defense trainer for 7 other girls at Amaris’s new school. Amaris eventually grows close to them and starts to find her when she begins uncovering strange secrets about the girls and her cousin. Amaris finds herself pulled into a vortex of myths, magic, precious stones, secrets and danger.
What starts off simple and straightforward, quickly escalates to a new and exciting level in the first few chapters. Her father’s sudden death due to a sickness Amaris never knew about, shatters her idea of normalcy and routine. She is then forced to live with an estranged cousin Sandon, who Amaris expects the worst of, but the new father figure in her life takes her by surprise.
Sandon and Amaris’s relationship develops and grows effortlessly. You can really feel Amaris’s pain and longing for normalcy, and when things start to go awry you are just as confused as she is. Which makes the mystery, and the big reveal, so much better. For Sandon, Amaris is much more than a cousin, she is like a daughter. Amaris struggles with leaving her old life behind, but she finds friends in unlikely people. I really appreciated that, while the novel was easy to read, I never really knew what was coming. The protagonist’s strength of character and depth of thoughts is very well portrayed by the author and the range of moods that Amaris wanders through is deftly characterized. This is a highly emotional novel. Amaris goes from crisis to mystery and back all the while trying to cope with the loss of her family. Emotion can be a hard thing to capture in novels, but Casey Hansen does a fantastic job of showing not telling. A few editorial errors exist but they are easy to overlook when all you want is to find out what happens next.
Black Box is a clever title for this thriller novel from Casey J. Hansen and perfectly suits the mood and unexpected ending of the story. This is not a Scooby-Doo mystery; their are layers here that you must peel back slowly. When Amaris finds out that there were initially 10 girls to begin with and now 3 of them have mysteriously disappeared, just like her mother, the book really finds legs and you’re carried along for a thrilling ride. The number of ways in which Amaris’s world crumbles throughout the story is something well worth reading. This thriller is exciting, addictive and is highly recommended.
Pages: 225 | ASIN: B01MQGCJ4J
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The Slave Boy is the sixth installment of the Orfeo Saga and follows Cyrus as he lives his life in Kuragalu. Cyrus is feeling restless and bored as he lives his life without any foreboding danger lurking in the shadows. Even though there are thoughts of what life would be like married in a traditional Kassite way, he is eager to find an adventure and sets off to Babylon to find old friends and new lands. Here they land themselves in a familiar career path of merchants however a seemingly easy road into money is tarnished when they are captured and sold into slavery. Cyrus may escape but his new mission of protecting a member of the Royal family may prove to be his most difficult task yet. Meanwhile, Cyrus also has his eyes set on stopping a siege that could kill many innocent people. Life changing decisions will leave Cyrus in a position that will change his life forever.
The Slave Boy, written by Murray Lee Eiland, is a story of courage, passion and friendship. Prepared to be thrown into the world where slavery, Royal families and war mongering politicians will stop at nothing to take over power within their country and beyond.
Murray Lee Eiland has written this novel with a beautiful air of understanding and respect towards cultures within places such as Iran. I appreciated the context of history woven throughout the plot and how he easily fit the characters into the historical tones of the story. I also liked how the chapters were short and concise which left no room to ramble or over describe situations or people. Because of this, I found myself eagerly continuing the story and was always filled with excitement and anticipation at what may happen next.
The character progression of Balik was one that I thoroughly enjoyed. He begins the novel as a drunk- lost in the old time ways, desperately searching for a place in a world that no longer accepts the heroes of war. Cyrus saves him from himself and the cheap stench of wine and injects life and a sense of adventure into his old employer.
The Slave Boy explores both governments and Royal families which adds an element of politics throughout the deep throes of adventure. Further into the story, relationships with Royals offer benefits and power, however is this what the characters want or need? At times the novel almost felt like a James Bond style movie with spies, slaves and Kings mixing together to find out the deepest of secrets within the kingdoms.
I appreciated the historical note at the end of the novel, allowing the reader to have an understanding of what was real and what was made up. As it concludes the novel, it leaves the reader to consider and ponder on what life people may have had within these areas of the world.
