In The Ember Reach, a young woman encounters an angel while trying to navigate an eerie world inhabited by the undead. What was the inspiration for the setup of your story?

Prior to writing the first book, I had the overarching four-part series planned, start to finish. The angel in question already existed in the lore as a being who aids the “lost,” a broad and important term in this world. I had no direct inspiration for that scene, but Biblical tales I heard as a kid of angels mysteriously helping people, like with Lot’s family, probably factored in subconsciously. Any mythological celestial intervention intrigues me, especially when there are ambiguous motivations involved.

I find the world you created in this novel brimming with possibilities. Where did the inspiration for the setting come from, and how did it change as you were writing?

I originally conceived the setting around 2012 while dabbling in creative writing. I’ve always enjoyed brainstorming ideas for worlds and fictional histories. My editor proposed a basic hierarchy for the primary church featured in the series, which I later named the Matrian Church. Real ancient and modern cultures broadly inspire the setting; secluded tribes, Greece, Rome, China, Japan, the Middle East, wherever. I think grounding worldbuilding in actual history helps everything fit together in a reasonable way.

To avoid inconsistencies and retcons while writing, things I worry about, I created a guide for the Planar Lost world. As I add new material, like my recent expansion on the origin of elves, I update the guide. After a few years of work, the document’s a couple hundred pages long and has become an invaluable resource.

Do you have one character you especially enjoy writing for?

I most enjoy writing chaotic characters like Aitrix and Fausta, reported reader favorites. Their unpredictability lets me take them to darker places than might be appropriate for most of the characters. Fausta was a unanimous favorite in book two among my beta readers and features prominently in book three. Aitrix is the central character of the prequel I’m working on as well.

Can readers look forward to a third installment in the Planar Lost series? Where will it take your characters?

I’m nearly finished with book three, The Faceless Man, and the prequel I mentioned, Kravae: Betrayal of a Mage. I hope to release both of those sometime in 2024, a month or so apart. Book four, The Vile God, will conclude the main series.

The Faceless Man brings back a major character and introduces new villains, with leading and side characters assuming new roles and encountering greater hardships. A beta reader loved book three and said it “never lets you get bored,” which is terrific to hear. It’s got more action and magic and a lot of character development that I hope people who enjoyed the first two books will appreciate.

I have many more stories left to tell in the setting, but for now, I’m pushing to complete what I’ve already begun!

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