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The Strange Tools of Human Communication: The Voice, the Pen, and the Lyre
Ruth Finnegan’s The Strange Tools of Human Communication is a wide-ranging and often unexpectedly intimate meditation on how human beings make meaning through more than language alone. Moving from the voice to writing, music, gesture, number, colour, and finally the hand itself, Finnegan argues that communication is not a single channel but a dense, historical, bodily weave. What stayed with me most was the book’s refusal to let speech monopolize the story of human expressiveness. The chapters on Limba storytelling in Sierra Leone, on pictographic systems and cave art, on music’s possible origins, and on those half-conscious forms of signifying that live in numbers and colours all feed into one large claim: we are tool-making communicators, and our tools are stranger, older, and more various than modern habits of thought usually allow.
What I admired most was the book’s atmosphere of intelligent wonder. Finnegan writes like a scholar who still feels genuine astonishment at her subject, and that astonishment is contagious. I was especially taken by the pages on voice, where she moves from the physical instrument of the larynx to the felt power of hearing poetry aloud, and then into her vivid account of Limba oral performance, with its repetitions, pauses, chorus responses, and the sly drama of “the clever cat.” Those sections have real life in them. They don’t just describe communication, they seem to perform its vitality. I also liked the book’s impatience with easy hierarchies. Her defense of pictograms and non-alphabetic systems, and her skepticism toward grand claims that writing alone transformed humanity, give the argument a welcome steadiness.
At the same time, I found the book more persuasive in its concrete chapters than in its more speculative ones, and that imbalance is part of what makes it feel human rather than mechanically “complete.” When Finnegan is close to lived example, to oral artistry, to scripts and inscriptions, to music as a social and emotional practice, I felt entirely in her hands. When she moves into swarming, unconscious intercommunication, or the more mystical reaches of shared consciousness, I was intrigued. Still, even there, I never felt she was being careless. What she offers is less a hard thesis than a roaming, seasoned intelligence thinking aloud across disciplines. The book has the texture of a learned person laying out a lifetime’s thinking, with all the warmth, digression, and oddity that implies.
I found this a stimulating book that enlarges the reader’s sense of what communication is and where it lives. I finished it feeling more alert to sound, script, gesture, ritual, and the patient labor of the hand. I’d recommend it most strongly to readers of anthropology, linguistics, music, oral tradition, and cultural history, and also to anyone who likes scholarship with personality still beating inside it. This is a thoughtful book for curious readers who don’t mind following an original mind down winding paths.
Pages: 257 | ASIN : B0CXVJB1G3
Communication is More Than Verbal Language
Communicating: The Multiple Modes of Human Communication 3rd Edition is a thorough and insightful examination of human communication, transcending the conventional focus on verbal language. Why was this an important book for you to write?
I’ve been interested in, and writing about, communication in its various senses from my early days: storytelling for example, the beautiful wit and words of Ulster communicating, linguistic anthropology, body language, music (that’s communication too). Through this I’d been becoming more and more convinced that communication did not consist only, or even predominantly, of verbal language, spoken or written, but a whole wealth of other things as well. That isn’t at all a widely accepted view among communication experts, so I felt that I HAD to write a book to show the evidence and argument for my position – almost a duty.
It turned out a bigger journey of investigation than I’d expected (and I loved it – hope you’ll come along it with me and enjoy it too: about these amazing, clever, enterprising animals, and I don’t mean just the human ones).
What changes did you make in this edition of your book from prior editions? Was there any area where your research has led you to a new or different conclusion from prior published results?
A lot. Besides some updating throughout and more and better illustrations, there’s a new introduction linking to recent perspectives in social science (much has changed in the 20 years since the first edition); reordering of the five chapters on the senses to make the argument run more smoothly; a rewritten chapter on extrasensory communication in the light of recent developments and of the revolutionary findings of “new science”; and a totally new concluding chapter.
That final chapter: I found to my consternation that what I had found During my investigations almost totally reversed the usual assumptions about communication in early human history (cave paintings are in too), INCLUDING KEY ASSUMPTIONS IN MY OWN BOOKS, earlier editions of this book among them.
It was startling. But I had to be honest and tell it as I’d found it.
And that was – ? Ah, complicated! You’ll have to read it.
Did you find anything in your research of this story that surprised you?
Yes very much so, not just in research for that final chapter, but also the fascinating range of ways humans and other animals use their differing but overlapping resources to interact (WHAT a lot is now known). I was particularly surprised and impressed by the explosion of radically new research about the gesticulation systems of the great apes: amazing and surprisingly relevant for human communicating.