I would recommend this to anybody who enjoys a novel loosely based on historical events, full of adventure and life changing lessons.
Pages: 238 | ASIN: B06WVFPGP3
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H.A.L.F. tells the story of H.A.L.F 9, a Human-Alien Life Form that escapes from the military facility where he was created. What was your inspiration for this imaginative and thrilling novel?
The original idea and plot for this story came to me one day as I was driving in my hometown of Tucson, Arizona, listening to a techno-rap song called “Cowboys and Aliens”. What can I say – it was a hot day in the desert! I’ve long been fascinated by the remote area in southern Arizona, the borderlands between Mexico and the U.S. There’s a military testing range out there and not much else. That song on that day got me thinking about how alien conspiracy theorists talk about a secret underground base. And I thought what if such a base is under the missile testing range? And what if there really are human-alien hybrids? And why would a shadow government want to create such a being? The series has been great fun for me, a huge X-Files, Twilight Zone and Star Trek fan. Fun to create my own alien worlds and adventures!
H.A.L.F. 9 forms a bond with other teens that he comes across and their relationships are dynamic and deep as well. What themes did you try to capture when you were creating the relationships the characters had?
When I write a first draft, I generally don’t think about themes. I also don’t spend time outlining relationships before I write. I try my best to let the characters “speak” and for the relationships to evolve organically.
But once the first draft is written, with the assistance of my content editor, I fine tune. In The Deep Beneath, I had not originally intended for H.A.L.F. 9 to become romantically interested in Erika. But he’s a 17 year old guy who’s never been around girls his own age! Of course he’s interested in her!
As for the three human teens, I spent a lot of pre-first draft planning time creating a relationship backstory for them. On the advice of an early editor, I decided to have Erika and Jack having problems in their boyfriend/girlfriend relationship right off the bat. That’s not a typical starting point in a YA book and I think it was good advice. Over the three books, readers get to see complex relationships play out. And I think that’s more like what life is really like. Even with people we love deeply, we don’t always get along. There are ups and downs. But will we stick with someone through thick and thin? Or bail on them when the going gets tough?
Ian and Erika are best friends. Like many best friends in coming of age stories, their relationship is tested by the difficult circumstances they’re thrust into. The circumstances of the story force them to journey beyond their small town and into the wider world. And oh what a world they step into! They each are confronted with moral dilemmas and the choices they make affects their relationship.
What emerges is a story that over the 3-book series is about loyalty, trust, and having each other’s backs. Not only do we see this in how the three older teens deal with each other, but also through how Erika is teaching H.A.L.F. 9 about living in the human world.
As I’m just finishing up revisions on the third and final book in the series, ORIGINS, I’m going to miss these characters! I’ve enjoyed writing their relationships and watching them grow.
H.A.L.F 9 has telekinetic and telepathic powers which make him a valuable asset to the government. These powers are used in unique and interesting ways. How did you handle the use of these powers in the novel where they were believable yet useful?
I was inspired to give H.A.L.F. 9 the powers that he has from my research into a real top secret military project called Project Stargate. It was started in the 1970’s and the purpose was to research the potential of “psychic warfare.” This was during the cold war and they were seeking to create a “remote viewing” spy network but there was also this idea that enemies could potentially be taken out from thousands of miles away using only the mind.
Of course they didn’t produce much in the way of results. The funding dried up and the program ended (allegedly ;-).
These sorts of top secret programs inspired the story. What if aliens had stronger psychic abilities than humans, and if a human-alien hybrid was engineered to have the stronger alien psychic abilities, what could it do? Media often portrays aliens as having much more developed psychic abilities than humans, so I thought it would be believable for a human-alien hybrid to have these sorts of powers.
Giving the hybrid being these abilities was like creating superpowers or a magic system. So I had to think of its limits. That led to a rather unique problem for the hybrid beings that acts as a limit on their “magic” and is, I think, one of the more unique aspects of the series.
What is the next book that you are working on and when will it be available?
H.A.L.F.: ORIGINS (H.A.L.F. 3) will be available August 24, 2017! I’m so excited for it! It has been a super difficult book to write due to all the threads that spread out in book 2. But I think that readers will find the wrap up exciting and satisfying – and all questions will be answered!
