Rhino follows a research scientist who discovers her father has terminal cancer and is entangled with poachers and smugglers, leaving her in a race against time to find a way out for him and a cure. What was the inspiration for the setup of your story?

The inspiration for the setup came from wanting to explore the collision of two very different worlds: the clinical, evidence-based world of modern medicine and the desperate, high-stakes world of the international wildlife trade. I was fascinated by the question of what could push a fundamentally good, logical person to cross a line they never thought they would.

I made Linh a research scientist for a specific reason. Her entire life is governed by data, ethics, and reason. By putting her in a situation where science and medicine seem to be failing the person she loves most—her father, an oncologist, which adds a layer of tragic irony—her foundation is shattered. This is what opens the door for a desperate, irrational choice.

The rhino horn itself is a powerful symbol. It represents this clash between ancient belief and modern conservation, between a daughter’s desperate hope and a global ecological crisis. It’s not just a simple illegal act; it’s a moral labyrinth. For Linh to even consider it, she has to betray her own scientific principles and become entangled with the very darkness that characters like Inspector Le and Nguyen Vu are fighting.

So, the setup—the scientist, the dying oncologist father, and the criminal underworld—was designed to create the ultimate moral pressure cooker. It’s a story born from the question: How far does love compel us to go, and can we find our way back once we’ve
crossed into the dark?

Linh is a woman with strength and determination. What do you think makes her a valuable and worthy heroine?

Thank you, I’m glad her strength and determination come through. For me, what makes Linh a valuable and worthy heroine isn’t that she’s perfect or always makes the right choice, but precisely because she doesn’t.

Her heroism is rooted in something incredibly human and relatable: the fierce, unconditional love for a parent. She isn’t a trained operative or a hardened detective; she’s a scientist thrown into a world she doesn’t understand, armed only with her intelligence and a desperate need to save her father. Her initial strength isn’t about physical power, but about her refusal to accept defeat, even when all logical paths are closed to her. But what truly makes her worthy, in my eyes, is her fallibility. She makes terrible, morally compromising decisions. She lies, she steals, and she gets involved with a ruthless criminal. This is where her real journey begins. A perfect heroine doesn’t have to grow. Linh is forced to confront the darkest parts of herself and the devastating consequences of her choices.

Her true strength isn’t just the determination to save her father at any cost, but the courage to face what she has done and actively work toward redemption. By the end of the novel, when she joins Nguyen Vu’s conservation efforts, she isn’t just running from her past; she’s trying to build a better future, both for herself and for the cause she once harmed.

So, Linh is a heroine for our complex times. She’s not an idealized figure on a pedestal. She’s a real person who gets lost in the dark and has to fight her way back to the light. Her worthiness comes from that struggle—from her capacity for both terrible mistakes
and profound redemption.

What were some themes that were important for you to explore in this book?

That’s a great question, as the themes were really the foundation of the story. There were a few that were very important for me to explore.

First and foremost is the theme of moral compromise born from desperation. I wanted to put a good person, Linh, in an impossible situation. She’s a scientist, someone who believes in logic and ethics, but she’s faced with the absolute, emotional terror of losing her father. The central question I wanted to explore was: How far will love push you past your own moral boundaries? It’s about that slippery slope—how one desperate decision can lead you into a world of darkness you never imagined.

Building on that, another crucial theme is systemic corruption. The antagonist isn’t just the ruthless gangster, Khanh Pham. He’s a symptom of a much larger disease. The corruption infects the hospital through Dr. Duc, it threatens law enforcement, and as we eventually learn with Wong Min, it reaches the highest levels of international power. It was important for me to show that this kind of evil isn’t just the work of a few bad men; it’s a network that thrives in the shadows of our institutions, making it incredibly difficult for individuals like Inspector Le and Nguyen Vu to fight.

Finally, despite all the darkness, a key theme is the possibility of redemption. Linh’s journey doesn’t end when the main conflict is resolved. She has to live with her choices. Her decision to join the conservation efforts is her way of atoning, of trying to heal some of the damage she contributed to. It suggests that even when we make terrible mistakes, the path forward isn’t about erasing the past, but about using our experiences to build a better future. It’s a difficult and painful hope, but it’s hope nonetheless.

What is the next book that you are working on, and when can your fans expect it to be out?

I’m so glad you asked! It’s an incredibly exciting time, and I have a lot of new stories I can’t wait to share with readers across different age groups.

For my younger readers, I’m thrilled to announce that my publisher, Fabled and Bound, is releasing my new Zoo Collection. The first book, Bat Rocket Boogie, which is for ages 6-8, will be out in the very near future. And that’s just the beginning! We’re expanding that universe with two spin-off series starring more anthropomorphic animals. The first is Forest Friends Mysteries for ages 6-9, which we hope to release around September or October of this year. Following that will be Myths & Legends, a historical fiction
series for kids 8 and up.

And for my adult readers, I’m so excited to be working on a historical fiction novel, tentatively titled The Women of Ravensbrück. It’s set to be published in the UK by Legend Press in the spring of 2026, so there is definitely a lot coming down the pipe!

People sometimes ask how I’m able to work on so many different projects. As many of my readers know, I’m a retired ICU RN, and I live with PTSD from my time on the front lines. For me, writing every day isn’t just a job; it’s a form of therapy. It’s been profoundly healing and has become a vital part of my life. It allows me to build new worlds and channel my experiences into stories, and I’m so grateful to be able to share them.

So, all these stories are brought to you by a very busy, very proud, and very left-handed Canadian!”

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