What is the next book that you are writing, and when will that be published?
Am I allowed two? The thing is that now that I’m retired and have more time I find it relaxing to have several contrasting books on the go and don’t always know which is going to come out first.
Two books that I’ve been tinkering with for some time are, first, an updated version of a collection of prose, verse and images from many cultures, now to be called “The Search for Peace: Voices of Despair and Hope through the Centuries”. That’s only too heartbreakingly topical just now, isn’t it, but inspiring too – what insights there have been through the world and the ages. With luck it’ll very soon be chuntering its way onto Amazon.
And, second, a small book now nearing completion: a fun – but perhaps also a bit useful – silly little book with cartoon pics, to be called something like “Kate’s Bad Cook Guide for morons”. I’m enjoying that immensely. Maybe in time for Christmas, no promises.
After that? Back to a couple academic ones, and maybe a new Kate-Pearl novel…, let’s see.
Author Links: LinkedIn | Twitter | Facebook | Website
In an authoritative and readable account, Ruth Finnegan brings together research from linguistic and sensory anthropology, material culture, non-verbal communication, computer-mediated communication, and, strikingly, research on animal communication, such as the remarkable gesture systems of great apes. She draws on her background in classical studies and her long anthropological experience to present illuminating examples from throughout the world, past and present.
The result is to uncover an amazing array of sounds, sights, smells, gestures, looks, movements, touches, and material objects used by humans and other animals to interconnect both nearby and across space and time
She goes on to first explore the extra-sensory modes of communication now being revealed in the extraordinary “new science” research and then, in an incendiary conclusion, to deny the long-prevailing story of human history by questioning whether orality really came before literacy; whether it was really through “the acquisition of language” that our prehistoric cave painting ancestors made a sudden leap into being “true humans”; and finally, astonishingly, to ask whether human communicating had its first roots not, after all, in verbal language but something else.
Not to be missed, this highly original book brings a fresh perspective on, among other things, that central topic of interest today – the dawn of human history – and on what being homo sapiens really means. This revised and updated edition has additional illustrations, updated chapters, and a new concluding chapter.
A provocative and controversial account that will stir worldwide debate, this book is an essential transdisciplinary overview for researchers and advanced students in language and communication, anthropology, and cultural studies.
Communicating: The Multiple Modes of Human Communication 3rd Edition
Communicating: The Multiple Modes of Human Communication 3rd Edition by Ruth Finnegan presents a thorough and insightful examination of human communication, transcending the conventional focus on verbal language. Finnegan adeptly delves into the multifaceted aspects of communication, encompassing not only spoken words but also the nuanced realms of gestures, body language, material objects, and the contexts in which these interactions occur. Her approach highlights the intricate and layered nature of human interactions, with a particular emphasis on the significance of non-verbal elements such as facial expressions and sensory experiences. This perspective offers readers a comprehensive and dynamic understanding of communication.
Finnegan’s writing style is both clear and inviting, effectively demystifying complex concepts for a broad audience. Her narrative is enriched by anecdotes and vivid descriptions, making the book as engaging as it is informative. From beginning to end, the text is infused with a depth of material and a keen analytical perspective, showcasing Finnegan’s scholarly acumen and intellectual diligence. Her reflective and inquisitive tone invites readers into a deep exploration of communication’s diverse dimensions. The book’s use of diverse examples, ranging from 20th-century England to 1960s Sierra Leone, underscores Finnegan’s commitment to examining communication across various cultural contexts. This approach, coupled with references to semiotic and structuralist theories, adds theoretical depth to her exploration.
Rather than diving into complex definitions from the outset, Finnegan opts for an experiential approach to communication. This strategy enhances the book’s accessibility and appeal, making it a compelling read for a wide audience. Communicating serves as a foundational text for those deeply interested in the expansive study of human communication. It caters to readers seeking a nuanced and reflective understanding of the term ‘communication’ and its multifaceted nature, especially in relation to broader social and cultural contexts.
Ruth Finnegan’s Communicating stands out as a comprehensive guide to understanding the diverse and complex facets of human communication. Her skillful blending of high-quality writing with in-depth discussion captures the functional value of communication in society, stimulating intellectual curiosity and providing valuable insights into the intricate interactions that define our social fabric.
Pages: 338 | ASIN : B0CKFNP7S1