H.A.L.F. 9 has taken his first breath of desert air and his first steps in the human world. Created to be a weapon, he proved too powerful for his makers and has lived a sedated life hidden from humans. But H.A.L.F. 9 has escaped the underground lab he called home, and the sedation has worn off. He has never been more alive. More powerful. Or more deadly.
Erika Holt longs to ride her motorcycle east until pavement meets shore. She bides her time until graduation when she’ll say adios to the trailer she shares with her alcoholic mother and memories of her dead father. But a typical night in the desert with friends thrusts Erika into a situation more dangerous than she ever imagined.
Circumstances push the two together, and each must make a fateful choice. Will Erika help H.A.L.F. 9 despite her “don’t get involved” rule? And will H.A.L.F. 9 let Erika live even though he was trained to kill?
The two may need to forget their rules and training and if either is to survive the dangers of the deep beneath them.
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The Mystery of St. Arondight’s tells the story of six teenagers on a mysterious supernatural quest across Europe. What was the inspiration for the setup to this thrilling novel?
Like my characters I was a teenager when I had my first taste of field archaeology. It was exciting, that feeling that you never quite knew what was waiting under the ground for you. It didn’t seem to matter how many of the experienced archaeologists on the site told me that treasure is unlikely, I firmly believed that every shovel full of dirt could hold some priceless artefact of great importance. Now, having been a professional archaeologist for ten years I have learned that not every excavated site uncovers great historical mysteries. In fact the closest I have ever come to treasure is five scattered Roman Denarii, probably from a lost purse. But I still have that belief that something important could be hiding just under my feet.
History itself consists of so many unanswered questions, so many what ifs, so many intangible stories. Folk law suggests the presence of ghosts at sites of violence, or in places they knew when alive. Legends tell of strange women living in trees, lakes or isolated ruins, of heroes who transcend time. There are so many mysteries out there to solve, who is to say that the conclusions must always be rational. Some stories tell of tangible artefacts, a philosopher’s stone, a sacred cup or a powerful sword. Legends give us all the chance to daydream … What might happen if one day I excavate a sword of Arthurian date from a waterlogged deposit. Could the legends be true?
The story has a host of young characters all with their own unique personalities. What themes did you want to capture while creating your characters?
With my characters I aimed to create firstly a group with a shared interest, archaeology, but to give them their own skills, knowledge and personality. The intention was to balance them so that no one character held all the aces and there was essentially no go-to hero of the piece.
I wanted to make sure that the girls were just as capable as the boys. When I was growing up I spent most of my time wanting to be one of the lads. So called ‘girly’ activities did not interest me and I felt that as a teenager there were no characters in my world, with perhaps the exception of ‘George’ from Enid Blyton’s ‘Famous Five’, that represented me as a perpetually bruised, knee skinned tomboy, hanging out with the boys, fencing with sticks and pretending that my bicycle was a motorbike. What I wanted to do here was to create characters that represented my sixteen year old self. The girly side, the tomboy side and the downright laddish part of me. Alongside my own traits I have borrowed elements of personality from the many wild, passionate, and possibly crazy archaeologists of all ages and genders, that I have met whilst digging holes all over the country. I had to try and capture some of that combination of crude humour, intelligence and boundless enthusiasm, encountered on all archaeological sites.
The action scenes and references to historical sites was well developed. Was there anything you pulled from you own life and used in this novel?
I first started fencing at university and was lucky enough to fence for my university, even becoming captain of the team and later the club. Fencing is a lot like chess, but played at the speed of light and with significantly bigger bruises, but you get a real appreciation that timing and intelligence are every bit as important as strength and skill. In writing the sword fights in St. Arondight’s, I wanted to put across some of my own experience as a fencer – the noises, the exertion required and the clear presence of mind required to make a successful attack.
Having lived in the UK all my life, I have visited many of the locations from the book, although I do admit that for a few of them I may have used a little creative licence – getting to the “beach” below the White Cliffs of Dover is much more difficult than Sarah and Jerry found it and I certainly wouldn’t advise trying it!
What is the next book that you are working on and when will it be available?
I am currently working on the sequel to The Mystery of St. Arondight’s, following the same characters on their next archaeological adventure. I’m hoping it will be available March/ April 2018 although the first draft is playing hardball right now, and it’s fair to say that working full time as an archaeologist, active fencer and motorcycle enthusiast does take up some writing time. So I’m afraid the date is tentative and it may be a little later.
Camping at ruined abbey at the end of the summer holidays, six teenage archaeologists find themselves witness to a violent haunting and discover a secret crypt below the abbey.
The discoveries they make set them on an epic quest across the country. In a race against an unhinged academic and armed with only their honour, knowledge and swordsmanship the group will have to trust one another and work together, as reality and mythology merge and the quest for an artefact of legend becomes a fight for survival.
Told in a unique blend of first and third person narration, The Mystery of St. Arondight’s follows Suzannah Jones, Melody Knight, Sarah Heddon, Claire Scott, Jerry Llewellen and Símon James Matherson in their first archaeological adventure.
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H.A.L.F by Natalie Wright tells the story of H.A.L.F 9, a Human-Alien Life Form that escapes from the military facility where he was created. During the course of his escape, H.A.L.F 9 meets teenagers, Erika, Jack and Ian, with whom he strikes up a friendship. Among other abilities, H.A.L.F 9 has extreme telekinetic and telepathic powers which make him a valuable asset to the government and one that they are not willing to lose. The government, claiming ownership of H.A.L.F 9’s life, sets out to retrieve him. Having no human technology that can match H.A.L.F 9’s power, they have to enlist a force stronger and more cunning than even H.A.L.F 9 is prepared to face.
Right from the start of the book the characters are likable and relatable. Even though the first couple of chapters were a bit confusing, each one was intriguing enough to make me want to keep reading. It isn’t immediately obvious how the characters in the first chapters are related to one another, but once you do discover the connection the direction of the story makes perfect sense. The writing is actually done very well for a Young Adult novel; which the book appears to be, as all the main characters are teenagers. I was very surprised at how each chapter really kept me on the edge of my seat; my interest in finishing the book never waned. Most books have at least a few chapters that are somewhat slow but I didn’t find this to be the case with H.A.L.F., it kept a great pace and remained interesting throughout. I think the struggle within H.A.L.F 9 between his alien and human personalities were done incredibly well. Having spent hardly any time at all actually interacting with humans on a personal level, he isn’t quite sure what to make of the new feelings that he experiences outside of the facility. For instance, there is a moment at which he finds himself wanting Jack to feel pain, even though he can acknowledge that Jack has never done anything to deserve his ill will. H.A.L.F 9 isn’t able to recognize that he feels this way toward Jack because of Jack’s romantic involvement with Erika, whom H.A.L.F 9 is also developing romantic feelings towards. I also appreciated how this aspect of the characters relationships is subtle and not the focus of any particular chapter in the story. Sometimes Young Adult fiction does not have a good balance of romance to substance but this book does not have that problem.
Natalie Wright does an excellent job with the element of surprise. I don’t want to give any spoilers so I will just say that in several places throughout the book the outcome that I was imagining is not at all what came to pass. I eagerly await the next installment of this series.
Pages: 293 | ASIN: B00R6U32CA
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Breaking Magic is the fifth book in the Legacy of Androva series. This emotional story takes place in the world of Imbera. The inhabitants are on an island and divided into two classes, the Opta and the Exta. The Opta are the ruling class, old, never aging, living a life of luxury. The Exta are the workers, made to work, sorted into units and worked to the bone until the age of eighteen when they are gathered by the Opta for nefarious purposes. For two thousand years, this has gone on. It is only when Cal starts remembering things that the world takes a dangerous turn.
In Breaking Magic, the story focuses on Callex who is a worker, in the lowest of the units, repairing roads and buildings, cleaning, and other hard labor. He cannot read or write, but he is physically strong. All the Exta’s are paired with an older child. Things start going astray in Imbera when Cal picks up his new little brother and discovers Benedar is a thinker, not a worker like him.
With the help of his friends Cal soon learns that everyone is genetically engineered to contain certain traits to make society function. When otherworlders appear in Imbera they learn of magic and spells and start to uncover their own pasts and hidden locked away parts of themselves. But with this new revelation comes a price and they must discover how to save their world.
Alex Vick creates a dramatic novel by expanding on Cal’s story in the Legacy of Androva series. Cal’s character slowly develops through the story, each new layer being pulled back as the story progresses, leaving you with a fascinating character in the end. The bond that is formed within the circle of friends brings the reader in and makes them a part of the group. You are on the edge of your seat waiting for the next clue so you can help Cal and his friends uncover the next missing piece of their world. Like the Exta’s, the reader learns more with each passing event. It’s all brought together with a compelling narrative that makes it difficult to put the book down. Breaking Magic is an entertaining and drawing novel for both young adult and adult readers, it will captivate you and give you hope for society. It shows that just because things are one way, doesn’t mean things can’t change, and just because your told your one thing, doesn’t mean you’re sentenced to always be that thing. Breaking Magic is a novel of hope and overcoming inner struggles and is a fantastic read.
Pages: 330 | ASIN: B071H5ZWDQ
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Einstein’s Fiddle begins with a man by the name of Davy Calhoun doing the unthinkable act of abandoning his child on a doorstep of a stranger’s home. You will then be transported to the past where you learn the events that have occurred to lead Davy to this very moment. Follow a journey of a lost and broken man that borders reality and dreams and flits between the past and present. Teenage romance, twisted events and a road trip will take you through the moments Davy Calhoun’s entire world turned upside down. What could have possibly possessed a man to make such an extreme decision?
Einstein’s Fiddle, written by W.A. Smith, will take you through the life of a man full of despair. Broken hearts, broken dreams and a broken future sets the tones of Davy Calhoun’s life. Loyal friendships, complicated relationships and family secrets will take the reader on an epic journey of love, life and redemption.
The plot would sometimes take an emotional twist as you delve deeper into Davy’s life. Throughout the novel, you meet various people of Davy’s past, and the characters come with their own set of perks and lurks. The folk throughout the story range from your neighbours, to best friends and long lost lovers and each person will help shape Davy into the man that he is.
Puppy fondness, pure infatuation, sweaty lust and unrequited yearning are just some of the phrases W.A. Smith uses to lure the audience into an addictive trance where you will be unable to turn away until you are satisfied you know what happens next. Follow along as Davy stumbles from childhood to manhood and the emotional confrontation that shapes his personality and life choices.
Throughout Einstein’s Fiddle, Smith flips between the past and the present and although the transition is sometimes confusing, it provides a deep understanding of Davy’s character, his family life, friendships and first loves. With the first events feeling so shocking, I felt drawn to find out exactly why he could have made the terrible decisions that he does.
Smith’s style of writing is classy and descriptive, providing a template for beautiful imagery that at times makes you feel as though you are watching a movie rather than reading a book. I almost felt like the novel could have had its own soundtrack and theme song! The reader will be pleasantly lost in the words and you will feel an instant attraction to Davy as his character’s progression takes twists and turns throughout the timeline of his life. Davy’s thoughts are often filled with twisted memories that are masked by the sting of liquor and unfortunate events will leave you feeling empathetic to his character.
If you are looking for a novel that will make you laugh, cry and feel deeply, then this is the novel for you. I would recommend this for those looking for a well-written novel with relatable and heartwarming characters. I wouldn’t be surprised if we see W.A Smith up there with the big named authors of the future and look forward to reading his other works.
Pages: 463 | ASIN: B01MXM99FT
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The Mystery of St. Arondight’s tells the story of six teenagers on a mysterious quest full of adventure and suspense. During a camping trip among an abbey’s ruins, Suze, Claire, Jerry, Melody, Simon, and Sarah witness phantom flames, living skeletons, and a haunted crypt. The supernatural phenomenons raise questions that lead the group on a mysterious quest across Europe. To make matters worse, they are pitted against a crazed doctor and his menacing lackeys searching for the same answers. As the young adventurers search for clues, they uncover secrets about the legends of King Arthur, his queen, and his loyal knights.
What a fantastic break-out novel for author S. M. Porter! The plot was littered with suspense, adventure, action, a little romance – everything you need to create a great story. I enjoyed trying to figure out clues the characters had to find and the puzzles they discover.
I love history, especially history of the Middle Ages, and I find the legends of King Arthur fascinating. Porter ties these interesting topics together by using an archaeological dig as the setting, which I believe serves as the perfect venue for a novel like this. Her experience working on dig sites allows her to explain ruins, decaying bodies, and crypts in amazing detail that pulls the reader into the story.
Due to her experience with fencing, Porter makes the fight scenes lifelike. She uses her experiences to provide another level of understanding within the novel. Suze and Simon both fence, and there is a scene where one of the characters must fight a knight. Porter’s understanding of weaponry allows her allows to describe swords and shields in detail, pulling you right into the action.
Overall, I think The Mystery of St. Arondight’s is a great story with a fantastic plot, but some parts were confusing. The characters were lovable, and Porter described teenage friendships and interactions in a humorous but true way. As relatable as the characters are, I do think they needed more character development. Each character did grow throughout the story, but I felt like there development was too obvious.. I also had a hard time with the constant point of view changes. The book is primarily in first person from Suze’s point of view, but as more characters and plot developments are introduced, the point of view switches from first person to third person. I think a novel with this many point of view changes should have been written completely in third person.
I loved the mix of history and paranormal in the story and was fond of the characters. I am impressed by Porter’s ability to draw experiences from her life and describe them in such a way that makes you feel as though everything in The Mystery of St. Arondight’s really happened. My biggest criticisms are the character development and the point of view changes, but those wouldn’t keep me from reading this novel again. I hope Porter continues to follow the adventures of Suze, Jerry, Claire, Simon, Melody, and Sarah. I can’t wait to see what happens to them in the future!
Pages: 393 | ASIN: B01L0CQT42
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Kathryn Berryman’s Erinland infuses Christianity into ancient rites while catapulting 21st Century characters into a 9th Century Viking war. Two teens, Amy and Richard, serve as threads in an intricate tapestry of historical fiction. Sharing the weave is Aiden, a monk protecting valuable antiquities with his life.
The story moves along through the points of view of one of the three most important characters. When Amy and Richard land in their respective, opposing villages, they are fully embraced. Both are long-awaited reincarnations of gods of the time. We’d expect the teenagers to feel displaced and confused, but they adapt quickly.
Berryman provides much in the way of Viking history, landscape, and relic description. Erinland is driven by her vast interest in these. We learn much lore through the tale of these ordinary, troubled children endowed with extraordinary powers from the glorious beings they represent. Berryman’s depictions of the cultures during the time are lovely and detailed as she describes their villages, clothing, and lifestyles. “The kransen, a gilt circlet worn on the head by unmarried girls, is removed from the young bride to be. It is a symbol of her virginity. The kransen is wrapped up by the bride’s attendants and put away until the birth of her eldest daughter who it will pass to.” (Page 194).
In Berryman’s desire to share her knowledge, she writes long monologues. These establish her as a credible authority on ancient history, but do so at the expense of natural dialogue. After suddenly being transported in time, the three primary characters are plunked down and force-fed tons of information. “Richard listened closely to Vagn as he spoke. It was a lot of information to absorb.” (Page 325).
The lack of meaningful exchanges sacrifices character development. This is particularly true for Amy, but less so for Richard. Relating to the characters is essential for us to want to read on.
Because war is the foundation of the plot, we may find it difficult to suspend belief when we are told the teens can learn how to become warriors in a few afternoons. Berryman relies upon descendent memory to take care of the problem. “Familiarise yourself with our ways. Your memories will return. A son of Odin retains his father’s essence and with it his memories and might.” (Page 183).
In the end Erinland is a fascinating story that fuses mythology with well-choreographed battle scenes.
Pages: 278 | ASIN: B01MR9IAQL
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